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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 24 162 it is the complementary color RGB 92 231 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 24 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 24 162 shade: RGB 168 24 157, RGB 185 42 176, RGB 202 60 195, RGB 219 78 214 and RGB 236 96 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 24 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 24 162 shade: RGB 163 24 162, RGB 146 6 143, RGB 129 0 124, RGB 112 0 105 and RGB 95 0 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 24 162 shade: RGB 164 25 163, RGB 164 25 126, RGB 164 25 88, RGB 164 25 50 and RGB 164 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 24 162 shade: RGB 164 25 163, RGB 128 25 164, RGB 90 25 164, RGB 52 25 164 and RGB 25 25 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 24 162 shade matches the following richer shades: RGB 164 25 163 and RGB 179 9 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 24 162 shade: RGB 164 25 163, RGB 149 40 148, RGB 134 55 133, RGB 118 70 118 and RGB 103 86 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 24 162 shade: RGB 90 25 164, RGB 127 25 164, RGB 164 25 164, RGB 164 25 127 and RGB 164 25 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 24 162 shade: RGB 92 14 92, RGB 128 19 127, RGB 164 25 163, RGB 200 30 199 and RGB 224 47 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 24 162 shade: RGB 163 24 162, RGB 164 52 25 and RGB 25 164 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 24 162 shade: RGB 163 24 162, RGB 164 164 25 and RGB 25 164 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 24 162 shade: RGB 163 24 162, RGB 164 52 25, RGB 25 164 25 and RGB 25 136 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 24 162 shade: RGB 163 24 162, RGB 164 94 25, RGB 25 164 25 and RGB 25 94 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 1 / 36

HEX #A318A2

RGB 163 24 162

HSL 300.43, 0.74%, 0.37%

LAB 39.66, 66.85, -41.24

 

Complementary color

CMYK 60 / 0 / 60 / 9

HEX #5CE75D

RGB 92 231 93

HSL 120.43, 0.74%, 0.63%

LAB 81.96, -63.96, 54.94

 

CMYK 0 / 86 / 7 / 34

HEX #A8189D

RGB 168 24 157

HSL 304.58, 0.75%, 0.38%

LAB 40.27, 67.05, -37.21

 

CMYK 0 / 77 / 5 / 27

HEX #B92AB0

RGB 185 42 176

HSL 303.78, 0.63%, 0.45%

LAB 45.78, 69.05, -39.63

 

CMYK 0 / 70 / 3 / 21

HEX #CA3CC3

RGB 202 60 195

HSL 302.96, 0.57%, 0.51%

LAB 51.53, 70.1, -41.44

 

CMYK 0 / 64 / 2 / 14

HEX #DB4ED6

RGB 219 78 214

HSL 302.13, 0.66%, 0.58%

LAB 57.43, 70.51, -42.82

 

CMYK 0 / 59 / 1 / 7

HEX #EC60E9

RGB 236 96 233

HSL 301.29, 0.79%, 0.65%

LAB 63.41, 70.5, -43.9

 

CMYK 0 / 85 / 1 / 36

HEX #A318A2

RGB 163 24 162

HSL 300.43, 0.74%, 0.37%

LAB 39.66, 66.85, -41.24

 

CMYK 0 / 96 / 2 / 43

HEX #92068F

RGB 146 6 143

HSL 301.29, 0.92%, 0.3%

LAB 34.45, 63.59, -38.18

 

CMYK 0 / 100 / 4 / 49

HEX #81007C

RGB 129 0 124

HSL 302.33, 1%, 0.25%

LAB 29.72, 58.5, -34.06

 

CMYK 0 / 100 / 6 / 56

HEX #700069

RGB 112 0 105

HSL 303.75, 1%, 0.22%

LAB 25.15, 52.46, -29.36

 

CMYK 0 / 100 / 9 / 63

HEX #5F0056

RGB 95 0 86

HSL 305.68, 1%, 0.19%

LAB 20.46, 46.26, -24.47

 

