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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 188 29 it is the complementary color RGB 240 67 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 188 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 188 29 shade: RGB 20 188 24, RGB 37 206 43, RGB 54 224 62, RGB 71 242 81 and RGB 88 255 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 188 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 188 29 shade: RGB 15 188 29, RGB 0 170 10, RGB 0 152 0, RGB 0 134 0 and RGB 0 116 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 188 29 shade: RGB 15 188 29, RGB 48 188 15, RGB 94 188 15, RGB 141 188 15 and RGB 188 188 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 188 29 shade: RGB 15 188 29, RGB 15 188 76, RGB 15 188 122, RGB 15 188 169 and RGB 15 161 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 188 29 shade matches the following richer shades: RGB 15 188 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 188 29 shade: RGB 15 188 29, RGB 31 172 43, RGB 48 155 57, RGB 64 139 70 and RGB 81 122 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 188 29 shade: RGB 96 188 15, RGB 49 188 15, RGB 15 188 26, RGB 15 188 73 and RGB 15 188 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 188 29 shade: RGB 9 112 17, RGB 12 150 23, RGB 15 188 29, RGB 18 226 35 and RGB 48 238 63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 188 29 shade: RGB 15 188 29, RGB 15 142 188 and RGB 188 15 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 188 29 shade: RGB 15 188 29, RGB 26 15 188 and RGB 188 26 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 188 29 shade: RGB 15 188 29, RGB 15 142 188, RGB 188 15 177 and RGB 188 61 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 188 29 shade: RGB 15 188 29, RGB 15 90 188, RGB 188 15 177 and RGB 188 113 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 85 / 26

HEX #0FBC1D

RGB 15 188 29

HSL 124.86, 0.85%, 0.4%

LAB 66.64, -66.95, 61.71

 

Complementary color

CMYK 0 / 72 / 6 / 6

HEX #F043E2

RGB 240 67 226

HSL 304.86, 0.85%, 0.6%

LAB 59.92, 80.85, -45.46

 

CMYK 89 / 0 / 87 / 26

HEX #14BC18

RGB 20 188 24

HSL 121.43, 0.81%, 0.41%

LAB 66.66, -66.85, 62.87

 

CMYK 82 / 0 / 79 / 19

HEX #25CE2B

RGB 37 206 43

HSL 122.13, 0.7%, 0.48%

LAB 72.7, -69.54, 63.64

 

CMYK 76 / 0 / 72 / 12

HEX #36E03E

RGB 54 224 62

HSL 122.82, 0.73%, 0.55%

LAB 78.72, -71.49, 63.49

 

CMYK 71 / 0 / 67 / 5

HEX #47F251

RGB 71 242 81

HSL 123.51, 0.87%, 0.61%

LAB 84.71, -72.88, 62.81

 

CMYK 65 / 0 / 61 / 0

HEX #58FF64

RGB 88 255 100

HSL 124.31, 1%, 0.67%

LAB 89.17, -72.2, 60.14

 

CMYK 92 / 0 / 85 / 26

HEX #0FBC1D

RGB 15 188 29

HSL 124.86, 0.85%, 0.4%

LAB 66.64, -66.95, 61.71

 

CMYK 100 / 0 / 94 / 33

HEX #00AA0A

RGB 0 170 10

HSL 123.53, 1%, 0.33%

LAB 60.58, -63.35, 60.03

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 100 / 0 / 100 / 47

HEX #008600

RGB 0 134 0

HSL 120, 1%, 0.26%

LAB 48.32, -53.44, 51.58

 

CMYK 100 / 0 / 100 / 55

HEX #007400

RGB 0 116 0

HSL 120, 1%, 0.23%

LAB 41.99, -48.17, 46.5

 

CMYK 92 / 0 / 85 / 26

HEX #0FBC1D

RGB 15 188 29

HSL 124.86, 0.85%, 0.4%

LAB 66.64, -66.95, 61.71

 

