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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 56.2 160.6 it is the complementary color RGB 240 198.8 94.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 56.2 160.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 56.2 160.6 shade: RGB 20 56.2 155.6, RGB 37 74.2 174.6, RGB 54 92.2 193.6, RGB 71 110.2 212.6 and RGB 88 128.2 231.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 56.2 160.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 56.2 160.6 shade: RGB 15 56.2 160.6, RGB 0 38.2 141.6, RGB 0 20.2 122.6, RGB 0 2.2 103.6 and RGB 0 0 84.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 56.2 160.6 shade: RGB 15 55 159, RGB 15 17 159, RGB 52 15 159, RGB 90 15 159 and RGB 129 15 159

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 56.2 160.6 shade: RGB 15 55 159, RGB 15 17 159 and RGB 15 15 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 56.2 160.6 shade matches the following richer shades: RGB 15 55 159 and RGB 1 49 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 56.2 160.6 shade: RGB 15 55 159, RGB 29 62 145, RGB 43 68 131, RGB 57 74 117 and RGB 71 80 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 56.2 160.6 shade: RGB 15 132 159, RGB 15 94 159, RGB 15 56 159, RGB 15 17 159 and RGB 51 15 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 56.2 160.6 shade: RGB 8 29 83, RGB 11 42 121, RGB 15 55 159, RGB 18 69 196 and RGB 23 82 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 56.2 160.6 shade: RGB 15 56.2 160.6, RGB 147 15 159 and RGB 113 159 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 56.2 160.6 shade: RGB 15 56.2 160.6, RGB 159 15 56 and RGB 56 159 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 56.2 160.6 shade: RGB 15 56.2 160.6, RGB 147 15 159, RGB 159 118 15 and RGB 27 159 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 56.2 160.6 shade: RGB 15 56.2 160.6, RGB 159 15 127, RGB 159 118 15 and RGB 15 159 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 65 / 0 / 37

HEX #0F38A0

RGB 15 56.2 160.6

HSL 223.02, 0.83%, 0.34%

LAB 28.14, 29.05, -59.82

 

Complementary color

CMYK 0 / 17 / 61 / 6

HEX #F0C65E

RGB 240 198.8 94.4

HSL 43.02, 0.83%, 0.66%

LAB 81.89, 3.01, 56.61

 

CMYK 87 / 64 / 0 / 39

HEX #14389B

RGB 20 56.2 155.6

HSL 223.98, 0.77%, 0.34%

LAB 27.8, 27.36, -57.33

 

CMYK 79 / 58 / 0 / 32

HEX #254AAE

RGB 37 74.2 174.6

HSL 223.78, 0.65%, 0.41%

LAB 34.8, 24.15, -57.31

 

CMYK 72 / 52 / 0 / 24

HEX #365CC1

RGB 54 92.2 193.6

HSL 223.58, 0.56%, 0.49%

LAB 41.77, 21.55, -57.13

 

CMYK 67 / 48 / 0 / 17

HEX #476ED4

RGB 71 110.2 212.6

HSL 223.39, 0.63%, 0.56%

LAB 48.66, 19.46, -56.89

 

CMYK 62 / 45 / 0 / 9

HEX #5880E7

RGB 88 128.2 231.6

HSL 223.2, 0.75%, 0.63%

LAB 55.45, 17.75, -56.66

 

CMYK 91 / 65 / 0 / 37

HEX #0F38A0

RGB 15 56.2 160.6

HSL 223.02, 0.83%, 0.34%

LAB 28.14, 29.05, -59.82

 

CMYK 100 / 73 / 0 / 44

HEX #00268D

RGB 0 38.2 141.6

HSL 223.81, 1%, 0.28%

LAB 21.36, 32.98, -59.33

 

CMYK 100 / 84 / 0 / 52

HEX #00147A

RGB 0 20.2 122.6

HSL 230.11, 1%, 0.24%

LAB 15.1, 36.97, -57.7

 

CMYK 100 / 98 / 0 / 59

HEX #000267

RGB 0 2.2 103.6

HSL 238.73, 1%, 0.2%

LAB 9.31, 39.63, -54.99

 

