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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163.3 72.4 48 it is the complementary color RGB 91.7 182.6 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163.3 72.4 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163.3 72.4 48 shade: RGB 168.3 72.4 43, RGB 185.3 90.4 62, RGB 202.3 108.4 81, RGB 219.3 126.4 100 and RGB 236.3 144.4 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163.3 72.4 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163.3 72.4 48 shade: RGB 163.3 72.4 48, RGB 146.3 54.4 29, RGB 129.3 36.4 10, RGB 112.3 18.4 0 and RGB 95.3 0.40000000000001 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163.3 72.4 48 shade: RGB 162 71 47 and RGB 162 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163.3 72.4 48 shade: RGB 162 71 47, RGB 162 102 47, RGB 162 133 47, RGB 160 162 47 and RGB 129 162 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163.3 72.4 48 shade matches the following richer shades: RGB 162 71 47, RGB 179 62 30 and RGB 196 52 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163.3 72.4 48 shade: RGB 162 71 47, RGB 145 81 64, RGB 128 91 81, RGB 111 101 98 and RGB 94 110 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163.3 72.4 48 shade: RGB 162 47 85, RGB 162 47 55, RGB 162 70 47, RGB 162 101 47 and RGB 162 131 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163.3 72.4 48 shade: RGB 98 43 28, RGB 130 57 38, RGB 162 71 47, RGB 194 85 56 and RGB 206 111 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163.3 72.4 48 shade: RGB 163.3 72.4 48, RGB 116 162 47 and RGB 47 70 162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163.3 72.4 48 shade: RGB 163.3 72.4 48, RGB 47 162 70 and RGB 70 47 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163.3 72.4 48 shade: RGB 163.3 72.4 48, RGB 116 162 47, RGB 47 139 162 and RGB 93 47 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163.3 72.4 48 shade: RGB 163.3 72.4 48, RGB 82 162 47, RGB 47 139 162 and RGB 128 47 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 71 / 36

HEX #A34830

RGB 163.3 72.4 48

HSL 12.7, 0.55%, 0.41%

LAB 42.34, 35.91, 32.47

 

Complementary color

CMYK 56 / 12 / 0 / 19

HEX #5BB6CF

RGB 91.7 182.6 207

HSL 192.7, 0.55%, 0.59%

LAB 69.8, -20.2, -20.58

 

CMYK 0 / 57 / 74 / 34

HEX #A8482B

RGB 168.3 72.4 43

HSL 14.08, 0.59%, 0.41%

LAB 43.09, 37.61, 36.32

 

CMYK 0 / 51 / 67 / 27

HEX #B95A3E

RGB 185.3 90.4 62

HSL 13.82, 0.5%, 0.48%

LAB 49.59, 36.09, 33.94

 

CMYK 0 / 46 / 60 / 21

HEX #CA6C51

RGB 202.3 108.4 81

HSL 13.55, 0.54%, 0.56%

LAB 56.09, 34.65, 31.81

 

CMYK 0 / 42 / 54 / 14

HEX #DB7E64

RGB 219.3 126.4 100

HSL 13.28, 0.63%, 0.63%

LAB 62.55, 33.33, 29.92

 

CMYK 0 / 39 / 50 / 7

HEX #EC9077

RGB 236.3 144.4 119

HSL 12.99, 0.76%, 0.7%

LAB 68.96, 32.13, 28.23

 

CMYK 0 / 56 / 71 / 36

HEX #A34830

RGB 163.3 72.4 48

HSL 12.7, 0.55%, 0.41%

LAB 42.34, 35.91, 32.47

 

CMYK 0 / 63 / 80 / 43

HEX #92361D

RGB 146.3 54.4 29

HSL 12.99, 0.67%, 0.34%

LAB 35.8, 37.4, 35.07

 

CMYK 0 / 72 / 92 / 49

HEX #81240A

RGB 129.3 36.4 10

HSL 13.28, 0.86%, 0.27%

LAB 29.41, 38.7, 37.42

 

CMYK 0 / 84 / 100 / 56

HEX #701200

RGB 112.3 18.4 0

HSL 9.83, 1%, 0.22%

LAB 23.37, 39.31, 34.74

 

