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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 103 58 it is the complementary color RGB 92 152 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 103 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 103 58 shade: RGB 168 103 53, RGB 185 121 72, RGB 202 139 91, RGB 219 157 110 and RGB 236 175 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 103 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 103 58 shade: RGB 163 103 58, RGB 146 85 39, RGB 129 67 20, RGB 112 49 1 and RGB 95 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 103 58 shade: RGB 162 102 57, RGB 162 74 57 and RGB 162 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 103 58 shade: RGB 162 102 57, RGB 162 131 57, RGB 162 159 57, RGB 137 162 57 and RGB 109 162 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 103 58 shade matches the following richer shades: RGB 162 102 57, RGB 180 100 39, RGB 198 97 22 and RGB 216 95 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 103 58 shade: RGB 162 102 57, RGB 145 105 75, RGB 127 107 93, RGB 109 110 110 and RGB 91 112 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 103 58 shade: RGB 162 57 69, RGB 162 73 57, RGB 162 101 57, RGB 162 129 57 and RGB 162 157 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 103 58 shade: RGB 101 64 36, RGB 132 83 46, RGB 162 102 57, RGB 190 122 70 and RGB 201 144 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 103 58 shade: RGB 163 103 58, RGB 97 162 57 and RGB 59 57 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 103 58 shade: RGB 163 103 58, RGB 57 162 101 and RGB 101 57 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 103 58 shade: RGB 163 103 58, RGB 97 162 57, RGB 57 118 162 and RGB 122 57 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 103 58 shade: RGB 163 103 58, RGB 66 162 57, RGB 57 118 162 and RGB 154 57 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 64 / 36

HEX #A3673A

RGB 163 103 58

HSL 25.71, 0.48%, 0.43%

LAB 49.24, 19.69, 34.95

 

Complementary color

CMYK 53 / 23 / 0 / 23

HEX #5C98C5

RGB 92 152 197

HSL 205.71, 0.48%, 0.57%

LAB 60.57, -6.65, -29.19

 

CMYK 0 / 39 / 68 / 34

HEX #A86735

RGB 168 103 53

HSL 26.09, 0.52%, 0.43%

LAB 49.84, 21.54, 38.45

 

CMYK 0 / 35 / 61 / 27

HEX #B97948

RGB 185 121 72

HSL 26.02, 0.45%, 0.5%

LAB 56.54, 20.07, 36.76

 

CMYK 0 / 31 / 55 / 21

HEX #CA8B5B

RGB 202 139 91

HSL 25.95, 0.51%, 0.57%

LAB 63.16, 18.81, 35.15

 

CMYK 0 / 28 / 50 / 14

HEX #DB9D6E

RGB 219 157 110

HSL 25.87, 0.6%, 0.65%

LAB 69.68, 17.72, 33.65

 

CMYK 0 / 26 / 45 / 7

HEX #ECAF81

RGB 236 175 129

HSL 25.79, 0.74%, 0.72%

LAB 76.12, 16.76, 32.26

 

CMYK 0 / 37 / 64 / 36

HEX #A3673A

RGB 163 103 58

HSL 25.71, 0.48%, 0.43%

LAB 49.24, 19.69, 34.95

 

CMYK 0 / 42 / 73 / 43

HEX #925527

RGB 146 85 39

HSL 25.79, 0.58%, 0.36%

LAB 42.39, 21.3, 36.69

 

CMYK 0 / 48 / 84 / 49

HEX #814314

RGB 129 67 20

HSL 25.87, 0.73%, 0.29%

LAB 35.46, 23.21, 38.18

 

CMYK 0 / 56 / 99 / 56

HEX #703101

RGB 112 49 1

HSL 25.95, 0.98%, 0.22%

LAB 28.49, 25.36, 39.01

 

CMYK 0 / 67 / 100 / 63

HEX #5F1F00

RGB 95 31 0

HSL 19.58, 1%, 0.19%

LAB 21.63, 27.74, 31.79

 

