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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 233 1 it is the complementary color RGB 92 22 254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 233 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 233 1 shade: RGB 168 233 0, RGB 185 251 15, RGB 202 255 34, RGB 219 255 53 and RGB 236 255 72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 233 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 233 1 shade: RGB 163 233 1, RGB 146 215 0, RGB 129 197 0, RGB 112 179 0 and RGB 95 161 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 233 1 shade: RGB 163 233 1, RGB 225 233 1, RGB 233 178 1, RGB 233 115 1 and RGB 233 52 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 233 1 shade: RGB 163 233 1, RGB 100 233 1, RGB 38 233 1, RGB 1 233 26 and RGB 1 233 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 233 1 shade matches the following richer shades: RGB 163 233 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 233 1 shade: RGB 163 233 1, RGB 155 214 20, RGB 148 195 39, RGB 140 176 58 and RGB 133 157 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 233 1 shade: RGB 233 179 1, RGB 225 233 1, RGB 163 233 1, RGB 101 233 1 and RGB 39 233 1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 233 1 shade: RGB 105 151 0, RGB 134 192 0, RGB 163 233 1, RGB 183 253 22 and RGB 196 254 63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 233 1 shade: RGB 163 233 1, RGB 1 233 117 and RGB 210 1 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 233 1 shade: RGB 163 233 1, RGB 1 163 233 and RGB 233 1 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 233 1 shade: RGB 163 233 1, RGB 1 233 117, RGB 70 1 233 and RGB 233 1 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 233 1 shade: RGB 163 233 1, RGB 1 233 186, RGB 70 1 233 and RGB 233 1 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 100 / 9

HEX #A3E901

RGB 163 233 1

HSL 78.1, 0.99%, 0.46%

LAB 85.03, -47.96, 82.63

 

Complementary color

CMYK 64 / 91 / 0 / 0

HEX #5C16FE

RGB 92 22 254

HSL 258.1, 0.99%, 0.54%

LAB 37.85, 77.6, -97.93

 

CMYK 28 / 0 / 100 / 9

HEX #A8E900

RGB 168 233 0

HSL 76.74, 1%, 0.46%

LAB 85.3, -46.12, 83.04

 

CMYK 26 / 0 / 94 / 2

HEX #B9FB0F

RGB 185 251 15

HSL 76.78, 0.97%, 0.52%

LAB 91.39, -47.26, 86.95

 

CMYK 21 / 0 / 87 / 0

HEX #CAFF22

RGB 202 255 34

HSL 74.39, 1%, 0.57%

LAB 93.53, -42.25, 86.53

 

CMYK 14 / 0 / 79 / 0

HEX #DBFF35

RGB 219 255 53

HSL 70.69, 1%, 0.6%

LAB 94.67, -35.12, 83.81

 

CMYK 7 / 0 / 72 / 0

HEX #ECFF48

RGB 236 255 72

HSL 66.23, 1%, 0.64%

LAB 95.92, -27.64, 79.85

 

CMYK 30 / 0 / 100 / 9

HEX #A3E901

RGB 163 233 1

HSL 78.1, 0.99%, 0.46%

LAB 85.03, -47.96, 82.63

 

CMYK 32 / 0 / 100 / 16

HEX #92D700

RGB 146 215 0

HSL 79.26, 1%, 0.42%

LAB 78.88, -46.66, 77.58

 

CMYK 35 / 0 / 100 / 23

HEX #81C500

RGB 129 197 0

HSL 80.71, 1%, 0.39%

LAB 72.63, -45.33, 72.39

 

CMYK 37 / 0 / 100 / 30

HEX #70B300

RGB 112 179 0

HSL 82.46, 1%, 0.35%

LAB 66.28, -43.97, 67.1

 

CMYK 41 / 0 / 100 / 37

HEX #5FA100

RGB 95 161 0

HSL 84.6, 1%, 0.32%

LAB 59.82, -42.55, 61.73

 