CMYK 0 / 100 / 100 / 63

HEX #5F0000

RGB 95.3 0.40000000000001 0

HSL 0.25, 1%, 0.19%

LAB 17.73, 38.86, 27.36

 

CMYK 0 / 56 / 71 / 36

HEX #A2472F

RGB 162 71 47

HSL 12.52, 0.55%, 0.41%

LAB 41.83, 36.06, 32.41

 

CMYK 0 / 71 / 71 / 36

HEX #A22F2F

RGB 162 47 47

HSL 0, 0.55%, 0.41%

LAB 37.7, 47.07, 27.58

 

CMYK 0 / 56 / 71 / 36

HEX #A2472F

RGB 162 71 47

HSL 12.52, 0.55%, 0.41%

LAB 41.83, 36.06, 32.41

 

CMYK 0 / 37 / 71 / 36

HEX #A2662F

RGB 162 102 47

HSL 28.7, 0.55%, 0.41%

LAB 48.75, 19.13, 40.09

 

CMYK 0 / 18 / 71 / 36

HEX #A2852F

RGB 162 133 47

HSL 44.87, 0.55%, 0.41%

LAB 56.74, 1.6, 48.5

 

CMYK 1 / 0 / 71 / 36

HEX #A0A22F

RGB 160 162 47

HSL 61.04, 0.55%, 0.41%

LAB 64.58, -14.91, 56.27

 

CMYK 20 / 0 / 71 / 36

HEX #81A22F

RGB 129 162 47

HSL 77.22, 0.55%, 0.41%

LAB 62.26, -28.11, 53.2

 

CMYK 0 / 56 / 71 / 36

HEX #A2472F

RGB 162 71 47

HSL 12.52, 0.55%, 0.41%

LAB 41.83, 36.06, 32.41

 

CMYK 0 / 65 / 83 / 30

HEX #B33E1E

RGB 179 62 30

HSL 12.89, 0.71%, 0.41%

LAB 42.95, 46, 43.47

 

CMYK 0 / 73 / 93 / 23

HEX #C4340D

RGB 196 52 13

HSL 12.79, 0.88%, 0.41%

LAB 44.55, 55.33, 52.91

 

CMYK 0 / 56 / 71 / 36

HEX #A2472F

RGB 162 71 47

HSL 12.52, 0.55%, 0.41%

LAB 41.83, 36.06, 32.41

 

CMYK 0 / 44 / 56 / 43

HEX #915140

RGB 145 81 64

HSL 12.59, 0.39%, 0.41%

LAB 41.65, 24.95, 21.63

 

CMYK 0 / 29 / 37 / 50

HEX #805B51

RGB 128 91 81

HSL 12.77, 0.22%, 0.41%

LAB 42.25, 13.76, 11.78

 

CMYK 0 / 9 / 12 / 56

HEX #6F6562

RGB 111 101 98

HSL 13.85, 0.06%, 0.41%

LAB 43.61, 3.39, 3.12

 

CMYK 18 / 4 / 0 / 55

HEX #5E6E73

RGB 94 110 115

HSL 194.29, 0.1%, 0.41%

LAB 45.32, -4.8, -4.79

 

CMYK 0 / 71 / 48 / 36

HEX #A22F55

RGB 162 47 85

HSL 340.17, 0.55%, 0.41%

LAB 38.5, 49.84, 4.73

 

CMYK 0 / 71 / 66 / 36

HEX #A22F37

RGB 162 47 55

HSL 355.83, 0.55%, 0.41%

LAB 37.82, 47.52, 22.81

 

CMYK 0 / 57 / 71 / 36

HEX #A2462F

RGB 162 70 47

HSL 12, 0.55%, 0.41%

LAB 41.64, 36.57, 32.18

 

CMYK 0 / 38 / 71 / 36

HEX #A2652F

RGB 162 101 47

HSL 28.17, 0.55%, 0.41%

LAB 48.5, 19.69, 39.83

 

