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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 97 103 it is the complementary color RGB 92 158 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 97 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 97 103 shade: RGB 168 97 98, RGB 185 115 117, RGB 202 133 136, RGB 219 151 155 and RGB 236 169 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 97 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 97 103 shade: RGB 163 97 103, RGB 146 79 84, RGB 129 61 65, RGB 112 43 46 and RGB 95 25 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 97 103 shade: RGB 162 97 103 and RGB 162 97 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 97 103 shade: RGB 162 97 103, RGB 162 97 120, RGB 162 97 138, RGB 162 97 156 and RGB 151 97 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 97 103 shade matches the following richer shades: RGB 162 97 103, RGB 182 77 86, RGB 202 57 70, RGB 223 36 53 and RGB 243 16 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 97 103 shade: RGB 162 97 103, RGB 142 117 120, RGB 122 137 136, RGB 101 158 153 and RGB 81 178 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 97 103 shade: RGB 162 97 138, RGB 162 97 121, RGB 162 97 104, RGB 162 108 97 and RGB 162 125 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 97 103 shade: RGB 111 65 69, RGB 137 80 86, RGB 162 97 103, RGB 177 123 128 and RGB 193 149 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 97 103 shade: RGB 163 97 103, RGB 156 162 97 and RGB 97 130 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 97 103 shade: RGB 163 97 103, RGB 104 162 97 and RGB 97 104 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 97 103 shade: RGB 163 97 103, RGB 156 162 97, RGB 97 162 156 and RGB 104 97 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 97 103 shade: RGB 163 97 103, RGB 136 162 97, RGB 97 162 156 and RGB 123 97 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 37 / 36

HEX #A36167

RGB 163 97 103

HSL 354.55, 0.26%, 0.51%

LAB 48.65, 27.5, 8.13

 

Complementary color

CMYK 42 / 0 / 4 / 38

HEX #5C9E98

RGB 92 158 152

HSL 174.55, 0.26%, 0.49%

LAB 60.78, -22.52, -3.48

 

CMYK 0 / 42 / 42 / 34

HEX #A86162

RGB 168 97 98

HSL 359.15, 0.29%, 0.52%

LAB 49.2, 28.86, 11.97

 

CMYK 0 / 38 / 37 / 27

HEX #B97375

RGB 185 115 117

HSL 358.29, 0.33%, 0.59%

LAB 55.95, 27.83, 10.57

 

CMYK 0 / 34 / 33 / 21

HEX #CA8588

RGB 202 133 136

HSL 357.39, 0.39%, 0.66%

LAB 62.6, 26.91, 9.35

 

CMYK 0 / 31 / 29 / 14

HEX #DB979B

RGB 219 151 155

HSL 356.47, 0.49%, 0.73%

LAB 69.15, 26.07, 8.25

 

CMYK 0 / 28 / 26 / 7

HEX #ECA9AE

RGB 236 169 174

HSL 355.52, 0.64%, 0.79%

LAB 75.62, 25.32, 7.26

 

CMYK 0 / 40 / 37 / 36

HEX #A36167

RGB 163 97 103

HSL 354.55, 0.26%, 0.51%

LAB 48.65, 27.5, 8.13

 

CMYK 0 / 46 / 42 / 43

HEX #924F54

RGB 146 79 84

HSL 355.52, 0.3%, 0.44%

LAB 41.76, 28.56, 9.61

 

CMYK 0 / 53 / 50 / 49

HEX #813D41

RGB 129 61 65

HSL 356.47, 0.36%, 0.37%

LAB 34.77, 29.7, 11.42

 

CMYK 0 / 62 / 59 / 56

HEX #702B2E

RGB 112 43 46

HSL 357.39, 0.45%, 0.3%

LAB 27.76, 30.84, 13.75

 

CMYK 0 / 74 / 72 / 63

HEX #5F191B

RGB 95 25 27

HSL 358.29, 0.58%, 0.24%

LAB 20.86, 31.74, 16.93

 

