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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 162 215 it is the complementary color RGB 240 93 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 162 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15 162 215 shade: RGB 20 162 210, RGB 37 180 229, RGB 54 198 248, RGB 71 216 255 and RGB 88 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 162 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15 162 215 shade: RGB 15 162 215, RGB 0 144 196, RGB 0 126 177, RGB 0 108 158 and RGB 0 90 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15 162 215 shade: RGB 15 162 215, RGB 15 108 215, RGB 15 54 215, RGB 30 15 215 and RGB 84 15 215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15 162 215 shade: RGB 15 162 215, RGB 15 108 215, RGB 15 54 215 and RGB 15 15 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15 162 215 shade matches the following richer shades: RGB 15 162 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15 162 215 shade: RGB 15 162 215, RGB 33 153 196, RGB 52 144 177, RGB 71 135 159 and RGB 89 127 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15 162 215 shade: RGB 15 215 158, RGB 15 215 211, RGB 15 165 215, RGB 15 111 215 and RGB 15 58 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15 162 215 shade: RGB 10 104 137, RGB 12 133 176, RGB 15 162 215, RGB 31 184 239 and RGB 70 196 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15 162 215 shade: RGB 15 162 215, RGB 105 15 215 and RGB 215 185 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15 162 215 shade: RGB 15 162 215, RGB 215 15 165 and RGB 165 215 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15 162 215 shade: RGB 15 162 215, RGB 105 15 215, RGB 215 65 15 and RGB 125 215 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15 162 215 shade: RGB 15 162 215, RGB 165 15 215, RGB 215 65 15 and RGB 65 215 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 25 / 0 / 16

HEX #0FA2D7

RGB 15 162 215

HSL 195.9, 0.87%, 0.45%

LAB 62.38, -15.86, -36.57

 

Complementary color

CMYK 0 / 61 / 83 / 6

HEX #F05D28

RGB 240 93 40

HSL 15.9, 0.87%, 0.55%

LAB 58.52, 54.23, 56.84

 

CMYK 90 / 23 / 0 / 18

HEX #14A2D2

RGB 20 162 210

HSL 195.16, 0.83%, 0.45%

LAB 62.2, -17.41, -34.06

 

CMYK 84 / 21 / 0 / 10

HEX #25B4E5

RGB 37 180 229

HSL 195.31, 0.79%, 0.52%

LAB 68.53, -19.33, -34.7

 

CMYK 78 / 20 / 0 / 3

HEX #36C6F8

RGB 54 198 248

HSL 195.46, 0.93%, 0.59%

LAB 74.79, -20.89, -35.26

 

CMYK 72 / 15 / 0 / 0

HEX #47D8FF

RGB 71 216 255

HSL 192.72, 1%, 0.64%

LAB 80.56, -25.9, -30.08

 

CMYK 65 / 8 / 0 / 0

HEX #58EAFF

RGB 88 234 255

HSL 187.54, 1%, 0.67%

LAB 86.08, -32.37, -21.63

 

CMYK 93 / 25 / 0 / 16

HEX #0FA2D7

RGB 15 162 215

HSL 195.9, 0.87%, 0.45%

LAB 62.38, -15.86, -36.57

 

CMYK 100 / 27 / 0 / 23

HEX #0090C4

RGB 0 144 196

HSL 195.92, 1%, 0.38%

LAB 56.02, -13.35, -35.87

 

CMYK 100 / 29 / 0 / 31

HEX #007EB1

RGB 0 126 177

HSL 197.29, 1%, 0.35%

LAB 49.61, -10.25, -35.05

 

CMYK 100 / 32 / 0 / 38

HEX #006C9E

RGB 0 108 158

HSL 198.99, 1%, 0.31%

LAB 43.05, -7, -34.25

 

CMYK 100 / 35 / 0 / 45

HEX #005A8B

RGB 0 90 139

HSL 201.15, 1%, 0.27%

LAB 36.32, -3.55, -33.49

 

