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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163.3 72.4 174 it is the complementary color RGB 91.7 182.6 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163.3 72.4 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163.3 72.4 174 shade: RGB 168.3 72.4 169, RGB 185.3 90.4 188, RGB 202.3 108.4 207, RGB 219.3 126.4 226 and RGB 236.3 144.4 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163.3 72.4 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163.3 72.4 174 shade: RGB 163.3 72.4 174, RGB 146.3 54.4 155, RGB 129.3 36.4 136, RGB 112.3 18.4 117 and RGB 95.3 0.40000000000001 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163.3 72.4 174 shade: RGB 162 72 173, RGB 173 72 156, RGB 173 72 129, RGB 173 72 102 and RGB 173 72 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163.3 72.4 174 shade: RGB 162 72 173, RGB 135 72 173, RGB 108 72 173, RGB 81 72 173 and RGB 72 72 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163.3 72.4 174 shade matches the following richer shades: RGB 162 72 173, RGB 178 52 192, RGB 193 33 212 and RGB 209 13 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163.3 72.4 174 shade: RGB 162 72 173, RGB 146 92 153, RGB 131 112 133, RGB 115 132 113 and RGB 99 151 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163.3 72.4 174 shade: RGB 107 72 173, RGB 134 72 173, RGB 161 72 173, RGB 173 72 158 and RGB 173 72 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163.3 72.4 174 shade: RGB 107 48 114, RGB 135 60 143, RGB 162 72 173, RGB 179 97 189 and RGB 193 126 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163.3 72.4 174 shade: RGB 163.3 72.4 174, RGB 173 81 72 and RGB 72 173 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163.3 72.4 174 shade: RGB 163.3 72.4 174, RGB 173 161 72 and RGB 72 173 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163.3 72.4 174 shade: RGB 163.3 72.4 174, RGB 173 81 72, RGB 84 173 72 and RGB 72 164 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163.3 72.4 174 shade: RGB 163.3 72.4 174, RGB 173 111 72, RGB 84 173 72 and RGB 72 134 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 58 / 0 / 32

HEX #A348AE

RGB 163.3 72.4 174

HSL 293.68, 0.41%, 0.48%

LAB 46.39, 52.06, -37.69

 

Complementary color

CMYK 50 / 0 / 56 / 28

HEX #5BB651

RGB 91.7 182.6 81

HSL 113.68, 0.41%, 0.52%

LAB 66.94, -47.2, 42.92

 

CMYK 0 / 57 / 0 / 34

HEX #A848A9

RGB 168.3 72.4 169

HSL 299.57, 0.4%, 0.47%

LAB 46.85, 52.47, -33.97

 

CMYK 1 / 52 / 0 / 26

HEX #B95ABC

RGB 185.3 90.4 188

HSL 298.34, 0.42%, 0.55%

LAB 53.34, 51.98, -34.71

 

CMYK 2 / 48 / 0 / 19

HEX #CA6CCF

RGB 202.3 108.4 207

HSL 297.14, 0.51%, 0.62%

LAB 59.81, 51.35, -35.29

 

CMYK 3 / 44 / 0 / 11

HEX #DB7EE2

RGB 219.3 126.4 226

HSL 295.96, 0.63%, 0.69%

LAB 66.23, 50.64, -35.76

 

CMYK 4 / 41 / 0 / 4

HEX #EC90F5

RGB 236.3 144.4 245

HSL 294.81, 0.83%, 0.76%

LAB 72.59, 49.92, -36.17

 

CMYK 6 / 58 / 0 / 32

HEX #A348AE

RGB 163.3 72.4 174

HSL 293.68, 0.41%, 0.48%

LAB 46.39, 52.06, -37.69

 

CMYK 6 / 65 / 0 / 39

HEX #92369B

RGB 146.3 54.4 155

HSL 294.81, 0.48%, 0.41%

LAB 39.88, 52.3, -36.84

 

CMYK 5 / 73 / 0 / 47

HEX #812488

RGB 129.3 36.4 136

HSL 295.96, 0.58%, 0.34%

LAB 33.47, 52.01, -35.6

 

CMYK 4 / 84 / 0 / 54

HEX #701275

RGB 112.3 18.4 117

HSL 297.14, 0.73%, 0.27%

LAB 27.28, 50.69, -33.69

 

