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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 103 217 it is the complementary color RGB 91 152 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 103 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 103 217 shade: RGB 169 103 212, RGB 186 121 231, RGB 203 139 250, RGB 220 157 255 and RGB 237 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 103 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 103 217 shade: RGB 164 103 217, RGB 147 85 198, RGB 130 67 179, RGB 113 49 160 and RGB 96 31 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 103 217 shade: RGB 164 104 217, RGB 195 104 217, RGB 217 104 208, RGB 217 104 178 and RGB 217 104 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 103 217 shade: RGB 164 104 217, RGB 134 104 217 and RGB 104 104 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 103 217 shade matches the following richer shades: RGB 164 104 217, RGB 165 88 232 and RGB 166 73 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 103 217 shade: RGB 164 104 217, RGB 163 119 201, RGB 162 134 186, RGB 161 149 171 and RGB 160 165 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 103 217 shade: RGB 104 104 217, RGB 134 104 217, RGB 164 104 217, RGB 194 104 217 and RGB 217 104 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 103 217 shade: RGB 124 47 191, RGB 144 71 209, RGB 164 104 217, RGB 184 137 225 and RGB 204 170 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 103 217 shade: RGB 164 103 217, RGB 217 104 134 and RGB 104 217 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 103 217 shade: RGB 164 103 217, RGB 217 164 104 and RGB 104 217 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 103 217 shade: RGB 164 103 217, RGB 217 104 134, RGB 156 217 104 and RGB 104 217 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 103 217 shade: RGB 164 103 217, RGB 217 107 104, RGB 156 217 104 and RGB 104 213 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 53 / 0 / 15

HEX #A467D9

RGB 164 103 217

HSL 272.11, 0.6%, 0.63%

LAB 54.66, 45.73, -49.36

 

Complementary color

CMYK 40 / 0 / 75 / 40

HEX #5B9826

RGB 91 152 38

HSL 92.11, 0.6%, 0.37%

LAB 56.9, -38.77, 50.49

 

CMYK 20 / 51 / 0 / 17

HEX #A967D4

RGB 169 103 212

HSL 276.33, 0.56%, 0.62%

LAB 54.96, 45.91, -46.03

 

CMYK 19 / 48 / 0 / 9

HEX #BA79E7

RGB 186 121 231

HSL 275.45, 0.7%, 0.69%

LAB 61.55, 45.07, -46.14

 

CMYK 19 / 44 / 0 / 2

HEX #CB8BFA

RGB 203 139 250

HSL 274.59, 0.92%, 0.76%

LAB 68.07, 44.25, -46.23

 

CMYK 14 / 38 / 0 / 0

HEX #DC9DFF

RGB 220 157 255

HSL 278.57, 1%, 0.81%

LAB 73.9, 40.51, -39.7

 

CMYK 7 / 31 / 0 / 0

HEX #EDAFFF

RGB 237 175 255

HSL 286.5, 1%, 0.84%

LAB 79.55, 36.01, -30.82

 

CMYK 24 / 53 / 0 / 15

HEX #A467D9

RGB 164 103 217

HSL 272.11, 0.6%, 0.63%

LAB 54.66, 45.73, -49.36

 

CMYK 26 / 57 / 0 / 22

HEX #9355C6

RGB 147 85 198

HSL 272.92, 0.5%, 0.55%

LAB 47.98, 46.6, -49.28

 

CMYK 27 / 63 / 0 / 30

HEX #8243B3

RGB 130 67 179

HSL 273.75, 0.46%, 0.48%

LAB 41.24, 47.41, -49.12

 

CMYK 29 / 69 / 0 / 37

HEX #7131A0

RGB 113 49 160

HSL 274.59, 0.53%, 0.41%

LAB 34.49, 48.02, -48.77

 

CMYK 32 / 78 / 0 / 45

HEX #601F8D

RGB 96 31 141

HSL 275.45, 0.64%, 0.34%

LAB 27.82, 48.13, -48.06

 

