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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 162 198 212 it is the complementary color RGB 93 57 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 162 198 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 162 198 212 shade: RGB 167 198 207, RGB 184 216 226, RGB 201 234 245, RGB 218 252 255 and RGB 235 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 162 198 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 162 198 212 shade: RGB 162 198 212, RGB 145 180 193, RGB 128 162 174, RGB 111 144 155 and RGB 94 126 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 162 198 212 shade: RGB 161 197 212, RGB 161 184 212, RGB 161 170 212, RGB 165 161 212 and RGB 179 161 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 162 198 212 shade: RGB 161 197 212, RGB 161 184 212, RGB 161 170 212 and RGB 161 161 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 162 198 212 shade matches the following richer shades: RGB 161 197 212, RGB 150 202 223, RGB 138 207 234 and RGB 127 212 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 162 198 212 shade: RGB 161 197 212, RGB 172 192 200, RGB 183 188 189, RGB 194 183 178 and RGB 205 178 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 162 198 212 shade: RGB 161 212 198, RGB 161 212 212, RGB 161 198 212, RGB 161 184 212 and RGB 161 171 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 162 198 212 shade: RGB 104 163 186, RGB 132 180 199, RGB 161 197 212, RGB 189 215 225 and RGB 217 232 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 162 198 212 shade: RGB 162 198 212, RGB 184 161 212 and RGB 212 205 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 162 198 212 shade: RGB 162 198 212, RGB 212 161 198 and RGB 198 212 161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 162 198 212 shade: RGB 162 198 212, RGB 184 161 212, RGB 212 174 161 and RGB 188 212 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 162 198 212 shade: RGB 162 198 212, RGB 200 161 212, RGB 212 174 161 and RGB 173 212 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 7 / 0 / 17

HEX #A2C6D4

RGB 162 198 212

HSL 196.8, 0.37%, 0.73%

LAB 77.77, -8.86, -10.95

 

Complementary color

CMYK 0 / 39 / 54 / 64

HEX #5D392B

RGB 93 57 43

HSL 16.8, 0.37%, 0.27%

LAB 27.92, 14.24, 15.35

 

CMYK 19 / 4 / 0 / 19

HEX #A7C6CF

RGB 167 198 207

HSL 193.5, 0.29%, 0.73%

LAB 77.94, -8.42, -7.97

 

CMYK 19 / 4 / 0 / 11

HEX #B8D8E2

RGB 184 216 226

HSL 194.29, 0.42%, 0.8%

LAB 84.38, -8.44, -8.45

 

CMYK 18 / 4 / 0 / 4

HEX #C9EAF5

RGB 201 234 245

HSL 195, 0.69%, 0.87%

LAB 90.71, -8.46, -8.93

 

CMYK 15 / 1 / 0 / 0

HEX #DAFCFF

RGB 218 252 255

HSL 184.86, 1%, 0.93%

LAB 96.72, -10.3, -5.12

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 24 / 7 / 0 / 17

HEX #A2C6D4

RGB 162 198 212

HSL 196.8, 0.37%, 0.73%

LAB 77.77, -8.86, -10.95

 

CMYK 25 / 7 / 0 / 24

HEX #91B4C1

RGB 145 180 193

HSL 196.25, 0.28%, 0.66%

LAB 71.22, -8.84, -10.5

 

CMYK 26 / 7 / 0 / 32

HEX #80A2AE

RGB 128 162 174

HSL 195.65, 0.22%, 0.59%

LAB 64.55, -8.82, -10.04

 

CMYK 28 / 7 / 0 / 39

HEX #6F909B

RGB 111 144 155

HSL 195, 0.18%, 0.52%

LAB 57.74, -8.81, -9.58

 

CMYK 31 / 7 / 0 / 47

HEX #5E7E88

RGB 94 126 136

HSL 194.29, 0.18%, 0.45%

LAB 50.78, -8.8, -9.11

 

CMYK 24 / 7 / 0 / 17

HEX #A1C5D4

RGB 161 197 212

HSL 197.65, 0.37%, 0.73%

LAB 77.44, -8.63, -11.45

 

