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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 208 164 it is the complementary color RGB 96 47 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 208 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 159 208 164: RGB 164 208 159, RGB 181 226 178, RGB 198 244 197, RGB 215 255 216 and RGB 232 255 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 208 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 159 208 164: RGB 159 208 164, RGB 142 190 145, RGB 125 172 126, RGB 108 154 107 and RGB 91 136 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 21 / 18

HEX #9FD0A4

RGB 159 208 164

HSL 126.12, 0.34%, 0.72%

LAB 79.14, -24.58, 16.75

 

Complementary color

CMYK 0 / 51 / 5 / 62

HEX #602F5B

RGB 96 47 91

HSL 306.12, 0.34%, 0.28%

LAB 27.5, 29.1, -16.73

 

CMYK 21 / 0 / 24 / 18

HEX #A4D09F

RGB 164 208 159

HSL 113.88, 0.34%, 0.72%

LAB 79.33, -23.76, 19.72

 

CMYK 20 / 0 / 21 / 11

HEX #B5E2B2

RGB 181 226 178

HSL 116.25, 0.45%, 0.79%

LAB 85.72, -23.6, 18.78

 

CMYK 19 / 0 / 19 / 4

HEX #C6F4C5

RGB 198 244 197

HSL 118.72, 0.68%, 0.86%

LAB 92.02, -23.45, 17.88

 

CMYK 16 / 0 / 15 / 0

HEX #D7FFD8

RGB 215 255 216

HSL 121.5, 1%, 0.92%

LAB 96.38, -19.95, 14.42

 

CMYK 9 / 0 / 8 / 0

HEX #E8FFEB

RGB 232 255 235

HSL 127.83, 1%, 0.95%

LAB 97.9, -11.07, 7

 

CMYK 24 / 0 / 21 / 18

HEX #9FD0A4

RGB 159 208 164

HSL 126.12, 0.34%, 0.72%

LAB 79.14, -24.58, 16.75

 

CMYK 25 / 0 / 24 / 25

HEX #8EBE91

RGB 142 190 145

HSL 123.75, 0.27%, 0.65%

LAB 72.64, -24.79, 17.72

 

CMYK 27 / 0 / 27 / 33

HEX #7DAC7E

RGB 125 172 126

HSL 121.28, 0.22%, 0.58%

LAB 66.04, -25.02, 18.74

 

CMYK 30 / 0 / 31 / 40

HEX #6C9A6B

RGB 108 154 107

HSL 118.72, 0.19%, 0.51%

LAB 59.31, -25.26, 19.84

 

CMYK 33 / 0 / 35 / 47

HEX #5B8858

RGB 91 136 88

HSL 116.25, 0.21%, 0.44%

LAB 52.44, -25.52, 21.02

 

CMYK 24 / 0 / 21 / 18

HEX #9FD0A4

RGB 159 208 164

HSL 126.12, 0.34%, 0.72%

LAB 79.14, -24.58, 16.75

 

CMYK 23 / 0 / 17 / 19

HEX #9FCFAC

RGB 159 207 172

HSL 136.25, 0.33%, 0.72%

LAB 79.03, -22.64, 12.35

 

CMYK 23 / 0 / 13 / 19

HEX #9FCFB4

RGB 159 207 180

HSL 146.25, 0.33%, 0.72%

LAB 79.21, -21.12, 8.34

 

CMYK 23 / 0 / 9 / 19

HEX #9FCFBC

RGB 159 207 188

HSL 156.25, 0.33%, 0.72%

LAB 79.4, -19.54, 4.33

 

CMYK 23 / 0 / 5 / 19

HEX #9FCFC4

RGB 159 207 196

HSL 166.25, 0.33%, 0.72%

LAB 79.6, -17.89, 0.34

 

CMYK 24 / 0 / 21 / 18

HEX #9FD0A4

RGB 159 208 164

HSL 126.12, 0.34%, 0.72%

LAB 79.14, -24.58, 16.75

 

CMYK 25 / 0 / 25 / 98

HEX #030403

RGB 3 4 3

HSL 120, 0.14%, 0.01%

LAB 1.02, -0.4, 0.29

 

CMYK 24 / 0 / 22 / 78

HEX #2A372B

RGB 42 55 43

HSL 124.62, 0.13%, 0.19%

LAB 21.58, -8.34, 5.78

 

CMYK 24 / 0 / 21 / 58

HEX #516A54

RGB 81 106 84

HSL 127.2, 0.13%, 0.37%

LAB 42.3, -14.11, 9.38

 

CMYK 24 / 0 / 21 / 38

HEX #789D7C

RGB 120 157 124

HSL 126.49, 0.16%, 0.54%

LAB 61.27, -19.52, 13.2

 

CMYK 24 / 0 / 21 / 18

HEX #9FD0A4

RGB 159 208 164

HSL 126.12, 0.34%, 0.72%

LAB 79.14, -24.58, 16.75

 

CMYK 23 / 7 / 0 / 19

HEX #9FC1CF

RGB 159 193 207

HSL 197.5, 0.33%, 0.72%

LAB 76.08, -8.26, -10.79

 

CMYK 0 / 23 / 16 / 19

HEX #CF9FAD

RGB 207 159 173

HSL 342.5, 0.33%, 0.72%

LAB 70.23, 19.95, -0.36

 

CMYK 24 / 0 / 21 / 18

HEX #9FD0A4

RGB 159 208 164

HSL 126.12, 0.34%, 0.72%

LAB 79.14, -24.58, 16.75

 

CMYK 21 / 23 / 0 / 19

HEX #A49FCF

RGB 164 159 207

HSL 246.25, 0.33%, 0.72%

LAB 67.42, 11.87, -23.84

 

CMYK 0 / 21 / 23 / 19

HEX #CFA49F

RGB 207 164 159

HSL 6.25, 0.33%, 0.72%

LAB 71.09, 15.07, 8.63

 

CMYK 24 / 0 / 21 / 18

HEX #9FD0A4

RGB 159 208 164

HSL 126.12, 0.34%, 0.72%

LAB 79.14, -24.58, 16.75

 

CMYK 23 / 7 / 0 / 19

HEX #9FC1CF

RGB 159 193 207

HSL 197.5, 0.33%, 0.72%

LAB 76.08, -8.26, -10.79

 

CMYK 0 / 23 / 2 / 19

HEX #CF9FCB

RGB 207 159 203

HSL 305, 0.33%, 0.72%

LAB 71.13, 25.12, -15.64

 

CMYK 0 / 16 / 23 / 19

HEX #CFAD9F

RGB 207 173 159

HSL 17.5, 0.33%, 0.72%

LAB 73.32, 10.19, 11.8

 

CMYK 24 / 0 / 21 / 18

HEX #9FD0A4

RGB 159 208 164

HSL 126.12, 0.34%, 0.72%

LAB 79.14, -24.58, 16.75

 

CMYK 23 / 14 / 0 / 19

HEX #9FB2CF

RGB 159 178 207

HSL 216.25, 0.33%, 0.72%

LAB 72.04, -0.21, -16.86

 

CMYK 0 / 23 / 2 / 19

HEX #CF9FCB

RGB 207 159 203

HSL 305, 0.33%, 0.72%

LAB 71.13, 25.12, -15.64

 

CMYK 0 / 9 / 23 / 19

HEX #CFBC9F

RGB 207 188 159

HSL 36.25, 0.33%, 0.72%

LAB 77.12, 2.17, 17.13

 

Description

Color code: RGB 159 208 164 | qconv.com Color code: RGB 159 208 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 208 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 208 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 21 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 21% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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