CMYK 93 / 25 / 0 / 16

HEX #0FA2D7

RGB 15 162 215

HSL 195.9, 0.87%, 0.45%

LAB 62.38, -15.86, -36.57

 

CMYK 93 / 50 / 0 / 16

HEX #0F6CD7

RGB 15 108 215

HSL 212.1, 0.87%, 0.45%

LAB 46.62, 16.28, -61.62

 

CMYK 93 / 75 / 0 / 16

HEX #0F36D7

RGB 15 54 215

HSL 228.3, 0.87%, 0.45%

LAB 33.23, 50.46, -83.55

 

CMYK 86 / 93 / 0 / 16

HEX #1E0FD7

RGB 30 15 215

HSL 244.5, 0.87%, 0.45%

LAB 28.18, 67.01, -91.95

 

CMYK 61 / 93 / 0 / 16

HEX #540FD7

RGB 84 15 215

HSL 260.7, 0.87%, 0.45%

LAB 32.11, 69.25, -85.3

 

CMYK 93 / 25 / 0 / 16

HEX #0FA2D7

RGB 15 162 215

HSL 195.9, 0.87%, 0.45%

LAB 62.38, -15.86, -36.57

 

CMYK 93 / 50 / 0 / 16

HEX #0F6CD7

RGB 15 108 215

HSL 212.1, 0.87%, 0.45%

LAB 46.62, 16.28, -61.62

 

CMYK 93 / 75 / 0 / 16

HEX #0F36D7

RGB 15 54 215

HSL 228.3, 0.87%, 0.45%

LAB 33.23, 50.46, -83.55

 

CMYK 93 / 93 / 0 / 16

HEX #0F0FD7

RGB 15 15 215

HSL 240, 0.87%, 0.45%

LAB 27.71, 66.77, -92.75

 

CMYK 93 / 25 / 0 / 16

HEX #0FA2D7

RGB 15 162 215

HSL 195.9, 0.87%, 0.45%

LAB 62.38, -15.86, -36.57

 

CMYK 93 / 25 / 0 / 16

HEX #0FA2D7

RGB 15 162 215

HSL 195.9, 0.87%, 0.45%

LAB 62.38, -15.86, -36.57

 

CMYK 83 / 22 / 0 / 23

HEX #2199C4

RGB 33 153 196

HSL 195.83, 0.71%, 0.45%

LAB 59.06, -16.62, -31.11

 

CMYK 71 / 19 / 0 / 31

HEX #3490B1

RGB 52 144 177

HSL 195.84, 0.55%, 0.45%

LAB 55.94, -16.07, -25.14

 

CMYK 55 / 15 / 0 / 38

HEX #47879F

RGB 71 135 159

HSL 196.36, 0.38%, 0.45%

LAB 53.14, -13.44, -19.05

 

CMYK 36 / 9 / 0 / 45

HEX #597F8C

RGB 89 127 140

HSL 195.29, 0.22%, 0.45%

LAB 50.92, -9.83, -11.28

 

CMYK 93 / 0 / 27 / 16

HEX #0FD79E

RGB 15 215 158

HSL 162.9, 0.87%, 0.45%

LAB 76.78, -56.98, 16.01

 

CMYK 93 / 0 / 2 / 16

HEX #0FD7D3

RGB 15 215 211

HSL 178.8, 0.87%, 0.45%

LAB 78.11, -43.05, -10.37

 

CMYK 93 / 23 / 0 / 16

HEX #0FA5D7

RGB 15 165 215

HSL 195, 0.87%, 0.45%

LAB 63.28, -17.47, -35.18

 

CMYK 93 / 48 / 0 / 16

HEX #0F6FD7

RGB 15 111 215

HSL 211.2, 0.87%, 0.45%

LAB 47.46, 14.36, -60.26

 

CMYK 93 / 73 / 0 / 16

HEX #0F3AD7

RGB 15 58 215

HSL 227.1, 0.87%, 0.45%

LAB 34.05, 48.16, -82.19

 

