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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 240 188 it is the complementary color RGB 240 15 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 240 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 240 188 shade: RGB 20 240 183, RGB 37 255 202, RGB 54 255 221, RGB 71 255 240 and RGB 88 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 240 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 240 188 shade: RGB 15 240 188, RGB 0 222 169, RGB 0 204 150, RGB 0 186 131 and RGB 0 168 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 240 188 shade: RGB 15 240 188, RGB 15 240 127, RGB 15 240 67, RGB 24 240 15 and RGB 85 240 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 240 188 shade: RGB 15 240 188, RGB 15 231 240, RGB 15 171 240, RGB 15 110 240 and RGB 15 50 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 240 188 shade matches the following richer shades: RGB 15 240 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 240 188 shade: RGB 15 240 188, RGB 36 219 177, RGB 57 198 166, RGB 77 178 155 and RGB 98 157 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 240 188 shade: RGB 15 240 68, RGB 15 240 128, RGB 15 240 187, RGB 15 232 240 and RGB 15 172 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 240 188 shade: RGB 10 162 127, RGB 13 201 157, RGB 15 240 188, RGB 54 242 199 and RGB 93 245 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 240 188 shade: RGB 15 240 188, RGB 15 23 240 and RGB 240 98 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 240 188 shade: RGB 15 240 188, RGB 187 15 240 and RGB 240 187 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 240 188 shade: RGB 15 240 188, RGB 15 23 240, RGB 240 15 68 and RGB 240 232 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 240 188 shade: RGB 15 240 188, RGB 75 15 240, RGB 240 15 68 and RGB 180 240 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 22 / 6

HEX #0FF0BC

RGB 15 240 188

HSL 166.13, 0.88%, 0.5%

LAB 85.02, -59.4, 11.87

 

Complementary color

CMYK 0 / 94 / 72 / 6

HEX #F00F43

RGB 240 15 67

HSL 346.13, 0.88%, 0.5%

LAB 51, 76.66, 35.12

 

CMYK 92 / 0 / 24 / 6

HEX #14F0B7

RGB 20 240 183

HSL 164.45, 0.88%, 0.51%

LAB 84.94, -60.4, 14.36

 

CMYK 85 / 0 / 21 / 0

HEX #25FFCA

RGB 37 255 202

HSL 165.41, 1%, 0.57%

LAB 89.94, -60.74, 11.63

 

CMYK 79 / 0 / 13 / 0

HEX #36FFDD

RGB 54 255 221

HSL 169.85, 1%, 0.61%

LAB 90.56, -54.8, 2.72

 

CMYK 72 / 0 / 6 / 0

HEX #47FFF0

RGB 71 255 240

HSL 175.11, 1%, 0.64%

LAB 91.3, -48.17, -6.02

 

CMYK 65 / 0 / 0 / 0

HEX #58FFFF

RGB 88 255 255

HSL 180, 1%, 0.67%

LAB 92.05, -42.03, -12.65

 

CMYK 94 / 0 / 22 / 6

HEX #0FF0BC

RGB 15 240 188

HSL 166.13, 0.88%, 0.5%

LAB 85.02, -59.4, 11.87

 

CMYK 100 / 0 / 24 / 13

HEX #00DEA9

RGB 0 222 169

HSL 165.68, 1%, 0.44%

LAB 79.1, -57.5, 13.45

 

CMYK 100 / 0 / 26 / 20

HEX #00CC96

RGB 0 204 150

HSL 164.12, 1%, 0.4%

LAB 73.15, -55.17, 15.17

 

CMYK 100 / 0 / 30 / 27

HEX #00BA83

RGB 0 186 131

HSL 162.26, 1%, 0.36%

LAB 67.09, -52.78, 16.96

 

CMYK 100 / 0 / 33 / 34

HEX #00A870

RGB 0 168 112

HSL 160, 1%, 0.33%

LAB 60.94, -50.31, 18.83

 

