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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163.1 18.8 81 it is the complementary color RGB 91.9 236.2 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163.1 18.8 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163.1 18.8 81 shade: RGB 168.1 18.8 76, RGB 185.1 36.8 95, RGB 202.1 54.8 114, RGB 219.1 72.8 133 and RGB 236.1 90.8 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163.1 18.8 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163.1 18.8 81 shade: RGB 163.1 18.8 81, RGB 146.1 0.8 62, RGB 129.1 0 43, RGB 112.1 0 24 and RGB 95.1 0 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163.1 18.8 81 shade: RGB 164 19 82, RGB 164 19 43 and RGB 164 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163.1 18.8 81 shade: RGB 164 19 82, RGB 164 19 121, RGB 164 19 160, RGB 130 19 164 and RGB 90 19 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163.1 18.8 81 shade matches the following richer shades: RGB 164 19 82 and RGB 179 4 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163.1 18.8 81 shade: RGB 164 19 82, RGB 149 34 84, RGB 135 49 86, RGB 120 64 88 and RGB 105 79 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163.1 18.8 81 shade: RGB 164 19 159, RGB 164 19 121, RGB 164 19 82, RGB 164 19 43 and RGB 164 34 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163.1 18.8 81 shade: RGB 90 11 45, RGB 127 15 63, RGB 164 19 82, RGB 201 24 100 and RGB 229 37 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163.1 18.8 81 shade: RGB 163.1 18.8 81, RGB 164 130 19 and RGB 19 140 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163.1 18.8 81 shade: RGB 163.1 18.8 81, RGB 82 164 19 and RGB 19 82 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163.1 18.8 81 shade: RGB 163.1 18.8 81, RGB 164 130 19, RGB 19 164 101 and RGB 19 53 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163.1 18.8 81 shade: RGB 163.1 18.8 81, RGB 155 164 19, RGB 19 164 101 and RGB 29 19 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 50 / 36

HEX #A31251

RGB 163.1 18.8 81

HSL 334.14, 0.79%, 0.36%

LAB 35.69, 58, 3.3

 

Complementary color

CMYK 61 / 0 / 26 / 7

HEX #5BECAE

RGB 91.9 236.2 174

HSL 154.14, 0.79%, 0.64%

LAB 84.71, -52.95, 18.86

 

CMYK 0 / 89 / 55 / 34

HEX #A8124C

RGB 168.1 18.8 76

HSL 337.01, 0.8%, 0.37%

LAB 36.59, 58.88, 7.95

 

CMYK 0 / 80 / 49 / 27

HEX #B9245F

RGB 185.1 36.8 95

HSL 336.45, 0.67%, 0.44%

LAB 41.94, 60.7, 3.93

 

CMYK 0 / 73 / 44 / 21

HEX #CA3672

RGB 202.1 54.8 114

HSL 335.89, 0.58%, 0.5%

LAB 47.62, 61.51, 0.77

 

CMYK 0 / 67 / 39 / 14

HEX #DB4885

RGB 219.1 72.8 133

HSL 335.31, 0.67%, 0.57%

LAB 53.5, 61.68, -1.74

 

CMYK 0 / 62 / 36 / 7

HEX #EC5A98

RGB 236.1 90.8 152

HSL 334.73, 0.79%, 0.64%

LAB 59.49, 61.43, -3.78

 

CMYK 0 / 88 / 50 / 36

HEX #A31251

RGB 163.1 18.8 81

HSL 334.14, 0.79%, 0.36%

LAB 35.69, 58, 3.3

 

CMYK 0 / 99 / 58 / 43

HEX #92003E

RGB 146.1 0.8 62

HSL 334.73, 0.99%, 0.29%

LAB 30.61, 55.07, 8.08

 

CMYK 0 / 100 / 67 / 49

HEX #81002B

RGB 129.1 0 43

HSL 340.02, 1%, 0.25%

LAB 26.3, 49.74, 14.46

 

CMYK 0 / 100 / 79 / 56

HEX #700018

RGB 112.1 0 24

HSL 347.15, 1%, 0.22%

LAB 22.01, 44.35, 21.25

 

