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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 53 173 it is the complementary color RGB 96 202 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 53 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 53 173 shade: RGB 164 53 168, RGB 181 71 187, RGB 198 89 206, RGB 215 107 225 and RGB 232 125 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 53 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 53 173 shade: RGB 159 53 173, RGB 142 35 154, RGB 125 17 135, RGB 108 0 116 and RGB 91 0 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 53 173 shade: RGB 158 53 172, RGB 172 53 153, RGB 172 53 121, RGB 172 53 89 and RGB 172 53 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 53 173 shade: RGB 158 53 172, RGB 126 53 172, RGB 94 53 172, RGB 62 53 172 and RGB 53 53 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 53 173 shade matches the following richer shades: RGB 158 53 172, RGB 172 35 190 and RGB 186 16 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 53 173 shade: RGB 158 53 172, RGB 144 71 154, RGB 130 89 135, RGB 116 107 117 and RGB 102 125 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 53 173 shade: RGB 94 53 172, RGB 126 53 172, RGB 158 53 172, RGB 172 53 154 and RGB 172 53 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 53 173 shade: RGB 100 33 109, RGB 129 43 140, RGB 158 53 172, RGB 182 68 198 and RGB 195 100 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 53 173 shade: RGB 159 53 173, RGB 172 63 53 and RGB 53 172 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 53 173 shade: RGB 159 53 173, RGB 172 158 53 and RGB 53 172 158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 53 173 shade: RGB 159 53 173, RGB 172 63 53, RGB 67 172 53 and RGB 53 162 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 53 173 shade: RGB 159 53 173, RGB 172 98 53, RGB 67 172 53 and RGB 53 126 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 69 / 0 / 32

HEX #9F35AD

RGB 159 53 173

HSL 293, 0.53%, 0.44%

LAB 42.66, 59.23, -43.06

 

Complementary color

CMYK 52 / 0 / 59 / 21

HEX #60CA52

RGB 96 202 82

HSL 113, 0.53%, 0.56%

LAB 73.11, -53.54, 49.7

 

CMYK 2 / 68 / 0 / 34

HEX #A435A8

RGB 164 53 168

HSL 297.91, 0.52%, 0.43%

LAB 43.16, 59.48, -39.25

 

CMYK 3 / 62 / 0 / 27

HEX #B547BB

RGB 181 71 187

HSL 296.9, 0.46%, 0.51%

LAB 49.4, 59.6, -40.38

 

CMYK 4 / 57 / 0 / 19

HEX #C659CE

RGB 198 89 206

HSL 295.9, 0.54%, 0.58%

LAB 55.69, 59.33, -41.22

 

CMYK 4 / 52 / 0 / 12

HEX #D76BE1

RGB 215 107 225

HSL 294.92, 0.66%, 0.65%

LAB 62, 58.84, -41.86

 

CMYK 5 / 49 / 0 / 4

HEX #E87DF4

RGB 232 125 244

HSL 293.95, 0.84%, 0.72%

LAB 68.28, 58.22, -42.38

 

CMYK 8 / 69 / 0 / 32

HEX #9F35AD

RGB 159 53 173

HSL 293, 0.53%, 0.44%

LAB 42.66, 59.23, -43.06

 

CMYK 8 / 77 / 0 / 40

HEX #8E239A

RGB 142 35 154

HSL 293.95, 0.63%, 0.37%

LAB 36.53, 58.51, -41.62

 

CMYK 7 / 87 / 0 / 47

HEX #7D1187

RGB 125 17 135

HSL 294.92, 0.78%, 0.3%

LAB 30.66, 56.68, -39.5

 

CMYK 7 / 100 / 0 / 55

HEX #6C0074

RGB 108 0 116

HSL 295.86, 1%, 0.23%

LAB 25.1, 53.53, -36.59

 

CMYK 6 / 100 / 0 / 62

HEX #5B0061

RGB 91 0 97

HSL 296.29, 1%, 0.19%

LAB 20.39, 47.32, -31.97

 

CMYK 8 / 69 / 0 / 33

HEX #9E35AC

RGB 158 53 172

HSL 292.94, 0.53%, 0.44%

LAB 42.45, 58.82, -42.82

 

