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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 181 96 it is the complementary color RGB 92 74 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 181 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 181 96 shade: RGB 168 181 91, RGB 185 199 110, RGB 202 217 129, RGB 219 235 148 and RGB 236 253 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 181 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 181 96 shade: RGB 163 181 96, RGB 146 163 77, RGB 129 145 58, RGB 112 127 39 and RGB 95 109 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 181 96 shade: RGB 162 179 95, RGB 179 175 95, RGB 179 152 95, RGB 179 129 95 and RGB 179 106 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 181 96 shade: RGB 162 179 95, RGB 139 179 95, RGB 116 179 95, RGB 95 179 97 and RGB 95 179 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 181 96 shade matches the following richer shades: RGB 162 179 95, RGB 172 198 76, RGB 183 217 57 and RGB 194 236 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 181 96 shade: RGB 162 179 95, RGB 151 160 114, RGB 140 141 133, RGB 129 122 152 and RGB 118 104 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 181 96 shade: RGB 179 151 95, RGB 179 174 95, RGB 163 179 95, RGB 140 179 95 and RGB 117 179 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 181 96 shade: RGB 116 131 61, RGB 141 159 74, RGB 162 179 95, RGB 178 193 123 and RGB 194 206 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 181 96 shade: RGB 163 181 96, RGB 95 179 129 and RGB 163 95 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 181 96 shade: RGB 163 181 96, RGB 95 163 179 and RGB 179 95 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 181 96 shade: RGB 163 181 96, RGB 95 179 129, RGB 112 95 179 and RGB 179 95 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 181 96 shade: RGB 163 181 96, RGB 95 179 154, RGB 112 95 179 and RGB 179 95 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 47 / 29

HEX #A3B560

RGB 163 181 96

HSL 72.71, 0.36%, 0.54%

LAB 70.65, -19.46, 41

 

Complementary color

CMYK 42 / 53 / 0 / 38

HEX #5C4A9F

RGB 92 74 159

HSL 252.71, 0.36%, 0.46%

LAB 37.25, 28.86, -43.84

 

CMYK 7 / 0 / 50 / 29

HEX #A8B55B

RGB 168 181 91

HSL 68.67, 0.38%, 0.53%

LAB 70.96, -17.95, 43.94

 

CMYK 7 / 0 / 45 / 22

HEX #B9C76E

RGB 185 199 110

HSL 69.44, 0.44%, 0.61%

LAB 77.45, -18.24, 42.77

 

CMYK 7 / 0 / 41 / 15

HEX #CAD981

RGB 202 217 129

HSL 70.23, 0.54%, 0.68%

LAB 83.84, -18.48, 41.6

 

CMYK 7 / 0 / 37 / 8

HEX #DBEB94

RGB 219 235 148

HSL 71.03, 0.69%, 0.75%

LAB 90.14, -18.66, 40.47

 

CMYK 7 / 0 / 34 / 1

HEX #ECFDA7

RGB 236 253 167

HSL 71.86, 0.96%, 0.82%

LAB 96.36, -18.81, 39.36

 

CMYK 10 / 0 / 47 / 29

HEX #A3B560

RGB 163 181 96

HSL 72.71, 0.36%, 0.54%

LAB 70.65, -19.46, 41

 

CMYK 10 / 0 / 53 / 36

HEX #92A34D

RGB 146 163 77

HSL 71.86, 0.36%, 0.47%

LAB 64.03, -19.19, 42.17

 

CMYK 11 / 0 / 60 / 43

HEX #81913A

RGB 129 145 58

HSL 71.03, 0.43%, 0.4%

LAB 57.29, -18.81, 43.23

 

CMYK 12 / 0 / 69 / 50

HEX #707F27

RGB 112 127 39

HSL 70.23, 0.53%, 0.33%

LAB 50.42, -18.27, 44

 

CMYK 13 / 0 / 82 / 57

HEX #5F6D14

RGB 95 109 20

HSL 69.44, 0.69%, 0.25%

LAB 43.39, -17.5, 44.01

 

CMYK 9 / 0 / 47 / 30

HEX #A2B35F

RGB 162 179 95

HSL 72.14, 0.36%, 0.54%

LAB 70, -18.96, 40.69

 