CMYK 0 / 37 / 65 / 36

HEX #A26639

RGB 162 102 57

HSL 25.71, 0.48%, 0.43%

LAB 48.86, 19.75, 35.01

 

CMYK 0 / 54 / 65 / 36

HEX #A24A39

RGB 162 74 57

HSL 9.71, 0.48%, 0.43%

LAB 42.57, 35.13, 27.5

 

CMYK 0 / 65 / 65 / 36

HEX #A23939

RGB 162 57 57

HSL 0, 0.48%, 0.43%

LAB 39.42, 43.41, 23.57

 

CMYK 0 / 37 / 65 / 36

HEX #A26639

RGB 162 102 57

HSL 25.71, 0.48%, 0.43%

LAB 48.86, 19.75, 35.01

 

CMYK 0 / 19 / 65 / 36

HEX #A28339

RGB 162 131 57

HSL 42.29, 0.48%, 0.43%

LAB 56.3, 3.33, 43.43

 

CMYK 0 / 2 / 65 / 36

HEX #A29F39

RGB 162 159 57

HSL 58.29, 0.48%, 0.43%

LAB 63.98, -11.89, 51.69

 

CMYK 15 / 0 / 65 / 36

HEX #89A239

RGB 137 162 57

HSL 74.29, 0.48%, 0.43%

LAB 62.89, -24.12, 49.94

 

CMYK 33 / 0 / 65 / 36

HEX #6DA239

RGB 109 162 57

HSL 90.29, 0.48%, 0.43%

LAB 61.12, -35.2, 47.52

 

CMYK 0 / 37 / 65 / 36

HEX #A26639

RGB 162 102 57

HSL 25.71, 0.48%, 0.43%

LAB 48.86, 19.75, 35.01

 

CMYK 0 / 44 / 78 / 29

HEX #B46427

RGB 180 100 39

HSL 25.96, 0.64%, 0.43%

LAB 50.65, 27.65, 46.65

 

CMYK 0 / 51 / 89 / 22

HEX #C66116

RGB 198 97 22

HSL 25.57, 0.8%, 0.43%

LAB 52.52, 36.17, 55.93

 

CMYK 0 / 56 / 98 / 15

HEX #D85F04

RGB 216 95 4

HSL 25.75, 0.96%, 0.43%

LAB 54.86, 43.98, 63.1

 

CMYK 0 / 37 / 65 / 36

HEX #A26639

RGB 162 102 57

HSL 25.71, 0.48%, 0.43%

LAB 48.86, 19.75, 35.01

 

CMYK 0 / 28 / 48 / 43

HEX #91694B

RGB 145 105 75

HSL 25.71, 0.32%, 0.43%

LAB 47.79, 12.16, 23.13

 

CMYK 0 / 16 / 27 / 50

HEX #7F6B5D

RGB 127 107 93

HSL 24.71, 0.15%, 0.43%

LAB 46.73, 5.59, 10.79

 

CMYK 1 / 0 / 0 / 57

HEX #6D6E6E

RGB 109 110 110

HSL 180, 0%, 0.43%

LAB 46.35, -0.38, -0.14

 

CMYK 29 / 13 / 0 / 50

HEX #5B7080

RGB 91 112 128

HSL 205.95, 0.17%, 0.43%

LAB 46.14, -3.75, -11.37

 

CMYK 0 / 65 / 57 / 36

HEX #A23945

RGB 162 57 69

HSL 353.14, 0.48%, 0.43%

LAB 39.64, 44.27, 16.43

 

CMYK 0 / 55 / 65 / 36

HEX #A24939

RGB 162 73 57

HSL 9.14, 0.48%, 0.43%

LAB 42.37, 35.64, 27.25

 

CMYK 0 / 38 / 65 / 36

HEX #A26539

RGB 162 101 57

HSL 25.14, 0.48%, 0.43%

LAB 48.62, 20.32, 34.72

 

CMYK 0 / 20 / 65 / 36

HEX #A28139

RGB 162 129 57

HSL 41.14, 0.48%, 0.43%

LAB 55.76, 4.45, 42.84

 

