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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 102 160 it is the complementary color RGB 91 153 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 102 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 102 160 shade: RGB 169 102 155, RGB 186 120 174, RGB 203 138 193, RGB 220 156 212 and RGB 237 174 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 102 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 102 160 shade: RGB 164 102 160, RGB 147 84 141, RGB 130 66 122, RGB 113 48 103 and RGB 96 30 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 102 160 shade: RGB 163 102 159, RGB 163 102 143, RGB 163 102 126, RGB 163 102 110 and RGB 163 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 102 160 shade: RGB 163 102 159, RGB 151 102 163, RGB 134 102 163, RGB 118 102 163 and RGB 102 102 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 102 160 shade matches the following richer shades: RGB 163 102 159, RGB 183 82 177, RGB 203 62 194, RGB 223 43 211 and RGB 242 23 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 102 160 shade: RGB 163 102 159, RGB 143 122 142, RGB 124 142 125, RGB 104 161 108 and RGB 84 181 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 102 160 shade: RGB 134 102 163, RGB 150 102 163, RGB 163 102 160, RGB 163 102 144 and RGB 163 102 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 102 160 shade: RGB 114 69 111, RGB 140 84 136, RGB 163 102 159, RGB 179 128 175 and RGB 194 154 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 102 160 shade: RGB 164 102 160, RGB 163 117 102 and RGB 102 163 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 102 160 shade: RGB 164 102 160, RGB 160 163 102 and RGB 102 160 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 102 160 shade: RGB 164 102 160, RGB 163 117 102, RGB 102 163 105 and RGB 102 148 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 102 160 shade: RGB 164 102 160, RGB 163 136 102, RGB 102 163 105 and RGB 102 130 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 2 / 36

HEX #A466A0

RGB 164 102 160

HSL 303.87, 0.25%, 0.52%

LAB 51.76, 34.18, -21.1

 

Complementary color

CMYK 41 / 0 / 38 / 40

HEX #5B995F

RGB 91 153 95

HSL 123.87, 0.25%, 0.48%

LAB 57.88, -32.53, 24.37

 

CMYK 0 / 40 / 8 / 34

HEX #A9669B

RGB 169 102 155

HSL 312.54, 0.28%, 0.53%

LAB 52.18, 34.93, -17.47

 

CMYK 0 / 35 / 6 / 27

HEX #BA78AE

RGB 186 120 174

HSL 310.91, 0.32%, 0.6%

LAB 58.91, 34.16, -18.06

 

CMYK 0 / 32 / 5 / 20

HEX #CB8AC1

RGB 203 138 193

HSL 309.23, 0.38%, 0.67%

LAB 65.53, 33.42, -18.58

 

CMYK 0 / 29 / 4 / 14

HEX #DC9CD4

RGB 220 156 212

HSL 307.5, 0.48%, 0.74%

LAB 72.06, 32.72, -19.06

 

CMYK 0 / 27 / 3 / 7

HEX #EDAEE7

RGB 237 174 231

HSL 305.71, 0.64%, 0.81%

LAB 78.49, 32.07, -19.52

 

CMYK 0 / 38 / 2 / 36

HEX #A466A0

RGB 164 102 160

HSL 303.87, 0.25%, 0.52%

LAB 51.76, 34.18, -21.1

 

CMYK 0 / 43 / 4 / 42

HEX #93548D

RGB 147 84 141

HSL 305.71, 0.27%, 0.45%

LAB 44.9, 34.97, -20.56

 

CMYK 0 / 49 / 6 / 49

HEX #82427A

RGB 130 66 122

HSL 307.5, 0.33%, 0.38%

LAB 37.93, 35.74, -19.91

 

CMYK 0 / 58 / 9 / 56

HEX #713067

RGB 113 48 103

HSL 309.23, 0.4%, 0.32%

LAB 30.89, 36.4, -19.04

 

CMYK 0 / 69 / 13 / 62

HEX #601E54

RGB 96 30 84

HSL 310.91, 0.52%, 0.25%

LAB 23.85, 36.68, -17.78

 

CMYK 0 / 37 / 2 / 36

HEX #A3669F

RGB 163 102 159

HSL 303.93, 0.25%, 0.52%

LAB 51.6, 33.66, -20.77

 