CMYK 0 / 2 / 47 / 30

HEX #B3AF5F

RGB 179 175 95

HSL 57.14, 0.36%, 0.54%

LAB 70.22, -9.94, 41.27

 

CMYK 0 / 15 / 47 / 30

HEX #B3985F

RGB 179 152 95

HSL 40.71, 0.36%, 0.54%

LAB 64.05, 2.36, 33.62

 

CMYK 0 / 28 / 47 / 30

HEX #B3815F

RGB 179 129 95

HSL 24.29, 0.36%, 0.54%

LAB 58.14, 15.11, 26.02

 

CMYK 0 / 41 / 47 / 30

HEX #B36A5F

RGB 179 106 95

HSL 7.86, 0.36%, 0.54%

LAB 52.64, 27.92, 18.7

 

CMYK 9 / 0 / 47 / 30

HEX #A2B35F

RGB 162 179 95

HSL 72.14, 0.36%, 0.54%

LAB 70, -18.96, 40.69

 

CMYK 22 / 0 / 47 / 30

HEX #8BB35F

RGB 139 179 95

HSL 88.57, 0.36%, 0.54%

LAB 68.43, -27.95, 38.4

 

CMYK 35 / 0 / 47 / 30

HEX #74B35F

RGB 116 179 95

HSL 105, 0.36%, 0.54%

LAB 67.11, -36.23, 36.48

 

CMYK 47 / 0 / 46 / 30

HEX #5FB361

RGB 95 179 97

HSL 121.43, 0.36%, 0.54%

LAB 66.16, -42.59, 34.06

 

CMYK 47 / 0 / 33 / 30

HEX #5FB378

RGB 95 179 120

HSL 137.86, 0.36%, 0.54%

LAB 66.54, -38.75, 22.44

 

CMYK 9 / 0 / 47 / 30

HEX #A2B35F

RGB 162 179 95

HSL 72.14, 0.36%, 0.54%

LAB 70, -18.96, 40.69

 

CMYK 13 / 0 / 62 / 22

HEX #ACC64C

RGB 172 198 76

HSL 72.79, 0.52%, 0.54%

LAB 75.87, -26.01, 56.51

 

CMYK 16 / 0 / 74 / 15

HEX #B7D939

RGB 183 217 57

HSL 72.75, 0.68%, 0.54%

LAB 81.83, -31.76, 70.01

 

CMYK 18 / 0 / 84 / 7

HEX #C2EC26

RGB 194 236 38

HSL 72.73, 0.84%, 0.54%

LAB 87.78, -36.82, 80.74

 

CMYK 9 / 0 / 47 / 30

HEX #A2B35F

RGB 162 179 95

HSL 72.14, 0.36%, 0.54%

LAB 70, -18.96, 40.69

 

CMYK 6 / 0 / 29 / 37

HEX #97A072

RGB 151 160 114

HSL 71.74, 0.19%, 0.54%

LAB 64.11, -11.14, 22.97

 

CMYK 1 / 0 / 6 / 45

HEX #8C8D85

RGB 140 141 133

HSL 67.5, 0.03%, 0.54%

LAB 58.34, -1.9, 4.13

 

CMYK 15 / 20 / 0 / 40

HEX #817A98

RGB 129 122 152

HSL 254, 0.13%, 0.54%

LAB 52.79, 9, -15.18

 

CMYK 31 / 39 / 0 / 33

HEX #7668AB

RGB 118 104 171

HSL 252.54, 0.29%, 0.54%

LAB 47.87, 20.96, -33.96

 

CMYK 0 / 16 / 47 / 30

HEX #B3975F

RGB 179 151 95

HSL 40, 0.36%, 0.54%

LAB 63.79, 2.91, 33.28

 

CMYK 0 / 3 / 47 / 30

HEX #B3AE5F

RGB 179 174 95

HSL 56.43, 0.36%, 0.54%

LAB 69.95, -9.42, 40.94

 

CMYK 9 / 0 / 47 / 30

HEX #A3B35F

RGB 163 179 95

HSL 71.43, 0.36%, 0.54%

LAB 70.07, -18.56, 40.8

 