CMYK 3 / 100 / 0 / 62

HEX #5F0062

RGB 95.3 0.40000000000001 98

HSL 298.34, 0.99%, 0.19%

LAB 21.36, 48.16, -31.04

 

CMYK 6 / 58 / 0 / 32

HEX #A248AD

RGB 162 72 173

HSL 293.47, 0.41%, 0.48%

LAB 46.09, 51.72, -37.6

 

CMYK 0 / 58 / 10 / 32

HEX #AD489C

RGB 173 72 156

HSL 310.1, 0.41%, 0.48%

LAB 46.87, 51.71, -26.19

 

CMYK 0 / 58 / 25 / 32

HEX #AD4881

RGB 173 72 129

HSL 326.14, 0.41%, 0.48%

LAB 45.78, 47.6, -11.63

 

CMYK 0 / 58 / 41 / 32

HEX #AD4866

RGB 173 72 102

HSL 342.18, 0.41%, 0.48%

LAB 44.91, 44.21, 3.58

 

CMYK 0 / 58 / 57 / 32

HEX #AD484B

RGB 173 72 75

HSL 358.22, 0.41%, 0.48%

LAB 44.27, 41.62, 19.23

 

CMYK 6 / 58 / 0 / 32

HEX #A248AD

RGB 162 72 173

HSL 293.47, 0.41%, 0.48%

LAB 46.09, 51.72, -37.6

 

CMYK 22 / 58 / 0 / 32

HEX #8748AD

RGB 135 72 173

HSL 277.43, 0.41%, 0.48%

LAB 42.46, 44.66, -43.58

 

CMYK 38 / 58 / 0 / 32

HEX #6C48AD

RGB 108 72 173

HSL 261.39, 0.41%, 0.48%

LAB 39.31, 37.93, -48.81

 

CMYK 53 / 58 / 0 / 32

HEX #5148AD

RGB 81 72 173

HSL 245.35, 0.41%, 0.48%

LAB 36.75, 31.93, -53.07

 

CMYK 58 / 58 / 0 / 32

HEX #4848AD

RGB 72 72 173

HSL 240, 0.41%, 0.48%

LAB 36.04, 30.18, -54.25

 

CMYK 6 / 58 / 0 / 32

HEX #A248AD

RGB 162 72 173

HSL 293.47, 0.41%, 0.48%

LAB 46.09, 51.72, -37.6

 

CMYK 7 / 73 / 0 / 25

HEX #B234C0

RGB 178 52 192

HSL 294, 0.57%, 0.48%

LAB 46.61, 67.12, -47.74

 

CMYK 9 / 84 / 0 / 17

HEX #C121D4

RGB 193 33 212

HSL 293.63, 0.73%, 0.48%

LAB 48.48, 78.44, -56.17

 

CMYK 10 / 94 / 0 / 9

HEX #D10DE8

RGB 209 13 232

HSL 293.7, 0.89%, 0.48%

LAB 51.46, 87.02, -62.63

 

CMYK 6 / 58 / 0 / 32

HEX #A248AD

RGB 162 72 173

HSL 293.47, 0.41%, 0.48%

LAB 46.09, 51.72, -37.6

 

CMYK 5 / 40 / 0 / 40

HEX #925C99

RGB 146 92 153

HSL 293.11, 0.25%, 0.48%

LAB 47.06, 32.52, -24.4

 

CMYK 2 / 16 / 0 / 48

HEX #837085

RGB 131 112 133

HSL 294.29, 0.09%, 0.48%

LAB 49.63, 11.46, -8.77

 

CMYK 13 / 0 / 14 / 48

HEX #738471

RGB 115 132 113

HSL 113.68, 0.08%, 0.48%

LAB 53.32, -10.06, 8.19

 

CMYK 34 / 0 / 38 / 41

HEX #63975D

RGB 99 151 93

HSL 113.79, 0.24%, 0.48%

LAB 57.63, -29.25, 25.21

 

CMYK 38 / 58 / 0 / 32

HEX #6B48AD

RGB 107 72 173

HSL 260.79, 0.41%, 0.48%

LAB 39.2, 37.69, -48.98

 

CMYK 23 / 58 / 0 / 32

HEX #8648AD

RGB 134 72 173

HSL 276.83, 0.41%, 0.48%

LAB 42.34, 44.4, -43.78

 

CMYK 7 / 58 / 0 / 32

HEX #A148AD

RGB 161 72 173

HSL 292.87, 0.41%, 0.48%

LAB 45.95, 51.45, -37.83

 

