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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 214 172 it is the complementary color RGB 240 41 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 214 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 214 172 shade: RGB 20 214 167, RGB 37 232 186, RGB 54 250 205, RGB 71 255 224 and RGB 88 255 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 214 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 214 172 shade: RGB 15 214 172, RGB 0 196 153, RGB 0 178 134, RGB 0 160 115 and RGB 0 142 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 214 172 shade: RGB 14 214 172, RGB 14 214 118, RGB 14 214 64, RGB 18 214 14 and RGB 72 214 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 214 172 shade: RGB 14 214 172, RGB 14 202 214, RGB 14 149 214, RGB 14 95 214 and RGB 14 41 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 214 172 shade matches the following richer shades: RGB 14 214 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 214 172 shade: RGB 14 214 172, RGB 33 196 161, RGB 52 177 150, RGB 70 158 140 and RGB 89 140 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 214 172 shade: RGB 14 214 64, RGB 14 214 118, RGB 14 214 171, RGB 14 204 214 and RGB 14 151 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 214 172 shade: RGB 9 137 110, RGB 12 176 141, RGB 14 214 172, RGB 31 239 195 and RGB 69 242 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 214 172 shade: RGB 15 214 172, RGB 14 18 214 and RGB 214 91 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 214 172 shade: RGB 15 214 172, RGB 171 14 214 and RGB 214 171 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 214 172 shade: RGB 15 214 172, RGB 14 18 214, RGB 214 14 58 and RGB 214 211 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 214 172 shade: RGB 15 214 172, RGB 71 14 214, RGB 214 14 58 and RGB 158 214 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 20 / 16

HEX #0FD6AC

RGB 15 214 172

HSL 167.34, 0.87%, 0.45%

LAB 76.78, -53.22, 8.57

 

Complementary color

CMYK 0 / 83 / 65 / 6

HEX #F02953

RGB 240 41 83

HSL 347.34, 0.87%, 0.55%

LAB 52.66, 73.33, 27.64

 

CMYK 91 / 0 / 22 / 16

HEX #14D6A7

RGB 20 214 167

HSL 165.46, 0.83%, 0.46%

LAB 76.7, -54.24, 11.12

 

CMYK 84 / 0 / 20 / 9

HEX #25E8BA

RGB 37 232 186

HSL 165.85, 0.81%, 0.53%

LAB 82.73, -55.66, 9.67

 

CMYK 78 / 0 / 18 / 2

HEX #36FACD

RGB 54 250 205

HSL 166.22, 0.95%, 0.6%

LAB 88.72, -56.74, 8.35

 

CMYK 72 / 0 / 12 / 0

HEX #47FFE0

RGB 71 255 224

HSL 169.89, 1%, 0.64%

LAB 90.89, -52.28, 1.67

 

CMYK 65 / 0 / 5 / 0

HEX #58FFF3

RGB 88 255 243

HSL 175.69, 1%, 0.67%

LAB 91.71, -45.21, -6.93

 

CMYK 93 / 0 / 20 / 16

HEX #0FD6AC

RGB 15 214 172

HSL 167.34, 0.87%, 0.45%

LAB 76.78, -53.22, 8.57

 

CMYK 100 / 0 / 22 / 23

HEX #00C499

RGB 0 196 153

HSL 166.84, 1%, 0.38%

LAB 70.72, -51.35, 10.13

 

CMYK 100 / 0 / 25 / 30

HEX #00B286

RGB 0 178 134

HSL 165.17, 1%, 0.35%

LAB 64.61, -48.97, 11.86

 

CMYK 100 / 0 / 28 / 37

HEX #00A073

RGB 0 160 115

HSL 163.13, 1%, 0.31%

LAB 58.4, -46.53, 13.67

 

CMYK 100 / 0 / 32 / 44

HEX #008E60

RGB 0 142 96

HSL 160.56, 1%, 0.28%

LAB 52.05, -44.01, 15.57

 