CMYK 22 / 0 / 47 / 30

HEX #8CB35F

RGB 140 179 95

HSL 87.86, 0.36%, 0.54%

LAB 68.49, -27.58, 38.5

 

CMYK 35 / 0 / 47 / 30

HEX #75B35F

RGB 117 179 95

HSL 104.29, 0.36%, 0.54%

LAB 67.16, -35.89, 36.56

 

CMYK 11 / 0 / 53 / 49

HEX #74833D

RGB 116 131 61

HSL 72.86, 0.36%, 0.38%

LAB 52.16, -16.77, 35.6

 

CMYK 11 / 0 / 53 / 38

HEX #8D9F4A

RGB 141 159 74

HSL 72.71, 0.36%, 0.46%

LAB 62.47, -19.5, 41.7

 

CMYK 9 / 0 / 47 / 30

HEX #A2B35F

RGB 162 179 95

HSL 72.14, 0.36%, 0.54%

LAB 70, -18.96, 40.69

 

CMYK 8 / 0 / 36 / 24

HEX #B2C17B

RGB 178 193 123

HSL 72.86, 0.36%, 0.62%

LAB 75.47, -16.47, 33.57

 

CMYK 6 / 0 / 27 / 19

HEX #C2CE97

RGB 194 206 151

HSL 73.09, 0.36%, 0.7%

LAB 80.65, -13.24, 26.06

 

CMYK 10 / 0 / 47 / 29

HEX #A3B560

RGB 163 181 96

HSL 72.71, 0.36%, 0.54%

LAB 70.65, -19.46, 41

 

CMYK 47 / 0 / 28 / 30

HEX #5FB381

RGB 95 179 129

HSL 144.29, 0.36%, 0.54%

LAB 66.72, -37.03, 17.81

 

CMYK 9 / 47 / 0 / 30

HEX #A35FB3

RGB 163 95 179

HSL 288.57, 0.36%, 0.54%

LAB 50.95, 41.45, -33.45

 

CMYK 10 / 0 / 47 / 29

HEX #A3B560

RGB 163 181 96

HSL 72.71, 0.36%, 0.54%

LAB 70.65, -19.46, 41

 

CMYK 47 / 9 / 0 / 30

HEX #5FA3B3

RGB 95 163 179

HSL 191.43, 0.36%, 0.54%

LAB 63.25, -17.19, -14.98

 

CMYK 0 / 47 / 9 / 30

HEX #B35FA3

RGB 179 95 163

HSL 311.43, 0.36%, 0.54%

LAB 52.3, 43.34, -21.86

 

CMYK 10 / 0 / 47 / 29

HEX #A3B560

RGB 163 181 96

HSL 72.71, 0.36%, 0.54%

LAB 70.65, -19.46, 41

 

CMYK 47 / 0 / 28 / 30

HEX #5FB381

RGB 95 179 129

HSL 144.29, 0.36%, 0.54%

LAB 66.72, -37.03, 17.81

 

CMYK 37 / 47 / 0 / 30

HEX #705FB3

RGB 112 95 179

HSL 252.14, 0.36%, 0.54%

LAB 45.47, 26.92, -42.46

 

CMYK 0 / 47 / 18 / 30

HEX #B35F92

RGB 179 95 146

HSL 323.57, 0.36%, 0.54%

LAB 51.66, 40.54, -12.84

 

CMYK 10 / 0 / 47 / 29

HEX #A3B560

RGB 163 181 96

HSL 72.71, 0.36%, 0.54%

LAB 70.65, -19.46, 41

 

CMYK 47 / 0 / 14 / 30

HEX #5FB39A

RGB 95 179 154

HSL 162.14, 0.36%, 0.54%

LAB 67.28, -31.62, 4.9

 

CMYK 37 / 47 / 0 / 30

HEX #705FB3

RGB 112 95 179

HSL 252.14, 0.36%, 0.54%

LAB 45.47, 26.92, -42.46

 

CMYK 0 / 47 / 33 / 30

HEX #B35F78

RGB 179 95 120

HSL 342.14, 0.36%, 0.54%

LAB 50.83, 36.81, 1.37

 

Description

Color code: RGB 163 181 96 | qconv.com Color code: RGB 163 181 96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 181 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 181 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 47 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 47% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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