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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 217 84 it is the complementary color RGB 96 38 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 217 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 217 84 shade: RGB 164 217 79, RGB 181 235 98, RGB 198 253 117, RGB 215 255 136 and RGB 232 255 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 217 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 217 84 shade: RGB 159 217 84, RGB 142 199 65, RGB 125 181 46, RGB 108 163 27 and RGB 91 145 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 217 84 shade: RGB 159 217 84, RGB 195 217 84, RGB 217 204 84, RGB 217 167 84 and RGB 217 131 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 217 84 shade: RGB 159 217 84, RGB 123 217 84, RGB 87 217 84, RGB 84 217 116 and RGB 84 217 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 217 84 shade matches the following richer shades: RGB 159 217 84, RGB 161 234 67 and RGB 163 251 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 217 84 shade: RGB 159 217 84, RGB 157 200 100, RGB 155 184 117, RGB 153 167 134 and RGB 150 150 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 217 84 shade: RGB 217 204 84, RGB 195 217 84, RGB 159 217 84, RGB 124 217 84 and RGB 88 217 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 217 84 shade: RGB 118 179 39, RGB 140 210 50, RGB 159 217 84, RGB 178 225 117 and RGB 197 232 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 217 84 shade: RGB 159 217 84, RGB 84 217 168 and RGB 217 84 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 217 84 shade: RGB 159 217 84, RGB 84 159 217 and RGB 217 84 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 217 84 shade: RGB 159 217 84, RGB 84 217 168, RGB 142 84 217 and RGB 217 84 133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 217 84 shade: RGB 159 217 84, RGB 84 217 208, RGB 142 84 217 and RGB 217 84 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 61 / 15

HEX #9FD954

RGB 159 217 84

HSL 86.17, 0.64%, 0.59%

LAB 80.54, -39.2, 57.98

 

Complementary color

CMYK 44 / 78 / 0 / 33

HEX #6026AB

RGB 96 38 171

HSL 266.17, 0.64%, 0.41%

LAB 31.38, 52.52, -60.55

 

CMYK 24 / 0 / 64 / 15

HEX #A4D94F

RGB 164 217 79

HSL 83.04, 0.64%, 0.58%

LAB 80.78, -37.75, 60.42

 

CMYK 23 / 0 / 58 / 8

HEX #B5EB62

RGB 181 235 98

HSL 83.65, 0.77%, 0.65%

LAB 87.06, -37.99, 59.61

 

CMYK 22 / 0 / 54 / 1

HEX #C6FD75

RGB 198 253 117

HSL 84.26, 0.97%, 0.73%

LAB 93.25, -38.15, 58.65

 

CMYK 16 / 0 / 47 / 0

HEX #D7FF88

RGB 215 255 136

HSL 80.17, 1%, 0.77%

LAB 95.05, -30.99, 52.37

 

CMYK 9 / 0 / 39 / 0

HEX #E8FF9B

RGB 232 255 155

HSL 73.8, 1%, 0.8%

LAB 96.43, -22.66, 45.27

 

CMYK 27 / 0 / 61 / 15

HEX #9FD954

RGB 159 217 84

HSL 86.17, 0.64%, 0.59%

LAB 80.54, -39.2, 57.98

 

CMYK 29 / 0 / 67 / 22

HEX #8EC741

RGB 142 199 65

HSL 85.52, 0.54%, 0.52%

LAB 74.18, -38.94, 58.65

 

CMYK 31 / 0 / 75 / 29

HEX #7DB52E

RGB 125 181 46

HSL 84.89, 0.59%, 0.45%

LAB 67.73, -38.53, 58.88

 

CMYK 34 / 0 / 83 / 36

HEX #6CA31B

RGB 108 163 27

HSL 84.26, 0.72%, 0.37%

LAB 61.19, -37.91, 58.28

 

CMYK 37 / 0 / 94 / 43

HEX #5B9108

RGB 91 145 8

HSL 83.65, 0.9%, 0.3%

LAB 54.55, -37.01, 56.23

 

CMYK 27 / 0 / 61 / 15

HEX #9FD954

RGB 159 217 84

HSL 86.17, 0.64%, 0.59%

LAB 80.54, -39.2, 57.98

 

