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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 59 215 it is the complementary color RGB 92 196 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 59 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 59 215 shade: RGB 168 59 210, RGB 185 77 229, RGB 202 95 248, RGB 219 113 255 and RGB 236 131 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 59 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 59 215 shade: RGB 163 59 215, RGB 146 41 196, RGB 129 23 177, RGB 112 5 158 and RGB 95 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 59 215 shade: RGB 163 60 215, RGB 205 60 215, RGB 215 60 183, RGB 215 60 141 and RGB 215 60 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 59 215 shade: RGB 163 60 215, RGB 121 60 215, RGB 79 60 215 and RGB 60 60 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 59 215 shade matches the following richer shades: RGB 163 60 215, RGB 169 41 234 and RGB 176 22 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 59 215 shade: RGB 163 60 215, RGB 157 79 196, RGB 150 98 177, RGB 144 117 158 and RGB 138 136 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 59 215 shade: RGB 80 60 215, RGB 122 60 215, RGB 163 60 215, RGB 204 60 215 and RGB 215 60 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 59 215 shade: RGB 117 32 160, RGB 142 39 194, RGB 163 60 215, RGB 179 94 222 and RGB 195 128 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 59 215 shade: RGB 163 59 215, RGB 215 60 80 and RGB 60 215 101

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 59 215 shade: RGB 163 59 215, RGB 215 163 60 and RGB 60 215 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 59 215 shade: RGB 163 59 215, RGB 215 60 80, RGB 111 215 60 and RGB 60 215 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 59 215 shade: RGB 163 59 215, RGB 215 86 60, RGB 111 215 60 and RGB 60 189 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 73 / 0 / 16

HEX #A33BD7

RGB 163 59 215

HSL 280, 0.66%, 0.54%

LAB 46.74, 65.93, -60.94

 

Complementary color

CMYK 53 / 0 / 80 / 23

HEX #5CC428

RGB 92 196 40

HSL 100, 0.66%, 0.46%

LAB 70.81, -55.8, 63.19

 

CMYK 20 / 72 / 0 / 18

HEX #A83BD2

RGB 168 59 210

HSL 283.31, 0.63%, 0.53%

LAB 47.11, 65.9, -57.43

 

CMYK 19 / 66 / 0 / 10

HEX #B94DE5

RGB 185 77 229

HSL 282.63, 0.75%, 0.6%

LAB 53.25, 65.93, -58.24

 

CMYK 19 / 62 / 0 / 3

HEX #CA5FF8

RGB 202 95 248

HSL 281.96, 0.92%, 0.67%

LAB 59.45, 65.61, -58.8

 

CMYK 14 / 56 / 0 / 0

HEX #DB71FF

RGB 219 113 255

HSL 284.79, 1%, 0.72%

LAB 65.03, 62.69, -53.64

 

CMYK 7 / 49 / 0 / 0

HEX #EC83FF

RGB 236 131 255

HSL 290.81, 1%, 0.76%

LAB 70.38, 58.41, -45.08

 

CMYK 24 / 73 / 0 / 16

HEX #A33BD7

RGB 163 59 215

HSL 280, 0.66%, 0.54%

LAB 46.74, 65.93, -60.94

 

CMYK 26 / 79 / 0 / 23

HEX #9229C4

RGB 146 41 196

HSL 280.65, 0.65%, 0.46%

LAB 40.71, 65.38, -59.84

 

CMYK 27 / 87 / 0 / 31

HEX #8117B1

RGB 129 23 177

HSL 281.3, 0.77%, 0.39%

LAB 34.91, 63.89, -58.17

 

CMYK 29 / 97 / 0 / 38

HEX #70059E

RGB 112 5 158

HSL 281.96, 0.94%, 0.32%

LAB 29.47, 61.02, -55.72

 

CMYK 32 / 100 / 0 / 45

HEX #5F008B

RGB 95 0 139

HSL 281.01, 1%, 0.27%

LAB 24.63, 55.93, -52.03

 

CMYK 24 / 72 / 0 / 16

HEX #A33CD7

RGB 163 60 215

HSL 279.87, 0.66%, 0.54%

LAB 46.88, 65.54, -60.72

 

