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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163.5 162 172 it is the complementary color RGB 91.5 93 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163.5 162 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163.5 162 172 shade: RGB 168.5 162 167, RGB 185.5 180 186, RGB 202.5 198 205, RGB 219.5 216 224 and RGB 236.5 234 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163.5 162 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163.5 162 172 shade: RGB 163.5 162 172, RGB 146.5 144 153, RGB 129.5 126 134, RGB 112.5 108 115 and RGB 95.5 90 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163.5 162 172 shade: RGB 162 160 171, RGB 165 160 171, RGB 168 160 171, RGB 171 160 171 and RGB 171 160 169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163.5 162 172 shade: RGB 162 160 171 and RGB 160 160 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163.5 162 172 shade matches the following richer shades: RGB 162 160 171, RGB 152 146 186, RGB 142 132 200, RGB 132 117 214 and RGB 122 103 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163.5 162 172 shade: RGB 162 160 171, RGB 172 175 157, RGB 182 189 142, RGB 192 204 128 and RGB 202 218 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163.5 162 172 shade: RGB 160 165 171, RGB 160 162 171, RGB 162 160 171, RGB 165 160 171 and RGB 168 160 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163.5 162 172 shade: RGB 119 117 132, RGB 141 139 152, RGB 162 160 171, RGB 183 182 190 and RGB 205 204 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163.5 162 172 shade: RGB 163.5 162 172, RGB 171 160 167 and RGB 163 171 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163.5 162 172 shade: RGB 163.5 162 172, RGB 171 162 160 and RGB 160 171 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163.5 162 172 shade: RGB 163.5 162 172, RGB 171 160 167, RGB 169 171 160 and RGB 160 171 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163.5 162 172 shade: RGB 163.5 162 172, RGB 171 160 164, RGB 169 171 160 and RGB 160 171 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 6 / 0 / 33

HEX #A3A2AC

RGB 163.5 162 172

HSL 249, 0.06%, 0.65%

LAB 67.02, 2.48, -4.98

 

Complementary color

CMYK 2 / 0 / 11 / 64

HEX #5B5D53

RGB 91.5 93 83

HSL 69, 0.06%, 0.35%

LAB 39.08, -2.62, 5.54

 

CMYK 0 / 4 / 1 / 34

HEX #A8A2A7

RGB 168.5 162 167

HSL 313.85, 0.04%, 0.65%

LAB 67.28, 3.28, -1.76

 

CMYK 0 / 3 / 0 / 27

HEX #B9B4BA

RGB 185.5 180 186

HSL 295, 0.04%, 0.72%

LAB 73.91, 3.05, -2.36

 

CMYK 1 / 3 / 0 / 20

HEX #CAC6CD

RGB 202.5 198 205

HSL 278.57, 0.07%, 0.79%

LAB 80.42, 2.84, -2.94

 

CMYK 2 / 4 / 0 / 12

HEX #DBD8E0

RGB 219.5 216 224

HSL 266.25, 0.11%, 0.86%

LAB 86.82, 2.64, -3.51

 

CMYK 3 / 4 / 0 / 5

HEX #ECEAF3

RGB 236.5 234 243

HSL 256.67, 0.27%, 0.94%

LAB 93.12, 2.46, -4.06

 

CMYK 5 / 6 / 0 / 33

HEX #A3A2AC

RGB 163.5 162 172

HSL 249, 0.06%, 0.65%

LAB 67.02, 2.48, -4.98

 

CMYK 4 / 6 / 0 / 40

HEX #929099

RGB 146.5 144 153

HSL 256.67, 0.04%, 0.58%

LAB 60.25, 2.7, -4.43

 

CMYK 3 / 6 / 0 / 47

HEX #817E86

RGB 129.5 126 134

HSL 266.25, 0.03%, 0.51%

LAB 53.33, 2.92, -3.86

 

CMYK 2 / 6 / 0 / 55

HEX #706C73

RGB 112.5 108 115

HSL 278.57, 0.03%, 0.44%

LAB 46.23, 3.17, -3.27

 

CMYK 1 / 6 / 0 / 62

HEX #5F5A60

RGB 95.5 90 96

HSL 295, 0.03%, 0.36%

LAB 38.93, 3.45, -2.66

 