CMYK 93 / 0 / 20 / 16

HEX #0ED6AC

RGB 14 214 172

HSL 167.4, 0.88%, 0.45%

LAB 76.78, -53.26, 8.56

 

CMYK 93 / 0 / 45 / 16

HEX #0ED676

RGB 14 214 118

HSL 151.2, 0.88%, 0.45%

LAB 75.76, -64.82, 35.34

 

CMYK 93 / 0 / 70 / 16

HEX #0ED640

RGB 14 214 64

HSL 135, 0.88%, 0.45%

LAB 75.17, -71.98, 58.98

 

CMYK 92 / 0 / 93 / 16

HEX #12D60E

RGB 18 214 14

HSL 118.8, 0.88%, 0.45%

LAB 74.98, -74.51, 71.58

 

CMYK 66 / 0 / 93 / 16

HEX #48D60E

RGB 72 214 14

HSL 102.6, 0.88%, 0.45%

LAB 75.76, -67.67, 72.54

 

CMYK 93 / 0 / 20 / 16

HEX #0ED6AC

RGB 14 214 172

HSL 167.4, 0.88%, 0.45%

LAB 76.78, -53.26, 8.56

 

CMYK 93 / 6 / 0 / 16

HEX #0ECAD6

RGB 14 202 214

HSL 183.6, 0.88%, 0.45%

LAB 74.31, -36.3, -17.69

 

CMYK 93 / 30 / 0 / 16

HEX #0E95D6

RGB 14 149 214

HSL 199.5, 0.88%, 0.45%

LAB 58.46, -9.05, -42.17

 

CMYK 93 / 56 / 0 / 16

HEX #0E5FD6

RGB 14 95 214

HSL 215.7, 0.88%, 0.45%

LAB 42.96, 24.27, -66.99

 

CMYK 93 / 81 / 0 / 16

HEX #0E29D6

RGB 14 41 214

HSL 231.9, 0.88%, 0.45%

LAB 30.72, 56.96, -87.14

 

CMYK 93 / 0 / 20 / 16

HEX #0ED6AC

RGB 14 214 172

HSL 167.4, 0.88%, 0.45%

LAB 76.78, -53.26, 8.56

 

CMYK 93 / 0 / 20 / 16

HEX #0ED6AC

RGB 14 214 172

HSL 167.4, 0.88%, 0.45%

LAB 76.78, -53.26, 8.56

 

CMYK 83 / 0 / 18 / 23

HEX #21C4A1

RGB 33 196 161

HSL 167.12, 0.71%, 0.45%

LAB 71.13, -47.69, 6.41

 

CMYK 71 / 0 / 15 / 31

HEX #34B196

RGB 52 177 150

HSL 167.04, 0.55%, 0.45%

LAB 65.26, -40.3, 4.02

 

CMYK 56 / 0 / 11 / 38

HEX #469E8C

RGB 70 158 140

HSL 167.73, 0.39%, 0.45%

LAB 59.57, -30.91, 1.44

 

CMYK 36 / 0 / 8 / 45

HEX #598C81

RGB 89 140 129

HSL 167.06, 0.22%, 0.45%

LAB 54.52, -19.72, 0.46

 

CMYK 93 / 0 / 70 / 16

HEX #0ED640

RGB 14 214 64

HSL 135, 0.88%, 0.45%

LAB 75.17, -71.98, 58.98

 

CMYK 93 / 0 / 45 / 16

HEX #0ED676

RGB 14 214 118

HSL 151.2, 0.88%, 0.45%

LAB 75.76, -64.82, 35.34

 

CMYK 93 / 0 / 20 / 16

HEX #0ED6AB

RGB 14 214 171

HSL 167.1, 0.88%, 0.45%

LAB 76.76, -53.51, 9.06

 

CMYK 93 / 5 / 0 / 16

HEX #0ECCD6

RGB 14 204 214

HSL 183, 0.88%, 0.45%

LAB 74.91, -37.22, -16.79

 

CMYK 93 / 29 / 0 / 16

HEX #0E97D6

RGB 14 151 214

HSL 198.9, 0.88%, 0.45%

LAB 59.05, -10.18, -41.23

 