CMYK 94 / 0 / 22 / 6

HEX #0FF0BC

RGB 15 240 188

HSL 166.13, 0.88%, 0.5%

LAB 85.02, -59.4, 11.87

 

CMYK 94 / 0 / 47 / 6

HEX #0FF07F

RGB 15 240 127

HSL 149.87, 0.88%, 0.5%

LAB 83.94, -71.76, 41.35

 

CMYK 94 / 0 / 72 / 6

HEX #0FF043

RGB 15 240 67

HSL 133.87, 0.88%, 0.5%

LAB 83.35, -79.07, 66.35

 

CMYK 90 / 0 / 94 / 6

HEX #18F00F

RGB 24 240 15

HSL 117.6, 0.88%, 0.5%

LAB 83.2, -81.14, 78.3

 

CMYK 65 / 0 / 94 / 6

HEX #55F00F

RGB 85 240 15

HSL 101.33, 0.88%, 0.5%

LAB 84.11, -73.17, 79.42

 

CMYK 94 / 0 / 22 / 6

HEX #0FF0BC

RGB 15 240 188

HSL 166.13, 0.88%, 0.5%

LAB 85.02, -59.4, 11.87

 

CMYK 94 / 4 / 0 / 6

HEX #0FE7F0

RGB 15 231 240

HSL 182.4, 0.88%, 0.5%

LAB 83.73, -41.61, -17.38

 

CMYK 94 / 29 / 0 / 6

HEX #0FABF0

RGB 15 171 240

HSL 198.4, 0.88%, 0.5%

LAB 66.15, -11.83, -44.44

 

CMYK 94 / 54 / 0 / 6

HEX #0F6EF0

RGB 15 110 240

HSL 214.67, 0.88%, 0.5%

LAB 48.94, 24.75, -71.97

 

CMYK 94 / 79 / 0 / 6

HEX #0F32F0

RGB 15 50 240

HSL 230.67, 0.88%, 0.5%

LAB 35.35, 60.74, -94.32

 

CMYK 94 / 0 / 22 / 6

HEX #0FF0BC

RGB 15 240 188

HSL 166.13, 0.88%, 0.5%

LAB 85.02, -59.4, 11.87

 

CMYK 94 / 0 / 22 / 6

HEX #0FF0BC

RGB 15 240 188

HSL 166.13, 0.88%, 0.5%

LAB 85.02, -59.4, 11.87

 

CMYK 84 / 0 / 19 / 14

HEX #24DBB1

RGB 36 219 177

HSL 166.23, 0.72%, 0.5%

LAB 78.59, -52.78, 8.5

 

CMYK 71 / 0 / 16 / 22

HEX #39C6A6

RGB 57 198 166

HSL 166.38, 0.55%, 0.5%

LAB 72.24, -44.63, 5.33

 

CMYK 57 / 0 / 13 / 30

HEX #4DB29B

RGB 77 178 155

HSL 166.34, 0.4%, 0.5%

LAB 66.36, -35.06, 2.92

 

CMYK 38 / 0 / 9 / 38

HEX #629D8F

RGB 98 157 143

HSL 165.76, 0.23%, 0.5%

LAB 60.51, -22.55, 1.25

 

CMYK 94 / 0 / 72 / 6

HEX #0FF044

RGB 15 240 68

HSL 134.13, 0.88%, 0.5%

LAB 83.36, -78.99, 66.01

 

CMYK 94 / 0 / 47 / 6

HEX #0FF080

RGB 15 240 128

HSL 150.13, 0.88%, 0.5%

LAB 83.96, -71.6, 40.89

 

CMYK 94 / 0 / 22 / 6

HEX #0FF0BB

RGB 15 240 187

HSL 165.87, 0.88%, 0.5%

LAB 85, -59.64, 12.36

 

CMYK 94 / 3 / 0 / 6

HEX #0FE8F0

RGB 15 232 240

HSL 182.13, 0.88%, 0.5%

LAB 84.02, -42.06, -16.94

 

CMYK 94 / 28 / 0 / 6

HEX #0FACF0

RGB 15 172 240

HSL 198.13, 0.88%, 0.5%

LAB 66.44, -12.38, -43.98

 