CMYK 0 / 19 / 71 / 36

HEX #A2832F

RGB 162 131 47

HSL 43.83, 0.55%, 0.41%

LAB 56.21, 2.71, 47.95

 

CMYK 0 / 56 / 71 / 62

HEX #622B1C

RGB 98 43 28

HSL 12.86, 0.56%, 0.25%

LAB 24.98, 23.67, 21.39

 

CMYK 0 / 56 / 71 / 49

HEX #823926

RGB 130 57 38

HSL 12.39, 0.55%, 0.33%

LAB 33.59, 30.06, 26.74

 

CMYK 0 / 56 / 71 / 36

HEX #A2472F

RGB 162 71 47

HSL 12.52, 0.55%, 0.41%

LAB 41.83, 36.06, 32.41

 

CMYK 0 / 56 / 71 / 24

HEX #C25538

RGB 194 85 56

HSL 12.61, 0.55%, 0.49%

LAB 49.8, 41.83, 37.84

 

CMYK 0 / 46 / 58 / 19

HEX #CE6F56

RGB 206 111 86

HSL 12.5, 0.55%, 0.57%

LAB 57.23, 35.11, 30.56

 

CMYK 0 / 56 / 71 / 36

HEX #A34830

RGB 163.3 72.4 48

HSL 12.7, 0.55%, 0.41%

LAB 42.34, 35.91, 32.47

 

CMYK 28 / 0 / 71 / 36

HEX #74A22F

RGB 116 162 47

HSL 84, 0.55%, 0.41%

LAB 61.45, -33.3, 52.11

 

CMYK 71 / 57 / 0 / 36

HEX #2F46A2

RGB 47 70 162

HSL 228, 0.55%, 0.41%

LAB 33.12, 23.4, -52.48

 

CMYK 0 / 56 / 71 / 36

HEX #A34830

RGB 163.3 72.4 48

HSL 12.7, 0.55%, 0.41%

LAB 42.34, 35.91, 32.47

 

CMYK 71 / 0 / 57 / 36

HEX #2FA246

RGB 47 162 70

HSL 132, 0.55%, 0.41%

LAB 58.87, -51.33, 38.3

 

CMYK 57 / 71 / 0 / 36

HEX #462FA2

RGB 70 47 162

HSL 252, 0.55%, 0.41%

LAB 29.27, 41.41, -58.69

 

CMYK 0 / 56 / 71 / 36

HEX #A34830

RGB 163.3 72.4 48

HSL 12.7, 0.55%, 0.41%

LAB 42.34, 35.91, 32.47

 

CMYK 28 / 0 / 71 / 36

HEX #74A22F

RGB 116 162 47

HSL 84, 0.55%, 0.41%

LAB 61.45, -33.3, 52.11

 

CMYK 71 / 14 / 0 / 36

HEX #2F8BA2

RGB 47 139 162

HSL 192, 0.55%, 0.41%

LAB 53.68, -19.06, -20.01

 

CMYK 43 / 71 / 0 / 36

HEX #5D2FA2

RGB 93 47 162

HSL 264, 0.55%, 0.41%

LAB 31.74, 45.44, -54.56

 

CMYK 0 / 56 / 71 / 36

HEX #A34830

RGB 163.3 72.4 48

HSL 12.7, 0.55%, 0.41%

LAB 42.34, 35.91, 32.47

 

CMYK 49 / 0 / 71 / 36

HEX #52A22F

RGB 82 162 47

HSL 101.74, 0.55%, 0.41%

LAB 59.74, -45.25, 49.82

 

CMYK 71 / 14 / 0 / 36

HEX #2F8BA2

RGB 47 139 162

HSL 192, 0.55%, 0.41%

LAB 53.68, -19.06, -20.01

 

CMYK 21 / 71 / 0 / 36

HEX #802FA2

RGB 128 47 162

HSL 282.26, 0.55%, 0.41%

LAB 36.43, 52.62, -46.74

 

Description

Color code: RGB 163.3 72.4 48 | qconv.com Color code: RGB 163.3 72.4 48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163.3 red, 72.4 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163.3 72.4 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 71 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 71% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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