CMYK 0 / 37 / 12 / 36

HEX #A3668F

RGB 163 102 143

HSL 319.67, 0.25%, 0.52%

LAB 51, 30.75, -12.26

 

CMYK 0 / 37 / 23 / 36

HEX #A3667E

RGB 163 102 126

HSL 336.39, 0.25%, 0.52%

LAB 50.45, 27.95, -3.01

 

CMYK 0 / 37 / 33 / 36

HEX #A3666E

RGB 163 102 110

HSL 352.13, 0.25%, 0.52%

LAB 50, 25.62, 5.86

 

CMYK 0 / 37 / 37 / 36

HEX #A36666

RGB 163 102 102

HSL 0, 0.25%, 0.52%

LAB 49.8, 24.57, 10.33

 

CMYK 0 / 37 / 2 / 36

HEX #A3669F

RGB 163 102 159

HSL 303.93, 0.25%, 0.52%

LAB 51.6, 33.66, -20.77

 

CMYK 7 / 37 / 0 / 36

HEX #9766A3

RGB 151 102 163

HSL 288.2, 0.25%, 0.52%

LAB 50.37, 30.52, -25.13

 

CMYK 18 / 37 / 0 / 36

HEX #8666A3

RGB 134 102 163

HSL 271.48, 0.25%, 0.52%

LAB 48.53, 25.05, -28.13

 

CMYK 28 / 37 / 0 / 36

HEX #7666A3

RGB 118 102 163

HSL 255.74, 0.25%, 0.52%

LAB 46.97, 20.06, -30.67

 

CMYK 37 / 37 / 0 / 36

HEX #6666A3

RGB 102 102 163

HSL 240, 0.25%, 0.52%

LAB 45.6, 15.34, -32.93

 

CMYK 0 / 37 / 2 / 36

HEX #A3669F

RGB 163 102 159

HSL 303.93, 0.25%, 0.52%

LAB 51.6, 33.66, -20.77

 

CMYK 0 / 55 / 3 / 28

HEX #B752B1

RGB 183 82 177

HSL 303.56, 0.41%, 0.52%

LAB 51.01, 53.41, -32

 

CMYK 0 / 69 / 4 / 20

HEX #CB3EC2

RGB 203 62 194

HSL 303.83, 0.58%, 0.52%

LAB 51.88, 69.48, -40.3

 

CMYK 0 / 81 / 5 / 13

HEX #DF2BD3

RGB 223 43 211

HSL 304, 0.74%, 0.52%

LAB 54.15, 81.61, -46.26

 

CMYK 0 / 90 / 6 / 5

HEX #F217E4

RGB 242 23 228

HSL 303.84, 0.89%, 0.52%

LAB 57.16, 90.74, -50.92

 

CMYK 0 / 37 / 2 / 36

HEX #A3669F

RGB 163 102 159

HSL 303.93, 0.25%, 0.52%

LAB 51.6, 33.66, -20.77

 

CMYK 0 / 15 / 1 / 44

HEX #8F7A8E

RGB 143 122 142

HSL 302.86, 0.09%, 0.52%

LAB 53.72, 11.83, -7.82

 

CMYK 13 / 0 / 12 / 44

HEX #7C8E7D

RGB 124 142 125

HSL 123.33, 0.07%, 0.52%

LAB 57.18, -9.92, 6.89

 

CMYK 35 / 0 / 33 / 37

HEX #68A16C

RGB 104 161 108

HSL 124.21, 0.23%, 0.52%

LAB 61.23, -29.87, 21.85

 

CMYK 54 / 0 / 50 / 29

HEX #54B55A

RGB 84 181 90

HSL 123.71, 0.4%, 0.52%

LAB 66.27, -47.49, 37.64

 

CMYK 18 / 37 / 0 / 36

HEX #8666A3

RGB 134 102 163

HSL 271.48, 0.25%, 0.52%

LAB 48.53, 25.05, -28.13

 

CMYK 8 / 37 / 0 / 36

HEX #9666A3

RGB 150 102 163

HSL 287.21, 0.25%, 0.52%

LAB 50.25, 30.19, -25.32

 

CMYK 0 / 37 / 2 / 36

HEX #A366A0

RGB 163 102 160

HSL 302.95, 0.25%, 0.52%

LAB 51.64, 33.85, -21.29

 