CMYK 0 / 85 / 1 / 36

HEX #A419A3

RGB 164 25 163

HSL 300.43, 0.74%, 0.37%

LAB 39.97, 66.99, -41.34

 

CMYK 0 / 85 / 23 / 36

HEX #A4197E

RGB 164 25 126

HSL 316.4, 0.74%, 0.37%

LAB 38.01, 61.7, -21.81

 

CMYK 0 / 85 / 46 / 36

HEX #A41958

RGB 164 25 88

HSL 332.81, 0.74%, 0.37%

LAB 36.54, 57.54, 0.03

 

CMYK 0 / 85 / 70 / 36

HEX #A41932

RGB 164 25 50

HSL 349.21, 0.74%, 0.37%

LAB 35.63, 54.86, 23.3

 

CMYK 0 / 85 / 85 / 36

HEX #A41919

RGB 164 25 25

HSL 0, 0.74%, 0.37%

LAB 35.32, 53.92, 37.94

 

CMYK 0 / 85 / 1 / 36

HEX #A419A3

RGB 164 25 163

HSL 300.43, 0.74%, 0.37%

LAB 39.97, 66.99, -41.34

 

CMYK 22 / 85 / 0 / 36

HEX #8019A4

RGB 128 25 164

HSL 284.46, 0.74%, 0.37%

LAB 33.91, 60.67, -52.01

 

CMYK 45 / 85 / 0 / 36

HEX #5A19A4

RGB 90 25 164

HSL 268.06, 0.74%, 0.37%

LAB 28.25, 54.89, -61.5

 

CMYK 68 / 85 / 0 / 36

HEX #3419A4

RGB 52 25 164

HSL 251.65, 0.74%, 0.37%

LAB 24.02, 50.8, -68.62

 

CMYK 85 / 85 / 0 / 36

HEX #1919A4

RGB 25 25 164

HSL 240, 0.74%, 0.37%

LAB 22.24, 49.15, -71.62

 

CMYK 0 / 85 / 1 / 36

HEX #A419A3

RGB 164 25 163

HSL 300.43, 0.74%, 0.37%

LAB 39.97, 66.99, -41.34

 

CMYK 0 / 95 / 1 / 30

HEX #B309B2

RGB 179 9 178

HSL 300.35, 0.9%, 0.37%

LAB 42.75, 74.31, -45.68

 

CMYK 0 / 85 / 1 / 36

HEX #A419A3

RGB 164 25 163

HSL 300.43, 0.74%, 0.37%

LAB 39.97, 66.99, -41.34

 

CMYK 0 / 73 / 1 / 42

HEX #952894

RGB 149 40 148

HSL 300.55, 0.58%, 0.37%

LAB 37.92, 57.33, -35.68

 

CMYK 0 / 59 / 1 / 47

HEX #863785

RGB 134 55 133

HSL 300.76, 0.42%, 0.37%

LAB 36.92, 44.67, -28.23

 

CMYK 0 / 41 / 0 / 54

HEX #764676

RGB 118 70 118

HSL 300, 0.26%, 0.37%

LAB 37, 28.7, -18.99

 

CMYK 0 / 17 / 0 / 60

HEX #675667

RGB 103 86 103

HSL 300, 0.09%, 0.37%

LAB 38.76, 10.34, -7.16

 

CMYK 45 / 85 / 0 / 36

HEX #5A19A4

RGB 90 25 164

HSL 268.06, 0.74%, 0.37%

LAB 28.25, 54.89, -61.5

 

CMYK 23 / 85 / 0 / 36

HEX #7F19A4

RGB 127 25 164

HSL 284.03, 0.74%, 0.37%

LAB 33.75, 60.5, -52.28

 

CMYK 0 / 85 / 0 / 36

HEX #A419A4

RGB 164 25 164

HSL 300, 0.74%, 0.37%

LAB 40.03, 67.15, -41.85

 

CMYK 0 / 85 / 23 / 36

HEX #A4197F

RGB 164 25 127

HSL 315.97, 0.74%, 0.37%

LAB 38.06, 61.83, -22.36

 