CMYK 24 / 13 / 0 / 17

HEX #A1B8D4

RGB 161 184 212

HSL 212.94, 0.37%, 0.73%

LAB 73.94, -1.7, -16.7

 

CMYK 24 / 20 / 0 / 17

HEX #A1AAD4

RGB 161 170 212

HSL 229.41, 0.37%, 0.73%

LAB 70.23, 5.97, -22.33

 

CMYK 22 / 24 / 0 / 17

HEX #A5A1D4

RGB 165 161 212

HSL 244.71, 0.37%, 0.73%

LAB 68.2, 12.22, -25.41

 

CMYK 16 / 24 / 0 / 17

HEX #B3A1D4

RGB 179 161 212

HSL 261.18, 0.37%, 0.73%

LAB 69.35, 16.62, -23.55

 

CMYK 24 / 7 / 0 / 17

HEX #A1C5D4

RGB 161 197 212

HSL 197.65, 0.37%, 0.73%

LAB 77.44, -8.63, -11.45

 

CMYK 24 / 13 / 0 / 17

HEX #A1B8D4

RGB 161 184 212

HSL 212.94, 0.37%, 0.73%

LAB 73.94, -1.7, -16.7

 

CMYK 24 / 20 / 0 / 17

HEX #A1AAD4

RGB 161 170 212

HSL 229.41, 0.37%, 0.73%

LAB 70.23, 5.97, -22.33

 

CMYK 24 / 24 / 0 / 17

HEX #A1A1D4

RGB 161 161 212

HSL 240, 0.37%, 0.73%

LAB 67.89, 10.99, -25.91

 

CMYK 24 / 7 / 0 / 17

HEX #A1C5D4

RGB 161 197 212

HSL 197.65, 0.37%, 0.73%

LAB 77.44, -8.63, -11.45

 

CMYK 33 / 9 / 0 / 13

HEX #96CADF

RGB 150 202 223

HSL 197.26, 0.53%, 0.73%

LAB 78.49, -11.86, -15.86

 

CMYK 41 / 12 / 0 / 8

HEX #8ACFEA

RGB 138 207 234

HSL 196.88, 0.7%, 0.73%

LAB 79.6, -14.86, -20.15

 

CMYK 48 / 13 / 0 / 4

HEX #7FD4F5

RGB 127 212 245

HSL 196.78, 0.86%, 0.73%

LAB 80.85, -17.13, -24.17

 

CMYK 24 / 7 / 0 / 17

HEX #A1C5D4

RGB 161 197 212

HSL 197.65, 0.37%, 0.73%

LAB 77.44, -8.63, -11.45

 

CMYK 14 / 4 / 0 / 22

HEX #ACC0C8

RGB 172 192 200

HSL 197.14, 0.2%, 0.73%

LAB 76.46, -5.15, -6.34

 

CMYK 3 / 1 / 0 / 26

HEX #B7BCBD

RGB 183 188 189

HSL 190, 0.04%, 0.73%

LAB 75.89, -1.54, -1.12

 

CMYK 0 / 6 / 8 / 24

HEX #C2B7B2

RGB 194 183 178

HSL 18.75, 0.12%, 0.73%

LAB 75.17, 3.02, 3.92

 

CMYK 0 / 13 / 19 / 20

HEX #CDB2A7

RGB 205 178 167

HSL 17.37, 0.28%, 0.73%

LAB 74.58, 7.95, 9.19

 

CMYK 24 / 0 / 7 / 17

HEX #A1D4C6

RGB 161 212 198

HSL 163.53, 0.37%, 0.73%

LAB 81.15, -19.38, 1.54

 

CMYK 24 / 0 / 0 / 17

HEX #A1D4D4

RGB 161 212 212

HSL 180, 0.37%, 0.73%

LAB 81.52, -16.38, -5.39

 

CMYK 24 / 7 / 0 / 17

HEX #A1C6D4

RGB 161 198 212

HSL 196.47, 0.37%, 0.73%

LAB 77.71, -9.16, -11.05

 

CMYK 24 / 13 / 0 / 17

HEX #A1B8D4

RGB 161 184 212

HSL 212.94, 0.37%, 0.73%

LAB 73.94, -1.7, -16.7

 

