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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 219 31 it is the complementary color RGB 240 36 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 219 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 219 31 shade: RGB 20 219 26, RGB 37 237 45, RGB 54 255 64, RGB 71 255 83 and RGB 88 255 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 219 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 219 31 shade: RGB 15 219 31, RGB 0 201 12, RGB 0 183 0, RGB 0 165 0 and RGB 0 147 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 219 31 shade: RGB 15 219 31, RGB 54 219 15, RGB 109 219 15, RGB 164 219 15 and RGB 219 219 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 219 31 shade: RGB 15 219 31, RGB 15 219 86, RGB 15 219 141, RGB 15 219 196 and RGB 15 187 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 219 31 shade matches the following richer shades: RGB 15 219 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 219 31 shade: RGB 15 219 31, RGB 34 200 47, RGB 53 181 63, RGB 72 162 79 and RGB 91 143 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 219 31 shade: RGB 110 219 15, RGB 56 219 15, RGB 15 219 28, RGB 15 219 83 and RGB 15 219 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 219 31 shade: RGB 9 142 20, RGB 12 180 25, RGB 15 219 31, RGB 36 239 52 and RGB 74 242 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 219 31 shade: RGB 15 219 31, RGB 15 164 219 and RGB 219 15 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 219 31 shade: RGB 15 219 31, RGB 28 15 219 and RGB 219 28 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 219 31 shade: RGB 15 219 31, RGB 15 164 219, RGB 219 15 205 and RGB 219 69 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 219 31 shade: RGB 15 219 31, RGB 15 103 219, RGB 219 15 205 and RGB 219 130 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 86 / 14

HEX #0FDB1F

RGB 15 219 31

HSL 124.71, 0.87%, 0.46%

LAB 76.6, -75.48, 70.16

 

Complementary color

CMYK 0 / 85 / 7 / 6

HEX #F024E0

RGB 240 36 224

HSL 304.71, 0.87%, 0.54%

LAB 57.24, 87.99, -48.56

 

CMYK 91 / 0 / 88 / 14

HEX #14DB1A

RGB 20 219 26

HSL 121.81, 0.83%, 0.47%

LAB 76.61, -75.41, 71.16

 

CMYK 84 / 0 / 81 / 7

HEX #25ED2D

RGB 37 237 45

HSL 122.4, 0.85%, 0.54%

LAB 82.46, -78.31, 72.23

 

CMYK 79 / 0 / 75 / 0

HEX #36FF40

RGB 54 255 64

HSL 122.99, 1%, 0.61%

LAB 88.29, -80.53, 72.41

 

CMYK 72 / 0 / 67 / 0

HEX #47FF53

RGB 71 255 83

HSL 123.91, 1%, 0.64%

LAB 88.68, -76.75, 66.29

 

CMYK 65 / 0 / 60 / 0

HEX #58FF66

RGB 88 255 102

HSL 125.03, 1%, 0.67%

LAB 89.18, -71.99, 59.31

 

CMYK 93 / 0 / 86 / 14

HEX #0FDB1F

RGB 15 219 31

HSL 124.71, 0.87%, 0.46%

LAB 76.6, -75.48, 70.16

 

CMYK 100 / 0 / 94 / 21

HEX #00C90C

RGB 0 201 12

HSL 123.58, 1%, 0.39%

LAB 70.73, -71.8, 68.25

 

CMYK 100 / 0 / 100 / 28

HEX #00B700

RGB 0 183 0

HSL 120, 1%, 0.36%

LAB 64.86, -67.18, 64.83

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 93 / 0 / 86 / 14

HEX #0FDB1F

RGB 15 219 31

HSL 124.71, 0.87%, 0.46%

LAB 76.6, -75.48, 70.16

 

CMYK 75 / 0 / 93 / 14

HEX #36DB0F

RGB 54 219 15

HSL 108.53, 0.87%, 0.46%

LAB 76.97, -72.3, 73.27

 

