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Color name
RGB 160 126 157

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 160 126 157 it is the complementary color RGB 95 129 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 160 126 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 160 126 157 shade: RGB 165 126 152, RGB 182 144 171, RGB 199 162 190, RGB 216 180 209 and RGB 233 198 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 160 126 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 160 126 157 shade: RGB 160 126 157, RGB 143 108 138, RGB 126 90 119, RGB 109 72 100 and RGB 92 54 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 160 126 157 shade: RGB 160 126 157, RGB 160 126 148, RGB 160 126 139, RGB 160 126 129 and RGB 160 126 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 160 126 157 shade: RGB 160 126 157, RGB 154 126 160, RGB 144 126 160, RGB 135 126 160 and RGB 126 126 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 160 126 157 shade matches the following richer shades: RGB 160 126 157, RGB 178 108 172, RGB 196 90 187, RGB 214 72 202 and RGB 232 53 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 160 126 157 shade: RGB 160 126 157, RGB 141 144 142, RGB 123 162 127, RGB 105 180 112 and RGB 87 199 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 160 126 157 shade: RGB 144 126 160, RGB 153 126 160, RGB 160 126 157, RGB 160 126 148 and RGB 160 126 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 160 126 157 shade: RGB 117 86 114, RGB 140 104 137, RGB 160 126 157, RGB 177 150 175 and RGB 195 173 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 160 126 157 shade: RGB 160 126 157, RGB 160 136 126 and RGB 126 160 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 160 126 157 shade: RGB 160 126 157, RGB 157 160 126 and RGB 126 157 160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 160 126 157 shade: RGB 160 126 157, RGB 160 136 126, RGB 126 160 129 and RGB 126 150 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 160 126 157 shade: RGB 160 126 157, RGB 160 146 126, RGB 126 160 129 and RGB 126 140 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 2 / 37

HEX #A07E9D

RGB 160 126 157

HSL 305.29, 0.15%, 0.56%

LAB 56.91, 18.6, -11.58

 

Complementary color

CMYK 26 / 0 / 24 / 49

HEX #5F8162

RGB 95 129 98

HSL 125.29, 0.15%, 0.44%

LAB 50.71, -18.68, 13

 

CMYK 0 / 24 / 8 / 35

HEX #A57E98

RGB 165 126 152

HSL 320, 0.18%, 0.57%

LAB 57.26, 19.46, -8.11

 

CMYK 0 / 21 / 6 / 29

HEX #B690AB

RGB 182 144 171

HSL 317.37, 0.21%, 0.64%

LAB 64.02, 18.88, -8.69

 

CMYK 0 / 19 / 5 / 22

HEX #C7A2BE

RGB 199 162 190

HSL 314.59, 0.25%, 0.71%

LAB 70.66, 18.35, -9.23

 

CMYK 0 / 17 / 3 / 15

HEX #D8B4D1

RGB 216 180 209

HSL 311.67, 0.32%, 0.78%

LAB 77.19, 17.86, -9.75

 

CMYK 0 / 15 / 2 / 9

HEX #E9C6E4

RGB 233 198 228

HSL 308.57, 0.44%, 0.85%

LAB 83.61, 17.42, -10.26

 

CMYK 0 / 21 / 2 / 37

HEX #A07E9D

RGB 160 126 157

HSL 305.29, 0.15%, 0.56%

LAB 56.91, 18.6, -11.58

 

CMYK 0 / 24 / 3 / 44

HEX #8F6C8A

RGB 143 108 138

HSL 308.57, 0.14%, 0.49%

LAB 49.98, 19.21, -11.08

 

CMYK 0 / 29 / 6 / 51

HEX #7E5A77

RGB 126 90 119

HSL 311.67, 0.17%, 0.42%

LAB 42.88, 19.89, -10.54

 

CMYK 0 / 34 / 8 / 57

HEX #6D4864

RGB 109 72 100

HSL 314.59, 0.2%, 0.35%

LAB 35.61, 20.65, -9.96

 

CMYK 0 / 41 / 12 / 64

HEX #5C3651

RGB 92 54 81

HSL 317.37, 0.26%, 0.29%

LAB 28.13, 21.5, -9.27

 

CMYK 0 / 21 / 2 / 37

HEX #A07E9D

RGB 160 126 157

HSL 305.29, 0.15%, 0.56%

LAB 56.91, 18.6, -11.58

 

