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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 175 79 it is the complementary color RGB 96 80 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 175 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 175 79 shade: RGB 164 175 74, RGB 181 193 93, RGB 198 211 112, RGB 215 229 131 and RGB 232 247 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 175 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 175 79 shade: RGB 159 175 79, RGB 142 157 60, RGB 125 139 41, RGB 108 121 22 and RGB 91 103 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 175 79 shade: RGB 160 176 79, RGB 176 166 79, RGB 176 140 79, RGB 176 114 79 and RGB 176 88 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 175 79 shade: RGB 160 176 79, RGB 134 176 79, RGB 108 176 79, RGB 81 176 79 and RGB 79 176 103

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 175 79 shade matches the following richer shades: RGB 160 176 79, RGB 174 197 58, RGB 187 217 38 and RGB 201 238 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 175 79 shade: RGB 160 176 79, RGB 146 155 100, RGB 132 135 120, RGB 119 114 141 and RGB 105 93 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 175 79 shade: RGB 176 140 79, RGB 176 166 79, RGB 160 176 79, RGB 134 176 79 and RGB 108 176 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 175 79 shade: RGB 108 119 53, RGB 134 147 66, RGB 160 176 79, RGB 175 189 108 and RGB 191 202 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 175 79 shade: RGB 159 175 79, RGB 79 176 115 and RGB 153 79 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 175 79 shade: RGB 159 175 79, RGB 79 160 176 and RGB 176 79 160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 175 79 shade: RGB 159 175 79, RGB 79 176 115, RGB 95 79 176 and RGB 176 79 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 175 79 shade: RGB 159 175 79, RGB 79 176 144, RGB 95 79 176 and RGB 176 79 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 55 / 31

HEX #9FAF4F

RGB 159 175 79

HSL 70, 0.38%, 0.5%

LAB 68.46, -19.72, 46.6

 

Complementary color

CMYK 45 / 55 / 0 / 31

HEX #6050B0

RGB 96 80 176

HSL 250, 0.38%, 0.5%

LAB 40.18, 31.19, -49.25

 

CMYK 6 / 0 / 58 / 31

HEX #A4AF4A

RGB 164 175 74

HSL 66.53, 0.41%, 0.49%

LAB 68.79, -18.07, 49.41

 

CMYK 6 / 0 / 52 / 24

HEX #B5C15D

RGB 181 193 93

HSL 67.2, 0.45%, 0.56%

LAB 75.3, -18.51, 48.35

 

CMYK 6 / 0 / 47 / 17

HEX #C6D370

RGB 198 211 112

HSL 67.88, 0.53%, 0.63%

LAB 81.71, -18.87, 47.22

 

CMYK 6 / 0 / 43 / 10

HEX #D7E583

RGB 215 229 131

HSL 68.57, 0.65%, 0.71%

LAB 88.03, -19.15, 46.08

 

CMYK 6 / 0 / 39 / 3

HEX #E8F796

RGB 232 247 150

HSL 69.28, 0.86%, 0.78%

LAB 94.26, -19.37, 44.94

 

CMYK 9 / 0 / 55 / 31

HEX #9FAF4F

RGB 159 175 79

HSL 70, 0.38%, 0.5%

LAB 68.46, -19.72, 46.6

 

CMYK 10 / 0 / 62 / 38

HEX #8E9D3C

RGB 142 157 60

HSL 69.28, 0.45%, 0.43%

LAB 61.82, -19.27, 47.58

 

CMYK 10 / 0 / 71 / 45

HEX #7D8B29

RGB 125 139 41

HSL 68.57, 0.54%, 0.35%

LAB 55.06, -18.67, 48.22

 

CMYK 11 / 0 / 82 / 53

HEX #6C7916

RGB 108 121 22

HSL 67.88, 0.69%, 0.28%

LAB 48.16, -17.84, 48.07

 

CMYK 12 / 0 / 97 / 60

HEX #5B6703

RGB 91 103 3

HSL 67.2, 0.94%, 0.21%

LAB 41.11, -16.73, 46.54

 

CMYK 9 / 0 / 55 / 31

HEX #A0B04F

RGB 160 176 79

HSL 69.9, 0.38%, 0.5%

LAB 68.82, -19.81, 47.04

 