CMYK 0 / 58 / 9 / 32

HEX #AD489E

RGB 173 72 158

HSL 308.91, 0.41%, 0.48%

LAB 46.96, 52.04, -27.24

 

CMYK 0 / 58 / 24 / 32

HEX #AD4883

RGB 173 72 131

HSL 324.95, 0.41%, 0.48%

LAB 45.85, 47.88, -12.74

 

CMYK 6 / 58 / 0 / 55

HEX #6B3072

RGB 107 48 114

HSL 293.64, 0.41%, 0.32%

LAB 30.53, 36.71, -26.68

 

CMYK 6 / 58 / 0 / 44

HEX #873C8F

RGB 135 60 143

HSL 294.22, 0.41%, 0.4%

LAB 38.49, 44.42, -31.88

 

CMYK 6 / 58 / 0 / 32

HEX #A248AD

RGB 162 72 173

HSL 293.47, 0.41%, 0.48%

LAB 46.09, 51.72, -37.6

 

CMYK 5 / 49 / 0 / 26

HEX #B361BD

RGB 179 97 189

HSL 293.48, 0.41%, 0.56%

LAB 53.82, 47.06, -34.6

 

CMYK 4 / 37 / 0 / 21

HEX #C17EC9

RGB 193 126 201

HSL 293.6, 0.41%, 0.64%

LAB 62.06, 38.2, -28.49

 

CMYK 6 / 58 / 0 / 32

HEX #A348AE

RGB 163.3 72.4 174

HSL 293.68, 0.41%, 0.48%

LAB 46.39, 52.06, -37.69

 

CMYK 0 / 53 / 58 / 32

HEX #AD5148

RGB 173 81 72

HSL 5.35, 0.41%, 0.48%

LAB 45.96, 36.86, 23.24

 

CMYK 58 / 0 / 30 / 32

HEX #48AD79

RGB 72 173 121

HSL 149.11, 0.41%, 0.48%

LAB 63.87, -41.69, 18.12

 

CMYK 6 / 58 / 0 / 32

HEX #A348AE

RGB 163.3 72.4 174

HSL 293.68, 0.41%, 0.48%

LAB 46.39, 52.06, -37.69

 

CMYK 0 / 7 / 58 / 32

HEX #ADA148

RGB 173 161 72

HSL 52.87, 0.41%, 0.48%

LAB 65.63, -7.11, 46.98

 

CMYK 58 / 0 / 7 / 32

HEX #48ADA1

RGB 72 173 161

HSL 172.87, 0.41%, 0.48%

LAB 64.83, -32.18, -2.65

 

CMYK 6 / 58 / 0 / 32

HEX #A348AE

RGB 163.3 72.4 174

HSL 293.68, 0.41%, 0.48%

LAB 46.39, 52.06, -37.69

 

CMYK 0 / 53 / 58 / 32

HEX #AD5148

RGB 173 81 72

HSL 5.35, 0.41%, 0.48%

LAB 45.96, 36.86, 23.24

 

CMYK 51 / 0 / 58 / 32

HEX #54AD48

RGB 84 173 72

HSL 112.87, 0.41%, 0.48%

LAB 63.54, -46.6, 43.12

 

CMYK 58 / 5 / 0 / 32

HEX #48A4AD

RGB 72 164 173

HSL 185.35, 0.41%, 0.48%

LAB 62.46, -24.42, -12.89

 

CMYK 6 / 58 / 0 / 32

HEX #A348AE

RGB 163.3 72.4 174

HSL 293.68, 0.41%, 0.48%

LAB 46.39, 52.06, -37.69

 

CMYK 0 / 36 / 58 / 32

HEX #AD6F48

RGB 173 111 72

HSL 23.17, 0.41%, 0.48%

LAB 52.64, 20.54, 31.68

 

CMYK 51 / 0 / 58 / 32

HEX #54AD48

RGB 84 173 72

HSL 112.87, 0.41%, 0.48%

LAB 63.54, -46.6, 43.12

 

CMYK 58 / 23 / 0 / 32

HEX #4886AD

RGB 72 134 173

HSL 203.17, 0.41%, 0.48%

LAB 53.43, -8.26, -26.67

 

Description

Color code: RGB 163.3 72.4 174 | qconv.com Color code: RGB 163.3 72.4 174 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163.3 red, 72.4 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163.3 72.4 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 58 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 58% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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