CMYK 100 / 100 / 0 / 67

HEX #000054

RGB 0 0 84.6

HSL 240, 1%, 0.17%

LAB 5.87, 34.52, -47.95

 

CMYK 91 / 65 / 0 / 38

HEX #0F379F

RGB 15 55 159

HSL 223.33, 0.83%, 0.34%

LAB 27.67, 29.23, -59.61

 

CMYK 91 / 89 / 0 / 38

HEX #0F119F

RGB 15 17 159

HSL 239.17, 0.83%, 0.34%

LAB 20.07, 50.63, -72.2

 

CMYK 67 / 91 / 0 / 38

HEX #340F9F

RGB 52 15 159

HSL 255.42, 0.83%, 0.34%

LAB 22.21, 52.99, -68.56

 

CMYK 43 / 91 / 0 / 38

HEX #5A0F9F

RGB 90 15 159

HSL 271.25, 0.83%, 0.34%

LAB 26.79, 56.59, -60.85

 

CMYK 19 / 91 / 0 / 38

HEX #810F9F

RGB 129 15 159

HSL 287.5, 0.83%, 0.34%

LAB 32.95, 62.1, -50.54

 

CMYK 91 / 65 / 0 / 38

HEX #0F379F

RGB 15 55 159

HSL 223.33, 0.83%, 0.34%

LAB 27.67, 29.23, -59.61

 

CMYK 91 / 89 / 0 / 38

HEX #0F119F

RGB 15 17 159

HSL 239.17, 0.83%, 0.34%

LAB 20.07, 50.63, -72.2

 

CMYK 91 / 91 / 0 / 38

HEX #0F0F9F

RGB 15 15 159

HSL 240, 0.83%, 0.34%

LAB 19.83, 51.35, -72.6

 

CMYK 91 / 65 / 0 / 38

HEX #0F379F

RGB 15 55 159

HSL 223.33, 0.83%, 0.34%

LAB 27.67, 29.23, -59.61

 

CMYK 99 / 72 / 0 / 32

HEX #0131AD

RGB 1 49 173

HSL 223.26, 0.99%, 0.34%

LAB 27.35, 38.07, -68.6

 

CMYK 91 / 65 / 0 / 38

HEX #0F379F

RGB 15 55 159

HSL 223.33, 0.83%, 0.34%

LAB 27.67, 29.23, -59.61

 

CMYK 80 / 57 / 0 / 43

HEX #1D3E91

RGB 29 62 145

HSL 222.93, 0.67%, 0.34%

LAB 28.77, 19.93, -49.24

 

CMYK 67 / 48 / 0 / 49

HEX #2B4483

RGB 43 68 131

HSL 222.95, 0.51%, 0.34%

LAB 30.12, 12.36, -38.38

 

CMYK 51 / 37 / 0 / 54

HEX #394A75

RGB 57 74 117

HSL 223, 0.34%, 0.34%

LAB 31.92, 6.42, -26.74

 

CMYK 31 / 22 / 0 / 60

HEX #475067

RGB 71 80 103

HSL 223.13, 0.18%, 0.34%

LAB 34.1, 2.4, -14.49

 

CMYK 91 / 17 / 0 / 38

HEX #0F849F

RGB 15 132 159

HSL 191.25, 0.83%, 0.34%

LAB 50.81, -19.56, -22.74

 

CMYK 91 / 41 / 0 / 38

HEX #0F5E9F

RGB 15 94 159

HSL 207.08, 0.83%, 0.34%

LAB 38.92, 2.88, -41.4

 

CMYK 91 / 65 / 0 / 38

HEX #0F389F

RGB 15 56 159

HSL 222.92, 0.83%, 0.34%

LAB 27.93, 28.55, -59.18

 

CMYK 91 / 89 / 0 / 38

HEX #0F119F

RGB 15 17 159

HSL 239.17, 0.83%, 0.34%

LAB 20.07, 50.63, -72.2

 

