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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164.1 129 80 it is the complementary color RGB 90.9 126 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164.1 129 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164.1 129 80 shade: RGB 169.1 129 75, RGB 186.1 147 94, RGB 203.1 165 113, RGB 220.1 183 132 and RGB 237.1 201 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164.1 129 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164.1 129 80 shade: RGB 164.1 129 80, RGB 147.1 111 61, RGB 130.1 93 42, RGB 113.1 75 23 and RGB 96.1 57 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164.1 129 80 shade: RGB 164 129 81, RGB 164 107 81, RGB 164 84 81 and RGB 164 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164.1 129 80 shade: RGB 164 129 81, RGB 164 152 81, RGB 154 164 81, RGB 131 164 81 and RGB 109 164 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164.1 129 80 shade matches the following richer shades: RGB 164 129 81, RGB 184 133 61, RGB 204 136 41, RGB 223 139 21 and RGB 243 142 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164.1 129 80 shade: RGB 164 129 81, RGB 144 126 101, RGB 124 123 120, RGB 105 119 140 and RGB 85 116 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164.1 129 80 shade: RGB 164 84 81, RGB 164 106 81, RGB 164 128 81, RGB 164 150 81 and RGB 156 164 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164.1 129 80 shade: RGB 109 86 54, RGB 136 107 67, RGB 164 129 81, RGB 181 149 105 and RGB 195 169 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164.1 129 80 shade: RGB 164.1 129 80, RGB 100 164 81 and RGB 95 81 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164.1 129 80 shade: RGB 164.1 129 80, RGB 81 164 128 and RGB 128 81 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164.1 129 80 shade: RGB 164.1 129 80, RGB 100 164 81, RGB 81 117 164 and RGB 145 81 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164.1 129 80 shade: RGB 164.1 129 80, RGB 81 164 86, RGB 81 117 164 and RGB 164 81 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 51 / 36

HEX #A48150

RGB 164.1 129 80

HSL 34.96, 0.34%, 0.48%

LAB 56.27, 7.25, 31.57

 

Complementary color

CMYK 48 / 28 / 0 / 31

HEX #5A7EAF

RGB 90.9 126 175

HSL 214.96, 0.34%, 0.52%

LAB 52.1, 1.37, -29.81

 

CMYK 0 / 24 / 56 / 34

HEX #A9814B

RGB 169.1 129 75

HSL 34.43, 0.39%, 0.48%

LAB 56.74, 8.97, 34.96

 

CMYK 0 / 21 / 49 / 27

HEX #BA935E

RGB 186.1 147 94

HSL 34.53, 0.4%, 0.55%

LAB 63.45, 8.01, 33.53

 

CMYK 0 / 19 / 44 / 20

HEX #CBA571

RGB 203.1 165 113

HSL 34.63, 0.46%, 0.62%

LAB 70.04, 7.19, 32.19

 

CMYK 0 / 17 / 40 / 14

HEX #DCB784

RGB 220.1 183 132

HSL 34.73, 0.56%, 0.69%

LAB 76.54, 6.49, 30.93

 

CMYK 0 / 15 / 36 / 7

HEX #EDC997

RGB 237.1 201 151

HSL 34.84, 0.71%, 0.76%

LAB 82.93, 5.88, 29.74

 

CMYK 0 / 21 / 51 / 36

HEX #A48150

RGB 164.1 129 80

HSL 34.96, 0.34%, 0.48%

LAB 56.27, 7.25, 31.57

 

CMYK 0 / 25 / 59 / 42

HEX #936F3D

RGB 147.1 111 61

HSL 34.84, 0.41%, 0.41%

LAB 49.4, 8.29, 33.04

 

CMYK 0 / 29 / 68 / 49

HEX #825D2A

RGB 130.1 93 42

HSL 34.73, 0.51%, 0.34%

LAB 42.38, 9.57, 34.53

 

CMYK 0 / 34 / 80 / 56

HEX #714B17

RGB 113.1 75 23

HSL 34.63, 0.66%, 0.27%

LAB 35.22, 11.19, 35.79

 

CMYK 0 / 41 / 96 / 62

HEX #603904

RGB 96.1 57 4

HSL 34.53, 0.92%, 0.2%

LAB 27.92, 13.25, 36.27

 