CMYK 74 / 0 / 92 / 26

HEX #30BC0F

RGB 48 188 15

HSL 108.55, 0.85%, 0.4%

LAB 67, -63.92, 64.91

 

CMYK 50 / 0 / 92 / 26

HEX #5EBC0F

RGB 94 188 15

HSL 92.6, 0.85%, 0.4%

LAB 68.3, -53.21, 66.53

 

CMYK 25 / 0 / 92 / 26

HEX #8DBC0F

RGB 141 188 15

HSL 76.3, 0.85%, 0.4%

LAB 70.64, -36.63, 69.4

 

CMYK 0 / 0 / 92 / 26

HEX #BCBC0F

RGB 188 188 15

HSL 60, 0.85%, 0.4%

LAB 73.99, -16.96, 73.47

 

CMYK 92 / 0 / 85 / 26

HEX #0FBC1D

RGB 15 188 29

HSL 124.86, 0.85%, 0.4%

LAB 66.64, -66.95, 61.71

 

CMYK 92 / 0 / 60 / 26

HEX #0FBC4C

RGB 15 188 76

HSL 141.16, 0.85%, 0.4%

LAB 66.97, -62.8, 44.89

 

CMYK 92 / 0 / 35 / 26

HEX #0FBC7A

RGB 15 188 122

HSL 157.11, 0.85%, 0.4%

LAB 67.63, -54.92, 22.54

 

CMYK 92 / 0 / 10 / 26

HEX #0FBCA9

RGB 15 188 169

HSL 173.41, 0.85%, 0.4%

LAB 68.7, -43.28, -1.51

 

CMYK 92 / 14 / 0 / 26

HEX #0FA1BC

RGB 15 161 188

HSL 189.36, 0.85%, 0.4%

LAB 60.98, -24.71, -23.67

 

CMYK 92 / 0 / 85 / 26

HEX #0FBC1D

RGB 15 188 29

HSL 124.86, 0.85%, 0.4%

LAB 66.64, -66.95, 61.71

 

CMYK 92 / 0 / 85 / 26

HEX #0FBC1D

RGB 15 188 29

HSL 124.86, 0.85%, 0.4%

LAB 66.64, -66.95, 61.71

 

CMYK 82 / 0 / 75 / 33

HEX #1FAC2B

RGB 31 172 43

HSL 125.11, 0.69%, 0.4%

LAB 61.63, -59.95, 52.82

 

CMYK 69 / 0 / 63 / 39

HEX #309B39

RGB 48 155 57

HSL 125.05, 0.53%, 0.4%

LAB 56.45, -50.27, 41.67

 

CMYK 54 / 0 / 50 / 45

HEX #408B46

RGB 64 139 70

HSL 124.8, 0.37%, 0.4%

LAB 51.83, -38.44, 29.84

 

CMYK 34 / 0 / 31 / 52

HEX #517A54

RGB 81 122 84

HSL 124.39, 0.2%, 0.4%

LAB 47.38, -22.67, 16.39

 

CMYK 49 / 0 / 92 / 26

HEX #60BC0F

RGB 96 188 15

HSL 91.91, 0.85%, 0.4%

LAB 68.38, -52.61, 66.62

 

CMYK 74 / 0 / 92 / 26

HEX #31BC0F

RGB 49 188 15

HSL 108.21, 0.85%, 0.4%

LAB 67.02, -63.76, 64.94

 

CMYK 92 / 0 / 86 / 26

HEX #0FBC1A

RGB 15 188 26

HSL 123.82, 0.85%, 0.4%

LAB 66.63, -67.09, 62.4

 

CMYK 92 / 0 / 61 / 26

HEX #0FBC49

RGB 15 188 73

HSL 140.12, 0.85%, 0.4%

LAB 66.94, -63.18, 46.22

 

CMYK 92 / 0 / 37 / 26

HEX #0FBC77

RGB 15 188 119

HSL 156.07, 0.85%, 0.4%

LAB 67.58, -55.54, 24.06

 

