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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 32 97 it is the complementary color RGB 92 223 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 32 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 32 97 shade: RGB 168 32 92, RGB 185 50 111, RGB 202 68 130, RGB 219 86 149 and RGB 236 104 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 32 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 32 97 shade: RGB 163 32 97, RGB 146 14 78, RGB 129 0 59, RGB 112 0 40 and RGB 95 0 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 32 97 shade: RGB 161 31 96, RGB 161 31 61 and RGB 161 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 32 97 shade: RGB 161 31 96, RGB 161 31 131, RGB 157 31 161, RGB 122 31 161 and RGB 87 31 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 32 97 shade matches the following richer shades: RGB 161 31 96, RGB 177 16 96 and RGB 193 0 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 32 97 shade: RGB 161 31 96, RGB 146 47 96, RGB 130 63 96, RGB 114 79 96 and RGB 99 94 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 32 97 shade: RGB 157 31 161, RGB 161 31 131, RGB 161 31 96, RGB 161 31 62 and RGB 161 36 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 32 97 shade: RGB 92 18 55, RGB 127 25 75, RGB 161 31 96, RGB 196 38 116 and RGB 216 59 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 32 97 shade: RGB 163 32 97, RGB 161 122 31 and RGB 31 148 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 32 97 shade: RGB 163 32 97, RGB 96 161 31 and RGB 31 96 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 32 97 shade: RGB 163 32 97, RGB 161 122 31, RGB 31 161 96 and RGB 31 70 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 32 97 shade: RGB 163 32 97, RGB 161 161 31, RGB 31 161 96 and RGB 31 31 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 40 / 36

HEX #A32061

RGB 163 32 97

HSL 330.23, 0.67%, 0.38%

LAB 37.27, 56.35, -4.69

 

Complementary color

CMYK 59 / 0 / 29 / 13

HEX #5CDF9E

RGB 92 223 158

HSL 150.23, 0.67%, 0.62%

LAB 80.47, -50.83, 21.32

 

CMYK 0 / 81 / 45 / 34

HEX #A8205C

RGB 168 32 92

HSL 333.53, 0.68%, 0.39%

LAB 38.08, 57.19, -0.2

 

CMYK 0 / 73 / 40 / 27

HEX #B9326F

RGB 185 50 111

HSL 332.89, 0.57%, 0.46%

LAB 43.86, 58.08, -3.26

 

CMYK 0 / 66 / 36 / 21

HEX #CA4482

RGB 202 68 130

HSL 332.24, 0.56%, 0.53%

LAB 49.86, 58.26, -5.64

 

CMYK 0 / 61 / 32 / 14

HEX #DB5695

RGB 219 86 149

HSL 331.58, 0.65%, 0.6%

LAB 55.97, 58, -7.54

 

CMYK 0 / 56 / 29 / 7

HEX #EC68A8

RGB 236 104 168

HSL 330.91, 0.78%, 0.67%

LAB 62.13, 57.5, -9.1

 

CMYK 0 / 80 / 40 / 36

HEX #A32061

RGB 163 32 97

HSL 330.23, 0.67%, 0.38%

LAB 37.27, 56.35, -4.69

 

CMYK 0 / 90 / 47 / 43

HEX #920E4E

RGB 146 14 78

HSL 330.91, 0.83%, 0.31%

LAB 31.75, 54.32, -0.91

 

CMYK 0 / 100 / 54 / 49

HEX #81003B

RGB 129 0 59

HSL 332.56, 1%, 0.25%

LAB 26.69, 50.81, 4.04

 

CMYK 0 / 100 / 64 / 56

HEX #700028

RGB 112 0 40

HSL 338.57, 1%, 0.22%

LAB 22.3, 45.17, 10.5

 

CMYK 0 / 100 / 78 / 63

HEX #5F0015

RGB 95 0 21

HSL 346.74, 1%, 0.19%

LAB 17.86, 39.57, 17.44

 