CMYK 5 / 72 / 0 / 16

HEX #CD3CD7

RGB 205 60 215

HSL 296.13, 0.66%, 0.54%

LAB 53.08, 73.98, -50.42

 

CMYK 0 / 72 / 15 / 16

HEX #D73CB7

RGB 215 60 183

HSL 312.39, 0.66%, 0.54%

LAB 53.06, 71.29, -31.94

 

CMYK 0 / 72 / 34 / 16

HEX #D73C8D

RGB 215 60 141

HSL 328.65, 0.66%, 0.54%

LAB 51.38, 66.04, -9.73

 

CMYK 0 / 72 / 54 / 16

HEX #D73C63

RGB 215 60 99

HSL 344.9, 0.66%, 0.54%

LAB 50.19, 62.14, 13.88

 

CMYK 24 / 72 / 0 / 16

HEX #A33CD7

RGB 163 60 215

HSL 279.87, 0.66%, 0.54%

LAB 46.88, 65.54, -60.72

 

CMYK 44 / 72 / 0 / 16

HEX #793CD7

RGB 121 60 215

HSL 263.61, 0.66%, 0.54%

LAB 41.54, 57.9, -69.63

 

CMYK 63 / 72 / 0 / 16

HEX #4F3CD7

RGB 79 60 215

HSL 247.35, 0.66%, 0.54%

LAB 37.48, 51.77, -76.43

 

CMYK 72 / 72 / 0 / 16

HEX #3C3CD7

RGB 60 60 215

HSL 240, 0.66%, 0.54%

LAB 36.17, 49.72, -78.63

 

CMYK 24 / 72 / 0 / 16

HEX #A33CD7

RGB 163 60 215

HSL 279.87, 0.66%, 0.54%

LAB 46.88, 65.54, -60.72

 

CMYK 28 / 82 / 0 / 8

HEX #A929EA

RGB 169 41 234

HSL 279.79, 0.82%, 0.54%

LAB 46.92, 76.64, -71.4

 

CMYK 30 / 91 / 0 / 1

HEX #B016FD

RGB 176 22 253

HSL 280, 0.98%, 0.54%

LAB 48.13, 85.08, -80.07

 

CMYK 24 / 72 / 0 / 16

HEX #A33CD7

RGB 163 60 215

HSL 279.87, 0.66%, 0.54%

LAB 46.88, 65.54, -60.72

 

CMYK 20 / 60 / 0 / 23

HEX #9D4FC4

RGB 157 79 196

HSL 280, 0.5%, 0.54%

LAB 47.94, 51.72, -48.12

 

CMYK 15 / 45 / 0 / 31

HEX #9662B1

RGB 150 98 177

HSL 279.49, 0.34%, 0.54%

LAB 49.97, 35.5, -33.94

 

CMYK 9 / 26 / 0 / 38

HEX #90759E

RGB 144 117 158

HSL 279.51, 0.17%, 0.54%

LAB 53.08, 18.42, -18.1

 

CMYK 1 / 2 / 0 / 45

HEX #8A888B

RGB 138 136 139

HSL 280, 0.01%, 0.54%

LAB 56.95, 1.33, -1.35

 

CMYK 63 / 72 / 0 / 16

HEX #503CD7

RGB 80 60 215

HSL 247.74, 0.66%, 0.54%

LAB 37.56, 51.9, -76.3

 

CMYK 43 / 72 / 0 / 16

HEX #7A3CD7

RGB 122 60 215

HSL 264, 0.66%, 0.54%

LAB 41.65, 58.07, -69.44

 

CMYK 24 / 72 / 0 / 16

HEX #A33CD7

RGB 163 60 215

HSL 279.87, 0.66%, 0.54%

LAB 46.88, 65.54, -60.72

 

CMYK 5 / 72 / 0 / 16

HEX #CC3CD7

RGB 204 60 215

HSL 295.74, 0.66%, 0.54%

LAB 52.92, 73.78, -50.68

 