CMYK 0 / 21 / 7 / 37

HEX #A07E94

RGB 160 126 148

HSL 321.18, 0.15%, 0.56%

LAB 56.62, 16.9, -6.81

 

CMYK 0 / 21 / 13 / 37

HEX #A07E8B

RGB 160 126 139

HSL 337.06, 0.15%, 0.56%

LAB 56.35, 15.29, -2

 

CMYK 0 / 21 / 19 / 37

HEX #A07E81

RGB 160 126 129

HSL 354.71, 0.15%, 0.56%

LAB 56.07, 13.61, 3.39

 

CMYK 0 / 21 / 21 / 37

HEX #A07E7E

RGB 160 126 126

HSL 0, 0.15%, 0.56%

LAB 55.99, 13.12, 5.01

 

CMYK 0 / 21 / 2 / 37

HEX #A07E9D

RGB 160 126 157

HSL 305.29, 0.15%, 0.56%

LAB 56.91, 18.6, -11.58

 

CMYK 4 / 21 / 0 / 37

HEX #9A7EA0

RGB 154 126 160

HSL 289.41, 0.15%, 0.56%

LAB 56.42, 17.08, -14.11

 

CMYK 10 / 21 / 0 / 37

HEX #907EA0

RGB 144 126 160

HSL 271.76, 0.15%, 0.56%

LAB 55.47, 13.6, -15.63

 

CMYK 16 / 21 / 0 / 37

HEX #877EA0

RGB 135 126 160

HSL 255.88, 0.15%, 0.56%

LAB 54.67, 10.53, -16.92

 

CMYK 21 / 21 / 0 / 37

HEX #7E7EA0

RGB 126 126 160

HSL 240, 0.15%, 0.56%

LAB 53.92, 7.53, -18.14

 

CMYK 0 / 21 / 2 / 37

HEX #A07E9D

RGB 160 126 157

HSL 305.29, 0.15%, 0.56%

LAB 56.91, 18.6, -11.58

 

CMYK 0 / 39 / 3 / 30

HEX #B26CAC

RGB 178 108 172

HSL 305.14, 0.31%, 0.56%

LAB 55.25, 37.7, -22.59

 

CMYK 0 / 54 / 5 / 23

HEX #C45ABB

RGB 196 90 187

HSL 305.09, 0.47%, 0.56%

LAB 54.7, 54.99, -31.91

 

CMYK 0 / 66 / 6 / 16

HEX #D648CA

RGB 214 72 202

HSL 305.07, 0.63%, 0.56%

LAB 55.27, 69.69, -39.44

 

CMYK 0 / 77 / 7 / 9

HEX #E835D8

RGB 232 53 216

HSL 305.36, 0.8%, 0.56%

LAB 56.74, 81.69, -44.91

 

CMYK 0 / 21 / 2 / 37

HEX #A07E9D

RGB 160 126 157

HSL 305.29, 0.15%, 0.56%

LAB 56.91, 18.6, -11.58

 

CMYK 2 / 0 / 1 / 44

HEX #8D908E

RGB 141 144 142

HSL 140, 0.01%, 0.56%

LAB 59.49, -1.48, 0.67

 

CMYK 24 / 0 / 22 / 36

HEX #7BA27F

RGB 123 162 127

HSL 126.15, 0.17%, 0.56%

LAB 63, -20.49, 13.96

 

CMYK 42 / 0 / 38 / 29

HEX #69B470

RGB 105 180 112

HSL 125.6, 0.33%, 0.56%

LAB 67.14, -37.69, 27.58

 

CMYK 56 / 0 / 51 / 22

HEX #57C761

RGB 87 199 97

HSL 125.36, 0.5%, 0.56%

LAB 72.05, -52.84, 41.33

 

CMYK 10 / 21 / 0 / 37

HEX #907EA0

RGB 144 126 160

HSL 271.76, 0.15%, 0.56%

LAB 55.47, 13.6, -15.63

 

CMYK 4 / 21 / 0 / 37

HEX #997EA0

RGB 153 126 160

HSL 287.65, 0.15%, 0.56%

LAB 56.32, 16.73, -14.26

 

CMYK 0 / 21 / 2 / 37

HEX #A07E9D

RGB 160 126 157

HSL 305.29, 0.15%, 0.56%

LAB 56.91, 18.6, -11.58

 

