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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 174 5 it is the complementary color RGB 92 81 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 174 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 174 5 shade: RGB 168 174 0, RGB 185 192 19, RGB 202 210 38, RGB 219 228 57 and RGB 236 246 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 174 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 174 5 shade: RGB 163 174 5, RGB 146 156 0, RGB 129 138 0, RGB 112 120 0 and RGB 95 102 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 174 5 shade: RGB 162 173 5, RGB 173 139 5, RGB 173 94 5, RGB 173 48 5 and RGB 173 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 174 5 shade: RGB 162 173 5, RGB 117 173 5, RGB 72 173 5, RGB 26 173 5 and RGB 5 173 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 174 5 shade matches the following richer shades: RGB 162 173 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 174 5 shade: RGB 162 173 5, RGB 150 159 20, RGB 137 144 34, RGB 125 130 49 and RGB 112 115 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 174 5 shade: RGB 173 92 5, RGB 173 137 5, RGB 165 173 5, RGB 120 173 5 and RGB 75 173 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 174 5 shade: RGB 87 93 3, RGB 125 133 4, RGB 162 173 5, RGB 200 213 7 and RGB 232 248 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 174 5 shade: RGB 163 174 5, RGB 5 173 47 and RGB 114 5 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 174 5 shade: RGB 163 174 5, RGB 5 165 173 and RGB 173 5 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 174 5 shade: RGB 163 174 5, RGB 5 173 47, RGB 14 5 173 and RGB 173 5 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 174 5 shade: RGB 163 174 5, RGB 5 173 98, RGB 14 5 173 and RGB 173 5 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 97 / 32

HEX #A3AE05

RGB 163 174 5

HSL 63.91, 0.94%, 0.35%

LAB 68.07, -20.94, 69.28

 

Complementary color

CMYK 63 / 68 / 0 / 2

HEX #5C51FA

RGB 92 81 250

HSL 243.91, 0.94%, 0.65%

LAB 45.72, 52.66, -82.7

 

CMYK 3 / 0 / 100 / 32

HEX #A8AE00

RGB 168 174 0

HSL 62.07, 1%, 0.34%

LAB 68.46, -18.82, 70.36

 

CMYK 4 / 0 / 90 / 25

HEX #B9C013

RGB 185 192 19

HSL 62.43, 0.82%, 0.41%

LAB 74.86, -20.19, 73.46

 

CMYK 4 / 0 / 82 / 18

HEX #CAD226

RGB 202 210 38

HSL 62.79, 0.69%, 0.49%

LAB 81.18, -21.37, 75.35

 

CMYK 4 / 0 / 75 / 11

HEX #DBE439

RGB 219 228 57

HSL 63.16, 0.76%, 0.56%

LAB 87.41, -22.37, 76.15

 

CMYK 4 / 0 / 69 / 4

HEX #ECF64C

RGB 236 246 76

HSL 63.53, 0.9%, 0.63%

LAB 93.57, -23.22, 76.22

 

CMYK 6 / 0 / 97 / 32

HEX #A3AE05

RGB 163 174 5

HSL 63.91, 0.94%, 0.35%

LAB 68.07, -20.94, 69.28

 

CMYK 6 / 0 / 100 / 39

HEX #929C00

RGB 146 156 0

HSL 63.85, 1%, 0.31%

LAB 61.56, -19.4, 64.48

 

CMYK 7 / 0 / 100 / 46

HEX #818A00

RGB 129 138 0

HSL 63.91, 1%, 0.27%

LAB 54.91, -17.77, 58.95

 

CMYK 7 / 0 / 100 / 53

HEX #707800

RGB 112 120 0

HSL 64, 1%, 0.24%

LAB 48.11, -16.1, 53.29

 

CMYK 7 / 0 / 100 / 60

HEX #5F6600

RGB 95 102 0

HSL 64.12, 1%, 0.2%

LAB 41.11, -14.38, 47.48

 

