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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163.3 72.4 43 it is the complementary color RGB 91.7 182.6 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163.3 72.4 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163.3 72.4 43 shade: RGB 168.3 72.4 38, RGB 185.3 90.4 57, RGB 202.3 108.4 76, RGB 219.3 126.4 95 and RGB 236.3 144.4 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163.3 72.4 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163.3 72.4 43 shade: RGB 163.3 72.4 43, RGB 146.3 54.4 24, RGB 129.3 36.4 5, RGB 112.3 18.4 0 and RGB 95.3 0.40000000000001 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163.3 72.4 43 shade: RGB 161 72 43 and RGB 161 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163.3 72.4 43 shade: RGB 161 72 43, RGB 161 104 43, RGB 161 136 43, RGB 155 161 43 and RGB 123 161 43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163.3 72.4 43 shade matches the following richer shades: RGB 161 72 43, RGB 178 63 26 and RGB 194 55 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163.3 72.4 43 shade: RGB 161 72 43, RGB 145 80 59, RGB 128 89 76, RGB 112 97 92 and RGB 95 106 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163.3 72.4 43 shade: RGB 161 43 78, RGB 161 43 47, RGB 161 70 43, RGB 161 102 43 and RGB 161 134 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163.3 72.4 43 shade: RGB 96 43 26, RGB 129 57 34, RGB 161 72 43, RGB 194 86 52 and RGB 208 110 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163.3 72.4 43 shade: RGB 163.3 72.4 43, RGB 110 161 43 and RGB 43 63 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163.3 72.4 43 shade: RGB 163.3 72.4 43, RGB 43 161 70 and RGB 70 43 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163.3 72.4 43 shade: RGB 163.3 72.4 43, RGB 110 161 43, RGB 43 134 161 and RGB 94 43 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163.3 72.4 43 shade: RGB 163.3 72.4 43, RGB 74 161 43, RGB 43 134 161 and RGB 130 43 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 74 / 36

HEX #A3482B

RGB 163.3 72.4 43

HSL 14.66, 0.58%, 0.4%

LAB 42.28, 35.65, 35.19

 

Complementary color

CMYK 57 / 14 / 0 / 17

HEX #5BB6D4

RGB 91.7 182.6 212

HSL 194.66, 0.58%, 0.6%

LAB 69.98, -18.75, -23.05

 

CMYK 0 / 57 / 77 / 34

HEX #A84826

RGB 168.3 72.4 38

HSL 15.84, 0.63%, 0.4%

LAB 43.04, 37.39, 38.92

 

CMYK 0 / 51 / 69 / 27

HEX #B95A39

RGB 185.3 90.4 57

HSL 15.62, 0.53%, 0.48%

LAB 49.53, 35.79, 36.63

 

CMYK 0 / 46 / 62 / 21

HEX #CA6C4C

RGB 202.3 108.4 76

HSL 15.39, 0.55%, 0.55%

LAB 56.02, 34.3, 34.49

 

CMYK 0 / 42 / 57 / 14

HEX #DB7E5F

RGB 219.3 126.4 95

HSL 15.16, 0.64%, 0.62%

LAB 62.47, 32.93, 32.57

 

CMYK 0 / 39 / 52 / 7

HEX #EC9072

RGB 236.3 144.4 114

HSL 14.91, 0.77%, 0.69%

LAB 68.87, 31.69, 30.85

 

CMYK 0 / 56 / 74 / 36

HEX #A3482B

RGB 163.3 72.4 43

HSL 14.66, 0.58%, 0.4%

LAB 42.28, 35.65, 35.19

 

CMYK 0 / 63 / 84 / 43

HEX #923618

RGB 146.3 54.4 24

HSL 14.91, 0.72%, 0.33%

LAB 35.75, 37.23, 37.61

 

CMYK 0 / 72 / 96 / 49

HEX #812405

RGB 129.3 36.4 5

HSL 15.16, 0.93%, 0.26%

LAB 29.38, 38.6, 39.44

 

CMYK 0 / 84 / 100 / 56

HEX #701200

RGB 112.3 18.4 0

HSL 9.83, 1%, 0.22%

LAB 23.37, 39.31, 34.74

 