CMYK 5 / 6 / 0 / 33

HEX #A2A0AB

RGB 162 160 171

HSL 250.91, 0.06%, 0.65%

LAB 66.34, 2.87, -5.45

 

CMYK 4 / 6 / 0 / 33

HEX #A5A0AB

RGB 165 160 171

HSL 267.27, 0.06%, 0.65%

LAB 66.58, 3.92, -5.06

 

CMYK 2 / 6 / 0 / 33

HEX #A8A0AB

RGB 168 160 171

HSL 283.64, 0.06%, 0.65%

LAB 66.83, 4.97, -4.67

 

CMYK 0 / 6 / 0 / 33

HEX #ABA0AB

RGB 171 160 171

HSL 300, 0.06%, 0.65%

LAB 67.08, 6.04, -4.27

 

CMYK 0 / 6 / 1 / 33

HEX #ABA0A9

RGB 171 160 169

HSL 310.91, 0.06%, 0.65%

LAB 67.02, 5.66, -3.23

 

CMYK 5 / 6 / 0 / 33

HEX #A2A0AB

RGB 162 160 171

HSL 250.91, 0.06%, 0.65%

LAB 66.34, 2.87, -5.45

 

CMYK 6 / 6 / 0 / 33

HEX #A0A0AB

RGB 160 160 171

HSL 240, 0.06%, 0.65%

LAB 66.18, 2.17, -5.7

 

CMYK 5 / 6 / 0 / 33

HEX #A2A0AB

RGB 162 160 171

HSL 250.91, 0.06%, 0.65%

LAB 66.34, 2.87, -5.45

 

CMYK 18 / 22 / 0 / 27

HEX #9892BA

RGB 152 146 186

HSL 249, 0.22%, 0.65%

LAB 62.32, 10.58, -19.99

 

CMYK 29 / 34 / 0 / 22

HEX #8E84C8

RGB 142 132 200

HSL 248.82, 0.38%, 0.65%

LAB 58.44, 18.95, -33.95

 

CMYK 38 / 45 / 0 / 16

HEX #8475D6

RGB 132 117 214

HSL 249.28, 0.54%, 0.65%

LAB 54.54, 28.72, -48.06

 

CMYK 47 / 55 / 0 / 10

HEX #7A67E5

RGB 122 103 229

HSL 249.05, 0.71%, 0.65%

LAB 51.26, 38.84, -61.81

 

CMYK 5 / 6 / 0 / 33

HEX #A2A0AB

RGB 162 160 171

HSL 250.91, 0.06%, 0.65%

LAB 66.34, 2.87, -5.45

 

CMYK 2 / 0 / 10 / 31

HEX #ACAF9D

RGB 172 175 157

HSL 70, 0.1%, 0.65%

LAB 70.78, -4.32, 8.86

 

CMYK 4 / 0 / 25 / 26

HEX #B6BD8E

RGB 182 189 142

HSL 68.94, 0.26%, 0.65%

LAB 75.01, -10.32, 23.01

 

CMYK 6 / 0 / 37 / 20

HEX #C0CC80

RGB 192 204 128

HSL 69.47, 0.43%, 0.65%

LAB 79.59, -15.98, 36.52

 

CMYK 7 / 0 / 48 / 15

HEX #CADA71

RGB 202 218 113

HSL 69.14, 0.59%, 0.65%

LAB 83.91, -20.63, 49.48

 

CMYK 6 / 4 / 0 / 33

HEX #A0A5AB

RGB 160 165 171

HSL 212.73, 0.06%, 0.65%

LAB 67.52, -0.58, -3.72

 

CMYK 6 / 5 / 0 / 33

HEX #A0A2AB

RGB 160 162 171

HSL 229.09, 0.06%, 0.65%

LAB 66.71, 1.06, -4.91

 

CMYK 5 / 6 / 0 / 33

HEX #A2A0AB

RGB 162 160 171

HSL 250.91, 0.06%, 0.65%

LAB 66.34, 2.87, -5.45

 

CMYK 4 / 6 / 0 / 33

HEX #A5A0AB

RGB 165 160 171

HSL 267.27, 0.06%, 0.65%

LAB 66.58, 3.92, -5.06

 