CMYK 0 / 100 / 95 / 63

HEX #5F0005

RGB 95.1 0 5

HSL 356.85, 1%, 0.19%

LAB 17.69, 39.06, 25.27

 

CMYK 0 / 88 / 50 / 36

HEX #A41352

RGB 164 19 82

HSL 333.93, 0.79%, 0.36%

LAB 35.92, 58.28, 3

 

CMYK 0 / 88 / 74 / 36

HEX #A4132B

RGB 164 19 43

HSL 350.07, 0.79%, 0.36%

LAB 35.07, 55.83, 27.04

 

CMYK 0 / 88 / 88 / 36

HEX #A41313

RGB 164 19 19

HSL 0, 0.79%, 0.36%

LAB 34.81, 55.09, 40.61

 

CMYK 0 / 88 / 50 / 36

HEX #A41352

RGB 164 19 82

HSL 333.93, 0.79%, 0.36%

LAB 35.92, 58.28, 3

 

CMYK 0 / 88 / 26 / 36

HEX #A41379

RGB 164 19 121

HSL 317.79, 0.79%, 0.36%

LAB 37.37, 62.28, -19.68

 

CMYK 0 / 88 / 2 / 36

HEX #A413A0

RGB 164 19 160

HSL 301.66, 0.79%, 0.36%

LAB 39.41, 67.66, -40.44

 

CMYK 21 / 88 / 0 / 36

HEX #8213A4

RGB 130 19 164

HSL 285.93, 0.79%, 0.36%

LAB 33.76, 62.41, -52.25

 

CMYK 45 / 88 / 0 / 36

HEX #5A13A4

RGB 90 19 164

HSL 269.38, 0.79%, 0.36%

LAB 27.63, 56.72, -62.51

 

CMYK 0 / 88 / 50 / 36

HEX #A41352

RGB 164 19 82

HSL 333.93, 0.79%, 0.36%

LAB 35.92, 58.28, 3

 

CMYK 0 / 98 / 55 / 30

HEX #B30450

RGB 179 4 80

HSL 333.94, 0.96%, 0.36%

LAB 38.29, 63.8, 8.09

 

CMYK 0 / 88 / 50 / 36

HEX #A41352

RGB 164 19 82

HSL 333.93, 0.79%, 0.36%

LAB 35.92, 58.28, 3

 

CMYK 0 / 77 / 44 / 42

HEX #952254

RGB 149 34 84

HSL 333.91, 0.63%, 0.36%

LAB 34.34, 50.58, -0.96

 

CMYK 0 / 64 / 36 / 47

HEX #873156

RGB 135 49 86

HSL 334.19, 0.47%, 0.36%

LAB 34.02, 40.47, -3.01

 

CMYK 0 / 47 / 27 / 53

HEX #784058

RGB 120 64 88

HSL 334.29, 0.3%, 0.36%

LAB 34.73, 27.48, -3.51

 

CMYK 0 / 25 / 14 / 59

HEX #694F5A

RGB 105 79 90

HSL 334.62, 0.14%, 0.36%

LAB 36.62, 12.86, -2.21

 

CMYK 0 / 88 / 3 / 36

HEX #A4139F

RGB 164 19 159

HSL 302.07, 0.79%, 0.36%

LAB 39.35, 67.5, -39.93

 

CMYK 0 / 88 / 26 / 36

HEX #A41379

RGB 164 19 121

HSL 317.79, 0.79%, 0.36%

LAB 37.37, 62.28, -19.68

 

CMYK 0 / 88 / 50 / 36

HEX #A41352

RGB 164 19 82

HSL 333.93, 0.79%, 0.36%

LAB 35.92, 58.28, 3

 

CMYK 0 / 88 / 74 / 36

HEX #A4132B

RGB 164 19 43

HSL 350.07, 0.79%, 0.36%

LAB 35.07, 55.83, 27.04

 