CMYK 50 / 0 / 93 / 14

HEX #6DDB0F

RGB 109 219 15

HSL 92.35, 0.87%, 0.46%

LAB 78.43, -60.2, 75.07

 

CMYK 25 / 0 / 93 / 14

HEX #A4DB0F

RGB 164 219 15

HSL 76.18, 0.87%, 0.46%

LAB 81.07, -41.43, 78.29

 

CMYK 0 / 0 / 93 / 14

HEX #DBDB0F

RGB 219 219 15

HSL 60, 0.87%, 0.46%

LAB 84.87, -19.07, 82.89

 

CMYK 93 / 0 / 86 / 14

HEX #0FDB1F

RGB 15 219 31

HSL 124.71, 0.87%, 0.46%

LAB 76.6, -75.48, 70.16

 

CMYK 93 / 0 / 61 / 14

HEX #0FDB56

RGB 15 219 86

HSL 140.88, 0.87%, 0.46%

LAB 76.94, -71.09, 51.93

 

CMYK 93 / 0 / 36 / 14

HEX #0FDB8D

RGB 15 219 141

HSL 157.06, 0.87%, 0.46%

LAB 77.69, -62.14, 26.15

 

CMYK 93 / 0 / 11 / 14

HEX #0FDBC4

RGB 15 219 196

HSL 173.24, 0.87%, 0.46%

LAB 78.9, -48.98, -1.19

 

CMYK 93 / 15 / 0 / 14

HEX #0FBBDB

RGB 15 187 219

HSL 189.41, 0.87%, 0.46%

LAB 70.01, -27.45, -26.97

 

CMYK 93 / 0 / 86 / 14

HEX #0FDB1F

RGB 15 219 31

HSL 124.71, 0.87%, 0.46%

LAB 76.6, -75.48, 70.16

 

CMYK 93 / 0 / 86 / 14

HEX #0FDB1F

RGB 15 219 31

HSL 124.71, 0.87%, 0.46%

LAB 76.6, -75.48, 70.16

 

CMYK 83 / 0 / 77 / 22

HEX #22C82F

RGB 34 200 47

HSL 124.7, 0.71%, 0.46%

LAB 70.77, -67.82, 60.53

 

CMYK 71 / 0 / 65 / 29

HEX #35B53F

RGB 53 181 63

HSL 124.69, 0.55%, 0.46%

LAB 65.09, -57.75, 48.68

 

CMYK 56 / 0 / 51 / 36

HEX #48A24F

RGB 72 162 79

HSL 124.67, 0.38%, 0.46%

LAB 59.69, -44.52, 34.98

 

CMYK 36 / 0 / 34 / 44

HEX #5B8F5F

RGB 91 143 95

HSL 124.62, 0.22%, 0.46%

LAB 54.76, -27.75, 20.21

 

CMYK 50 / 0 / 93 / 14

HEX #6EDB0F

RGB 110 219 15

HSL 92.06, 0.87%, 0.46%

LAB 78.47, -59.91, 75.12

 

CMYK 74 / 0 / 93 / 14

HEX #38DB0F

RGB 56 219 15

HSL 107.94, 0.87%, 0.46%

LAB 77, -72, 73.31

 

CMYK 93 / 0 / 87 / 14

HEX #0FDB1C

RGB 15 219 28

HSL 123.82, 0.87%, 0.46%

LAB 76.59, -75.6, 70.75

 

CMYK 93 / 0 / 62 / 14

HEX #0FDB53

RGB 15 219 83

HSL 140, 0.87%, 0.46%

LAB 76.91, -71.44, 53.19

 

CMYK 93 / 0 / 37 / 14

HEX #0FDB89

RGB 15 219 137

HSL 155.88, 0.87%, 0.46%

LAB 77.62, -62.94, 28.12

 

