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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163.3 237 152 it is the complementary color RGB 91.7 18 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163.3 237 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163.3 237 152 shade: RGB 168.3 237 147, RGB 185.3 255 166, RGB 202.3 255 185, RGB 219.3 255 204 and RGB 236.3 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163.3 237 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163.3 237 152 shade: RGB 163.3 237 152, RGB 146.3 219 133, RGB 129.3 201 114, RGB 112.3 183 95 and RGB 95.3 165 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163.3 237 152 shade: RGB 162 237 151, RGB 185 237 151, RGB 209 237 151, RGB 232 237 151 and RGB 237 219 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163.3 237 152 shade: RGB 162 237 151, RGB 151 237 163, RGB 151 237 186, RGB 151 237 209 and RGB 151 237 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163.3 237 152 shade matches the following richer shades: RGB 162 237 151 and RGB 155 247 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163.3 237 152 shade: RGB 162 237 151, RGB 170 227 161, RGB 177 217 171, RGB 184 207 181 and RGB 191 197 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163.3 237 152 shade: RGB 208 237 151, RGB 185 237 151, RGB 162 237 151, RGB 151 237 162 and RGB 151 237 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163.3 237 152 shade: RGB 100 224 81, RGB 131 230 116, RGB 162 237 151, RGB 194 243 186 and RGB 225 249 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163.3 237 152 shade: RGB 163.3 237 152, RGB 151 231 237 and RGB 237 151 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163.3 237 152 shade: RGB 163.3 237 152, RGB 151 162 237 and RGB 237 151 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163.3 237 152 shade: RGB 163.3 237 152, RGB 151 231 237, RGB 225 151 237 and RGB 237 157 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163.3 237 152 shade: RGB 163.3 237 152, RGB 151 205 237, RGB 225 151 237 and RGB 237 182 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 36 / 7

HEX #A3ED98

RGB 163.3 237 152

HSL 112.02, 0.7%, 0.76%

LAB 87.32, -38.72, 34.12

 

Complementary color

CMYK 11 / 83 / 0 / 60

HEX #5B1267

RGB 91.7 18 103

HSL 292.02, 0.7%, 0.24%

LAB 22.56, 43.88, -32.43

 

CMYK 29 / 0 / 38 / 7

HEX #A8ED93

RGB 168.3 237 147

HSL 105.8, 0.71%, 0.75%

LAB 87.5, -37.81, 36.92

 

CMYK 27 / 0 / 35 / 0

HEX #B9FFA6

RGB 185.3 255 166

HSL 106.99, 1%, 0.83%

LAB 93.72, -37.63, 35.8

 

CMYK 21 / 0 / 27 / 0

HEX #CAFFB9

RGB 202.3 255 185

HSL 105.17, 1%, 0.86%

LAB 95, -29.18, 28.17

 

CMYK 14 / 0 / 20 / 0

HEX #DBFFCC

RGB 219.3 255 204

HSL 102, 1%, 0.9%

LAB 96.4, -20.49, 20.63

 

CMYK 7 / 0 / 13 / 0

HEX #ECFFDF

RGB 236.3 255 223

HSL 95.06, 1%, 0.94%

LAB 97.93, -11.67, 13.23

 

CMYK 31 / 0 / 36 / 7

HEX #A3ED98

RGB 163.3 237 152

HSL 112.02, 0.7%, 0.76%

LAB 87.32, -38.72, 34.12

 

CMYK 33 / 0 / 39 / 14

HEX #92DB85

RGB 146.3 219 133

HSL 110.72, 0.54%, 0.69%

LAB 81.01, -38.92, 35.28

 

CMYK 36 / 0 / 43 / 21

HEX #81C972

RGB 129.3 201 114

HSL 109.45, 0.45%, 0.62%

LAB 74.62, -39.11, 36.48

 

CMYK 39 / 0 / 48 / 28

HEX #70B75F

RGB 112.3 183 95

HSL 108.2, 0.38%, 0.55%

LAB 68.14, -39.25, 37.72

 

CMYK 42 / 0 / 54 / 35

HEX #5FA54C

RGB 95.3 165 76

HSL 106.99, 0.37%, 0.47%

LAB 61.55, -39.33, 38.96

 