CMYK 0 / 40 / 36 / 36

HEX #A26167

RGB 162 97 103

HSL 354.46, 0.26%, 0.51%

LAB 48.52, 27.11, 7.92

 

CMYK 0 / 40 / 40 / 36

HEX #A26161

RGB 162 97 97

HSL 0, 0.26%, 0.51%

LAB 48.38, 26.37, 11.31

 

CMYK 0 / 40 / 36 / 36

HEX #A26167

RGB 162 97 103

HSL 354.46, 0.26%, 0.51%

LAB 48.52, 27.11, 7.92

 

CMYK 0 / 40 / 26 / 36

HEX #A26178

RGB 162 97 120

HSL 338.77, 0.26%, 0.51%

LAB 48.99, 29.47, -1.59

 

CMYK 0 / 40 / 15 / 36

HEX #A2618A

RGB 162 97 138

HSL 322.15, 0.26%, 0.51%

LAB 49.58, 32.33, -11.46

 

CMYK 0 / 40 / 4 / 36

HEX #A2619C

RGB 162 97 156

HSL 305.54, 0.26%, 0.51%

LAB 50.25, 35.54, -21.09

 

CMYK 7 / 40 / 0 / 36

HEX #9761A2

RGB 151 97 162

HSL 289.85, 0.26%, 0.51%

LAB 49.18, 33.15, -26.39

 

CMYK 0 / 40 / 36 / 36

HEX #A26167

RGB 162 97 103

HSL 354.46, 0.26%, 0.51%

LAB 48.52, 27.11, 7.92

 

CMYK 0 / 58 / 53 / 29

HEX #B64D56

RGB 182 77 86

HSL 354.86, 0.42%, 0.51%

LAB 46.88, 43.36, 16.31

 

CMYK 0 / 72 / 65 / 21

HEX #CA3946

RGB 202 57 70

HSL 354.62, 0.58%, 0.51%

LAB 46.88, 57.37, 26.61

 

CMYK 0 / 84 / 76 / 13

HEX #DF2435

RGB 223 36 53

HSL 354.55, 0.75%, 0.51%

LAB 48.52, 68.66, 39.53

 

CMYK 0 / 93 / 85 / 5

HEX #F31025

RGB 243 16 37

HSL 354.45, 0.9%, 0.51%

LAB 51.33, 76.42, 52.2

 

CMYK 0 / 40 / 36 / 36

HEX #A26167

RGB 162 97 103

HSL 354.46, 0.26%, 0.51%

LAB 48.52, 27.11, 7.92

 

CMYK 0 / 18 / 15 / 44

HEX #8E7578

RGB 142 117 120

HSL 352.8, 0.1%, 0.51%

LAB 51.64, 10.26, 2.01

 

CMYK 11 / 0 / 1 / 46

HEX #7A8988

RGB 122 137 136

HSL 176, 0.06%, 0.51%

LAB 55.89, -5.63, -1.32

 

CMYK 36 / 0 / 3 / 38

HEX #659E99

RGB 101 158 153

HSL 174.74, 0.23%, 0.51%

LAB 61.24, -19.8, -3.32

 

CMYK 54 / 0 / 5 / 30

HEX #51B2A9

RGB 81 178 169

HSL 174.43, 0.39%, 0.51%

LAB 66.87, -30.64, -4.06

 

CMYK 0 / 40 / 15 / 36

HEX #A2618A

RGB 162 97 138

HSL 322.15, 0.26%, 0.51%

LAB 49.58, 32.33, -11.46

 

CMYK 0 / 40 / 25 / 36

HEX #A26179

RGB 162 97 121

HSL 337.85, 0.26%, 0.51%

LAB 49.02, 29.62, -2.14

 

CMYK 0 / 40 / 36 / 36

HEX #A26168

RGB 162 97 104

HSL 353.54, 0.26%, 0.51%

LAB 48.55, 27.24, 7.36

 

CMYK 0 / 33 / 40 / 36

HEX #A26C61

RGB 162 108 97

HSL 10.15, 0.26%, 0.51%

LAB 51, 20.14, 14.94

 