CMYK 93 / 24 / 0 / 46

HEX #0A6889

RGB 10 104 137

HSL 195.59, 0.86%, 0.29%

LAB 40.85, -12.27, -25.15

 

CMYK 93 / 24 / 0 / 31

HEX #0C85B0

RGB 12 133 176

HSL 195.73, 0.87%, 0.37%

LAB 51.82, -14.12, -31

 

CMYK 93 / 25 / 0 / 16

HEX #0FA2D7

RGB 15 162 215

HSL 195.9, 0.87%, 0.45%

LAB 62.38, -15.86, -36.57

 

CMYK 87 / 23 / 0 / 6

HEX #1FB8EF

RGB 31 184 239

HSL 195.87, 0.87%, 0.53%

LAB 70.04, -18.42, -37.8

 

CMYK 71 / 19 / 0 / 5

HEX #46C4F2

RGB 70 196 242

HSL 196.05, 0.87%, 0.61%

LAB 74.31, -19.99, -32.74

 

CMYK 93 / 25 / 0 / 16

HEX #0FA2D7

RGB 15 162 215

HSL 195.9, 0.87%, 0.45%

LAB 62.38, -15.86, -36.57

 

CMYK 51 / 93 / 0 / 16

HEX #690FD7

RGB 105 15 215

HSL 267, 0.87%, 0.45%

LAB 34.5, 70.84, -81.26

 

CMYK 0 / 14 / 93 / 16

HEX #D7B90F

RGB 215 185 15

HSL 51, 0.87%, 0.45%

LAB 75.56, -3.65, 75.71

 

CMYK 93 / 25 / 0 / 16

HEX #0FA2D7

RGB 15 162 215

HSL 195.9, 0.87%, 0.45%

LAB 62.38, -15.86, -36.57

 

CMYK 0 / 93 / 23 / 16

HEX #D70FA5

RGB 215 15 165

HSL 315, 0.87%, 0.45%

LAB 48.89, 78.64, -27.85

 

CMYK 23 / 0 / 93 / 16

HEX #A5D70F

RGB 165 215 15

HSL 75, 0.87%, 0.45%

LAB 79.97, -39.29, 77.46

 

CMYK 93 / 25 / 0 / 16

HEX #0FA2D7

RGB 15 162 215

HSL 195.9, 0.87%, 0.45%

LAB 62.38, -15.86, -36.57

 

CMYK 51 / 93 / 0 / 16

HEX #690FD7

RGB 105 15 215

HSL 267, 0.87%, 0.45%

LAB 34.5, 70.84, -81.26

 

CMYK 0 / 70 / 93 / 16

HEX #D7410F

RGB 215 65 15

HSL 15, 0.87%, 0.45%

LAB 49.81, 56.76, 57.43

 

CMYK 42 / 0 / 93 / 16

HEX #7DD70F

RGB 125 215 15

HSL 87, 0.87%, 0.45%

LAB 77.87, -53.75, 74.89

 

CMYK 93 / 25 / 0 / 16

HEX #0FA2D7

RGB 15 162 215

HSL 195.9, 0.87%, 0.45%

LAB 62.38, -15.86, -36.57

 

CMYK 23 / 93 / 0 / 16

HEX #A50FD7

RGB 165 15 215

HSL 285, 0.87%, 0.45%

LAB 43.13, 77.62, -66.77

 

CMYK 0 / 70 / 93 / 16

HEX #D7410F

RGB 215 65 15

HSL 15, 0.87%, 0.45%

LAB 49.81, 56.76, 57.43

 

CMYK 70 / 0 / 93 / 16

HEX #41D70F

RGB 65 215 15

HSL 105, 0.87%, 0.45%

LAB 75.92, -69.3, 72.49

 

Description

Color code: RGB 15 162 215 | qconv.com Color code: RGB 15 162 215 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 162 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 162 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 25 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 25% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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