CMYK 6 / 0 / 97 / 32

HEX #A2AD05

RGB 162 173 5

HSL 63.93, 0.94%, 0.35%

LAB 67.71, -20.87, 68.98

 

CMYK 0 / 20 / 97 / 32

HEX #AD8B05

RGB 173 139 5

HSL 47.86, 0.94%, 0.35%

LAB 59.31, 2.02, 63.2

 

CMYK 0 / 46 / 97 / 32

HEX #AD5E05

RGB 173 94 5

HSL 31.79, 0.94%, 0.35%

LAB 48.13, 27.09, 55.41

 

CMYK 0 / 72 / 97 / 32

HEX #AD3005

RGB 173 48 5

HSL 15.36, 0.94%, 0.35%

LAB 39.6, 49.18, 50.11

 

CMYK 0 / 97 / 97 / 32

HEX #AD0505

RGB 173 5 5

HSL 0, 0.94%, 0.35%

LAB 35.99, 59.34, 48.2

 

CMYK 6 / 0 / 97 / 32

HEX #A2AD05

RGB 162 173 5

HSL 63.93, 0.94%, 0.35%

LAB 67.71, -20.87, 68.98

 

CMYK 32 / 0 / 97 / 32

HEX #75AD05

RGB 117 173 5

HSL 80, 0.94%, 0.35%

LAB 64.71, -39.46, 65.36

 

CMYK 58 / 0 / 97 / 32

HEX #48AD05

RGB 72 173 5

HSL 96.07, 0.94%, 0.35%

LAB 62.74, -54.17, 62.96

 

CMYK 85 / 0 / 97 / 32

HEX #1AAD05

RGB 26 173 5

HSL 112.5, 0.94%, 0.35%

LAB 61.76, -62.59, 61.75

 

CMYK 97 / 0 / 83 / 32

HEX #05AD1D

RGB 5 173 29

HSL 128.57, 0.94%, 0.35%

LAB 61.66, -63.18, 57.15

 

CMYK 6 / 0 / 97 / 32

HEX #A2AD05

RGB 162 173 5

HSL 63.93, 0.94%, 0.35%

LAB 67.71, -20.87, 68.98

 

CMYK 6 / 0 / 97 / 32

HEX #A2AD05

RGB 162 173 5

HSL 63.93, 0.94%, 0.35%

LAB 67.71, -20.87, 68.98

 

CMYK 6 / 0 / 87 / 38

HEX #969F14

RGB 150 159 20

HSL 63.88, 0.78%, 0.35%

LAB 62.79, -18.8, 62.42

 

CMYK 5 / 0 / 76 / 44

HEX #899022

RGB 137 144 34

HSL 63.82, 0.62%, 0.35%

LAB 57.44, -16.33, 53.48

 

CMYK 4 / 0 / 62 / 49

HEX #7D8231

RGB 125 130 49

HSL 63.7, 0.45%, 0.35%

LAB 52.45, -13.36, 42.01

 

CMYK 3 / 0 / 45 / 55

HEX #70733F

RGB 112 115 63

HSL 63.46, 0.29%, 0.35%

LAB 47.06, -9.59, 28.3

 

CMYK 0 / 47 / 97 / 32

HEX #AD5C05

RGB 173 92 5

HSL 31.07, 0.94%, 0.35%

LAB 47.69, 28.18, 55.11

 

CMYK 0 / 21 / 97 / 32

HEX #AD8905

RGB 173 137 5

HSL 47.14, 0.94%, 0.35%

LAB 58.78, 3.12, 62.81

 

CMYK 5 / 0 / 97 / 32

HEX #A5AD05

RGB 165 173 5

HSL 62.86, 0.94%, 0.35%

LAB 67.94, -19.56, 69.26

 

CMYK 31 / 0 / 97 / 32

HEX #78AD05

RGB 120 173 5

HSL 78.93, 0.94%, 0.35%

LAB 64.88, -38.31, 65.56

 

CMYK 57 / 0 / 97 / 32

HEX #4BAD05

RGB 75 173 5

HSL 95, 0.94%, 0.35%

LAB 62.84, -53.37, 63.08

 