CMYK 0 / 85 / 45 / 36

HEX #A4195A

RGB 164 25 90

HSL 331.94, 0.74%, 0.37%

LAB 36.6, 57.72, -1.16

 

CMYK 0 / 85 / 0 / 64

HEX #5C0E5C

RGB 92 14 92

HSL 300, 0.74%, 0.21%

LAB 21.44, 43.12, -26.96

 

CMYK 0 / 85 / 1 / 50

HEX #80137F

RGB 128 19 127

HSL 300.55, 0.74%, 0.29%

LAB 30.85, 55.46, -34.17

 

CMYK 0 / 85 / 1 / 36

HEX #A419A3

RGB 164 25 163

HSL 300.43, 0.74%, 0.37%

LAB 39.97, 66.99, -41.34

 

CMYK 0 / 85 / 0 / 22

HEX #C81EC7

RGB 200 30 199

HSL 300.35, 0.74%, 0.45%

LAB 48.67, 78.21, -48.31

 

CMYK 0 / 79 / 0 / 12

HEX #E02FDF

RGB 224 47 223

HSL 300.34, 0.74%, 0.53%

LAB 55.29, 82.65, -51.27

 

CMYK 0 / 85 / 1 / 36

HEX #A318A2

RGB 163 24 162

HSL 300.43, 0.74%, 0.37%

LAB 39.66, 66.85, -41.24

 

CMYK 0 / 68 / 85 / 36

HEX #A43419

RGB 164 52 25

HSL 11.65, 0.74%, 0.37%

LAB 38.58, 44.85, 40.91

 

CMYK 85 / 0 / 34 / 36

HEX #19A46C

RGB 25 164 108

HSL 155.83, 0.74%, 0.37%

LAB 59.74, -48.22, 19.43

 

CMYK 0 / 85 / 1 / 36

HEX #A318A2

RGB 163 24 162

HSL 300.43, 0.74%, 0.37%

LAB 39.66, 66.85, -41.24

 

CMYK 0 / 0 / 85 / 36

HEX #A4A419

RGB 164 164 25

HSL 60, 0.74%, 0.37%

LAB 65.37, -15.05, 63.91

 

CMYK 85 / 0 / 0 / 36

HEX #19A4A4

RGB 25 164 164

HSL 180, 0.74%, 0.37%

LAB 61.17, -33.36, -9.87

 

CMYK 0 / 85 / 1 / 36

HEX #A318A2

RGB 163 24 162

HSL 300.43, 0.74%, 0.37%

LAB 39.66, 66.85, -41.24

 

CMYK 0 / 68 / 85 / 36

HEX #A43419

RGB 164 52 25

HSL 11.65, 0.74%, 0.37%

LAB 38.58, 44.85, 40.91

 

CMYK 85 / 0 / 85 / 36

HEX #19A419

RGB 25 164 25

HSL 120, 0.74%, 0.37%

LAB 58.81, -59.35, 55.66

 

CMYK 85 / 17 / 0 / 36

HEX #1988A4

RGB 25 136 164

HSL 192.09, 0.74%, 0.37%

LAB 52.39, -19.26, -23.19

 

CMYK 0 / 85 / 1 / 36

HEX #A318A2

RGB 163 24 162

HSL 300.43, 0.74%, 0.37%

LAB 39.66, 66.85, -41.24

 

CMYK 0 / 43 / 85 / 36

HEX #A45E19

RGB 164 94 25

HSL 29.78, 0.74%, 0.37%

LAB 46.93, 23.57, 48.27

 

CMYK 85 / 0 / 85 / 36

HEX #19A419

RGB 25 164 25

HSL 120, 0.74%, 0.37%

LAB 58.81, -59.35, 55.66

 

CMYK 85 / 43 / 0 / 36

HEX #195EA4

RGB 25 94 164

HSL 210.22, 0.74%, 0.37%

LAB 39.4, 5.64, -43.6

 

Description

Color code: RGB 163 24 162 | qconv.com Color code: RGB 163 24 162 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 24 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 24 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 1 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 1% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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