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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 103 192 it is the complementary color RGB 91 152 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 103 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 103 192 shade: RGB 169 103 187, RGB 186 121 206, RGB 203 139 225, RGB 220 157 244 and RGB 237 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 103 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 103 192 shade: RGB 164 103 192, RGB 147 85 173, RGB 130 67 154, RGB 113 49 135 and RGB 96 31 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 103 192 shade: RGB 164 104 192, RGB 188 104 192, RGB 192 104 172, RGB 192 104 148 and RGB 192 104 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 103 192 shade: RGB 164 104 192, RGB 140 104 192, RGB 117 104 192 and RGB 104 104 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 103 192 shade matches the following richer shades: RGB 164 104 192, RGB 171 87 209, RGB 177 69 226 and RGB 183 52 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 103 192 shade: RGB 164 104 192, RGB 158 121 174, RGB 151 139 157, RGB 145 156 140 and RGB 138 173 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 103 192 shade: RGB 117 104 192, RGB 141 104 192, RGB 164 104 192, RGB 187 104 192 and RGB 192 104 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 103 192 shade: RGB 123 63 150, RGB 147 75 179, RGB 164 104 192, RGB 182 133 204 and RGB 199 162 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 103 192 shade: RGB 164 103 192, RGB 192 104 114 and RGB 104 192 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 103 192 shade: RGB 164 103 192, RGB 192 164 104 and RGB 104 192 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 103 192 shade: RGB 164 103 192, RGB 192 104 114, RGB 132 192 104 and RGB 104 192 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 103 192 shade: RGB 164 103 192, RGB 192 120 104, RGB 132 192 104 and RGB 104 176 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 46 / 0 / 25

HEX #A467C0

RGB 164 103 192

HSL 281.12, 0.41%, 0.58%

LAB 53.38, 40.13, -37.14

 

Complementary color

CMYK 40 / 0 / 59 / 40

HEX #5B983F

RGB 91 152 63

HSL 101.12, 0.41%, 0.42%

LAB 57.11, -36.56, 40.02

 

CMYK 10 / 45 / 0 / 27

HEX #A967BB

RGB 169 103 187

HSL 287.14, 0.38%, 0.57%

LAB 53.73, 40.55, -33.68

 

CMYK 10 / 41 / 0 / 19

HEX #BA79CE

RGB 186 121 206

HSL 285.88, 0.46%, 0.64%

LAB 60.4, 39.76, -33.95

 

CMYK 10 / 38 / 0 / 12

HEX #CB8BE1

RGB 203 139 225

HSL 284.65, 0.59%, 0.71%

LAB 66.97, 39, -34.19

 

CMYK 10 / 36 / 0 / 4

HEX #DC9DF4

RGB 220 157 244

HSL 283.45, 0.8%, 0.79%

LAB 73.46, 38.27, -34.42

 

CMYK 7 / 31 / 0 / 0

HEX #EDAFFF

RGB 237 175 255

HSL 286.5, 1%, 0.84%

LAB 79.55, 36.01, -30.82

 

CMYK 15 / 46 / 0 / 25

HEX #A467C0

RGB 164 103 192

HSL 281.12, 0.41%, 0.58%

LAB 53.38, 40.13, -37.14

 

CMYK 15 / 51 / 0 / 32

HEX #9355AD

RGB 147 85 173

HSL 282.27, 0.35%, 0.51%

LAB 46.6, 40.95, -36.92

 

CMYK 16 / 56 / 0 / 40

HEX #82439A

RGB 130 67 154

HSL 283.45, 0.39%, 0.43%

LAB 39.74, 41.72, -36.62

 

CMYK 16 / 64 / 0 / 47

HEX #713187

RGB 113 49 135

HSL 284.65, 0.47%, 0.36%

LAB 32.82, 42.33, -36.15

 

CMYK 17 / 73 / 0 / 55

HEX #601F74

RGB 96 31 116

HSL 285.88, 0.58%, 0.29%

LAB 25.94, 42.5, -35.35

 

CMYK 15 / 46 / 0 / 25

HEX #A468C0

RGB 164 104 192

HSL 280.91, 0.41%, 0.58%

LAB 53.6, 39.58, -36.8

 