CMYK 10 / 0 / 61 / 15

HEX #C3D954

RGB 195 217 84

HSL 69.92, 0.64%, 0.59%

LAB 82.84, -25.35, 61.16

 

CMYK 0 / 6 / 61 / 15

HEX #D9CC54

RGB 217 204 84

HSL 54.14, 0.64%, 0.59%

LAB 81.06, -9.92, 59.73

 

CMYK 0 / 23 / 61 / 15

HEX #D9A754

RGB 217 167 84

HSL 37.44, 0.64%, 0.59%

LAB 71.57, 9.41, 49.16

 

CMYK 0 / 40 / 61 / 15

HEX #D98354

RGB 217 131 84

HSL 21.2, 0.64%, 0.59%

LAB 63.03, 28.76, 39.13

 

CMYK 27 / 0 / 61 / 15

HEX #9FD954

RGB 159 217 84

HSL 86.17, 0.64%, 0.59%

LAB 80.54, -39.2, 57.98

 

CMYK 43 / 0 / 61 / 15

HEX #7BD954

RGB 123 217 84

HSL 102.41, 0.64%, 0.59%

LAB 78.74, -51.41, 55.48

 

CMYK 60 / 0 / 61 / 15

HEX #57D954

RGB 87 217 84

HSL 118.65, 0.64%, 0.59%

LAB 77.46, -61.1, 53.69

 

CMYK 61 / 0 / 47 / 15

HEX #54D974

RGB 84 217 116

HSL 134.44, 0.64%, 0.59%

LAB 77.74, -57.59, 39.08

 

CMYK 61 / 0 / 30 / 15

HEX #54D998

RGB 84 217 152

HSL 150.68, 0.64%, 0.59%

LAB 78.33, -51.19, 21.48

 

CMYK 27 / 0 / 61 / 15

HEX #9FD954

RGB 159 217 84

HSL 86.17, 0.64%, 0.59%

LAB 80.54, -39.2, 57.98

 

CMYK 31 / 0 / 71 / 8

HEX #A1EA43

RGB 161 234 67

HSL 86.23, 0.8%, 0.59%

LAB 85.42, -47.06, 69.69

 

CMYK 35 / 0 / 80 / 2

HEX #A3FB32

RGB 163 251 50

HSL 86.27, 0.96%, 0.59%

LAB 90.33, -54.2, 79.49

 

CMYK 27 / 0 / 61 / 15

HEX #9FD954

RGB 159 217 84

HSL 86.17, 0.64%, 0.59%

LAB 80.54, -39.2, 57.98

 

CMYK 22 / 0 / 50 / 22

HEX #9DC864

RGB 157 200 100

HSL 85.8, 0.48%, 0.59%

LAB 75.7, -30.63, 45.08

 

CMYK 16 / 0 / 36 / 28

HEX #9BB875

RGB 155 184 117

HSL 85.97, 0.32%, 0.59%

LAB 71.24, -21.54, 30.86

 

CMYK 8 / 0 / 20 / 35

HEX #99A786

RGB 153 167 134

HSL 85.45, 0.16%, 0.59%

LAB 66.62, -10.99, 15.45

 

CMYK 1 / 1 / 0 / 41

HEX #969697

RGB 150 150 151

HSL 240, 0%, 0.59%

LAB 62.11, 0.2, -0.53

 

CMYK 0 / 6 / 61 / 15

HEX #D9CC54

RGB 217 204 84

HSL 54.14, 0.64%, 0.59%

LAB 81.06, -9.92, 59.73

 

CMYK 10 / 0 / 61 / 15

HEX #C3D954

RGB 195 217 84

HSL 69.92, 0.64%, 0.59%

LAB 82.84, -25.35, 61.16

 

CMYK 27 / 0 / 61 / 15

HEX #9FD954

RGB 159 217 84

HSL 86.17, 0.64%, 0.59%

LAB 80.54, -39.2, 57.98

 

CMYK 43 / 0 / 61 / 15

HEX #7CD954

RGB 124 217 84

HSL 101.95, 0.64%, 0.59%

LAB 78.78, -51.1, 55.54

 