CMYK 32 / 0 / 36 / 7

HEX #A2ED97

RGB 162 237 151

HSL 112.33, 0.7%, 0.76%

LAB 87.23, -39.28, 34.5

 

CMYK 22 / 0 / 36 / 7

HEX #B9ED97

RGB 185 237 151

HSL 96.28, 0.7%, 0.76%

LAB 88.5, -31.59, 36.41

 

CMYK 12 / 0 / 36 / 7

HEX #D1ED97

RGB 209 237 151

HSL 79.53, 0.7%, 0.76%

LAB 90.03, -22.99, 38.68

 

CMYK 2 / 0 / 36 / 7

HEX #E8ED97

RGB 232 237 151

HSL 63.49, 0.7%, 0.76%

LAB 91.67, -14.38, 41.13

 

CMYK 0 / 8 / 36 / 7

HEX #EDDB97

RGB 237 219 151

HSL 47.44, 0.7%, 0.76%

LAB 87.44, -3.44, 35.71

 

CMYK 32 / 0 / 36 / 7

HEX #A2ED97

RGB 162 237 151

HSL 112.33, 0.7%, 0.76%

LAB 87.23, -39.28, 34.5

 

CMYK 36 / 0 / 31 / 7

HEX #97EDA3

RGB 151 237 163

HSL 128.37, 0.7%, 0.76%

LAB 86.89, -40.81, 27.88

 

CMYK 36 / 0 / 22 / 7

HEX #97EDBA

RGB 151 237 186

HSL 144.42, 0.7%, 0.76%

LAB 87.34, -36.71, 16.63

 

CMYK 36 / 0 / 12 / 7

HEX #97EDD1

RGB 151 237 209

HSL 160.47, 0.7%, 0.76%

LAB 87.85, -32.09, 5.38

 

CMYK 36 / 0 / 2 / 7

HEX #97EDE8

RGB 151 237 232

HSL 176.51, 0.7%, 0.76%

LAB 88.44, -27, -5.81

 

CMYK 32 / 0 / 36 / 7

HEX #A2ED97

RGB 162 237 151

HSL 112.33, 0.7%, 0.76%

LAB 87.23, -39.28, 34.5

 

CMYK 37 / 0 / 43 / 3

HEX #9BF78D

RGB 155 247 141

HSL 112.08, 0.87%, 0.76%

LAB 89.59, -47.26, 42.43

 

CMYK 32 / 0 / 36 / 7

HEX #A2ED97

RGB 162 237 151

HSL 112.33, 0.7%, 0.76%

LAB 87.23, -39.28, 34.5

 

CMYK 25 / 0 / 29 / 11

HEX #AAE3A1

RGB 170 227 161

HSL 111.82, 0.54%, 0.76%

LAB 85.03, -30.54, 26.53

 

CMYK 18 / 0 / 21 / 15

HEX #B1D9AB

RGB 177 217 171

HSL 112.17, 0.38%, 0.76%

LAB 82.87, -21.73, 18.43

 

CMYK 11 / 0 / 13 / 19

HEX #B8CFB5

RGB 184 207 181

HSL 113.08, 0.21%, 0.76%

LAB 80.82, -12.59, 10.32

 

CMYK 3 / 0 / 3 / 23

HEX #BFC5BF

RGB 191 197 191

HSL 120, 0.05%, 0.76%

LAB 78.91, -3.17, 2.28

 

CMYK 12 / 0 / 36 / 7

HEX #D0ED97

RGB 208 237 151

HSL 80.23, 0.7%, 0.76%

LAB 89.96, -23.36, 38.58

 

CMYK 22 / 0 / 36 / 7

HEX #B9ED97

RGB 185 237 151

HSL 96.28, 0.7%, 0.76%

LAB 88.5, -31.59, 36.41

 

CMYK 32 / 0 / 36 / 7

HEX #A2ED97

RGB 162 237 151

HSL 112.33, 0.7%, 0.76%

LAB 87.23, -39.28, 34.5

 

CMYK 36 / 0 / 32 / 7

HEX #97EDA2

RGB 151 237 162

HSL 127.67, 0.7%, 0.76%

LAB 86.88, -40.97, 28.36

 