CMYK 93 / 0 / 20 / 46

HEX #09896E

RGB 9 137 110

HSL 167.34, 0.88%, 0.29%

LAB 50.78, -37.88, 5.76

 

CMYK 93 / 0 / 20 / 31

HEX #0CB08D

RGB 12 176 141

HSL 167.2, 0.87%, 0.37%

LAB 64.2, -45.92, 7.42

 

CMYK 93 / 0 / 20 / 16

HEX #0ED6AC

RGB 14 214 172

HSL 167.4, 0.88%, 0.45%

LAB 76.78, -53.26, 8.56

 

CMYK 87 / 0 / 18 / 6

HEX #1FEFC3

RGB 31 239 195

HSL 167.31, 0.87%, 0.53%

LAB 84.98, -56.6, 8.16

 

CMYK 71 / 0 / 15 / 5

HEX #45F2CD

RGB 69 242 205

HSL 167.17, 0.87%, 0.61%

LAB 86.59, -51.86, 5.32

 

CMYK 93 / 0 / 20 / 16

HEX #0FD6AC

RGB 15 214 172

HSL 167.34, 0.87%, 0.45%

LAB 76.78, -53.22, 8.57

 

CMYK 93 / 92 / 0 / 16

HEX #0E12D6

RGB 14 18 214

HSL 238.8, 0.88%, 0.45%

LAB 27.79, 65.74, -92.02

 

CMYK 0 / 57 / 93 / 16

HEX #D65B0E

RGB 214 91 14

HSL 23.1, 0.88%, 0.45%

LAB 53.82, 45.24, 60.24

 

CMYK 93 / 0 / 20 / 16

HEX #0FD6AC

RGB 15 214 172

HSL 167.34, 0.87%, 0.45%

LAB 76.78, -53.22, 8.57

 

CMYK 20 / 93 / 0 / 16

HEX #AB0ED6

RGB 171 14 214

HSL 287.1, 0.88%, 0.45%

LAB 43.98, 78.4, -64.77

 

CMYK 0 / 20 / 93 / 16

HEX #D6AB0E

RGB 214 171 14

HSL 47.1, 0.88%, 0.45%

LAB 71.86, 3.25, 73.04

 

CMYK 93 / 0 / 20 / 16

HEX #0FD6AC

RGB 15 214 172

HSL 167.34, 0.87%, 0.45%

LAB 76.78, -53.22, 8.57

 

CMYK 93 / 92 / 0 / 16

HEX #0E12D6

RGB 14 18 214

HSL 238.8, 0.88%, 0.45%

LAB 27.79, 65.74, -92.02

 

CMYK 0 / 93 / 73 / 16

HEX #D60E3A

RGB 214 14 58

HSL 346.8, 0.88%, 0.45%

LAB 45.52, 70.09, 32.71

 

CMYK 0 / 1 / 93 / 16

HEX #D6D30E

RGB 214 211 14

HSL 59.1, 0.88%, 0.45%

LAB 82.33, -17.27, 80.9

 

CMYK 93 / 0 / 20 / 16

HEX #0FD6AC

RGB 15 214 172

HSL 167.34, 0.87%, 0.45%

LAB 76.78, -53.22, 8.57

 

CMYK 67 / 93 / 0 / 16

HEX #470ED6

RGB 71 14 214

HSL 257.1, 0.88%, 0.45%

LAB 30.66, 68.43, -87.16

 

CMYK 0 / 93 / 73 / 16

HEX #D60E3A

RGB 214 14 58

HSL 346.8, 0.88%, 0.45%

LAB 45.52, 70.09, 32.71

 

CMYK 26 / 0 / 93 / 16

HEX #9ED60E

RGB 158 214 14

HSL 76.8, 0.88%, 0.45%

LAB 79.27, -41.56, 76.83

 

Description

Color code: RGB 15 214 172 | qconv.com Color code: RGB 15 214 172 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 214 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 214 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 20 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 20% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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