CMYK 2 / 6 / 0 / 33

HEX #A8A0AB

RGB 168 160 171

HSL 283.64, 0.06%, 0.65%

LAB 66.83, 4.97, -4.67

 

CMYK 10 / 11 / 0 / 48

HEX #777584

RGB 119 117 132

HSL 248, 0.06%, 0.49%

LAB 49.87, 3.92, -7.92

 

CMYK 7 / 9 / 0 / 40

HEX #8D8B98

RGB 141 139 152

HSL 249.23, 0.06%, 0.57%

LAB 58.41, 3.36, -6.64

 

CMYK 5 / 6 / 0 / 33

HEX #A2A0AB

RGB 162 160 171

HSL 250.91, 0.06%, 0.65%

LAB 66.34, 2.87, -5.45

 

CMYK 4 / 4 / 0 / 25

HEX #B7B6BE

RGB 183 182 190

HSL 247.5, 0.06%, 0.73%

LAB 74.34, 1.87, -3.93

 

CMYK 2 / 3 / 0 / 18

HEX #CDCCD2

RGB 205 204 210

HSL 250, 0.06%, 0.81%

LAB 82.28, 1.45, -2.86

 

CMYK 5 / 6 / 0 / 33

HEX #A3A2AC

RGB 163.5 162 172

HSL 249, 0.06%, 0.65%

LAB 67.02, 2.48, -4.98

 

CMYK 0 / 6 / 2 / 33

HEX #ABA0A7

RGB 171 160 167

HSL 321.82, 0.06%, 0.65%

LAB 66.97, 5.28, -2.2

 

CMYK 5 / 0 / 6 / 33

HEX #A3ABA0

RGB 163 171 160

HSL 103.64, 0.06%, 0.65%

LAB 69.08, -4.9, 4.68

 

CMYK 5 / 6 / 0 / 33

HEX #A3A2AC

RGB 163.5 162 172

HSL 249, 0.06%, 0.65%

LAB 67.02, 2.48, -4.98

 

CMYK 0 / 5 / 6 / 33

HEX #ABA2A0

RGB 171 162 160

HSL 10.91, 0.06%, 0.65%

LAB 67.3, 2.89, 2.19

 

CMYK 6 / 0 / 5 / 33

HEX #A0ABA2

RGB 160 171 162

HSL 130.91, 0.06%, 0.65%

LAB 68.9, -5.6, 3.29

 

CMYK 5 / 6 / 0 / 33

HEX #A3A2AC

RGB 163.5 162 172

HSL 249, 0.06%, 0.65%

LAB 67.02, 2.48, -4.98

 

CMYK 0 / 6 / 2 / 33

HEX #ABA0A7

RGB 171 160 167

HSL 321.82, 0.06%, 0.65%

LAB 66.97, 5.28, -2.2

 

CMYK 1 / 0 / 6 / 33

HEX #A9ABA0

RGB 169 171 160

HSL 70.91, 0.06%, 0.65%

LAB 69.54, -2.74, 5.41

 

CMYK 6 / 0 / 4 / 33

HEX #A0ABA4

RGB 160 171 164

HSL 141.82, 0.06%, 0.65%

LAB 68.95, -5.22, 2.26

 

CMYK 5 / 6 / 0 / 33

HEX #A3A2AC

RGB 163.5 162 172

HSL 249, 0.06%, 0.65%

LAB 67.02, 2.48, -4.98

 

CMYK 0 / 6 / 4 / 33

HEX #ABA0A4

RGB 171 160 164

HSL 338.18, 0.06%, 0.65%

LAB 66.88, 4.72, -0.65

 

CMYK 1 / 0 / 6 / 33

HEX #A9ABA0

RGB 169 171 160

HSL 70.91, 0.06%, 0.65%

LAB 69.54, -2.74, 5.41

 

CMYK 6 / 0 / 2 / 33

HEX #A0ABA7

RGB 160 171 167

HSL 158.18, 0.06%, 0.65%

LAB 69.03, -4.64, 0.72

 

Description

Color code: RGB 163.5 162 172 | qconv.com Color code: RGB 163.5 162 172 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163.5 red, 162 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163.5 162 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 6 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 6% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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