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Color name
RGB 164.9 144 162

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164.9 144 162 it is the complementary color RGB 90.1 111 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164.9 144 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164.9 144 162 shade: RGB 169.9 144 157, RGB 186.9 162 176, RGB 203.9 180 195, RGB 220.9 198 214 and RGB 237.9 216 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164.9 144 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164.9 144 162 shade: RGB 164.9 144 162, RGB 147.9 126 143, RGB 130.9 108 124, RGB 113.9 90 105 and RGB 96.9 72 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164.9 144 162 shade: RGB 165 145 162, RGB 165 145 157, RGB 165 145 152, RGB 165 145 146 and RGB 165 145 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164.9 144 162 shade: RGB 165 145 162, RGB 162 145 165, RGB 157 145 165, RGB 152 145 165 and RGB 146 145 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164.9 144 162 shade matches the following richer shades: RGB 165 145 162, RGB 181 129 174, RGB 197 113 185, RGB 213 97 197 and RGB 229 81 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164.9 144 162 shade: RGB 165 145 162, RGB 149 161 151, RGB 133 177 139, RGB 117 193 127 and RGB 101 209 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164.9 144 162 shade: RGB 157 145 165, RGB 162 145 165, RGB 165 145 162, RGB 165 145 157 and RGB 165 145 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164.9 144 162 shade: RGB 125 102 122, RGB 146 122 143, RGB 165 145 162, RGB 184 168 181 and RGB 202 190 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164.9 144 162 shade: RGB 164.9 144 162, RGB 165 152 145 and RGB 145 165 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164.9 144 162 shade: RGB 164.9 144 162, RGB 162 165 145 and RGB 145 162 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164.9 144 162 shade: RGB 164.9 144 162, RGB 165 152 145, RGB 145 165 148 and RGB 145 158 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164.9 144 162 shade: RGB 164.9 144 162, RGB 165 158 145, RGB 145 165 148 and RGB 145 152 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 2 / 35

HEX #A490A2

RGB 164.9 144 162

HSL 308.33, 0.1%, 0.61%

LAB 62.12, 11.08, -6.6

 

Complementary color

CMYK 19 / 0 / 16 / 56

HEX #5A6F5D

RGB 90.1 111 93

HSL 128.33, 0.1%, 0.39%

LAB 44.71, -11.66, 7.48

 

CMYK 0 / 15 / 8 / 33

HEX #A9909D

RGB 169.9 144 157

HSL 329.88, 0.13%, 0.62%

LAB 62.44, 11.96, -3.25

 

CMYK 0 / 13 / 6 / 27

HEX #BAA2B0

RGB 186.9 162 176

HSL 326.27, 0.15%, 0.68%

LAB 69.13, 11.54, -3.87

 

CMYK 0 / 12 / 4 / 20

HEX #CBB4C3

RGB 203.9 180 195

HSL 322.34, 0.19%, 0.75%

LAB 75.7, 11.15, -4.46

 

CMYK 0 / 10 / 3 / 13

HEX #DCC6D6

RGB 220.9 198 214

HSL 318.08, 0.25%, 0.82%

LAB 82.16, 10.79, -5.03

 

CMYK 0 / 9 / 2 / 7

HEX #EDD8E9

RGB 237.9 216 233

HSL 313.42, 0.39%, 0.89%

LAB 88.52, 10.47, -5.58

 

CMYK 0 / 13 / 2 / 35

HEX #A490A2

RGB 164.9 144 162

HSL 308.33, 0.1%, 0.61%

LAB 62.12, 11.08, -6.6

 

CMYK 0 / 15 / 3 / 42

HEX #937E8F

RGB 147.9 126 143

HSL 313.42, 0.09%, 0.54%

LAB 55.27, 11.51, -6.05

 

CMYK 0 / 17 / 5 / 49

HEX #826C7C

RGB 130.9 108 124

HSL 318.08, 0.1%, 0.47%

LAB 48.26, 11.99, -5.46

 

CMYK 0 / 21 / 8 / 55

HEX #715A69

RGB 113.9 90 105

HSL 322.34, 0.12%, 0.4%

LAB 41.06, 12.53, -4.84

 

CMYK 0 / 26 / 11 / 62

HEX #604856

RGB 96.9 72 86

HSL 326.27, 0.15%, 0.33%

LAB 33.65, 13.17, -4.17

 