CMYK 0 / 23 / 40 / 36

HEX #A27D61

RGB 162 125 97

HSL 25.85, 0.26%, 0.51%

LAB 55.29, 10.46, 20.77

 

CMYK 0 / 41 / 38 / 56

HEX #6F4145

RGB 111 65 69

HSL 354.78, 0.26%, 0.35%

LAB 33.11, 20.51, 6.14

 

CMYK 0 / 42 / 37 / 46

HEX #895056

RGB 137 80 86

HSL 353.68, 0.26%, 0.43%

LAB 40.78, 24.65, 6.81

 

CMYK 0 / 40 / 36 / 36

HEX #A26167

RGB 162 97 103

HSL 354.46, 0.26%, 0.51%

LAB 48.52, 27.11, 7.92

 

CMYK 0 / 31 / 28 / 31

HEX #B17B80

RGB 177 123 128

HSL 354.44, 0.26%, 0.59%

LAB 57.15, 21.75, 5.76

 

CMYK 0 / 23 / 21 / 24

HEX #C19599

RGB 193 149 153

HSL 354.55, 0.26%, 0.67%

LAB 65.85, 17.11, 4.26

 

CMYK 0 / 40 / 37 / 36

HEX #A36167

RGB 163 97 103

HSL 354.55, 0.26%, 0.51%

LAB 48.65, 27.5, 8.13

 

CMYK 4 / 0 / 40 / 36

HEX #9CA261

RGB 156 162 97

HSL 65.54, 0.26%, 0.51%

LAB 64.78, -12.41, 33.06

 

CMYK 40 / 20 / 0 / 36

HEX #6182A2

RGB 97 130 162

HSL 209.54, 0.26%, 0.51%

LAB 53.08, -3.18, -20.76

 

CMYK 0 / 40 / 37 / 36

HEX #A36167

RGB 163 97 103

HSL 354.55, 0.26%, 0.51%

LAB 48.65, 27.5, 8.13

 

CMYK 36 / 0 / 40 / 36

HEX #68A261

RGB 104 162 97

HSL 113.54, 0.26%, 0.51%

LAB 61.35, -32.15, 27.96

 

CMYK 40 / 36 / 0 / 36

HEX #6168A2

RGB 97 104 162

HSL 233.54, 0.26%, 0.51%

LAB 45.7, 12.41, -32.2

 

CMYK 0 / 40 / 37 / 36

HEX #A36167

RGB 163 97 103

HSL 354.55, 0.26%, 0.51%

LAB 48.65, 27.5, 8.13

 

CMYK 4 / 0 / 40 / 36

HEX #9CA261

RGB 156 162 97

HSL 65.54, 0.26%, 0.51%

LAB 64.78, -12.41, 33.06

 

CMYK 40 / 0 / 4 / 36

HEX #61A29C

RGB 97 162 156

HSL 174.46, 0.26%, 0.51%

LAB 62.32, -22.23, -3.43

 

CMYK 36 / 40 / 0 / 36

HEX #6861A2

RGB 104 97 162

HSL 246.46, 0.26%, 0.51%

LAB 44.38, 18.7, -34.24

 

CMYK 0 / 40 / 37 / 36

HEX #A36167

RGB 163 97 103

HSL 354.55, 0.26%, 0.51%

LAB 48.65, 27.5, 8.13

 

CMYK 16 / 0 / 40 / 36

HEX #88A261

RGB 136 162 97

HSL 84, 0.26%, 0.51%

LAB 63.29, -20.43, 30.85

 

CMYK 40 / 0 / 4 / 36

HEX #61A29C

RGB 97 162 156

HSL 174.46, 0.26%, 0.51%

LAB 62.32, -22.23, -3.43

 

CMYK 24 / 40 / 0 / 36

HEX #7B61A2

RGB 123 97 162

HSL 264, 0.26%, 0.51%

LAB 46.14, 24.35, -31.36

 

Description

Color code: RGB 163 97 103 | qconv.com Color code: RGB 163 97 103 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 97 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 97 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 37 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 37% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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