CMYK 0 / 21 / 51 / 36

HEX #A48151

RGB 164 129 81

HSL 34.7, 0.34%, 0.48%

LAB 56.27, 7.31, 31.03

 

CMYK 0 / 35 / 51 / 36

HEX #A46B51

RGB 164 107 81

HSL 18.8, 0.34%, 0.48%

LAB 50.69, 19.79, 23.88

 

CMYK 0 / 49 / 51 / 36

HEX #A45451

RGB 164 84 81

HSL 2.17, 0.34%, 0.48%

LAB 45.4, 32.58, 16.86

 

CMYK 0 / 51 / 51 / 36

HEX #A45151

RGB 164 81 81

HSL 0, 0.34%, 0.48%

LAB 44.76, 34.19, 16

 

CMYK 0 / 21 / 51 / 36

HEX #A48151

RGB 164 129 81

HSL 34.7, 0.34%, 0.48%

LAB 56.27, 7.31, 31.03

 

CMYK 0 / 7 / 51 / 36

HEX #A49851

RGB 164 152 81

HSL 51.33, 0.34%, 0.48%

LAB 62.46, -5.4, 38.65

 

CMYK 6 / 0 / 51 / 36

HEX #9AA451

RGB 154 164 81

HSL 67.23, 0.34%, 0.48%

LAB 64.97, -15.99, 41.46

 

CMYK 20 / 0 / 51 / 36

HEX #83A451

RGB 131 164 81

HSL 83.86, 0.34%, 0.48%

LAB 63.32, -25.33, 39.08

 

CMYK 34 / 0 / 51 / 36

HEX #6DA451

RGB 109 164 81

HSL 99.76, 0.34%, 0.48%

LAB 61.99, -33.59, 37.16

 

CMYK 0 / 21 / 51 / 36

HEX #A48151

RGB 164 129 81

HSL 34.7, 0.34%, 0.48%

LAB 56.27, 7.31, 31.03

 

CMYK 0 / 28 / 67 / 28

HEX #B8853D

RGB 184 133 61

HSL 35.12, 0.5%, 0.48%

LAB 59.25, 12.23, 45.44

 

CMYK 0 / 33 / 80 / 20

HEX #CC8829

RGB 204 136 41

HSL 34.97, 0.67%, 0.48%

LAB 62.17, 18.35, 57.81

 

CMYK 0 / 38 / 91 / 13

HEX #DF8B15

RGB 223 139 21

HSL 35.05, 0.83%, 0.48%

LAB 65.13, 24.38, 67.24

 

CMYK 0 / 42 / 99 / 5

HEX #F38E02

RGB 243 142 2

HSL 34.85, 0.98%, 0.48%

LAB 68.32, 30.95, 73.7

 

CMYK 0 / 21 / 51 / 36

HEX #A48151

RGB 164 129 81

HSL 34.7, 0.34%, 0.48%

LAB 56.27, 7.31, 31.03

 

CMYK 0 / 13 / 30 / 44

HEX #907E65

RGB 144 126 101

HSL 34.88, 0.18%, 0.48%

LAB 53.8, 2.88, 16.16

 

CMYK 0 / 1 / 3 / 51

HEX #7C7B78

RGB 124 123 120

HSL 45, 0.02%, 0.48%

LAB 51.62, -0.21, 1.76

 

CMYK 25 / 15 / 0 / 45

HEX #69778C

RGB 105 119 140

HSL 216, 0.14%, 0.48%

LAB 49.61, -0.21, -13.15

 

CMYK 47 / 28 / 0 / 37

HEX #5574A0

RGB 85 116 160

HSL 215.2, 0.31%, 0.48%

LAB 48.21, 1.23, -27.17

 

CMYK 0 / 49 / 51 / 36

HEX #A45451

RGB 164 84 81

HSL 2.17, 0.34%, 0.48%

LAB 45.4, 32.58, 16.86

 

CMYK 0 / 35 / 51 / 36

HEX #A46A51

RGB 164 106 81

HSL 18.07, 0.34%, 0.48%

LAB 50.45, 20.35, 23.56

 

CMYK 0 / 22 / 51 / 36

HEX #A48051

RGB 164 128 81

HSL 33.98, 0.34%, 0.48%

LAB 56.01, 7.87, 30.7

 