CMYK 2 / 46 / 0 / 25

HEX #BC68C0

RGB 188 104 192

HSL 297.27, 0.41%, 0.58%

LAB 56.48, 46.65, -32.08

 

CMYK 0 / 46 / 10 / 25

HEX #C068AC

RGB 192 104 172

HSL 313.64, 0.41%, 0.58%

LAB 56.17, 44.31, -21.01

 

CMYK 0 / 46 / 23 / 25

HEX #C06894

RGB 192 104 148

HSL 330, 0.41%, 0.58%

LAB 55.32, 40.53, -8.34

 

CMYK 0 / 46 / 35 / 25

HEX #C0687D

RGB 192 104 125

HSL 345.68, 0.41%, 0.58%

LAB 54.65, 37.4, 4.16

 

CMYK 15 / 46 / 0 / 25

HEX #A468C0

RGB 164 104 192

HSL 280.91, 0.41%, 0.58%

LAB 53.6, 39.58, -36.8

 

CMYK 27 / 46 / 0 / 25

HEX #8C68C0

RGB 140 104 192

HSL 264.55, 0.41%, 0.58%

LAB 51.02, 32.69, -41.05

 

CMYK 39 / 46 / 0 / 25

HEX #7568C0

RGB 117 104 192

HSL 248.86, 0.41%, 0.58%

LAB 48.87, 26.46, -44.58

 

CMYK 46 / 46 / 0 / 25

HEX #6868C0

RGB 104 104 192

HSL 240, 0.41%, 0.58%

LAB 47.82, 23.19, -46.32

 

CMYK 15 / 46 / 0 / 25

HEX #A468C0

RGB 164 104 192

HSL 280.91, 0.41%, 0.58%

LAB 53.6, 39.58, -36.8

 

CMYK 18 / 58 / 0 / 18

HEX #AB57D1

RGB 171 87 209

HSL 281.31, 0.57%, 0.58%

LAB 51.93, 54.01, -49.13

 

CMYK 22 / 69 / 0 / 11

HEX #B145E2

RGB 177 69 226

HSL 281.27, 0.73%, 0.58%

LAB 50.8, 66.97, -60.55

 

CMYK 25 / 79 / 0 / 4

HEX #B734F4

RGB 183 52 244

HSL 280.94, 0.9%, 0.58%

LAB 50.75, 77.64, -70.72

 

CMYK 15 / 46 / 0 / 25

HEX #A468C0

RGB 164 104 192

HSL 280.91, 0.41%, 0.58%

LAB 53.6, 39.58, -36.8

 

CMYK 9 / 30 / 0 / 32

HEX #9E79AE

RGB 158 121 174

HSL 281.89, 0.25%, 0.58%

LAB 56.09, 24.24, -22.64

 

CMYK 4 / 11 / 0 / 38

HEX #978B9D

RGB 151 139 157

HSL 280, 0.08%, 0.58%

LAB 59.41, 7.95, -7.91

 

CMYK 7 / 0 / 10 / 39

HEX #919C8C

RGB 145 156 140

HSL 101.25, 0.07%, 0.58%

LAB 63.09, -7.01, 7.03

 

CMYK 20 / 0 / 29 / 32

HEX #8AAD7A

RGB 138 173 122

HSL 101.18, 0.24%, 0.58%

LAB 67.05, -21.6, 22.42

 

CMYK 39 / 46 / 0 / 25

HEX #7568C0

RGB 117 104 192

HSL 248.86, 0.41%, 0.58%

LAB 48.87, 26.46, -44.58

 

CMYK 27 / 46 / 0 / 25

HEX #8D68C0

RGB 141 104 192

HSL 265.23, 0.41%, 0.58%

LAB 51.12, 32.97, -40.88

 

CMYK 15 / 46 / 0 / 25

HEX #A468C0

RGB 164 104 192

HSL 280.91, 0.41%, 0.58%

LAB 53.6, 39.58, -36.8

 

CMYK 3 / 46 / 0 / 25

HEX #BB68C0

RGB 187 104 192

HSL 296.59, 0.41%, 0.58%

LAB 56.36, 46.35, -32.28

 