CMYK 94 / 0 / 22 / 36

HEX #0AA27F

RGB 10 162 127

HSL 166.18, 0.88%, 0.34%

LAB 59.38, -43.87, 8.34

 

CMYK 94 / 0 / 22 / 21

HEX #0DC99D

RGB 13 201 157

HSL 165.96, 0.88%, 0.42%

LAB 72.42, -51.89, 10.4

 

CMYK 94 / 0 / 22 / 6

HEX #0FF0BC

RGB 15 240 188

HSL 166.13, 0.88%, 0.5%

LAB 85.02, -59.4, 11.87

 

CMYK 78 / 0 / 18 / 5

HEX #36F2C7

RGB 54 242 199

HSL 166.28, 0.88%, 0.58%

LAB 86.21, -55.01, 7.88

 

CMYK 62 / 0 / 14 / 4

HEX #5DF5D2

RGB 93 245 210

HSL 166.18, 0.88%, 0.66%

LAB 88.11, -48.36, 4.97

 

CMYK 94 / 0 / 22 / 6

HEX #0FF0BC

RGB 15 240 188

HSL 166.13, 0.88%, 0.5%

LAB 85.02, -59.4, 11.87

 

CMYK 94 / 90 / 0 / 6

HEX #0F17F0

RGB 15 23 240

HSL 237.87, 0.88%, 0.5%

LAB 31.82, 71.28, -100.2

 

CMYK 0 / 59 / 94 / 6

HEX #F0620F

RGB 240 98 15

HSL 22.13, 0.88%, 0.5%

LAB 59.25, 51.57, 65.59

 

CMYK 94 / 0 / 22 / 6

HEX #0FF0BC

RGB 15 240 188

HSL 166.13, 0.88%, 0.5%

LAB 85.02, -59.4, 11.87

 

CMYK 22 / 94 / 0 / 6

HEX #BB0FF0

RGB 187 15 240

HSL 285.87, 0.88%, 0.5%

LAB 48.51, 85.02, -72.09

 

CMYK 0 / 22 / 94 / 6

HEX #F0BB0F

RGB 240 187 15

HSL 45.87, 0.88%, 0.5%

LAB 78.52, 6.17, 78.99

 

CMYK 94 / 0 / 22 / 6

HEX #0FF0BC

RGB 15 240 188

HSL 166.13, 0.88%, 0.5%

LAB 85.02, -59.4, 11.87

 

CMYK 94 / 90 / 0 / 6

HEX #0F17F0

RGB 15 23 240

HSL 237.87, 0.88%, 0.5%

LAB 31.82, 71.28, -100.2

 

CMYK 0 / 94 / 72 / 6

HEX #F00F44

RGB 240 15 68

HSL 345.87, 0.88%, 0.5%

LAB 51.02, 76.7, 34.55

 

CMYK 0 / 3 / 94 / 6

HEX #F0E80F

RGB 240 232 15

HSL 57.87, 0.88%, 0.5%

LAB 89.99, -16.6, 87.5

 

CMYK 94 / 0 / 22 / 6

HEX #0FF0BC

RGB 15 240 188

HSL 166.13, 0.88%, 0.5%

LAB 85.02, -59.4, 11.87

 

CMYK 69 / 94 / 0 / 6

HEX #4B0FF0

RGB 75 15 240

HSL 256, 0.88%, 0.5%

LAB 34.25, 74.73, -96.07

 

CMYK 0 / 94 / 72 / 6

HEX #F00F44

RGB 240 15 68

HSL 345.87, 0.88%, 0.5%

LAB 51.02, 76.7, 34.55

 

CMYK 25 / 0 / 94 / 6

HEX #B4F00F

RGB 180 240 15

HSL 76, 0.88%, 0.5%

LAB 88, -44.45, 84.16

 

Description

Color code: RGB 15 240 188 | qconv.com Color code: RGB 15 240 188 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 240 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 240 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 22 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 22% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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