CMYK 0 / 12 / 2 / 35

HEX #A591A2

RGB 165 145 162

HSL 309, 0.1%, 0.61%

LAB 62.39, 10.55, -6.21

 

CMYK 0 / 12 / 5 / 35

HEX #A5919D

RGB 165 145 157

HSL 324, 0.1%, 0.61%

LAB 62.24, 9.61, -3.59

 

CMYK 0 / 12 / 8 / 35

HEX #A59198

RGB 165 145 152

HSL 339, 0.1%, 0.61%

LAB 62.1, 8.69, -0.96

 

CMYK 0 / 12 / 12 / 35

HEX #A59192

RGB 165 145 146

HSL 357, 0.1%, 0.61%

LAB 61.93, 7.62, 2.2

 

CMYK 0 / 12 / 12 / 35

HEX #A59191

RGB 165 145 145

HSL 0, 0.1%, 0.61%

LAB 61.91, 7.45, 2.73

 

CMYK 0 / 12 / 2 / 35

HEX #A591A2

RGB 165 145 162

HSL 309, 0.1%, 0.61%

LAB 62.39, 10.55, -6.21

 

CMYK 2 / 12 / 0 / 35

HEX #A291A5

RGB 162 145 165

HSL 291, 0.1%, 0.61%

LAB 62.21, 10.06, -8.2

 

CMYK 5 / 12 / 0 / 35

HEX #9D91A5

RGB 157 145 165

HSL 276, 0.1%, 0.61%

LAB 61.77, 8.29, -8.9

 

CMYK 8 / 12 / 0 / 35

HEX #9891A5

RGB 152 145 165

HSL 261, 0.1%, 0.61%

LAB 61.34, 6.54, -9.58

 

CMYK 12 / 12 / 0 / 35

HEX #9291A5

RGB 146 145 165

HSL 243, 0.1%, 0.61%

LAB 60.85, 4.47, -10.37

 

CMYK 0 / 12 / 2 / 35

HEX #A591A2

RGB 165 145 162

HSL 309, 0.1%, 0.61%

LAB 62.39, 10.55, -6.21

 

CMYK 0 / 29 / 4 / 29

HEX #B581AE

RGB 181 129 174

HSL 308.08, 0.26%, 0.61%

LAB 60.41, 27.48, -15.83

 

CMYK 0 / 43 / 6 / 23

HEX #C571B9

RGB 197 113 185

HSL 308.57, 0.42%, 0.61%

LAB 59.14, 43.44, -23.87

 

CMYK 0 / 54 / 8 / 16

HEX #D561C5

RGB 213 97 197

HSL 308.28, 0.58%, 0.61%

LAB 58.72, 58.14, -31.2

 

CMYK 0 / 65 / 9 / 10

HEX #E551D1

RGB 229 81 209

HSL 308.11, 0.74%, 0.61%

LAB 59.11, 70.98, -37.24

 

CMYK 0 / 12 / 2 / 35

HEX #A591A2

RGB 165 145 162

HSL 309, 0.1%, 0.61%

LAB 62.39, 10.55, -6.21

 

CMYK 7 / 0 / 6 / 37

HEX #95A197

RGB 149 161 151

HSL 130, 0.06%, 0.61%

LAB 65.05, -6.21, 3.74

 

CMYK 25 / 0 / 21 / 31

HEX #85B18B

RGB 133 177 139

HSL 128.18, 0.22%, 0.61%

LAB 68.24, -22.45, 14.76

 

CMYK 39 / 0 / 34 / 24

HEX #75C17F

RGB 117 193 127

HSL 127.89, 0.38%, 0.61%

LAB 71.86, -37.39, 26.03

 

CMYK 52 / 0 / 44 / 18

HEX #65D174

RGB 101 209 116

HSL 128.33, 0.54%, 0.61%

LAB 75.84, -50.51, 36.78

 

CMYK 5 / 12 / 0 / 35

HEX #9D91A5

RGB 157 145 165

HSL 276, 0.1%, 0.61%

LAB 61.77, 8.29, -8.9

 

CMYK 2 / 12 / 0 / 35

HEX #A291A5

RGB 162 145 165

HSL 291, 0.1%, 0.61%

LAB 62.21, 10.06, -8.2

 