CMYK 0 / 81 / 40 / 37

HEX #A11F60

RGB 161 31 96

HSL 330, 0.68%, 0.38%

LAB 36.75, 56, -4.87

 

CMYK 0 / 81 / 62 / 37

HEX #A11F3D

RGB 161 31 61

HSL 346.15, 0.68%, 0.38%

LAB 35.78, 53.06, 16.31

 

CMYK 0 / 81 / 81 / 37

HEX #A11F1F

RGB 161 31 31

HSL 0, 0.68%, 0.38%

LAB 35.31, 51.61, 34.38

 

CMYK 0 / 81 / 40 / 37

HEX #A11F60

RGB 161 31 96

HSL 330, 0.68%, 0.38%

LAB 36.75, 56, -4.87

 

CMYK 0 / 81 / 19 / 37

HEX #A11F83

RGB 161 31 131

HSL 313.85, 0.68%, 0.38%

LAB 38.19, 60.22, -24.68

 

CMYK 2 / 81 / 0 / 37

HEX #9D1FA1

RGB 157 31 161

HSL 298.15, 0.68%, 0.38%

LAB 39.11, 63.91, -41.59

 

CMYK 24 / 81 / 0 / 37

HEX #7A1FA1

RGB 122 31 161

HSL 282, 0.68%, 0.38%

LAB 33.33, 57.26, -51.18

 

CMYK 46 / 81 / 0 / 37

HEX #571FA1

RGB 87 31 161

HSL 265.85, 0.68%, 0.38%

LAB 28.33, 51.52, -59.56

 

CMYK 0 / 81 / 40 / 37

HEX #A11F60

RGB 161 31 96

HSL 330, 0.68%, 0.38%

LAB 36.75, 56, -4.87

 

CMYK 0 / 91 / 46 / 31

HEX #B11060

RGB 177 16 96

HSL 330.19, 0.83%, 0.38%

LAB 38.83, 63.15, -1.42

 

CMYK 0 / 100 / 50 / 24

HEX #C10060

RGB 193 0 96

HSL 330.16, 1%, 0.38%

LAB 41.5, 68.62, 2.86

 

CMYK 0 / 81 / 40 / 37

HEX #A11F60

RGB 161 31 96

HSL 330, 0.68%, 0.38%

LAB 36.75, 56, -4.87

 

CMYK 0 / 68 / 34 / 43

HEX #922F60

RGB 146 47 96

HSL 330.3, 0.51%, 0.38%

LAB 35.96, 46.12, -6.33

 

CMYK 0 / 52 / 26 / 49

HEX #823F60

RGB 130 63 96

HSL 330.45, 0.35%, 0.38%

LAB 36.26, 32.97, -6.16

 

CMYK 0 / 31 / 16 / 55

HEX #724F60

RGB 114 79 96

HSL 330.86, 0.18%, 0.38%

LAB 37.87, 17.57, -4

 

CMYK 0 / 5 / 3 / 61

HEX #635E60

RGB 99 94 96

HSL 336, 0.03%, 0.38%

LAB 40.41, 2.4, -0.43

 

CMYK 2 / 81 / 0 / 37

HEX #9D1FA1

RGB 157 31 161

HSL 298.15, 0.68%, 0.38%

LAB 39.11, 63.91, -41.59

 

CMYK 0 / 81 / 19 / 37

HEX #A11F83

RGB 161 31 131

HSL 313.85, 0.68%, 0.38%

LAB 38.19, 60.22, -24.68

 

CMYK 0 / 81 / 40 / 37

HEX #A11F60

RGB 161 31 96

HSL 330, 0.68%, 0.38%

LAB 36.75, 56, -4.87

 

CMYK 0 / 81 / 61 / 37

HEX #A11F3E

RGB 161 31 62

HSL 345.69, 0.68%, 0.38%

LAB 35.8, 53.13, 15.69

 