CMYK 59 / 0 / 61 / 15

HEX #58D954

RGB 88 217 84

HSL 118.2, 0.64%, 0.59%

LAB 77.48, -60.87, 53.73

 

CMYK 34 / 0 / 78 / 30

HEX #76B327

RGB 118 179 39

HSL 86.14, 0.64%, 0.43%

LAB 66.7, -40.63, 60.06

 

CMYK 33 / 0 / 76 / 18

HEX #8CD232

RGB 140 210 50

HSL 86.25, 0.64%, 0.51%

LAB 77.22, -45.36, 66.96

 

CMYK 27 / 0 / 61 / 15

HEX #9FD954

RGB 159 217 84

HSL 86.17, 0.64%, 0.59%

LAB 80.54, -39.2, 57.98

 

CMYK 21 / 0 / 48 / 12

HEX #B2E175

RGB 178 225 117

HSL 86.11, 0.64%, 0.67%

LAB 84.28, -32.69, 47.64

 

CMYK 15 / 0 / 35 / 9

HEX #C5E897

RGB 197 232 151

HSL 85.93, 0.64%, 0.75%

LAB 87.88, -24.96, 35.73

 

CMYK 27 / 0 / 61 / 15

HEX #9FD954

RGB 159 217 84

HSL 86.17, 0.64%, 0.59%

LAB 80.54, -39.2, 57.98

 

CMYK 61 / 0 / 23 / 15

HEX #54D9A8

RGB 84 217 168

HSL 157.89, 0.64%, 0.59%

LAB 78.66, -47.8, 13.5

 

CMYK 0 / 61 / 2 / 15

HEX #D954D5

RGB 217 84 213

HSL 301.8, 0.64%, 0.59%

LAB 57.94, 67.49, -41.47

 

CMYK 27 / 0 / 61 / 15

HEX #9FD954

RGB 159 217 84

HSL 86.17, 0.64%, 0.59%

LAB 80.54, -39.2, 57.98

 

CMYK 61 / 27 / 0 / 15

HEX #549FD9

RGB 84 159 217

HSL 206.17, 0.64%, 0.59%

LAB 63.09, -5.92, -36.47

 

CMYK 0 / 61 / 27 / 15

HEX #D9549F

RGB 217 84 159

HSL 326.17, 0.64%, 0.59%

LAB 55.68, 59.52, -13.87

 

CMYK 27 / 0 / 61 / 15

HEX #9FD954

RGB 159 217 84

HSL 86.17, 0.64%, 0.59%

LAB 80.54, -39.2, 57.98

 

CMYK 61 / 0 / 23 / 15

HEX #54D9A8

RGB 84 217 168

HSL 157.89, 0.64%, 0.59%

LAB 78.66, -47.8, 13.5

 

CMYK 35 / 61 / 0 / 15

HEX #8E54D9

RGB 142 84 217

HSL 266.17, 0.64%, 0.59%

LAB 48.39, 50.54, -59.55

 

CMYK 0 / 61 / 39 / 15

HEX #D95485

RGB 217 84 133

HSL 337.89, 0.64%, 0.59%

LAB 54.85, 56.44, 0.2

 

CMYK 27 / 0 / 61 / 15

HEX #9FD954

RGB 159 217 84

HSL 86.17, 0.64%, 0.59%

LAB 80.54, -39.2, 57.98

 

CMYK 61 / 0 / 4 / 15

HEX #54D9D0

RGB 84 217 208

HSL 175.94, 0.64%, 0.59%

LAB 79.65, -38.05, -6.37

 

CMYK 35 / 61 / 0 / 15

HEX #8E54D9

RGB 142 84 217

HSL 266.17, 0.64%, 0.59%

LAB 48.39, 50.54, -59.55

 

CMYK 0 / 61 / 58 / 15

HEX #D9545C

RGB 217 84 92

HSL 356.39, 0.64%, 0.59%

LAB 53.88, 52.73, 23.11

 

Description

Color code: RGB 159 217 84 | qconv.com Color code: RGB 159 217 84 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 217 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 217 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 61 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 61% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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