CMYK 0 / 12 / 2 / 35

HEX #A591A2

RGB 165 145 162

HSL 309, 0.1%, 0.61%

LAB 62.39, 10.55, -6.21

 

CMYK 0 / 12 / 5 / 35

HEX #A5919D

RGB 165 145 157

HSL 324, 0.1%, 0.61%

LAB 62.24, 9.61, -3.59

 

CMYK 0 / 12 / 8 / 35

HEX #A59198

RGB 165 145 152

HSL 339, 0.1%, 0.61%

LAB 62.1, 8.69, -0.96

 

CMYK 0 / 18 / 2 / 51

HEX #7D667A

RGB 125 102 122

HSL 307.83, 0.1%, 0.45%

LAB 46, 12.93, -7.69

 

CMYK 0 / 16 / 2 / 43

HEX #927A8F

RGB 146 122 143

HSL 307.5, 0.1%, 0.53%

LAB 54.04, 13.12, -7.89

 

CMYK 0 / 12 / 2 / 35

HEX #A591A2

RGB 165 145 162

HSL 309, 0.1%, 0.61%

LAB 62.39, 10.55, -6.21

 

CMYK 0 / 9 / 2 / 28

HEX #B8A8B5

RGB 184 168 181

HSL 311.25, 0.1%, 0.69%

LAB 70.55, 8.12, -4.58

 

CMYK 0 / 6 / 0 / 21

HEX #CABEC9

RGB 202 190 201

HSL 305, 0.1%, 0.77%

LAB 78.23, 6.2, -4.01

 

CMYK 0 / 13 / 2 / 35

HEX #A490A2

RGB 164.9 144 162

HSL 308.33, 0.1%, 0.61%

LAB 62.12, 11.08, -6.6

 

CMYK 0 / 8 / 12 / 35

HEX #A59891

RGB 165 152 145

HSL 21, 0.1%, 0.61%

LAB 63.75, 3.55, 5.4

 

CMYK 12 / 0 / 3 / 35

HEX #91A5A0

RGB 145 165 160

HSL 165, 0.1%, 0.61%

LAB 66.11, -8, 0.21

 

CMYK 0 / 13 / 2 / 35

HEX #A490A2

RGB 164.9 144 162

HSL 308.33, 0.1%, 0.61%

LAB 62.12, 11.08, -6.6

 

CMYK 2 / 0 / 12 / 35

HEX #A2A591

RGB 162 165 145

HSL 69, 0.1%, 0.61%

LAB 67, -4.7, 10

 

CMYK 12 / 2 / 0 / 35

HEX #91A2A5

RGB 145 162 165

HSL 189, 0.1%, 0.61%

LAB 65.42, -5.33, -3.6

 

CMYK 0 / 13 / 2 / 35

HEX #A490A2

RGB 164.9 144 162

HSL 308.33, 0.1%, 0.61%

LAB 62.12, 11.08, -6.6

 

CMYK 0 / 8 / 12 / 35

HEX #A59891

RGB 165 152 145

HSL 21, 0.1%, 0.61%

LAB 63.75, 3.55, 5.4

 

CMYK 12 / 0 / 10 / 35

HEX #91A594

RGB 145 165 148

HSL 129, 0.1%, 0.61%

LAB 65.8, -10.36, 6.45

 

CMYK 12 / 4 / 0 / 35

HEX #919EA5

RGB 145 158 165

HSL 201, 0.1%, 0.61%

LAB 64.31, -3.14, -5.23

 

CMYK 0 / 13 / 2 / 35

HEX #A490A2

RGB 164.9 144 162

HSL 308.33, 0.1%, 0.61%

LAB 62.12, 11.08, -6.6

 

CMYK 0 / 4 / 12 / 35

HEX #A59E91

RGB 165 158 145

HSL 39, 0.1%, 0.61%

LAB 65.36, 0.24, 7.69

 

CMYK 12 / 0 / 10 / 35

HEX #91A594

RGB 145 165 148

HSL 129, 0.1%, 0.61%

LAB 65.8, -10.36, 6.45

 

CMYK 12 / 8 / 0 / 35

HEX #9198A5

RGB 145 152 165

HSL 219, 0.1%, 0.61%

LAB 62.67, 0.19, -7.66

 

Description

Color code: RGB 164.9 144 162 | qconv.com Color code: RGB 164.9 144 162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164.9 red, 144 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164.9 144 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 2 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 2% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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