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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 92.2 233.6 it is the complementary color RGB 240 162.8 21.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 92.2 233.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 92.2 233.6 shade: RGB 20 92.2 228.6, RGB 37 110.2 247.6, RGB 54 128.2 255, RGB 71 146.2 255 and RGB 88 164.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 92.2 233.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 92.2 233.6 shade: RGB 15 92.2 233.6, RGB 0 74.2 214.6, RGB 0 56.2 195.6, RGB 0 38.2 176.6 and RGB 0 20.2 157.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 92.2 233.6 shade: RGB 15 93 235, RGB 15 33 235, RGB 56 15 235, RGB 115 15 235 and RGB 175 15 235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 92.2 233.6 shade: RGB 15 93 235, RGB 15 33 235 and RGB 15 15 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 92.2 233.6 shade matches the following richer shades: RGB 15 93 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 92.2 233.6 shade: RGB 15 93 235, RGB 35 99 215, RGB 55 105 194, RGB 76 110 174 and RGB 96 116 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 92.2 233.6 shade: RGB 15 213 235, RGB 15 154 235, RGB 15 96 235, RGB 15 37 235 and RGB 52 15 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 92.2 233.6 shade: RGB 10 62 157, RGB 13 77 196, RGB 15 93 235, RGB 49 117 242 and RGB 88 143 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 92.2 233.6 shade: RGB 15 92.2 233.6, RGB 198 15 235 and RGB 184 235 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 92.2 233.6 shade: RGB 15 92.2 233.6, RGB 235 15 96 and RGB 96 235 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 92.2 233.6 shade: RGB 15 92.2 233.6, RGB 198 15 235, RGB 235 154 15 and RGB 52 235 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 92.2 233.6 shade: RGB 15 92.2 233.6, RGB 235 15 206, RGB 235 154 15 and RGB 15 235 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 61 / 0 / 8

HEX #0F5CE9

RGB 15 92.2 233.6

HSL 218.81, 0.88%, 0.49%

LAB 43.81, 33.7, -76.74

 

Complementary color

CMYK 0 / 32 / 91 / 6

HEX #F0A215

RGB 240 162.8 21.4

HSL 38.81, 0.88%, 0.51%

LAB 72.7, 18.98, 73.7

 

CMYK 91 / 60 / 0 / 10

HEX #145CE4

RGB 20 92.2 228.6

HSL 219.23, 0.84%, 0.49%

LAB 43.47, 31.97, -74.47

 

CMYK 85 / 55 / 0 / 3

HEX #256EF7

RGB 37 110.2 247.6

HSL 219.15, 0.93%, 0.56%

LAB 49.91, 28.58, -74.62

 

CMYK 79 / 50 / 0 / 0

HEX #3680FF

RGB 54 128.2 255

HSL 217.85, 1%, 0.61%

LAB 55.58, 21.44, -69.49

 

CMYK 72 / 43 / 0 / 0

HEX #4792FF

RGB 71 146.2 255

HSL 215.48, 1%, 0.64%

LAB 60.94, 12.38, -60.85

 

CMYK 65 / 36 / 0 / 0

HEX #58A4FF

RGB 88 164.2 255

HSL 212.62, 1%, 0.67%

LAB 66.46, 4.28, -52.03

 

CMYK 94 / 61 / 0 / 8

HEX #0F5CE9

RGB 15 92.2 233.6

HSL 218.81, 0.88%, 0.49%

LAB 43.81, 33.7, -76.74

 

CMYK 100 / 65 / 0 / 16

HEX #004AD6

RGB 0 74.2 214.6

HSL 219.25, 1%, 0.42%

LAB 37.5, 37.64, -76.28

 

CMYK 100 / 71 / 0 / 23

HEX #0038C3

RGB 0 56.2 195.6

HSL 222.76, 1%, 0.38%

LAB 31.38, 41.93, -75.34

 

CMYK 100 / 78 / 0 / 31

HEX #0026B0

RGB 0 38.2 176.6

HSL 227.02, 1%, 0.35%

LAB 25.43, 45.83, -73.93

 