CMYK 30 / 0 / 100 / 9

HEX #A3E901

RGB 163 233 1

HSL 78.1, 0.99%, 0.46%

LAB 85.03, -47.96, 82.63

 

CMYK 3 / 0 / 100 / 9

HEX #E1E901

RGB 225 233 1

HSL 62.07, 0.99%, 0.46%

LAB 89.06, -23.45, 87.44

 

CMYK 0 / 24 / 100 / 9

HEX #E9B201

RGB 233 178 1

HSL 45.78, 0.99%, 0.46%

LAB 75.55, 7.73, 78.08

 

CMYK 0 / 51 / 100 / 9

HEX #E97301

RGB 233 115 1

HSL 29.48, 0.99%, 0.46%

LAB 61.3, 40.71, 68.81

 

CMYK 0 / 78 / 100 / 9

HEX #E93401

RGB 233 52 1

HSL 13.19, 0.99%, 0.46%

LAB 51.59, 66.49, 63.67

 

CMYK 30 / 0 / 100 / 9

HEX #A3E901

RGB 163 233 1

HSL 78.1, 0.99%, 0.46%

LAB 85.03, -47.96, 82.63

 

CMYK 57 / 0 / 100 / 9

HEX #64E901

RGB 100 233 1

HSL 94.4, 0.99%, 0.46%

LAB 82.37, -67.7, 79.41

 

CMYK 84 / 0 / 100 / 9

HEX #26E901

RGB 38 233 1

HSL 110.43, 0.99%, 0.46%

LAB 81.12, -78.41, 77.89

 

CMYK 100 / 0 / 89 / 9

HEX #01E91A

RGB 1 233 26

HSL 126.47, 0.99%, 0.46%

LAB 80.94, -79.93, 74.85

 

CMYK 100 / 0 / 62 / 9

HEX #01E959

RGB 1 233 89

HSL 142.76, 0.99%, 0.46%

LAB 81.29, -75.37, 55.58

 

CMYK 30 / 0 / 100 / 9

HEX #A3E901

RGB 163 233 1

HSL 78.1, 0.99%, 0.46%

LAB 85.03, -47.96, 82.63

 

CMYK 30 / 0 / 100 / 9

HEX #A3E901

RGB 163 233 1

HSL 78.1, 0.99%, 0.46%

LAB 85.03, -47.96, 82.63

 

CMYK 28 / 0 / 91 / 16

HEX #9BD614

RGB 155 214 20

HSL 78.25, 0.83%, 0.46%

LAB 79.11, -42.6, 75.86

 

CMYK 24 / 0 / 80 / 24

HEX #94C327

RGB 148 195 39

HSL 78.08, 0.67%, 0.46%

LAB 73.2, -36.32, 66.66

 

CMYK 20 / 0 / 67 / 31

HEX #8CB03A

RGB 140 176 58

HSL 78.31, 0.5%, 0.46%

LAB 67.23, -29.62, 54.16

 

CMYK 15 / 0 / 51 / 38

HEX #859D4D

RGB 133 157 77

HSL 78, 0.34%, 0.46%

LAB 61.34, -21.47, 38.73

 

CMYK 0 / 23 / 100 / 9

HEX #E9B301

RGB 233 179 1

HSL 46.03, 0.99%, 0.46%

LAB 75.8, 7.2, 78.26

 

CMYK 3 / 0 / 100 / 9

HEX #E1E901

RGB 225 233 1

HSL 62.07, 0.99%, 0.46%

LAB 89.06, -23.45, 87.44

 

CMYK 30 / 0 / 100 / 9

HEX #A3E901

RGB 163 233 1

HSL 78.1, 0.99%, 0.46%

LAB 85.03, -47.96, 82.63

 

CMYK 57 / 0 / 100 / 9

HEX #65E901

RGB 101 233 1

HSL 94.14, 0.99%, 0.46%

LAB 82.4, -67.45, 79.45

 

