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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164.5 144 177 it is the complementary color RGB 90.5 111 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164.5 144 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164.5 144 177 shade: RGB 169.5 144 172, RGB 186.5 162 191, RGB 203.5 180 210, RGB 220.5 198 229 and RGB 237.5 216 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164.5 144 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164.5 144 177 shade: RGB 164.5 144 177, RGB 147.5 126 158, RGB 130.5 108 139, RGB 113.5 90 120 and RGB 96.5 72 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164.5 144 177 shade: RGB 165 145 177, RGB 173 145 177, RGB 177 145 172, RGB 177 145 163 and RGB 177 145 154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164.5 144 177 shade: RGB 165 145 177, RGB 156 145 177, RGB 147 145 177 and RGB 145 145 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164.5 144 177 shade matches the following richer shades: RGB 165 145 177, RGB 168 129 192, RGB 172 114 207, RGB 176 99 222 and RGB 179 84 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164.5 144 177 shade: RGB 165 145 177, RGB 161 160 161, RGB 157 175 146, RGB 153 190 131 and RGB 150 206 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164.5 144 177 shade: RGB 147 145 177, RGB 156 145 177, RGB 164 145 177, RGB 173 145 177 and RGB 177 145 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164.5 144 177 shade: RGB 124 99 140, RGB 145 120 160, RGB 165 145 177, RGB 184 169 194 and RGB 204 193 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164.5 144 177 shade: RGB 164.5 144 177, RGB 177 145 150 and RGB 145 177 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164.5 144 177 shade: RGB 164.5 144 177, RGB 177 164 145 and RGB 145 177 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164.5 144 177 shade: RGB 164.5 144 177, RGB 177 145 150, RGB 157 177 145 and RGB 145 177 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164.5 144 177 shade: RGB 164.5 144 177, RGB 177 148 145, RGB 157 177 145 and RGB 145 173 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 19 / 0 / 31

HEX #A490B1

RGB 164.5 144 177

HSL 277.27, 0.17%, 0.63%

LAB 62.56, 13.92, -14.44

 

Complementary color

CMYK 18 / 0 / 30 / 56

HEX #5A6F4E

RGB 90.5 111 78

HSL 97.27, 0.17%, 0.37%

LAB 44.4, -14.31, 15.95

 

CMYK 1 / 16 / 0 / 33

HEX #A990AC

RGB 169.5 144 172

HSL 294.64, 0.14%, 0.62%

LAB 62.86, 14.65, -11.12

 

CMYK 2 / 15 / 0 / 25

HEX #BAA2BF

RGB 186.5 162 191

HSL 290.69, 0.18%, 0.69%

LAB 69.54, 14.21, -11.58

 

CMYK 3 / 14 / 0 / 18

HEX #CBB4D2

RGB 203.5 180 210

HSL 287, 0.25%, 0.76%

LAB 76.11, 13.8, -12.03

 

CMYK 4 / 14 / 0 / 10

HEX #DCC6E5

RGB 220.5 198 229

HSL 283.55, 0.37%, 0.84%

LAB 82.56, 13.42, -12.47

 

CMYK 4 / 13 / 0 / 3

HEX #EDD8F8

RGB 237.5 216 248

HSL 280.31, 0.7%, 0.91%

LAB 88.91, 13.07, -12.9

 

CMYK 7 / 19 / 0 / 31

HEX #A490B1

RGB 164.5 144 177

HSL 277.27, 0.17%, 0.63%

LAB 62.56, 13.92, -14.44

 

CMYK 7 / 20 / 0 / 38

HEX #937E9E

RGB 147.5 126 158

HSL 280.31, 0.14%, 0.56%

LAB 55.73, 14.39, -14.06

 

CMYK 6 / 22 / 0 / 45

HEX #826C8B

RGB 130.5 108 139

HSL 283.55, 0.13%, 0.48%

LAB 48.73, 14.91, -13.68

 

CMYK 5 / 25 / 0 / 53

HEX #715A78

RGB 113.5 90 120

HSL 287, 0.14%, 0.41%

LAB 41.55, 15.49, -13.3

 

CMYK 4 / 29 / 0 / 60

HEX #604865

RGB 96.5 72 101

HSL 290.69, 0.17%, 0.34%

LAB 34.17, 16.16, -12.91

 