CMYK 0 / 100 / 100 / 63

HEX #5F0000

RGB 95.3 0.40000000000001 0

HSL 0.25, 1%, 0.19%

LAB 17.73, 38.86, 27.36

 

CMYK 0 / 55 / 73 / 37

HEX #A1482B

RGB 161 72 43

HSL 14.75, 0.58%, 0.4%

LAB 41.82, 34.95, 34.59

 

CMYK 0 / 73 / 73 / 37

HEX #A12B2B

RGB 161 43 43

HSL 0, 0.58%, 0.4%

LAB 36.89, 48.09, 29.01

 

CMYK 0 / 55 / 73 / 37

HEX #A1482B

RGB 161 72 43

HSL 14.75, 0.58%, 0.4%

LAB 41.82, 34.95, 34.59

 

CMYK 0 / 35 / 73 / 37

HEX #A1682B

RGB 161 104 43

HSL 31.02, 0.58%, 0.4%

LAB 49.07, 17.33, 42.36

 

CMYK 0 / 16 / 73 / 37

HEX #A1882B

RGB 161 136 43

HSL 47.29, 0.58%, 0.4%

LAB 57.42, -0.73, 50.83

 

CMYK 4 / 0 / 73 / 37

HEX #9BA12B

RGB 155 161 43

HSL 63.05, 0.58%, 0.4%

LAB 63.86, -16.78, 56.9

 

CMYK 24 / 0 / 73 / 37

HEX #7BA12B

RGB 123 161 43

HSL 79.32, 0.58%, 0.4%

LAB 61.55, -30.31, 53.86

 

CMYK 0 / 55 / 73 / 37

HEX #A1482B

RGB 161 72 43

HSL 14.75, 0.58%, 0.4%

LAB 41.82, 34.95, 34.59

 

CMYK 0 / 65 / 85 / 30

HEX #B23F1A

RGB 178 63 26

HSL 14.61, 0.75%, 0.4%

LAB 42.91, 45.09, 45.22

 

CMYK 0 / 72 / 95 / 24

HEX #C2370A

RGB 194 55 10

HSL 14.67, 0.9%, 0.4%

LAB 44.55, 53.57, 53.59

 

CMYK 0 / 55 / 73 / 37

HEX #A1482B

RGB 161 72 43

HSL 14.75, 0.58%, 0.4%

LAB 41.82, 34.95, 34.59

 

CMYK 0 / 45 / 59 / 43

HEX #91503B

RGB 145 80 59

HSL 14.65, 0.42%, 0.4%

LAB 41.33, 25.08, 24.21

 

CMYK 0 / 30 / 41 / 50

HEX #80594C

RGB 128 89 76

HSL 15, 0.25%, 0.4%

LAB 41.62, 14.3, 13.95

 

CMYK 0 / 13 / 18 / 56

HEX #70615C

RGB 112 97 92

HSL 15, 0.1%, 0.4%

LAB 42.41, 5.11, 5.06

 

CMYK 13 / 3 / 0 / 57

HEX #5F6A6D

RGB 95 106 109

HSL 192.86, 0.07%, 0.4%

LAB 44.01, -3.49, -3.11

 

CMYK 0 / 73 / 52 / 37

HEX #A12B4E

RGB 161 43 78

HSL 342.2, 0.58%, 0.4%

LAB 37.58, 50.41, 7.86

 

CMYK 0 / 73 / 71 / 37

HEX #A12B2F

RGB 161 43 47

HSL 357.97, 0.58%, 0.4%

LAB 36.95, 48.28, 26.64

 

CMYK 0 / 57 / 73 / 37

HEX #A1462B

RGB 161 70 43

HSL 13.73, 0.58%, 0.4%

LAB 41.42, 35.97, 34.15

 

CMYK 0 / 37 / 73 / 37

HEX #A1662B

RGB 161 102 43

HSL 30, 0.58%, 0.4%

LAB 48.58, 18.47, 41.85

 