CMYK 0 / 46 / 10 / 25

HEX #C068AD

RGB 192 104 173

HSL 312.95, 0.41%, 0.58%

LAB 56.21, 44.48, -21.53

 

CMYK 18 / 58 / 0 / 41

HEX #7B3F96

RGB 123 63 150

HSL 281.38, 0.41%, 0.42%

LAB 37.78, 41.05, -37.36

 

CMYK 18 / 58 / 0 / 30

HEX #934BB3

RGB 147 75 179

HSL 281.54, 0.41%, 0.5%

LAB 44.93, 47.53, -43.09

 

CMYK 15 / 46 / 0 / 25

HEX #A468C0

RGB 164 104 192

HSL 280.91, 0.41%, 0.58%

LAB 53.6, 39.58, -36.8

 

CMYK 11 / 35 / 0 / 20

HEX #B685CC

RGB 182 133 204

HSL 281.41, 0.41%, 0.66%

LAB 62.57, 31.52, -29.48

 

CMYK 8 / 25 / 0 / 15

HEX #C7A2D8

RGB 199 162 216

HSL 281.11, 0.41%, 0.74%

LAB 71.51, 23.34, -22.28

 

CMYK 15 / 46 / 0 / 25

HEX #A467C0

RGB 164 103 192

HSL 281.12, 0.41%, 0.58%

LAB 53.38, 40.13, -37.14

 

CMYK 0 / 46 / 41 / 25

HEX #C06872

RGB 192 104 114

HSL 353.18, 0.41%, 0.58%

LAB 54.37, 36.09, 10.23

 

CMYK 46 / 0 / 33 / 25

HEX #68C081

RGB 104 192 129

HSL 137.05, 0.41%, 0.58%

LAB 71.03, -40.37, 23.75

 

CMYK 15 / 46 / 0 / 25

HEX #A467C0

RGB 164 103 192

HSL 281.12, 0.41%, 0.58%

LAB 53.38, 40.13, -37.14

 

CMYK 0 / 15 / 46 / 25

HEX #C0A468

RGB 192 164 104

HSL 40.91, 0.41%, 0.58%

LAB 68.57, 2.21, 34.85

 

CMYK 46 / 0 / 15 / 25

HEX #68C0A4

RGB 104 192 164

HSL 160.91, 0.41%, 0.58%

LAB 71.77, -33.2, 5.93

 

CMYK 15 / 46 / 0 / 25

HEX #A467C0

RGB 164 103 192

HSL 281.12, 0.41%, 0.58%

LAB 53.38, 40.13, -37.14

 

CMYK 0 / 46 / 41 / 25

HEX #C06872

RGB 192 104 114

HSL 353.18, 0.41%, 0.58%

LAB 54.37, 36.09, 10.23

 

CMYK 31 / 0 / 46 / 25

HEX #84C068

RGB 132 192 104

HSL 100.91, 0.41%, 0.58%

LAB 71.96, -35.48, 38.19

 

CMYK 46 / 0 / 5 / 25

HEX #68C0B6

RGB 104 192 182

HSL 173.18, 0.41%, 0.58%

LAB 72.24, -28.92, -3.19

 

CMYK 15 / 46 / 0 / 25

HEX #A467C0

RGB 164 103 192

HSL 281.12, 0.41%, 0.58%

LAB 53.38, 40.13, -37.14

 

CMYK 0 / 38 / 46 / 25

HEX #C07868

RGB 192 120 104

HSL 10.91, 0.41%, 0.58%

LAB 57.69, 26.36, 20.61

 

CMYK 31 / 0 / 46 / 25

HEX #84C068

RGB 132 192 104

HSL 100.91, 0.41%, 0.58%

LAB 71.96, -35.48, 38.19

 

CMYK 46 / 8 / 0 / 25

HEX #68B0C0

RGB 104 176 192

HSL 190.91, 0.41%, 0.58%

LAB 67.87, -18.28, -15.2

 

Description

Color code: RGB 164 103 192 | qconv.com Color code: RGB 164 103 192 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 103 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 103 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 46 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 46% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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