CMYK 92 / 0 / 85 / 56

HEX #097011

RGB 9 112 17

HSL 124.66, 0.85%, 0.24%

LAB 40.71, -45.28, 41.17

 

CMYK 92 / 0 / 85 / 41

HEX #0C9617

RGB 12 150 23

HSL 124.78, 0.85%, 0.32%

LAB 53.98, -56.4, 51.72

 

CMYK 92 / 0 / 85 / 26

HEX #0FBC1D

RGB 15 188 29

HSL 124.86, 0.85%, 0.4%

LAB 66.64, -66.95, 61.71

 

CMYK 92 / 0 / 85 / 11

HEX #12E223

RGB 18 226 35

HSL 124.9, 0.85%, 0.48%

LAB 78.83, -77.08, 71.29

 

CMYK 80 / 0 / 74 / 7

HEX #30EE3F

RGB 48 238 63

HSL 124.74, 0.85%, 0.56%

LAB 82.99, -76.34, 67.43

 

CMYK 92 / 0 / 85 / 26

HEX #0FBC1D

RGB 15 188 29

HSL 124.86, 0.85%, 0.4%

LAB 66.64, -66.95, 61.71

 

CMYK 92 / 24 / 0 / 26

HEX #0F8EBC

RGB 15 142 188

HSL 195.95, 0.85%, 0.4%

LAB 55.15, -14.61, -32.68

 

CMYK 0 / 92 / 61 / 26

HEX #BC0F49

RGB 188 15 73

HSL 339.88, 0.85%, 0.4%

LAB 40.43, 64.27, 15.83

 

CMYK 92 / 0 / 85 / 26

HEX #0FBC1D

RGB 15 188 29

HSL 124.86, 0.85%, 0.4%

LAB 66.64, -66.95, 61.71

 

CMYK 86 / 92 / 0 / 26

HEX #1A0FBC

RGB 26 15 188

HSL 243.82, 0.85%, 0.4%

LAB 24.3, 59.76, -82.61

 

CMYK 0 / 86 / 92 / 26

HEX #BC1A0F

RGB 188 26 15

HSL 3.82, 0.85%, 0.4%

LAB 40.35, 60.3, 48.71

 

CMYK 92 / 0 / 85 / 26

HEX #0FBC1D

RGB 15 188 29

HSL 124.86, 0.85%, 0.4%

LAB 66.64, -66.95, 61.71

 

CMYK 92 / 24 / 0 / 26

HEX #0F8EBC

RGB 15 142 188

HSL 195.95, 0.85%, 0.4%

LAB 55.15, -14.61, -32.68

 

CMYK 0 / 92 / 6 / 26

HEX #BC0FB1

RGB 188 15 177

HSL 303.82, 0.85%, 0.4%

LAB 44.53, 75.11, -42.17

 

CMYK 0 / 68 / 92 / 26

HEX #BC3D0F

RGB 188 61 15

HSL 15.95, 0.85%, 0.4%

LAB 44.32, 49.26, 51.41

 

CMYK 92 / 0 / 85 / 26

HEX #0FBC1D

RGB 15 188 29

HSL 124.86, 0.85%, 0.4%

LAB 66.64, -66.95, 61.71

 

CMYK 92 / 52 / 0 / 26

HEX #0F5ABC

RGB 15 90 188

HSL 213.99, 0.85%, 0.4%

LAB 39.66, 17.26, -57.34

 

CMYK 0 / 92 / 6 / 26

HEX #BC0FB1

RGB 188 15 177

HSL 303.82, 0.85%, 0.4%

LAB 44.53, 75.11, -42.17

 

CMYK 0 / 40 / 92 / 26

HEX #BC710F

RGB 188 113 15

HSL 33.99, 0.85%, 0.4%

LAB 54.59, 23.31, 58.77

 

Description

Color code: RGB 15 188 29 | qconv.com Color code: RGB 15 188 29 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 188 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 188 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 85 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 85% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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