CMYK 0 / 3 / 65 / 36

HEX #A29D39

RGB 162 157 57

HSL 57.14, 0.48%, 0.43%

LAB 63.42, -10.83, 51.1

 

CMYK 0 / 37 / 64 / 60

HEX #654024

RGB 101 64 36

HSL 25.85, 0.47%, 0.27%

LAB 30.79, 12.97, 23.52

 

CMYK 0 / 37 / 65 / 48

HEX #84532E

RGB 132 83 46

HSL 25.81, 0.48%, 0.35%

LAB 40.06, 16.63, 29.77

 

CMYK 0 / 37 / 65 / 36

HEX #A26639

RGB 162 102 57

HSL 25.71, 0.48%, 0.43%

LAB 48.86, 19.75, 35.01

 

CMYK 0 / 36 / 63 / 25

HEX #BE7A46

RGB 190 122 70

HSL 26, 0.48%, 0.51%

LAB 57.37, 21.49, 38.95

 

CMYK 0 / 28 / 50 / 21

HEX #C99065

RGB 201 144 101

HSL 25.8, 0.48%, 0.59%

LAB 64.41, 16.55, 31.32

 

CMYK 0 / 37 / 64 / 36

HEX #A3673A

RGB 163 103 58

HSL 25.71, 0.48%, 0.43%

LAB 49.24, 19.69, 34.95

 

CMYK 40 / 0 / 65 / 36

HEX #61A239

RGB 97 162 57

HSL 97.14, 0.48%, 0.43%

LAB 60.5, -39.5, 46.66

 

CMYK 64 / 65 / 0 / 36

HEX #3B39A2

RGB 59 57 162

HSL 241.14, 0.48%, 0.43%

LAB 30.56, 33.69, -56.62

 

CMYK 0 / 37 / 64 / 36

HEX #A3673A

RGB 163 103 58

HSL 25.71, 0.48%, 0.43%

LAB 49.24, 19.69, 34.95

 

CMYK 65 / 0 / 38 / 36

HEX #39A265

RGB 57 162 101

HSL 145.14, 0.48%, 0.43%

LAB 59.57, -44.27, 23.12

 

CMYK 38 / 65 / 0 / 36

HEX #6539A2

RGB 101 57 162

HSL 265.14, 0.48%, 0.43%

LAB 34.6, 41.8, -49.86

 

CMYK 0 / 37 / 64 / 36

HEX #A3673A

RGB 163 103 58

HSL 25.71, 0.48%, 0.43%

LAB 49.24, 19.69, 34.95

 

CMYK 40 / 0 / 65 / 36

HEX #61A239

RGB 97 162 57

HSL 97.14, 0.48%, 0.43%

LAB 60.5, -39.5, 46.66

 

CMYK 65 / 27 / 0 / 36

HEX #3976A2

RGB 57 118 162

HSL 205.14, 0.48%, 0.43%

LAB 47.54, -5.57, -29.48

 

CMYK 25 / 65 / 0 / 36

HEX #7A39A2

RGB 122 57 162

HSL 277.14, 0.48%, 0.43%

LAB 37.25, 46.62, -45.46

 

CMYK 0 / 37 / 64 / 36

HEX #A3673A

RGB 163 103 58

HSL 25.71, 0.48%, 0.43%

LAB 49.24, 19.69, 34.95

 

CMYK 59 / 0 / 65 / 36

HEX #42A239

RGB 66 162 57

HSL 114.86, 0.48%, 0.43%

LAB 59.25, -48.8, 44.93

 

CMYK 65 / 27 / 0 / 36

HEX #3976A2

RGB 57 118 162

HSL 205.14, 0.48%, 0.43%

LAB 47.54, -5.57, -29.48

 

CMYK 5 / 65 / 0 / 36

HEX #9A39A2

RGB 154 57 162

HSL 295.43, 0.48%, 0.43%

LAB 41.85, 54.39, -37.85

 

Description

Color code: RGB 163 103 58 | qconv.com Color code: RGB 163 103 58 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 103 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 103 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 64 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 64% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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