CMYK 6 / 0 / 97 / 64

HEX #575D03

RGB 87 93 3

HSL 64, 0.94%, 0.19%

LAB 37.59, -13.15, 43.67

 

CMYK 6 / 0 / 97 / 48

HEX #7D8504

RGB 125 133 4

HSL 63.72, 0.94%, 0.27%

LAB 53.11, -16.9, 56.75

 

CMYK 6 / 0 / 97 / 32

HEX #A2AD05

RGB 162 173 5

HSL 63.93, 0.94%, 0.35%

LAB 67.71, -20.87, 68.98

 

CMYK 6 / 0 / 97 / 16

HEX #C8D507

RGB 200 213 7

HSL 63.79, 0.94%, 0.43%

LAB 81.77, -24.23, 80.66

 

CMYK 6 / 0 / 95 / 3

HEX #E8F80D

RGB 232 248 13

HSL 64.09, 0.94%, 0.51%

LAB 93.59, -27.56, 90.14

 

CMYK 6 / 0 / 97 / 32

HEX #A3AE05

RGB 163 174 5

HSL 63.91, 0.94%, 0.35%

LAB 68.07, -20.94, 69.28

 

CMYK 97 / 0 / 73 / 32

HEX #05AD2F

RGB 5 173 47

HSL 135, 0.94%, 0.35%

LAB 61.76, -61.9, 51.42

 

CMYK 34 / 97 / 0 / 32

HEX #7205AD

RGB 114 5 173

HSL 278.93, 0.94%, 0.35%

LAB 31.12, 64.28, -62.07

 

CMYK 6 / 0 / 97 / 32

HEX #A3AE05

RGB 163 174 5

HSL 63.91, 0.94%, 0.35%

LAB 68.07, -20.94, 69.28

 

CMYK 97 / 5 / 0 / 32

HEX #05A5AD

RGB 5 165 173

HSL 182.86, 0.94%, 0.35%

LAB 61.62, -32, -14.27

 

CMYK 0 / 97 / 5 / 32

HEX #AD05A5

RGB 173 5 165

HSL 302.86, 0.94%, 0.35%

LAB 40.75, 71.76, -41.2

 

CMYK 6 / 0 / 97 / 32

HEX #A3AE05

RGB 163 174 5

HSL 63.91, 0.94%, 0.35%

LAB 68.07, -20.94, 69.28

 

CMYK 97 / 0 / 73 / 32

HEX #05AD2F

RGB 5 173 47

HSL 135, 0.94%, 0.35%

LAB 61.76, -61.9, 51.42

 

CMYK 92 / 97 / 0 / 32

HEX #0E05AD

RGB 14 5 173

HSL 243.21, 0.94%, 0.35%

LAB 20.9, 58.02, -79.31

 

CMYK 0 / 97 / 24 / 32

HEX #AD0583

RGB 173 5 131

HSL 315, 0.94%, 0.35%

LAB 38.95, 67.24, -23.32

 

CMYK 6 / 0 / 97 / 32

HEX #A3AE05

RGB 163 174 5

HSL 63.91, 0.94%, 0.35%

LAB 68.07, -20.94, 69.28

 

CMYK 97 / 0 / 43 / 32

HEX #05AD62

RGB 5 173 98

HSL 153.21, 0.94%, 0.35%

LAB 62.34, -54.8, 28.24

 

CMYK 92 / 97 / 0 / 32

HEX #0E05AD

RGB 14 5 173

HSL 243.21, 0.94%, 0.35%

LAB 20.9, 58.02, -79.31

 

CMYK 0 / 97 / 53 / 32

HEX #AD0551

RGB 173 5 81

HSL 332.86, 0.94%, 0.35%

LAB 37.09, 62.35, 5.57

 

Description

Color code: RGB 163 174 5 | qconv.com Color code: RGB 163 174 5 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 174 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 174 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 97 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 97% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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