CMYK 83 / 0 / 100 / 9

HEX #27E901

RGB 39 233 1

HSL 110.17, 0.99%, 0.46%

LAB 81.13, -78.31, 77.9

 

CMYK 30 / 0 / 100 / 41

HEX #699700

RGB 105 151 0

HSL 78.28, 1%, 0.3%

LAB 57.21, -34.44, 59.95

 

CMYK 30 / 0 / 100 / 25

HEX #86C000

RGB 134 192 0

HSL 78.13, 1%, 0.38%

LAB 71.4, -41.34, 71.56

 

CMYK 30 / 0 / 100 / 9

HEX #A3E901

RGB 163 233 1

HSL 78.1, 0.99%, 0.46%

LAB 85.03, -47.96, 82.63

 

CMYK 28 / 0 / 91 / 1

HEX #B7FD16

RGB 183 253 22

HSL 78.18, 0.98%, 0.54%

LAB 91.85, -48.74, 86.51

 

CMYK 23 / 0 / 75 / 0

HEX #C4FE3F

RGB 196 254 63

HSL 78.22, 0.99%, 0.62%

LAB 93, -43.08, 78.98

 

CMYK 30 / 0 / 100 / 9

HEX #A3E901

RGB 163 233 1

HSL 78.1, 0.99%, 0.46%

LAB 85.03, -47.96, 82.63

 

CMYK 100 / 0 / 50 / 9

HEX #01E975

RGB 1 233 117

HSL 150, 0.99%, 0.46%

LAB 81.6, -71.56, 43.22

 

CMYK 10 / 100 / 0 / 9

HEX #D201E9

RGB 210 1 233

HSL 294.05, 0.99%, 0.46%

LAB 51.39, 88.23, -63.3

 

CMYK 30 / 0 / 100 / 9

HEX #A3E901

RGB 163 233 1

HSL 78.1, 0.99%, 0.46%

LAB 85.03, -47.96, 82.63

 

CMYK 100 / 30 / 0 / 9

HEX #01A3E9

RGB 1 163 233

HSL 198.1, 0.99%, 0.46%

LAB 63.41, -10.33, -44.91

 

CMYK 0 / 100 / 30 / 9

HEX #E901A3

RGB 233 1 163

HSL 318.1, 0.99%, 0.46%

LAB 51.83, 83.05, -21.85

 

CMYK 30 / 0 / 100 / 9

HEX #A3E901

RGB 163 233 1

HSL 78.1, 0.99%, 0.46%

LAB 85.03, -47.96, 82.63

 

CMYK 100 / 0 / 50 / 9

HEX #01E975

RGB 1 233 117

HSL 150, 0.99%, 0.46%

LAB 81.6, -71.56, 43.22

 

CMYK 70 / 100 / 0 / 9

HEX #4601E9

RGB 70 1 233

HSL 257.84, 0.99%, 0.46%

LAB 32.27, 74.98, -95.4

 

CMYK 0 / 100 / 50 / 9

HEX #E90175

RGB 233 1 117

HSL 330, 0.99%, 0.46%

LAB 50.25, 78.94, 3.48

 

CMYK 30 / 0 / 100 / 9

HEX #A3E901

RGB 163 233 1

HSL 78.1, 0.99%, 0.46%

LAB 85.03, -47.96, 82.63

 

CMYK 100 / 0 / 20 / 9

HEX #01E9BA

RGB 1 233 186

HSL 167.84, 0.99%, 0.46%

LAB 82.82, -57.57, 9.78

 

CMYK 70 / 100 / 0 / 9

HEX #4601E9

RGB 70 1 233

HSL 257.84, 0.99%, 0.46%

LAB 32.27, 74.98, -95.4

 

CMYK 0 / 100 / 80 / 9

HEX #E9012F

RGB 233 1 47

HSL 348.1, 0.99%, 0.46%

LAB 48.95, 75.44, 43.98

 

Description

Color code: RGB 163 233 1 | qconv.com Color code: RGB 163 233 1 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 233 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 233 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 100 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 100% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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