CMYK 0 / 72 / 14 / 16

HEX #D73CB8

RGB 215 60 184

HSL 312, 0.66%, 0.54%

LAB 53.1, 71.43, -32.45

 

CMYK 27 / 80 / 0 / 37

HEX #7520A0

RGB 117 32 160

HSL 279.84, 0.67%, 0.38%

LAB 32.6, 55.82, -51.8

 

CMYK 27 / 80 / 0 / 24

HEX #8E27C2

RGB 142 39 194

HSL 279.87, 0.67%, 0.46%

LAB 39.74, 64.94, -60.26

 

CMYK 24 / 72 / 0 / 16

HEX #A33CD7

RGB 163 60 215

HSL 279.87, 0.66%, 0.54%

LAB 46.88, 65.54, -60.72

 

CMYK 19 / 58 / 0 / 13

HEX #B35EDE

RGB 179 94 222

HSL 279.84, 0.66%, 0.62%

LAB 54.93, 55.28, -51.65

 

CMYK 15 / 44 / 0 / 10

HEX #C380E5

RGB 195 128 229

HSL 279.8, 0.66%, 0.7%

LAB 63.92, 43.4, -41.25

 

CMYK 24 / 73 / 0 / 16

HEX #A33BD7

RGB 163 59 215

HSL 280, 0.66%, 0.54%

LAB 46.74, 65.93, -60.94

 

CMYK 0 / 72 / 63 / 16

HEX #D73C50

RGB 215 60 80

HSL 352.26, 0.66%, 0.54%

LAB 49.81, 60.85, 24.83

 

CMYK 72 / 0 / 53 / 16

HEX #3CD765

RGB 60 215 101

HSL 135.87, 0.66%, 0.54%

LAB 76.38, -63.46, 44.53

 

CMYK 24 / 73 / 0 / 16

HEX #A33BD7

RGB 163 59 215

HSL 280, 0.66%, 0.54%

LAB 46.74, 65.93, -60.94

 

CMYK 0 / 24 / 72 / 16

HEX #D7A33C

RGB 215 163 60

HSL 39.87, 0.66%, 0.54%

LAB 70.15, 9.3, 58.39

 

CMYK 72 / 0 / 24 / 16

HEX #3CD7A3

RGB 60 215 163

HSL 159.87, 0.66%, 0.54%

LAB 77.4, -51.98, 14.31

 

CMYK 24 / 73 / 0 / 16

HEX #A33BD7

RGB 163 59 215

HSL 280, 0.66%, 0.54%

LAB 46.74, 65.93, -60.94

 

CMYK 0 / 72 / 63 / 16

HEX #D73C50

RGB 215 60 80

HSL 352.26, 0.66%, 0.54%

LAB 49.81, 60.85, 24.83

 

CMYK 48 / 0 / 72 / 16

HEX #6FD73C

RGB 111 215 60

HSL 100.26, 0.66%, 0.54%

LAB 77.46, -56.22, 63.42

 

CMYK 72 / 0 / 10 / 16

HEX #3CD7C2

RGB 60 215 194

HSL 171.87, 0.66%, 0.54%

LAB 78.14, -44.36, -1.16

 

CMYK 24 / 73 / 0 / 16

HEX #A33BD7

RGB 163 59 215

HSL 280, 0.66%, 0.54%

LAB 46.74, 65.93, -60.94

 

CMYK 0 / 60 / 72 / 16

HEX #D7563C

RGB 215 86 60

HSL 10.06, 0.66%, 0.54%

LAB 53.42, 49.24, 40.66

 

CMYK 48 / 0 / 72 / 16

HEX #6FD73C

RGB 111 215 60

HSL 100.26, 0.66%, 0.54%

LAB 77.46, -56.22, 63.42

 

CMYK 72 / 12 / 0 / 16

HEX #3CBDD7

RGB 60 189 215

HSL 190.06, 0.66%, 0.54%

LAB 71.05, -26.21, -23.13

 

Description

Color code: RGB 163 59 215 | qconv.com Color code: RGB 163 59 215 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 59 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 59 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 73 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 73% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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