CMYK 36 / 0 / 22 / 7

HEX #97EDB9

RGB 151 237 185

HSL 143.72, 0.7%, 0.76%

LAB 87.31, -36.9, 17.12

 

CMYK 55 / 0 / 64 / 12

HEX #64E051

RGB 100 224 81

HSL 112.03, 0.7%, 0.6%

LAB 79.96, -60.81, 57.86

 

CMYK 43 / 0 / 50 / 10

HEX #83E674

RGB 131 230 116

HSL 112.11, 0.7%, 0.68%

LAB 83.27, -50.7, 46.34

 

CMYK 32 / 0 / 36 / 7

HEX #A2ED97

RGB 162 237 151

HSL 112.33, 0.7%, 0.76%

LAB 87.23, -39.28, 34.5

 

CMYK 20 / 0 / 23 / 5

HEX #C2F3BA

RGB 194 243 186

HSL 111.58, 0.7%, 0.84%

LAB 91.29, -26.12, 22.48

 

CMYK 10 / 0 / 11 / 2

HEX #E1F9DD

RGB 225 249 221

HSL 111.43, 0.7%, 0.92%

LAB 95.57, -12.84, 10.79

 

CMYK 31 / 0 / 36 / 7

HEX #A3ED98

RGB 163.3 237 152

HSL 112.02, 0.7%, 0.76%

LAB 87.32, -38.72, 34.12

 

CMYK 36 / 3 / 0 / 7

HEX #97E7ED

RGB 151 231 237

HSL 184.19, 0.7%, 0.76%

LAB 86.92, -22.91, -10.68

 

CMYK 0 / 36 / 17 / 7

HEX #ED97C5

RGB 237 151 197

HSL 327.91, 0.7%, 0.76%

LAB 72.34, 38.56, -10.18

 

CMYK 31 / 0 / 36 / 7

HEX #A3ED98

RGB 163.3 237 152

HSL 112.02, 0.7%, 0.76%

LAB 87.32, -38.72, 34.12

 

CMYK 36 / 32 / 0 / 7

HEX #97A2ED

RGB 151 162 237

HSL 232.33, 0.7%, 0.76%

LAB 68.41, 13.85, -38.9

 

CMYK 0 / 36 / 32 / 7

HEX #ED97A2

RGB 237 151 162

HSL 352.33, 0.7%, 0.76%

LAB 71.38, 33.63, 7.82

 

CMYK 31 / 0 / 36 / 7

HEX #A3ED98

RGB 163.3 237 152

HSL 112.02, 0.7%, 0.76%

LAB 87.32, -38.72, 34.12

 

CMYK 36 / 3 / 0 / 7

HEX #97E7ED

RGB 151 231 237

HSL 184.19, 0.7%, 0.76%

LAB 86.92, -22.91, -10.68

 

CMYK 5 / 36 / 0 / 7

HEX #E197ED

RGB 225 151 237

HSL 291.63, 0.7%, 0.76%

LAB 72.4, 41.61, -32.2

 

CMYK 0 / 34 / 36 / 7

HEX #ED9D97

RGB 237 157 151

HSL 4.19, 0.7%, 0.76%

LAB 72.46, 29.11, 15.43

 

CMYK 31 / 0 / 36 / 7

HEX #A3ED98

RGB 163.3 237 152

HSL 112.02, 0.7%, 0.76%

LAB 87.32, -38.72, 34.12

 

CMYK 36 / 14 / 0 / 7

HEX #97CDED

RGB 151 205 237

HSL 202.33, 0.7%, 0.76%

LAB 79.82, -9.7, -21.36

 

CMYK 5 / 36 / 0 / 7

HEX #E197ED

RGB 225 151 237

HSL 291.63, 0.7%, 0.76%

LAB 72.4, 41.61, -32.2

 

CMYK 0 / 23 / 36 / 7

HEX #EDB697

RGB 237 182 151

HSL 21.63, 0.7%, 0.76%

LAB 78.28, 15.84, 23.46

 

Description

Color code: RGB 163.3 237 152 | qconv.com Color code: RGB 163.3 237 152 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163.3 red, 237 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163.3 237 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 36 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 36% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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