CMYK 24 / 52 / 0 / 15

HEX #A468D9

RGB 164 104 217

HSL 271.86, 0.6%, 0.63%

LAB 54.87, 45.19, -49.03

 

CMYK 10 / 52 / 0 / 15

HEX #C368D9

RGB 195 104 217

HSL 288.32, 0.6%, 0.63%

LAB 58.52, 53.42, -43.02

 

CMYK 0 / 52 / 4 / 15

HEX #D968D0

RGB 217 104 208

HSL 304.78, 0.6%, 0.63%

LAB 60.96, 57.82, -33.91

 

CMYK 0 / 52 / 18 / 15

HEX #D968B2

RGB 217 104 178

HSL 320.71, 0.6%, 0.63%

LAB 59.77, 53.04, -18.68

 

CMYK 0 / 52 / 32 / 15

HEX #D96893

RGB 217 104 147

HSL 337.17, 0.6%, 0.63%

LAB 58.75, 48.81, -2.3

 

CMYK 24 / 52 / 0 / 15

HEX #A468D9

RGB 164 104 217

HSL 271.86, 0.6%, 0.63%

LAB 54.87, 45.19, -49.03

 

CMYK 38 / 52 / 0 / 15

HEX #8668D9

RGB 134 104 217

HSL 255.93, 0.6%, 0.63%

LAB 51.81, 37.62, -54.09

 

CMYK 52 / 52 / 0 / 15

HEX #6868D9

RGB 104 104 217

HSL 240, 0.6%, 0.63%

LAB 49.32, 30.86, -58.23

 

CMYK 24 / 52 / 0 / 15

HEX #A468D9

RGB 164 104 217

HSL 271.86, 0.6%, 0.63%

LAB 54.87, 45.19, -49.03

 

CMYK 29 / 62 / 0 / 9

HEX #A558E8

RGB 165 88 232

HSL 272.08, 0.76%, 0.63%

LAB 52.74, 57.17, -60.9

 

CMYK 33 / 70 / 0 / 3

HEX #A649F7

RGB 166 73 247

HSL 272.07, 0.92%, 0.63%

LAB 51.37, 67.65, -71.5

 

CMYK 24 / 52 / 0 / 15

HEX #A468D9

RGB 164 104 217

HSL 271.86, 0.6%, 0.63%

LAB 54.87, 45.19, -49.03

 

CMYK 19 / 41 / 0 / 21

HEX #A377C9

RGB 163 119 201

HSL 272.2, 0.43%, 0.63%

LAB 57.27, 32.91, -36.2

 

CMYK 13 / 28 / 0 / 27

HEX #A286BA

RGB 162 134 186

HSL 272.31, 0.27%, 0.63%

LAB 60.14, 20.7, -23.24

 

CMYK 6 / 13 / 0 / 33

HEX #A195AB

RGB 161 149 171

HSL 272.73, 0.12%, 0.63%

LAB 63.35, 8.66, -9.89

 

CMYK 3 / 0 / 5 / 35

HEX #A0A59C

RGB 160 165 156

HSL 93.33, 0.05%, 0.63%

LAB 67.11, -3.48, 4.03

 

CMYK 52 / 52 / 0 / 15

HEX #6868D9

RGB 104 104 217

HSL 240, 0.6%, 0.63%

LAB 49.32, 30.86, -58.23

 

CMYK 38 / 52 / 0 / 15

HEX #8668D9

RGB 134 104 217

HSL 255.93, 0.6%, 0.63%

LAB 51.81, 37.62, -54.09

 

CMYK 24 / 52 / 0 / 15

HEX #A468D9

RGB 164 104 217

HSL 271.86, 0.6%, 0.63%

LAB 54.87, 45.19, -49.03

 

CMYK 11 / 52 / 0 / 15

HEX #C268D9

RGB 194 104 217

HSL 287.79, 0.6%, 0.63%

LAB 58.4, 53.16, -43.22

 