CMYK 0 / 69 / 11 / 33

HEX #AC3599

RGB 172 53 153

HSL 309.58, 0.53%, 0.44%

LAB 43.68, 58.95, -29.38

 

CMYK 0 / 69 / 30 / 33

HEX #AC3579

RGB 172 53 121

HSL 325.71, 0.53%, 0.44%

LAB 42.3, 54.46, -12.01

 

CMYK 0 / 69 / 48 / 33

HEX #AC3559

RGB 172 53 89

HSL 341.85, 0.53%, 0.44%

LAB 41.28, 50.96, 6.41

 

CMYK 0 / 69 / 67 / 33

HEX #AC3539

RGB 172 53 57

HSL 357.98, 0.53%, 0.44%

LAB 40.59, 48.55, 25.44

 

CMYK 8 / 69 / 0 / 33

HEX #9E35AC

RGB 158 53 172

HSL 292.94, 0.53%, 0.44%

LAB 42.45, 58.82, -42.82

 

CMYK 27 / 69 / 0 / 33

HEX #7E35AC

RGB 126 53 172

HSL 276.81, 0.53%, 0.44%

LAB 37.77, 51.72, -50.58

 

CMYK 45 / 69 / 0 / 33

HEX #5E35AC

RGB 94 53 172

HSL 260.67, 0.53%, 0.44%

LAB 33.78, 45.23, -57.23

 

CMYK 64 / 69 / 0 / 33

HEX #3E35AC

RGB 62 53 172

HSL 244.54, 0.53%, 0.44%

LAB 30.76, 39.93, -62.3

 

CMYK 69 / 69 / 0 / 33

HEX #3535AC

RGB 53 53 172

HSL 240, 0.53%, 0.44%

LAB 30.11, 38.75, -63.38

 

CMYK 8 / 69 / 0 / 33

HEX #9E35AC

RGB 158 53 172

HSL 292.94, 0.53%, 0.44%

LAB 42.45, 58.82, -42.82

 

CMYK 9 / 82 / 0 / 25

HEX #AC23BE

RGB 172 35 190

HSL 293.03, 0.69%, 0.44%

LAB 43.79, 70.62, -51.16

 

CMYK 11 / 92 / 0 / 18

HEX #BA10D0

RGB 186 16 208

HSL 293.13, 0.86%, 0.44%

LAB 46.13, 79.39, -57.72

 

CMYK 8 / 69 / 0 / 33

HEX #9E35AC

RGB 158 53 172

HSL 292.94, 0.53%, 0.44%

LAB 42.45, 58.82, -42.82

 

CMYK 6 / 54 / 0 / 40

HEX #90479A

RGB 144 71 154

HSL 292.77, 0.37%, 0.44%

LAB 42.41, 43.56, -32.27

 

CMYK 4 / 34 / 0 / 47

HEX #825987

RGB 130 89 135

HSL 293.48, 0.21%, 0.44%

LAB 43.71, 25.17, -18.94

 

CMYK 1 / 9 / 0 / 54

HEX #746B75

RGB 116 107 117

HSL 294, 0.04%, 0.44%

LAB 46.33, 5.51, -4.29

 

CMYK 18 / 0 / 21 / 51

HEX #667D63

RGB 102 125 99

HSL 113.08, 0.12%, 0.44%

LAB 49.97, -13.76, 11.47

 

CMYK 45 / 69 / 0 / 33

HEX #5E35AC

RGB 94 53 172

HSL 260.67, 0.53%, 0.44%

LAB 33.78, 45.23, -57.23

 

CMYK 27 / 69 / 0 / 33

HEX #7E35AC

RGB 126 53 172

HSL 276.81, 0.53%, 0.44%

LAB 37.77, 51.72, -50.58

 

CMYK 8 / 69 / 0 / 33

HEX #9E35AC

RGB 158 53 172

HSL 292.94, 0.53%, 0.44%

LAB 42.45, 58.82, -42.82

 

CMYK 0 / 69 / 10 / 33

HEX #AC359A

RGB 172 53 154

HSL 309.08, 0.53%, 0.44%

LAB 43.73, 59.11, -29.91

 