CMYK 68 / 91 / 0 / 38

HEX #330F9F

RGB 51 15 159

HSL 255, 0.83%, 0.34%

LAB 22.12, 52.92, -68.72

 

CMYK 90 / 65 / 0 / 67

HEX #081D53

RGB 8 29 83

HSL 223.2, 0.82%, 0.18%

LAB 12.95, 15.52, -35.13

 

CMYK 91 / 65 / 0 / 53

HEX #0B2A79

RGB 11 42 121

HSL 223.09, 0.83%, 0.26%

LAB 20.47, 22.57, -47.81

 

CMYK 91 / 65 / 0 / 38

HEX #0F379F

RGB 15 55 159

HSL 223.33, 0.83%, 0.34%

LAB 27.67, 29.23, -59.61

 

CMYK 91 / 65 / 0 / 23

HEX #1245C4

RGB 18 69 196

HSL 222.81, 0.83%, 0.42%

LAB 34.74, 34.47, -70.03

 

CMYK 90 / 65 / 0 / 9

HEX #1752E9

RGB 23 82 233

HSL 223.14, 0.83%, 0.5%

LAB 41.37, 40.25, -80.39

 

CMYK 91 / 65 / 0 / 37

HEX #0F38A0

RGB 15 56.2 160.6

HSL 223.02, 0.83%, 0.34%

LAB 28.14, 29.05, -59.82

 

CMYK 8 / 91 / 0 / 38

HEX #930F9F

RGB 147 15 159

HSL 295, 0.83%, 0.34%

LAB 36.08, 65.1, -45.33

 

CMYK 29 / 0 / 91 / 38

HEX #719F0F

RGB 113 159 15

HSL 79.17, 0.83%, 0.34%

LAB 60.2, -34.58, 60.21

 

CMYK 91 / 65 / 0 / 37

HEX #0F38A0

RGB 15 56.2 160.6

HSL 223.02, 0.83%, 0.34%

LAB 28.14, 29.05, -59.82

 

CMYK 0 / 91 / 65 / 38

HEX #9F0F38

RGB 159 15 56

HSL 342.92, 0.83%, 0.34%

LAB 33.98, 55.87, 17.1

 

CMYK 65 / 0 / 91 / 38

HEX #389F0F

RGB 56 159 15

HSL 102.92, 0.83%, 0.34%

LAB 57.72, -52.99, 57.14

 

CMYK 91 / 65 / 0 / 37

HEX #0F38A0

RGB 15 56.2 160.6

HSL 223.02, 0.83%, 0.34%

LAB 28.14, 29.05, -59.82

 

CMYK 8 / 91 / 0 / 38

HEX #930F9F

RGB 147 15 159

HSL 295, 0.83%, 0.34%

LAB 36.08, 65.1, -45.33

 

CMYK 0 / 26 / 91 / 38

HEX #9F760F

RGB 159 118 15

HSL 42.92, 0.83%, 0.34%

LAB 52.24, 7.45, 55.42

 

CMYK 83 / 0 / 91 / 38

HEX #1B9F0F

RGB 27 159 15

HSL 115, 0.83%, 0.34%

LAB 57.14, -58.05, 56.4

 

CMYK 91 / 65 / 0 / 37

HEX #0F38A0

RGB 15 56.2 160.6

HSL 223.02, 0.83%, 0.34%

LAB 28.14, 29.05, -59.82

 

CMYK 0 / 91 / 20 / 38

HEX #9F0F7F

RGB 159 15 127

HSL 313.33, 0.83%, 0.34%

LAB 36.45, 62.63, -24.93

 

CMYK 0 / 26 / 91 / 38

HEX #9F760F

RGB 159 118 15

HSL 42.92, 0.83%, 0.34%

LAB 52.24, 7.45, 55.42

 

CMYK 91 / 0 / 71 / 38

HEX #0F9F2E

RGB 15 159 46

HSL 132.92, 0.83%, 0.34%

LAB 57.17, -57.18, 47.04

 

Description

Color code: RGB 15 56.2 160.6 | qconv.com Color code: RGB 15 56.2 160.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 56.2 green and 160.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 56.2 160.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 65 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 65% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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