CMYK 0 / 52 / 4 / 15

HEX #D968D1

RGB 217 104 209

HSL 304.25, 0.6%, 0.63%

LAB 61.01, 57.99, -34.41

 

CMYK 35 / 75 / 0 / 25

HEX #7C2FBF

RGB 124 47 191

HSL 272.08, 0.61%, 0.47%

LAB 37.99, 58.28, -61.48

 

CMYK 31 / 66 / 0 / 18

HEX #9047D1

RGB 144 71 209

HSL 271.74, 0.6%, 0.55%

LAB 45.69, 55.58, -59.32

 

CMYK 24 / 52 / 0 / 15

HEX #A468D9

RGB 164 104 217

HSL 271.86, 0.6%, 0.63%

LAB 54.87, 45.19, -49.03

 

CMYK 18 / 39 / 0 / 12

HEX #B889E1

RGB 184 137 225

HSL 272.05, 0.59%, 0.71%

LAB 64.58, 34.43, -38.07

 

CMYK 12 / 27 / 0 / 9

HEX #CCAAE9

RGB 204 170 233

HSL 272.38, 0.59%, 0.79%

LAB 74.49, 24.04, -26.98

 

CMYK 24 / 53 / 0 / 15

HEX #A467D9

RGB 164 103 217

HSL 272.11, 0.6%, 0.63%

LAB 54.66, 45.73, -49.36

 

CMYK 0 / 52 / 38 / 15

HEX #D96886

RGB 217 104 134

HSL 344.07, 0.6%, 0.63%

LAB 58.39, 47.27, 4.74

 

CMYK 52 / 0 / 45 / 15

HEX #68D977

RGB 104 217 119

HSL 127.96, 0.6%, 0.63%

LAB 78.4, -52.49, 38.57

 

CMYK 24 / 53 / 0 / 15

HEX #A467D9

RGB 164 103 217

HSL 272.11, 0.6%, 0.63%

LAB 54.66, 45.73, -49.36

 

CMYK 0 / 24 / 52 / 15

HEX #D9A468

RGB 217 164 104

HSL 31.86, 0.6%, 0.63%

LAB 71.08, 12.59, 38.53

 

CMYK 52 / 0 / 24 / 15

HEX #68D9A4

RGB 104 217 164

HSL 151.86, 0.6%, 0.63%

LAB 79.18, -44.46, 16.44

 

CMYK 24 / 53 / 0 / 15

HEX #A467D9

RGB 164 103 217

HSL 272.11, 0.6%, 0.63%

LAB 54.66, 45.73, -49.36

 

CMYK 0 / 52 / 38 / 15

HEX #D96886

RGB 217 104 134

HSL 344.07, 0.6%, 0.63%

LAB 58.39, 47.27, 4.74

 

CMYK 28 / 0 / 52 / 15

HEX #9CD968

RGB 156 217 104

HSL 92.39, 0.6%, 0.63%

LAB 80.57, -38.38, 49.01

 

CMYK 52 / 0 / 14 / 15

HEX #68D9BB

RGB 104 217 187

HSL 164.07, 0.6%, 0.63%

LAB 79.7, -39.41, 4.98

 

CMYK 24 / 53 / 0 / 15

HEX #A467D9

RGB 164 103 217

HSL 272.11, 0.6%, 0.63%

LAB 54.66, 45.73, -49.36

 

CMYK 0 / 51 / 52 / 15

HEX #D96B68

RGB 217 107 104

HSL 1.59, 0.6%, 0.63%

LAB 58.29, 42.79, 22

 

CMYK 28 / 0 / 52 / 15

HEX #9CD968

RGB 156 217 104

HSL 92.39, 0.6%, 0.63%

LAB 80.57, -38.38, 49.01

 

CMYK 52 / 2 / 0 / 15

HEX #68D5D9

RGB 104 213 217

HSL 182.12, 0.6%, 0.63%

LAB 79.35, -30.08, -11.56

 

Description

Color code: RGB 164 103 217 | qconv.com Color code: RGB 164 103 217 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 103 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 103 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 53 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 53% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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