CMYK 100 / 87 / 0 / 38

HEX #00149D

RGB 0 20.2 157.6

HSL 232.31, 1%, 0.31%

LAB 19.89, 48.61, -71.64

 

CMYK 94 / 60 / 0 / 8

HEX #0F5DEB

RGB 15 93 235

HSL 218.73, 0.88%, 0.49%

LAB 44.13, 33.72, -77.01

 

CMYK 94 / 86 / 0 / 8

HEX #0F21EB

RGB 15 33 235

HSL 235.09, 0.88%, 0.49%

LAB 32.23, 66.66, -96.68

 

CMYK 76 / 94 / 0 / 8

HEX #380FEB

RGB 56 15 235

HSL 251.18, 0.88%, 0.49%

LAB 32.21, 72.77, -96.66

 

CMYK 51 / 94 / 0 / 8

HEX #730FEB

RGB 115 15 235

HSL 267.27, 0.88%, 0.49%

LAB 37.81, 76.13, -87.2

 

CMYK 26 / 94 / 0 / 8

HEX #AF0FEB

RGB 175 15 235

HSL 283.64, 0.88%, 0.49%

LAB 46.25, 82.56, -73.03

 

CMYK 94 / 60 / 0 / 8

HEX #0F5DEB

RGB 15 93 235

HSL 218.73, 0.88%, 0.49%

LAB 44.13, 33.72, -77.01

 

CMYK 94 / 86 / 0 / 8

HEX #0F21EB

RGB 15 33 235

HSL 235.09, 0.88%, 0.49%

LAB 32.23, 66.66, -96.68

 

CMYK 94 / 94 / 0 / 8

HEX #0F0FEB

RGB 15 15 235

HSL 240, 0.88%, 0.49%

LAB 30.5, 71.94, -99.57

 

CMYK 94 / 60 / 0 / 8

HEX #0F5DEB

RGB 15 93 235

HSL 218.73, 0.88%, 0.49%

LAB 44.13, 33.72, -77.01

 

CMYK 94 / 60 / 0 / 8

HEX #0F5DEB

RGB 15 93 235

HSL 218.73, 0.88%, 0.49%

LAB 44.13, 33.72, -77.01

 

CMYK 84 / 54 / 0 / 16

HEX #2363D7

RGB 35 99 215

HSL 218.67, 0.72%, 0.49%

LAB 44.5, 23.24, -65.04

 

CMYK 72 / 46 / 0 / 24

HEX #3769C2

RGB 55 105 194

HSL 218.42, 0.56%, 0.49%

LAB 45.37, 13.62, -51.54

 

CMYK 56 / 37 / 0 / 32

HEX #4C6EAE

RGB 76 110 174

HSL 219.18, 0.39%, 0.49%

LAB 46.64, 7.21, -37.86

 

CMYK 38 / 25 / 0 / 40

HEX #60749A

RGB 96 116 154

HSL 219.31, 0.23%, 0.49%

LAB 48.65, 2.51, -22.91

 

CMYK 94 / 9 / 0 / 8

HEX #0FD5EB

RGB 15 213 235

HSL 186, 0.88%, 0.49%

LAB 78.28, -34.87, -22.97

 

CMYK 94 / 34 / 0 / 8

HEX #0F9AEB

RGB 15 154 235

HSL 202.09, 0.88%, 0.49%

LAB 60.97, -4.1, -49.87

 

CMYK 94 / 59 / 0 / 8

HEX #0F60EB

RGB 15 96 235

HSL 217.91, 0.88%, 0.49%

LAB 44.89, 31.8, -75.76

 

CMYK 94 / 84 / 0 / 8

HEX #0F25EB

RGB 15 37 235

HSL 234, 0.88%, 0.49%

LAB 32.75, 65.1, -95.81

 

CMYK 78 / 94 / 0 / 8

HEX #340FEB

RGB 52 15 235

HSL 250.09, 0.88%, 0.49%

LAB 31.97, 72.64, -97.08

 

