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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 240 103 it is the complementary color RGB 240 15 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 240 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 240 103 shade: RGB 20 240 98, RGB 37 255 117, RGB 54 255 136, RGB 71 255 155 and RGB 88 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 240 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 240 103 shade: RGB 15 240 103, RGB 0 222 84, RGB 0 204 65, RGB 0 186 46 and RGB 0 168 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 240 103 shade: RGB 15 240 103, RGB 15 240 43, RGB 49 240 15, RGB 109 240 15 and RGB 170 240 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 240 103 shade: RGB 15 240 103, RGB 15 240 164, RGB 15 240 224, RGB 15 195 240 and RGB 15 134 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 240 103 shade matches the following richer shades: RGB 15 240 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 240 103 shade: RGB 15 240 103, RGB 36 219 108, RGB 57 198 112, RGB 77 178 117 and RGB 98 157 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 240 103 shade: RGB 49 240 15, RGB 15 240 41, RGB 15 240 101, RGB 15 240 161 and RGB 15 240 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 240 103 shade: RGB 10 162 70, RGB 13 201 86, RGB 15 240 103, RGB 54 242 128 and RGB 93 245 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 240 103 shade: RGB 15 240 103, RGB 15 109 240 and RGB 240 15 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 240 103 shade: RGB 15 240 103, RGB 101 15 240 and RGB 240 101 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 240 103 shade: RGB 15 240 103, RGB 15 109 240, RGB 240 15 154 and RGB 240 146 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 240 103 shade: RGB 15 240 103, RGB 15 41 240, RGB 240 15 154 and RGB 240 214 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 57 / 6

HEX #0FF067

RGB 15 240 103

HSL 143.47, 0.88%, 0.5%

LAB 83.65, -75.28, 52.21

 

Complementary color

CMYK 0 / 94 / 37 / 6

HEX #F00F98

RGB 240 15 152

HSL 323.47, 0.88%, 0.5%

LAB 53.1, 82.33, -13.26

 

CMYK 92 / 0 / 59 / 6

HEX #14F062

RGB 20 240 98

HSL 141.27, 0.88%, 0.51%

LAB 83.63, -75.7, 54.39

 

CMYK 85 / 0 / 54 / 0

HEX #25FF75

RGB 37 255 117

HSL 142.02, 1%, 0.57%

LAB 88.54, -76.75, 51.77

 

CMYK 79 / 0 / 47 / 0

HEX #36FF88

RGB 54 255 136

HSL 144.48, 1%, 0.61%

LAB 88.96, -72.41, 43.45

 

CMYK 72 / 0 / 39 / 0

HEX #47FF9B

RGB 71 255 155

HSL 147.39, 1%, 0.64%

LAB 89.5, -67.14, 34.94

 

CMYK 65 / 0 / 32 / 0

HEX #58FFAE

RGB 88 255 174

HSL 150.9, 1%, 0.67%

LAB 90.16, -61.01, 26.36

 

CMYK 94 / 0 / 57 / 6

HEX #0FF067

RGB 15 240 103

HSL 143.47, 0.88%, 0.5%

LAB 83.65, -75.28, 52.21

 

CMYK 100 / 0 / 62 / 13

HEX #00DE54

RGB 0 222 84

HSL 142.7, 1%, 0.44%

LAB 77.81, -72.75, 53.76

 

CMYK 100 / 0 / 68 / 20

HEX #00CC41

RGB 0 204 65

HSL 139.12, 1%, 0.4%

LAB 71.94, -69.53, 55.14

 

CMYK 100 / 0 / 75 / 27

HEX #00BA2E

RGB 0 186 46

HSL 134.84, 1%, 0.36%

LAB 65.99, -66.01, 56.06

 

CMYK 100 / 0 / 84 / 34

HEX #00A81B

RGB 0 168 27

HSL 129.64, 1%, 0.33%

LAB 59.96, -62.12, 56.12

 