CMYK 7 / 18 / 0 / 31

HEX #A591B1

RGB 165 145 177

HSL 277.5, 0.17%, 0.63%

LAB 62.86, 13.53, -13.98

 

CMYK 2 / 18 / 0 / 31

HEX #AD91B1

RGB 173 145 177

HSL 292.5, 0.17%, 0.63%

LAB 63.6, 16.29, -12.8

 

CMYK 0 / 18 / 3 / 31

HEX #B191AC

RGB 177 145 172

HSL 309.38, 0.17%, 0.63%

LAB 63.82, 16.73, -9.61

 

CMYK 0 / 18 / 8 / 31

HEX #B191A3

RGB 177 145 163

HSL 326.25, 0.17%, 0.63%

LAB 63.54, 15.07, -4.94

 

CMYK 0 / 18 / 13 / 31

HEX #B1919A

RGB 177 145 154

HSL 343.13, 0.17%, 0.63%

LAB 63.29, 13.5, -0.22

 

CMYK 7 / 18 / 0 / 31

HEX #A591B1

RGB 165 145 177

HSL 277.5, 0.17%, 0.63%

LAB 62.86, 13.53, -13.98

 

CMYK 12 / 18 / 0 / 31

HEX #9C91B1

RGB 156 145 177

HSL 260.63, 0.17%, 0.63%

LAB 62.08, 10.47, -15.24

 

CMYK 17 / 18 / 0 / 31

HEX #9391B1

RGB 147 145 177

HSL 243.75, 0.17%, 0.63%

LAB 61.33, 7.46, -16.44

 

CMYK 18 / 18 / 0 / 31

HEX #9191B1

RGB 145 145 177

HSL 240, 0.17%, 0.63%

LAB 61.17, 6.8, -16.7

 

CMYK 7 / 18 / 0 / 31

HEX #A591B1

RGB 165 145 177

HSL 277.5, 0.17%, 0.63%

LAB 62.86, 13.53, -13.98

 

CMYK 13 / 33 / 0 / 25

HEX #A881C0

RGB 168 129 192

HSL 277.14, 0.33%, 0.63%

LAB 59.74, 26.79, -27.22

 

CMYK 17 / 45 / 0 / 19

HEX #AC72CF

RGB 172 114 207

HSL 277.42, 0.49%, 0.63%

LAB 57.38, 39.67, -39.36

 

CMYK 21 / 55 / 0 / 13

HEX #B063DE

RGB 176 99 222

HSL 277.56, 0.65%, 0.63%

LAB 55.51, 52.02, -50.75

 

CMYK 25 / 65 / 0 / 7

HEX #B354EE

RGB 179 84 238

HSL 277.01, 0.82%, 0.63%

LAB 54.13, 63.43, -61.93

 

CMYK 7 / 18 / 0 / 31

HEX #A591B1

RGB 165 145 177

HSL 277.5, 0.17%, 0.63%

LAB 62.86, 13.53, -13.98

 

CMYK 0 / 1 / 0 / 37

HEX #A1A0A1

RGB 161 160 161

HSL 300, 0.01%, 0.63%

LAB 65.98, 0.55, -0.4

 

CMYK 10 / 0 / 17 / 31

HEX #9DAF92

RGB 157 175 146

HSL 97.24, 0.15%, 0.63%

LAB 69.4, -11.7, 12.79

 

CMYK 19 / 0 / 31 / 25

HEX #99BE83

RGB 153 190 131

HSL 97.63, 0.31%, 0.63%

LAB 73.05, -23.25, 25.86

 

CMYK 27 / 0 / 44 / 19

HEX #96CE74

RGB 150 206 116

HSL 97.33, 0.48%, 0.63%

LAB 77.21, -34.08, 38.99

 

CMYK 17 / 18 / 0 / 31

HEX #9391B1

RGB 147 145 177

HSL 243.75, 0.17%, 0.63%

LAB 61.33, 7.46, -16.44

 

CMYK 12 / 18 / 0 / 31

HEX #9C91B1

RGB 156 145 177

HSL 260.63, 0.17%, 0.63%

LAB 62.08, 10.47, -15.24

 

CMYK 7 / 18 / 0 / 31

HEX #A491B1

RGB 164 145 177

HSL 275.63, 0.17%, 0.63%

LAB 62.77, 13.19, -14.12

 