CMYK 0 / 69 / 29 / 33

HEX #AC357A

RGB 172 53 122

HSL 325.21, 0.53%, 0.44%

LAB 42.34, 54.59, -12.57

 

CMYK 8 / 70 / 0 / 57

HEX #64216D

RGB 100 33 109

HSL 292.89, 0.54%, 0.28%

LAB 26.45, 41.14, -30.02

 

CMYK 8 / 69 / 0 / 45

HEX #812B8C

RGB 129 43 140

HSL 293.2, 0.53%, 0.36%

LAB 34.58, 50.09, -36.3

 

CMYK 8 / 69 / 0 / 33

HEX #9E35AC

RGB 158 53 172

HSL 292.94, 0.53%, 0.44%

LAB 42.45, 58.82, -42.82

 

CMYK 8 / 66 / 0 / 22

HEX #B644C6

RGB 182 68 198

HSL 292.62, 0.53%, 0.52%

LAB 49.69, 63.08, -46.29

 

CMYK 6 / 52 / 0 / 19

HEX #C364CF

RGB 195 100 207

HSL 293.27, 0.53%, 0.6%

LAB 57.29, 53.48, -39.3

 

CMYK 8 / 69 / 0 / 32

HEX #9F35AD

RGB 159 53 173

HSL 293, 0.53%, 0.44%

LAB 42.66, 59.23, -43.06

 

CMYK 0 / 63 / 69 / 33

HEX #AC3F35

RGB 172 63 53

HSL 5.04, 0.53%, 0.44%

LAB 42.13, 44.01, 29.7

 

CMYK 69 / 0 / 36 / 33

HEX #35AC6E

RGB 53 172 110

HSL 148.74, 0.53%, 0.44%

LAB 62.83, -47.27, 22.6

 

CMYK 8 / 69 / 0 / 32

HEX #9F35AD

RGB 159 53 173

HSL 293, 0.53%, 0.44%

LAB 42.66, 59.23, -43.06

 

CMYK 0 / 8 / 69 / 33

HEX #AC9E35

RGB 172 158 53

HSL 52.94, 0.53%, 0.44%

LAB 64.55, -7.21, 54.23

 

CMYK 69 / 0 / 8 / 33

HEX #35AC9E

RGB 53 172 158

HSL 172.94, 0.53%, 0.44%

LAB 63.94, -35.77, -2.34

 

CMYK 8 / 69 / 0 / 32

HEX #9F35AD

RGB 159 53 173

HSL 293, 0.53%, 0.44%

LAB 42.66, 59.23, -43.06

 

CMYK 0 / 63 / 69 / 33

HEX #AC3F35

RGB 172 63 53

HSL 5.04, 0.53%, 0.44%

LAB 42.13, 44.01, 29.7

 

CMYK 61 / 0 / 69 / 33

HEX #43AC35

RGB 67 172 53

HSL 112.94, 0.53%, 0.44%

LAB 62.47, -52.65, 50.12

 

CMYK 69 / 6 / 0 / 33

HEX #35A2AC

RGB 53 162 172

HSL 185.04, 0.53%, 0.44%

LAB 61.29, -26.91, -14.15

 

CMYK 8 / 69 / 0 / 32

HEX #9F35AD

RGB 159 53 173

HSL 293, 0.53%, 0.44%

LAB 42.66, 59.23, -43.06

 

CMYK 0 / 43 / 69 / 33

HEX #AC6235

RGB 172 98 53

HSL 22.69, 0.53%, 0.44%

LAB 49.21, 26.04, 37.89

 

CMYK 61 / 0 / 69 / 33

HEX #43AC35

RGB 67 172 53

HSL 112.94, 0.53%, 0.44%

LAB 62.47, -52.65, 50.12

 

CMYK 69 / 27 / 0 / 33

HEX #357EAC

RGB 53 126 172

HSL 203.19, 0.53%, 0.44%

LAB 50.28, -7.49, -31.04

 

Description

Color code: RGB 159 53 173 | qconv.com Color code: RGB 159 53 173 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 53 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 53 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 69 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 69% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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