CMYK 94 / 0 / 57 / 6

HEX #0FF067

RGB 15 240 103

HSL 143.47, 0.88%, 0.5%

LAB 83.65, -75.28, 52.21

 

CMYK 94 / 0 / 82 / 6

HEX #0FF02B

RGB 15 240 43

HSL 127.47, 0.88%, 0.5%

LAB 83.23, -80.63, 73.39

 

CMYK 80 / 0 / 94 / 6

HEX #31F00F

RGB 49 240 15

HSL 110.93, 0.88%, 0.5%

LAB 83.45, -78.96, 78.59

 

CMYK 55 / 0 / 94 / 6

HEX #6DF00F

RGB 109 240 15

HSL 94.93, 0.88%, 0.5%

LAB 84.79, -67.57, 80.25

 

CMYK 29 / 0 / 94 / 6

HEX #AAF00F

RGB 170 240 15

HSL 78.67, 0.88%, 0.5%

LAB 87.44, -48.16, 83.48

 

CMYK 94 / 0 / 57 / 6

HEX #0FF067

RGB 15 240 103

HSL 143.47, 0.88%, 0.5%

LAB 83.65, -75.28, 52.21

 

CMYK 94 / 0 / 32 / 6

HEX #0FF0A4

RGB 15 240 164

HSL 159.73, 0.88%, 0.5%

LAB 84.54, -64.82, 23.61

 

CMYK 94 / 0 / 7 / 6

HEX #0FF0E0

RGB 15 240 224

HSL 175.73, 0.88%, 0.5%

LAB 85.91, -50.11, -5.7

 

CMYK 94 / 19 / 0 / 6

HEX #0FC3F0

RGB 15 195 240

HSL 192, 0.88%, 0.5%

LAB 73.17, -24.47, -33.49

 

CMYK 94 / 44 / 0 / 6

HEX #0F86F0

RGB 15 134 240

HSL 208.27, 0.88%, 0.5%

LAB 55.53, 9.69, -61.32

 

CMYK 94 / 0 / 57 / 6

HEX #0FF067

RGB 15 240 103

HSL 143.47, 0.88%, 0.5%

LAB 83.65, -75.28, 52.21

 

CMYK 94 / 0 / 57 / 6

HEX #0FF067

RGB 15 240 103

HSL 143.47, 0.88%, 0.5%

LAB 83.65, -75.28, 52.21

 

CMYK 84 / 0 / 51 / 14

HEX #24DB6C

RGB 36 219 108

HSL 143.61, 0.72%, 0.5%

LAB 77.35, -66.69, 42.31

 

CMYK 71 / 0 / 43 / 22

HEX #39C670

RGB 57 198 112

HSL 143.4, 0.55%, 0.5%

LAB 71.16, -56.18, 32.55

 

CMYK 57 / 0 / 34 / 30

HEX #4DB275

RGB 77 178 117

HSL 143.76, 0.4%, 0.5%

LAB 65.52, -43.48, 22.55

 

CMYK 38 / 0 / 23 / 38

HEX #629D79

RGB 98 157 121

HSL 143.39, 0.23%, 0.5%

LAB 59.97, -27.39, 12.87

 

CMYK 80 / 0 / 94 / 6

HEX #31F00F

RGB 49 240 15

HSL 110.93, 0.88%, 0.5%

LAB 83.45, -78.96, 78.59

 

CMYK 94 / 0 / 83 / 6

HEX #0FF029

RGB 15 240 41

HSL 126.93, 0.88%, 0.5%

LAB 83.22, -80.73, 73.86

 

CMYK 94 / 0 / 58 / 6

HEX #0FF065

RGB 15 240 101

HSL 142.93, 0.88%, 0.5%

LAB 83.63, -75.54, 53.07

 

CMYK 94 / 0 / 33 / 6

HEX #0FF0A1

RGB 15 240 161

HSL 158.93, 0.88%, 0.5%

LAB 84.48, -65.45, 25.08

 

CMYK 94 / 0 / 8 / 6

HEX #0FF0DD

RGB 15 240 221

HSL 174.93, 0.88%, 0.5%

LAB 85.83, -50.93, -4.24

 