CMYK 0 / 78 / 81 / 37

HEX #A1241F

RGB 161 36 31

HSL 2.31, 0.68%, 0.38%

LAB 35.86, 50.07, 34.94

 

CMYK 0 / 80 / 40 / 64

HEX #5C1237

RGB 92 18 55

HSL 330, 0.67%, 0.22%

LAB 19.98, 36.18, -3.95

 

CMYK 0 / 80 / 41 / 50

HEX #7F194B

RGB 127 25 75

HSL 330.59, 0.67%, 0.3%

LAB 28.68, 46.32, -3.89

 

CMYK 0 / 81 / 40 / 37

HEX #A11F60

RGB 161 31 96

HSL 330, 0.68%, 0.38%

LAB 36.75, 56, -4.87

 

CMYK 0 / 81 / 41 / 23

HEX #C42674

RGB 196 38 116

HSL 330.38, 0.68%, 0.46%

LAB 44.78, 65.12, -4.77

 

CMYK 0 / 73 / 37 / 15

HEX #D83B89

RGB 216 59 137

HSL 330.19, 0.67%, 0.54%

LAB 51.31, 66.21, -7.44

 

CMYK 0 / 80 / 40 / 36

HEX #A32061

RGB 163 32 97

HSL 330.23, 0.67%, 0.38%

LAB 37.27, 56.35, -4.69

 

CMYK 0 / 24 / 81 / 37

HEX #A17A1F

RGB 161 122 31

HSL 42, 0.68%, 0.38%

LAB 53.59, 6.57, 51.83

 

CMYK 81 / 8 / 0 / 37

HEX #1F94A1

RGB 31 148 161

HSL 186, 0.68%, 0.38%

LAB 56.13, -25.99, -15.74

 

CMYK 0 / 80 / 40 / 36

HEX #A32061

RGB 163 32 97

HSL 330.23, 0.67%, 0.38%

LAB 37.27, 56.35, -4.69

 

CMYK 40 / 0 / 81 / 37

HEX #60A11F

RGB 96 161 31

HSL 90, 0.68%, 0.38%

LAB 59.96, -41.25, 55.81

 

CMYK 81 / 40 / 0 / 37

HEX #1F60A1

RGB 31 96 161

HSL 210, 0.68%, 0.38%

LAB 39.97, 3.76, -40.9

 

CMYK 0 / 80 / 40 / 36

HEX #A32061

RGB 163 32 97

HSL 330.23, 0.67%, 0.38%

LAB 37.27, 56.35, -4.69

 

CMYK 0 / 24 / 81 / 37

HEX #A17A1F

RGB 161 122 31

HSL 42, 0.68%, 0.38%

LAB 53.59, 6.57, 51.83

 

CMYK 81 / 0 / 40 / 37

HEX #1FA160

RGB 31 161 96

HSL 150, 0.68%, 0.38%

LAB 58.63, -48.96, 24.48

 

CMYK 81 / 57 / 0 / 37

HEX #1F46A1

RGB 31 70 161

HSL 222, 0.68%, 0.38%

LAB 32.36, 21.04, -53.15

 

CMYK 0 / 80 / 40 / 36

HEX #A32061

RGB 163 32 97

HSL 330.23, 0.67%, 0.38%

LAB 37.27, 56.35, -4.69

 

CMYK 0 / 0 / 81 / 37

HEX #A1A11F

RGB 161 161 31

HSL 60, 0.68%, 0.38%

LAB 64.29, -14.64, 61.34

 

CMYK 81 / 0 / 40 / 37

HEX #1FA160

RGB 31 161 96

HSL 150, 0.68%, 0.38%

LAB 58.63, -48.96, 24.48

 

CMYK 81 / 81 / 0 / 37

HEX #1F1FA1

RGB 31 31 161

HSL 240, 0.68%, 0.38%

LAB 23.15, 45.59, -68.27

 

Description

Color code: RGB 163 32 97 | qconv.com Color code: RGB 163 32 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 32 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 32 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 40 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 40% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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