CMYK 2 / 18 / 0 / 31

HEX #AD91B1

RGB 173 145 177

HSL 292.5, 0.17%, 0.63%

LAB 63.6, 16.29, -12.8

 

CMYK 0 / 18 / 3 / 31

HEX #B191AC

RGB 177 145 172

HSL 309.38, 0.17%, 0.63%

LAB 63.82, 16.73, -9.61

 

CMYK 11 / 29 / 0 / 45

HEX #7C638C

RGB 124 99 140

HSL 276.59, 0.17%, 0.47%

LAB 45.77, 18.22, -18.84

 

CMYK 9 / 25 / 0 / 37

HEX #9178A0

RGB 145 120 160

HSL 277.5, 0.17%, 0.55%

LAB 54.02, 17.44, -17.83

 

CMYK 7 / 18 / 0 / 31

HEX #A591B1

RGB 165 145 177

HSL 277.5, 0.17%, 0.63%

LAB 62.86, 13.53, -13.98

 

CMYK 5 / 13 / 0 / 24

HEX #B8A9C2

RGB 184 169 194

HSL 276, 0.17%, 0.71%

LAB 71.19, 10.08, -10.8

 

CMYK 3 / 9 / 0 / 17

HEX #CCC1D3

RGB 204 193 211

HSL 276.67, 0.17%, 0.79%

LAB 79.43, 7.15, -7.61

 

CMYK 7 / 19 / 0 / 31

HEX #A490B1

RGB 164.5 144 177

HSL 277.27, 0.17%, 0.63%

LAB 62.56, 13.92, -14.44

 

CMYK 0 / 18 / 15 / 31

HEX #B19196

RGB 177 145 150

HSL 350.63, 0.17%, 0.63%

LAB 63.18, 12.82, 1.88

 

CMYK 18 / 0 / 14 / 31

HEX #91B198

RGB 145 177 152

HSL 133.13, 0.17%, 0.63%

LAB 69.28, -15.92, 9.21

 

CMYK 7 / 19 / 0 / 31

HEX #A490B1

RGB 164.5 144 177

HSL 277.27, 0.17%, 0.63%

LAB 62.56, 13.92, -14.44

 

CMYK 0 / 7 / 18 / 31

HEX #B1A491

RGB 177 164 145

HSL 35.63, 0.17%, 0.63%

LAB 67.98, 1.51, 11.56

 

CMYK 18 / 0 / 7 / 31

HEX #91B1A4

RGB 145 177 164

HSL 155.63, 0.17%, 0.63%

LAB 69.57, -13.56, 3.03

 

CMYK 7 / 19 / 0 / 31

HEX #A490B1

RGB 164.5 144 177

HSL 277.27, 0.17%, 0.63%

LAB 62.56, 13.92, -14.44

 

CMYK 0 / 18 / 15 / 31

HEX #B19196

RGB 177 145 150

HSL 350.63, 0.17%, 0.63%

LAB 63.18, 12.82, 1.88

 

CMYK 11 / 0 / 18 / 31

HEX #9DB191

RGB 157 177 145

HSL 97.5, 0.17%, 0.63%

LAB 69.93, -12.92, 14.09

 

CMYK 18 / 0 / 3 / 31

HEX #91B1AB

RGB 145 177 171

HSL 168.75, 0.17%, 0.63%

LAB 69.76, -12.11, -0.56

 

CMYK 7 / 19 / 0 / 31

HEX #A490B1

RGB 164.5 144 177

HSL 277.27, 0.17%, 0.63%

LAB 62.56, 13.92, -14.44

 

CMYK 0 / 16 / 18 / 31

HEX #B19491

RGB 177 148 145

HSL 5.63, 0.17%, 0.63%

LAB 63.81, 10.33, 5.62

 

CMYK 11 / 0 / 18 / 31

HEX #9DB191

RGB 157 177 145

HSL 97.5, 0.17%, 0.63%

LAB 69.93, -12.92, 14.09

 

CMYK 18 / 2 / 0 / 31

HEX #91ADB1

RGB 145 173 177

HSL 187.5, 0.17%, 0.63%

LAB 68.81, -8.7, -5.27

 

Description

Color code: RGB 164.5 144 177 | qconv.com Color code: RGB 164.5 144 177 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164.5 red, 144 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164.5 144 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 19 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 19% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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