CMYK 94 / 0 / 57 / 36

HEX #0AA246

RGB 10 162 70

HSL 143.68, 0.88%, 0.34%

LAB 58.37, -55.54, 37.58

 

CMYK 94 / 0 / 57 / 21

HEX #0DC956

RGB 13 201 86

HSL 143.3, 0.88%, 0.42%

LAB 71.24, -65.65, 45.27

 

CMYK 94 / 0 / 57 / 6

HEX #0FF067

RGB 15 240 103

HSL 143.47, 0.88%, 0.5%

LAB 83.65, -75.28, 52.21

 

CMYK 78 / 0 / 47 / 5

HEX #36F280

RGB 54 242 128

HSL 143.62, 0.88%, 0.58%

LAB 84.92, -69.35, 42.18

 

CMYK 62 / 0 / 38 / 4

HEX #5DF598

RGB 93 245 152

HSL 143.29, 0.88%, 0.66%

LAB 86.95, -60.4, 33.14

 

CMYK 94 / 0 / 57 / 6

HEX #0FF067

RGB 15 240 103

HSL 143.47, 0.88%, 0.5%

LAB 83.65, -75.28, 52.21

 

CMYK 94 / 55 / 0 / 6

HEX #0F6DF0

RGB 15 109 240

HSL 214.93, 0.88%, 0.5%

LAB 48.67, 25.38, -72.4

 

CMYK 0 / 94 / 92 / 6

HEX #F00F13

RGB 240 15 19

HSL 358.93, 0.88%, 0.5%

LAB 50.59, 75.5, 59.06

 

CMYK 94 / 0 / 57 / 6

HEX #0FF067

RGB 15 240 103

HSL 143.47, 0.88%, 0.5%

LAB 83.65, -75.28, 52.21

 

CMYK 58 / 94 / 0 / 6

HEX #650FF0

RGB 101 15 240

HSL 262.93, 0.88%, 0.5%

LAB 36.74, 76.2, -91.86

 

CMYK 0 / 58 / 94 / 6

HEX #F0650F

RGB 240 101 15

HSL 22.93, 0.88%, 0.5%

LAB 59.77, 50.2, 65.93

 

CMYK 94 / 0 / 57 / 6

HEX #0FF067

RGB 15 240 103

HSL 143.47, 0.88%, 0.5%

LAB 83.65, -75.28, 52.21

 

CMYK 94 / 55 / 0 / 6

HEX #0F6DF0

RGB 15 109 240

HSL 214.93, 0.88%, 0.5%

LAB 48.67, 25.38, -72.4

 

CMYK 0 / 94 / 36 / 6

HEX #F00F9A

RGB 240 15 154

HSL 322.93, 0.88%, 0.5%

LAB 53.17, 82.52, -14.34

 

CMYK 0 / 39 / 94 / 6

HEX #F0920F

RGB 240 146 15

HSL 34.93, 0.88%, 0.5%

LAB 68.84, 27.74, 72.06

 

CMYK 94 / 0 / 57 / 6

HEX #0FF067

RGB 15 240 103

HSL 143.47, 0.88%, 0.5%

LAB 83.65, -75.28, 52.21

 

CMYK 94 / 83 / 0 / 6

HEX #0F29F0

RGB 15 41 240

HSL 233.07, 0.88%, 0.5%

LAB 33.94, 64.9, -96.67

 

CMYK 0 / 94 / 36 / 6

HEX #F00F9A

RGB 240 15 154

HSL 322.93, 0.88%, 0.5%

LAB 53.17, 82.52, -14.34

 

CMYK 0 / 11 / 94 / 6

HEX #F0D60F

RGB 240 214 15

HSL 53.07, 0.88%, 0.5%

LAB 85.33, -7.68, 84.02

 

Description

Color code: RGB 15 240 103 | qconv.com Color code: RGB 15 240 103 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 240 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 240 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 57 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 57% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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