CMYK 24 / 19 / 0 / 17

HEX #A1ABD4

RGB 161 171 212

HSL 228.24, 0.37%, 0.73%

LAB 70.49, 5.41, -21.93

 

CMYK 44 / 12 / 0 / 27

HEX #68A3BA

RGB 104 163 186

HSL 196.83, 0.37%, 0.57%

LAB 63.9, -13.03, -17.87

 

CMYK 34 / 10 / 0 / 22

HEX #84B4C7

RGB 132 180 199

HSL 197.01, 0.37%, 0.65%

LAB 70.64, -11.21, -14.74

 

CMYK 24 / 7 / 0 / 17

HEX #A1C5D4

RGB 161 197 212

HSL 197.65, 0.37%, 0.73%

LAB 77.44, -8.63, -11.45

 

CMYK 16 / 4 / 0 / 12

HEX #BDD7E1

RGB 189 215 225

HSL 196.67, 0.38%, 0.81%

LAB 84.41, -6.57, -7.84

 

CMYK 9 / 3 / 0 / 7

HEX #D9E8EE

RGB 217 232 238

HSL 197.14, 0.38%, 0.89%

LAB 91.07, -3.82, -4.63

 

CMYK 24 / 7 / 0 / 17

HEX #A2C6D4

RGB 162 198 212

HSL 196.8, 0.37%, 0.73%

LAB 77.77, -8.86, -10.95

 

CMYK 13 / 24 / 0 / 17

HEX #B8A1D4

RGB 184 161 212

HSL 267.06, 0.37%, 0.73%

LAB 69.78, 18.22, -22.85

 

CMYK 0 / 3 / 24 / 17

HEX #D4CDA1

RGB 212 205 161

HSL 51.76, 0.37%, 0.73%

LAB 81.96, -4.56, 22.83

 

CMYK 24 / 7 / 0 / 17

HEX #A2C6D4

RGB 162 198 212

HSL 196.8, 0.37%, 0.73%

LAB 77.77, -8.86, -10.95

 

CMYK 0 / 24 / 7 / 17

HEX #D4A1C6

RGB 212 161 198

HSL 316.47, 0.37%, 0.73%

LAB 71.94, 24.83, -11.62

 

CMYK 7 / 0 / 24 / 17

HEX #C6D4A1

RGB 198 212 161

HSL 76.47, 0.37%, 0.73%

LAB 82.74, -13.35, 23.71

 

CMYK 24 / 7 / 0 / 17

HEX #A2C6D4

RGB 162 198 212

HSL 196.8, 0.37%, 0.73%

LAB 77.77, -8.86, -10.95

 

CMYK 13 / 24 / 0 / 17

HEX #B8A1D4

RGB 184 161 212

HSL 267.06, 0.37%, 0.73%

LAB 69.78, 18.22, -22.85

 

CMYK 0 / 18 / 24 / 17

HEX #D4AEA1

RGB 212 174 161

HSL 15.29, 0.37%, 0.73%

LAB 74.09, 11.84, 11.86

 

CMYK 11 / 0 / 24 / 17

HEX #BCD4A1

RGB 188 212 161

HSL 88.24, 0.37%, 0.73%

LAB 82.03, -16.99, 22.63

 

CMYK 24 / 7 / 0 / 17

HEX #A2C6D4

RGB 162 198 212

HSL 196.8, 0.37%, 0.73%

LAB 77.77, -8.86, -10.95

 

CMYK 6 / 24 / 0 / 17

HEX #C8A1D4

RGB 200 161 212

HSL 285.88, 0.37%, 0.73%

LAB 71.23, 23.42, -20.51

 

CMYK 0 / 18 / 24 / 17

HEX #D4AEA1

RGB 212 174 161

HSL 15.29, 0.37%, 0.73%

LAB 74.09, 11.84, 11.86

 

CMYK 18 / 0 / 24 / 17

HEX #ADD4A1

RGB 173 212 161

HSL 105.88, 0.37%, 0.73%

LAB 81.04, -22.3, 21.11

 

Description

Color code: RGB 162 198 212 | qconv.com Color code: RGB 162 198 212 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 198 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 198 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 7 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 7% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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