CMYK 0 / 37 / 12 / 36

HEX #A36690

RGB 163 102 144

HSL 318.69, 0.25%, 0.52%

LAB 51.04, 30.92, -12.8

 

CMYK 0 / 37 / 21 / 36

HEX #A36680

RGB 163 102 128

HSL 334.43, 0.25%, 0.52%

LAB 50.51, 28.26, -4.11

 

CMYK 0 / 39 / 3 / 55

HEX #72456F

RGB 114 69 111

HSL 304, 0.25%, 0.36%

LAB 35.95, 26.48, -16.29

 

CMYK 0 / 40 / 3 / 45

HEX #8C5488

RGB 140 84 136

HSL 304.29, 0.25%, 0.44%

LAB 43.79, 31.68, -19.32

 

CMYK 0 / 37 / 2 / 36

HEX #A3669F

RGB 163 102 159

HSL 303.93, 0.25%, 0.52%

LAB 51.6, 33.66, -20.77

 

CMYK 0 / 28 / 2 / 30

HEX #B380AF

RGB 179 128 175

HSL 304.71, 0.25%, 0.6%

LAB 59.99, 27.54, -17.05

 

CMYK 0 / 21 / 1 / 24

HEX #C29AC0

RGB 194 154 192

HSL 303, 0.25%, 0.68%

LAB 68.3, 21.4, -13.92

 

CMYK 0 / 38 / 2 / 36

HEX #A466A0

RGB 164 102 160

HSL 303.87, 0.25%, 0.52%

LAB 51.76, 34.18, -21.1

 

CMYK 0 / 28 / 37 / 36

HEX #A37566

RGB 163 117 102

HSL 14.75, 0.25%, 0.52%

LAB 53.46, 16.04, 15.42

 

CMYK 37 / 0 / 13 / 36

HEX #66A38E

RGB 102 163 142

HSL 159.34, 0.25%, 0.52%

LAB 62.48, -24.66, 4.7

 

CMYK 0 / 38 / 2 / 36

HEX #A466A0

RGB 164 102 160

HSL 303.87, 0.25%, 0.52%

LAB 51.76, 34.18, -21.1

 

CMYK 2 / 0 / 37 / 36

HEX #A0A366

RGB 160 163 102

HSL 62.95, 0.25%, 0.52%

LAB 65.46, -10.7, 31.35

 

CMYK 37 / 2 / 0 / 36

HEX #66A0A3

RGB 102 160 163

HSL 182.95, 0.25%, 0.52%

LAB 62.18, -18.07, -7.56

 

CMYK 0 / 38 / 2 / 36

HEX #A466A0

RGB 164 102 160

HSL 303.87, 0.25%, 0.52%

LAB 51.76, 34.18, -21.1

 

CMYK 0 / 28 / 37 / 36

HEX #A37566

RGB 163 117 102

HSL 14.75, 0.25%, 0.52%

LAB 53.46, 16.04, 15.42

 

CMYK 37 / 0 / 36 / 36

HEX #66A369

RGB 102 163 105

HSL 122.95, 0.25%, 0.52%

LAB 61.69, -31.98, 24.08

 

CMYK 37 / 9 / 0 / 36

HEX #6694A3

RGB 102 148 163

HSL 194.75, 0.25%, 0.52%

LAB 58.65, -11.63, -12.84

 

CMYK 0 / 38 / 2 / 36

HEX #A466A0

RGB 164 102 160

HSL 303.87, 0.25%, 0.52%

LAB 51.76, 34.18, -21.1

 

CMYK 0 / 17 / 37 / 36

HEX #A38866

RGB 163 136 102

HSL 33.44, 0.25%, 0.52%

LAB 58.37, 5.28, 22.1

 

CMYK 37 / 0 / 36 / 36

HEX #66A369

RGB 102 163 105

HSL 122.95, 0.25%, 0.52%

LAB 61.69, -31.98, 24.08

 

CMYK 37 / 20 / 0 / 36

HEX #6682A3

RGB 102 130 163

HSL 212.46, 0.25%, 0.52%

LAB 53.42, -1.47, -20.78

 

Description

Color code: RGB 164 102 160 | qconv.com Color code: RGB 164 102 160 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 102 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 102 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 2 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 2% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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