CMYK 94 / 0 / 86 / 44

HEX #098E14

RGB 9 142 20

HSL 124.96, 0.88%, 0.3%

LAB 51.21, -54.37, 49.99

 

CMYK 93 / 0 / 86 / 29

HEX #0CB419

RGB 12 180 25

HSL 124.64, 0.88%, 0.38%

LAB 63.99, -65.03, 60.27

 

CMYK 93 / 0 / 86 / 14

HEX #0FDB1F

RGB 15 219 31

HSL 124.71, 0.87%, 0.46%

LAB 76.6, -75.48, 70.16

 

CMYK 85 / 0 / 78 / 6

HEX #24EF34

RGB 36 239 52

HSL 124.73, 0.86%, 0.54%

LAB 83.1, -78.56, 70.92

 

CMYK 69 / 0 / 64 / 5

HEX #4AF257

RGB 74 242 87

HSL 124.64, 0.87%, 0.62%

LAB 84.82, -71.8, 60.56

 

CMYK 93 / 0 / 86 / 14

HEX #0FDB1F

RGB 15 219 31

HSL 124.71, 0.87%, 0.46%

LAB 76.6, -75.48, 70.16

 

CMYK 93 / 25 / 0 / 14

HEX #0FA4DB

RGB 15 164 219

HSL 196.18, 0.87%, 0.46%

LAB 63.15, -15.52, -37.59

 

CMYK 0 / 93 / 62 / 14

HEX #DB0F53

RGB 219 15 83

HSL 340, 0.87%, 0.46%

LAB 47.01, 72.38, 19.48

 

CMYK 93 / 0 / 86 / 14

HEX #0FDB1F

RGB 15 219 31

HSL 124.71, 0.87%, 0.46%

LAB 76.6, -75.48, 70.16

 

CMYK 87 / 93 / 0 / 14

HEX #1C0FDB

RGB 28 15 219

HSL 243.82, 0.87%, 0.46%

LAB 28.65, 68, -93.48

 

CMYK 0 / 87 / 93 / 14

HEX #DB1C0F

RGB 219 28 15

HSL 3.82, 0.87%, 0.46%

LAB 46.88, 68.33, 55.99

 

CMYK 93 / 0 / 86 / 14

HEX #0FDB1F

RGB 15 219 31

HSL 124.71, 0.87%, 0.46%

LAB 76.6, -75.48, 70.16

 

CMYK 93 / 25 / 0 / 14

HEX #0FA4DB

RGB 15 164 219

HSL 196.18, 0.87%, 0.46%

LAB 63.15, -15.52, -37.59

 

CMYK 0 / 93 / 6 / 14

HEX #DB0FCD

RGB 219 15 205

HSL 304.12, 0.87%, 0.46%

LAB 51.62, 84.48, -46.88

 

CMYK 0 / 68 / 93 / 14

HEX #DB450F

RGB 219 69 15

HSL 15.88, 0.87%, 0.46%

LAB 51.1, 56.55, 58.61

 

CMYK 93 / 0 / 86 / 14

HEX #0FDB1F

RGB 15 219 31

HSL 124.71, 0.87%, 0.46%

LAB 76.6, -75.48, 70.16

 

CMYK 93 / 53 / 0 / 14

HEX #0F67DB

RGB 15 103 219

HSL 214.12, 0.87%, 0.46%

LAB 45.52, 21.07, -65.68

 

CMYK 0 / 93 / 6 / 14

HEX #DB0FCD

RGB 219 15 205

HSL 304.12, 0.87%, 0.46%

LAB 51.62, 84.48, -46.88

 

CMYK 0 / 41 / 93 / 14

HEX #DB820F

RGB 219 130 15

HSL 33.82, 0.87%, 0.46%

LAB 62.56, 27.4, 66.39

 

Description

Color code: RGB 15 219 31 | qconv.com Color code: RGB 15 219 31 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 219 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 219 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 86 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 86% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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