CMYK 0 / 79 / 88 / 36

HEX #A42213

RGB 164 34 19

HSL 6.21, 0.79%, 0.36%

LAB 36.14, 51.31, 41.68

 

CMYK 0 / 88 / 50 / 65

HEX #5A0B2D

RGB 90 11 45

HSL 334.18, 0.78%, 0.2%

LAB 18.38, 36.77, 0.72

 

CMYK 0 / 88 / 50 / 50

HEX #7F0F3F

RGB 127 15 63

HSL 334.29, 0.79%, 0.28%

LAB 27.33, 47.85, 2.19

 

CMYK 0 / 88 / 50 / 36

HEX #A41352

RGB 164 19 82

HSL 333.93, 0.79%, 0.36%

LAB 35.92, 58.28, 3

 

CMYK 0 / 88 / 50 / 21

HEX #C91864

RGB 201 24 100

HSL 334.24, 0.79%, 0.44%

LAB 44.22, 67.95, 4.47

 

CMYK 0 / 84 / 48 / 10

HEX #E52578

RGB 229 37 120

HSL 334.06, 0.79%, 0.52%

LAB 51.08, 73.85, 2.76

 

CMYK 0 / 88 / 50 / 36

HEX #A31251

RGB 163.1 18.8 81

HSL 334.14, 0.79%, 0.36%

LAB 35.69, 58, 3.3

 

CMYK 0 / 21 / 88 / 36

HEX #A48213

RGB 164 130 19

HSL 45.93, 0.79%, 0.36%

LAB 55.99, 3.11, 57.66

 

CMYK 88 / 15 / 0 / 36

HEX #138CA4

RGB 19 140 164

HSL 189.93, 0.79%, 0.36%

LAB 53.57, -21.82, -21.38

 

CMYK 0 / 88 / 50 / 36

HEX #A31251

RGB 163.1 18.8 81

HSL 334.14, 0.79%, 0.36%

LAB 35.69, 58, 3.3

 

CMYK 50 / 0 / 88 / 36

HEX #52A413

RGB 82 164 19

HSL 93.93, 0.79%, 0.36%

LAB 60.24, -47.62, 58.86

 

CMYK 88 / 50 / 0 / 36

HEX #1352A4

RGB 19 82 164

HSL 213.93, 0.79%, 0.36%

LAB 35.7, 13.09, -49.55

 

CMYK 0 / 88 / 50 / 36

HEX #A31251

RGB 163.1 18.8 81

HSL 334.14, 0.79%, 0.36%

LAB 35.69, 58, 3.3

 

CMYK 0 / 21 / 88 / 36

HEX #A48213

RGB 164 130 19

HSL 45.93, 0.79%, 0.36%

LAB 55.99, 3.11, 57.66

 

CMYK 88 / 0 / 38 / 36

HEX #13A465

RGB 19 164 101

HSL 153.93, 0.79%, 0.36%

LAB 59.55, -50.2, 22.98

 

CMYK 88 / 68 / 0 / 36

HEX #1335A4

RGB 19 53 164

HSL 225.93, 0.79%, 0.36%

LAB 27.75, 32.74, -62.51

 

CMYK 0 / 88 / 50 / 36

HEX #A31251

RGB 163.1 18.8 81

HSL 334.14, 0.79%, 0.36%

LAB 35.69, 58, 3.3

 

CMYK 5 / 0 / 88 / 36

HEX #9BA413

RGB 155 164 19

HSL 63.72, 0.79%, 0.36%

LAB 64.62, -19.17, 64.28

 

CMYK 88 / 0 / 38 / 36

HEX #13A465

RGB 19 164 101

HSL 153.93, 0.79%, 0.36%

LAB 59.55, -50.2, 22.98

 

CMYK 82 / 88 / 0 / 36

HEX #1D13A4

RGB 29 19 164

HSL 244.14, 0.79%, 0.36%

LAB 21.61, 51.79, -72.67

 

Description

Color code: RGB 163.1 18.8 81 | qconv.com Color code: RGB 163.1 18.8 81 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163.1 red, 18.8 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163.1 18.8 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 50 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 50% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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