CMYK 0 / 17 / 73 / 37

HEX #A1862B

RGB 161 134 43

HSL 46.27, 0.58%, 0.4%

LAB 56.88, 0.38, 50.29

 

CMYK 0 / 55 / 73 / 62

HEX #602B1A

RGB 96 43 26

HSL 14.57, 0.57%, 0.24%

LAB 24.61, 22.66, 22.11

 

CMYK 0 / 56 / 74 / 49

HEX #813922

RGB 129 57 34

HSL 14.53, 0.58%, 0.32%

LAB 33.37, 29.42, 28.8

 

CMYK 0 / 55 / 73 / 37

HEX #A1482B

RGB 161 72 43

HSL 14.75, 0.58%, 0.4%

LAB 41.82, 34.95, 34.59

 

CMYK 0 / 56 / 73 / 24

HEX #C25634

RGB 194 86 52

HSL 14.37, 0.58%, 0.48%

LAB 49.95, 41.14, 40.15

 

CMYK 0 / 47 / 63 / 18

HEX #D06E4E

RGB 208 110 78

HSL 14.77, 0.58%, 0.56%

LAB 57.18, 35.84, 35

 

CMYK 0 / 56 / 74 / 36

HEX #A3482B

RGB 163.3 72.4 43

HSL 14.66, 0.58%, 0.4%

LAB 42.28, 35.65, 35.19

 

CMYK 32 / 0 / 73 / 37

HEX #6EA12B

RGB 110 161 43

HSL 85.93, 0.58%, 0.4%

LAB 60.76, -35.42, 52.82

 

CMYK 73 / 61 / 0 / 37

HEX #2B3FA1

RGB 43 63 161

HSL 229.83, 0.58%, 0.4%

LAB 30.98, 27.14, -55.37

 

CMYK 0 / 56 / 74 / 36

HEX #A3482B

RGB 163.3 72.4 43

HSL 14.66, 0.58%, 0.4%

LAB 42.28, 35.65, 35.19

 

CMYK 73 / 0 / 57 / 37

HEX #2BA146

RGB 43 161 70

HSL 133.73, 0.58%, 0.4%

LAB 58.46, -51.66, 37.79

 

CMYK 57 / 73 / 0 / 37

HEX #462BA1

RGB 70 43 161

HSL 253.73, 0.58%, 0.4%

LAB 28.39, 43.31, -59.53

 

CMYK 0 / 56 / 74 / 36

HEX #A3482B

RGB 163.3 72.4 43

HSL 14.66, 0.58%, 0.4%

LAB 42.28, 35.65, 35.19

 

CMYK 32 / 0 / 73 / 37

HEX #6EA12B

RGB 110 161 43

HSL 85.93, 0.58%, 0.4%

LAB 60.76, -35.42, 52.82

 

CMYK 73 / 17 / 0 / 37

HEX #2B86A1

RGB 43 134 161

HSL 193.73, 0.58%, 0.4%

LAB 51.99, -17.25, -22.04

 

CMYK 42 / 73 / 0 / 37

HEX #5E2BA1

RGB 94 43 161

HSL 265.93, 0.58%, 0.4%

LAB 31.07, 47.34, -55.04

 

CMYK 0 / 56 / 74 / 36

HEX #A3482B

RGB 163.3 72.4 43

HSL 14.66, 0.58%, 0.4%

LAB 42.28, 35.65, 35.19

 

CMYK 54 / 0 / 73 / 37

HEX #4AA12B

RGB 74 161 43

HSL 104.24, 0.58%, 0.4%

LAB 59.09, -47.54, 50.59

 

CMYK 73 / 17 / 0 / 37

HEX #2B86A1

RGB 43 134 161

HSL 193.73, 0.58%, 0.4%

LAB 51.99, -17.25, -22.04

 

CMYK 19 / 73 / 0 / 37

HEX #822BA1

RGB 130 43 161

HSL 284.24, 0.58%, 0.4%

LAB 36.07, 54.48, -46.69

 

Description

Color code: RGB 163.3 72.4 43 | qconv.com Color code: RGB 163.3 72.4 43 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163.3 red, 72.4 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163.3 72.4 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 74 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 74% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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