CMYK 94 / 61 / 0 / 38

HEX #0A3E9D

RGB 10 62 157

HSL 218.78, 0.88%, 0.33%

LAB 29.27, 23.38, -55.78

 

CMYK 93 / 61 / 0 / 23

HEX #0D4DC4

RGB 13 77 196

HSL 219.02, 0.88%, 0.41%

LAB 36.7, 29.01, -66.81

 

CMYK 94 / 60 / 0 / 8

HEX #0F5DEB

RGB 15 93 235

HSL 218.73, 0.88%, 0.49%

LAB 44.13, 33.72, -77.01

 

CMYK 80 / 52 / 0 / 5

HEX #3175F2

RGB 49 117 242

HSL 218.86, 0.88%, 0.57%

LAB 51.59, 23.15, -68.74

 

CMYK 64 / 41 / 0 / 4

HEX #588FF4

RGB 88 143 244

HSL 218.85, 0.88%, 0.65%

LAB 60.12, 13.02, -56.08

 

CMYK 94 / 61 / 0 / 8

HEX #0F5CE9

RGB 15 92.2 233.6

HSL 218.81, 0.88%, 0.49%

LAB 43.81, 33.7, -76.74

 

CMYK 16 / 94 / 0 / 8

HEX #C60FEB

RGB 198 15 235

HSL 289.91, 0.88%, 0.49%

LAB 49.91, 85.7, -66.91

 

CMYK 22 / 0 / 94 / 8

HEX #B8EB0F

RGB 184 235 15

HSL 73.91, 0.88%, 0.49%

LAB 86.82, -40.75, 83.34

 

CMYK 94 / 61 / 0 / 8

HEX #0F5CE9

RGB 15 92.2 233.6

HSL 218.81, 0.88%, 0.49%

LAB 43.81, 33.7, -76.74

 

CMYK 0 / 94 / 59 / 8

HEX #EB0F60

RGB 235 15 96

HSL 337.91, 0.88%, 0.49%

LAB 50.51, 76.9, 16.75

 

CMYK 59 / 0 / 94 / 8

HEX #60EB0F

RGB 96 235 15

HSL 97.91, 0.88%, 0.49%

LAB 82.88, -69.13, 78.53

 

CMYK 94 / 61 / 0 / 8

HEX #0F5CE9

RGB 15 92.2 233.6

HSL 218.81, 0.88%, 0.49%

LAB 43.81, 33.7, -76.74

 

CMYK 16 / 94 / 0 / 8

HEX #C60FEB

RGB 198 15 235

HSL 289.91, 0.88%, 0.49%

LAB 49.91, 85.7, -66.91

 

CMYK 0 / 34 / 94 / 8

HEX #EB9A0F

RGB 235 154 15

HSL 37.91, 0.88%, 0.49%

LAB 70.04, 21.42, 72.62

 

CMYK 78 / 0 / 94 / 8

HEX #34EB0F

RGB 52 235 15

HSL 109.91, 0.88%, 0.49%

LAB 81.94, -77.19, 77.37

 

CMYK 94 / 61 / 0 / 8

HEX #0F5CE9

RGB 15 92.2 233.6

HSL 218.81, 0.88%, 0.49%

LAB 43.81, 33.7, -76.74

 

CMYK 0 / 94 / 12 / 8

HEX #EB0FCE

RGB 235 15 206

HSL 307.91, 0.88%, 0.49%

LAB 54.51, 87.41, -42.69

 

CMYK 0 / 34 / 94 / 8

HEX #EB9A0F

RGB 235 154 15

HSL 37.91, 0.88%, 0.49%

LAB 70.04, 21.42, 72.62

 

CMYK 94 / 0 / 81 / 8

HEX #0FEB2C

RGB 15 235 44

HSL 127.91, 0.88%, 0.49%

LAB 81.67, -79.22, 71.71

 

Description

Color code: RGB 15 92.2 233.6 | qconv.com Color code: RGB 15 92.2 233.6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 92.2 green and 233.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 92.2 233.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 61 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 61% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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