CMYK 0 / 21 / 7 / 37

HEX #A07E94

RGB 160 126 148

HSL 321.18, 0.15%, 0.56%

LAB 56.62, 16.9, -6.81

 

CMYK 0 / 21 / 13 / 37

HEX #A07E8B

RGB 160 126 139

HSL 337.06, 0.15%, 0.56%

LAB 56.35, 15.29, -2

 

CMYK 0 / 26 / 3 / 54

HEX #755672

RGB 117 86 114

HSL 305.81, 0.15%, 0.4%

LAB 40.66, 17.95, -10.94

 

CMYK 0 / 26 / 2 / 45

HEX #8C6889

RGB 140 104 137

HSL 305, 0.15%, 0.48%

LAB 48.61, 20.27, -12.57

 

CMYK 0 / 21 / 2 / 37

HEX #A07E9D

RGB 160 126 157

HSL 305.29, 0.15%, 0.56%

LAB 56.91, 18.6, -11.58

 

CMYK 0 / 15 / 1 / 31

HEX #B196AF

RGB 177 150 175

HSL 304.44, 0.15%, 0.64%

LAB 65.16, 14.5, -9.29

 

CMYK 0 / 11 / 1 / 24

HEX #C3ADC1

RGB 195 173 193

HSL 305.45, 0.15%, 0.72%

LAB 73.11, 11.48, -7.28

 

CMYK 0 / 21 / 2 / 37

HEX #A07E9D

RGB 160 126 157

HSL 305.29, 0.15%, 0.56%

LAB 56.91, 18.6, -11.58

 

CMYK 0 / 15 / 21 / 37

HEX #A0887E

RGB 160 136 126

HSL 17.65, 0.15%, 0.56%

LAB 58.59, 7.44, 8.73

 

CMYK 21 / 0 / 7 / 37

HEX #7EA095

RGB 126 160 149

HSL 160.59, 0.15%, 0.56%

LAB 63.13, -14.04, 1.88

 

CMYK 0 / 21 / 2 / 37

HEX #A07E9D

RGB 160 126 157

HSL 305.29, 0.15%, 0.56%

LAB 56.91, 18.6, -11.58

 

CMYK 2 / 0 / 21 / 37

HEX #9DA07E

RGB 157 160 126

HSL 65.29, 0.15%, 0.56%

LAB 64.82, -7, 17.41

 

CMYK 21 / 2 / 0 / 37

HEX #7E9DA0

RGB 126 157 160

HSL 185.29, 0.15%, 0.56%

LAB 62.58, -10, -5.12

 

CMYK 0 / 21 / 2 / 37

HEX #A07E9D

RGB 160 126 157

HSL 305.29, 0.15%, 0.56%

LAB 56.91, 18.6, -11.58

 

CMYK 0 / 15 / 21 / 37

HEX #A0887E

RGB 160 136 126

HSL 17.65, 0.15%, 0.56%

LAB 58.59, 7.44, 8.73

 

CMYK 21 / 0 / 19 / 37

HEX #7EA081

RGB 126 160 129

HSL 125.29, 0.15%, 0.56%

LAB 62.64, -18.04, 12.38

 

CMYK 21 / 6 / 0 / 37

HEX #7E96A0

RGB 126 150 160

HSL 197.65, 0.15%, 0.56%

LAB 60.59, -6.17, -8.07

 

CMYK 0 / 21 / 2 / 37

HEX #A07E9D

RGB 160 126 157

HSL 305.29, 0.15%, 0.56%

LAB 56.91, 18.6, -11.58

 

CMYK 0 / 9 / 21 / 37

HEX #A0927E

RGB 160 146 126

HSL 35.29, 0.15%, 0.56%

LAB 61.25, 1.84, 12.49

 

CMYK 21 / 0 / 19 / 37

HEX #7EA081

RGB 126 160 129

HSL 125.29, 0.15%, 0.56%

LAB 62.64, -18.04, 12.38

 

CMYK 21 / 13 / 0 / 37

HEX #7E8CA0

RGB 126 140 160

HSL 215.29, 0.15%, 0.56%

LAB 57.78, -0.56, -12.29

 

Description

Color code: RGB 160 126 157 | qconv.com Color code: RGB 160 126 157 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 126 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 126 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 2 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 2% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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