CMYK 0 / 9 / 51 / 36

HEX #A49651

RGB 164 150 81

HSL 49.88, 0.34%, 0.48%

LAB 61.91, -4.32, 37.98

 

CMYK 5 / 0 / 51 / 36

HEX #9CA451

RGB 156 164 81

HSL 65.78, 0.34%, 0.48%

LAB 65.13, -15.16, 41.68

 

CMYK 0 / 21 / 50 / 57

HEX #6D5636

RGB 109 86 54

HSL 34.91, 0.34%, 0.32%

LAB 38.15, 4.97, 22.17

 

CMYK 0 / 21 / 51 / 47

HEX #886B43

RGB 136 107 67

HSL 34.78, 0.34%, 0.4%

LAB 47.18, 6.18, 26.71

 

CMYK 0 / 21 / 51 / 36

HEX #A48151

RGB 164 129 81

HSL 34.7, 0.34%, 0.48%

LAB 56.27, 7.31, 31.03

 

CMYK 0 / 18 / 42 / 29

HEX #B59569

RGB 181 149 105

HSL 34.74, 0.34%, 0.56%

LAB 63.62, 5.91, 27.71

 

CMYK 0 / 13 / 32 / 24

HEX #C3A985

RGB 195 169 133

HSL 34.84, 0.34%, 0.64%

LAB 70.64, 4.1, 22.09

 

CMYK 0 / 21 / 51 / 36

HEX #A48150

RGB 164.1 129 80

HSL 34.96, 0.34%, 0.48%

LAB 56.27, 7.25, 31.57

 

CMYK 39 / 0 / 51 / 36

HEX #64A451

RGB 100 164 81

HSL 106.27, 0.34%, 0.48%

LAB 61.53, -36.7, 36.49

 

CMYK 42 / 51 / 0 / 36

HEX #5F51A4

RGB 95 81 164

HSL 250.12, 0.34%, 0.48%

LAB 39.58, 26.76, -43.1

 

CMYK 0 / 21 / 51 / 36

HEX #A48150

RGB 164.1 129 80

HSL 34.96, 0.34%, 0.48%

LAB 56.27, 7.25, 31.57

 

CMYK 51 / 0 / 22 / 36

HEX #51A480

RGB 81 164 128

HSL 153.98, 0.34%, 0.48%

LAB 61.53, -34.02, 11.04

 

CMYK 22 / 51 / 0 / 36

HEX #8051A4

RGB 128 81 164

HSL 273.98, 0.34%, 0.48%

LAB 42.99, 35.71, -37.45

 

CMYK 0 / 21 / 51 / 36

HEX #A48150

RGB 164.1 129 80

HSL 34.96, 0.34%, 0.48%

LAB 56.27, 7.25, 31.57

 

CMYK 39 / 0 / 51 / 36

HEX #64A451

RGB 100 164 81

HSL 106.27, 0.34%, 0.48%

LAB 61.53, -36.7, 36.49

 

CMYK 51 / 29 / 0 / 36

HEX #5175A4

RGB 81 117 164

HSL 213.98, 0.34%, 0.48%

LAB 48.45, 0.87, -29.15

 

CMYK 12 / 51 / 0 / 36

HEX #9151A4

RGB 145 81 164

HSL 286.27, 0.34%, 0.48%

LAB 45.06, 40.61, -34.05

 

CMYK 0 / 21 / 51 / 36

HEX #A48150

RGB 164.1 129 80

HSL 34.96, 0.34%, 0.48%

LAB 56.27, 7.25, 31.57

 

CMYK 51 / 0 / 48 / 36

HEX #51A456

RGB 81 164 86

HSL 123.61, 0.34%, 0.48%

LAB 60.76, -41.88, 32.79

 

CMYK 51 / 29 / 0 / 36

HEX #5175A4

RGB 81 117 164

HSL 213.98, 0.34%, 0.48%

LAB 48.45, 0.87, -29.15

 

CMYK 0 / 51 / 4 / 36

HEX #A4519E

RGB 164 81 158

HSL 304.34, 0.34%, 0.48%

LAB 47.3, 45.05, -26.82

 

Description

Color code: RGB 164.1 129 80 | qconv.com Color code: RGB 164.1 129 80 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164.1 red, 129 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164.1 129 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 51 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 51% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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