CMYK 0 / 6 / 55 / 31

HEX #B0A64F

RGB 176 166 79

HSL 53.81, 0.38%, 0.5%

LAB 67.33, -7.92, 45.65

 

CMYK 0 / 20 / 55 / 31

HEX #B08C4F

RGB 176 140 79

HSL 37.73, 0.38%, 0.5%

LAB 60.38, 6.18, 37.44

 

CMYK 0 / 35 / 55 / 31

HEX #B0724F

RGB 176 114 79

HSL 21.65, 0.38%, 0.5%

LAB 53.85, 20.72, 29.37

 

CMYK 0 / 50 / 55 / 31

HEX #B0584F

RGB 176 88 79

HSL 5.57, 0.38%, 0.5%

LAB 47.97, 34.95, 21.8

 

CMYK 9 / 0 / 55 / 31

HEX #A0B04F

RGB 160 176 79

HSL 69.9, 0.38%, 0.5%

LAB 68.82, -19.81, 47.04

 

CMYK 24 / 0 / 55 / 31

HEX #86B04F

RGB 134 176 79

HSL 85.98, 0.38%, 0.5%

LAB 67.04, -30.19, 44.52

 

CMYK 39 / 0 / 55 / 31

HEX #6CB04F

RGB 108 176 79

HSL 102.06, 0.38%, 0.5%

LAB 65.6, -39.58, 42.46

 

CMYK 54 / 0 / 55 / 31

HEX #51B04F

RGB 81 176 79

HSL 118.76, 0.38%, 0.5%

LAB 64.45, -47.77, 40.83

 

CMYK 55 / 0 / 41 / 31

HEX #4FB067

RGB 79 176 103

HSL 134.85, 0.38%, 0.5%

LAB 64.72, -44.7, 28.96

 

CMYK 9 / 0 / 55 / 31

HEX #A0B04F

RGB 160 176 79

HSL 69.9, 0.38%, 0.5%

LAB 68.82, -19.81, 47.04

 

CMYK 12 / 0 / 71 / 23

HEX #AEC53A

RGB 174 197 58

HSL 69.93, 0.55%, 0.5%

LAB 75.6, -25.88, 63.41

 

CMYK 14 / 0 / 82 / 15

HEX #BBD926

RGB 187 217 38

HSL 70.06, 0.7%, 0.5%

LAB 82.02, -30.91, 75.64

 

CMYK 16 / 0 / 93 / 7

HEX #C9EE11

RGB 201 238 17

HSL 70.05, 0.87%, 0.5%

LAB 88.74, -35.39, 85.09

 

CMYK 9 / 0 / 55 / 31

HEX #A0B04F

RGB 160 176 79

HSL 69.9, 0.38%, 0.5%

LAB 68.82, -19.81, 47.04

 

CMYK 6 / 0 / 35 / 39

HEX #929B64

RGB 146 155 100

HSL 69.82, 0.22%, 0.5%

LAB 62.06, -12.41, 27.8

 

CMYK 2 / 0 / 11 / 47

HEX #848778

RGB 132 135 120

HSL 72, 0.06%, 0.5%

LAB 55.67, -3.96, 7.68

 

CMYK 16 / 19 / 0 / 45

HEX #77728D

RGB 119 114 141

HSL 251.11, 0.11%, 0.5%

LAB 49.35, 7.73, -14.02

 

CMYK 35 / 43 / 0 / 36

HEX #695DA2

RGB 105 93 162

HSL 250.43, 0.27%, 0.5%

LAB 43.42, 21.45, -35.75

 

CMYK 0 / 20 / 55 / 31

HEX #B08C4F

RGB 176 140 79

HSL 37.73, 0.38%, 0.5%

LAB 60.38, 6.18, 37.44

 

CMYK 0 / 6 / 55 / 31

HEX #B0A64F

RGB 176 166 79

HSL 53.81, 0.38%, 0.5%

LAB 67.33, -7.92, 45.65

 

CMYK 9 / 0 / 55 / 31

HEX #A0B04F

RGB 160 176 79

HSL 69.9, 0.38%, 0.5%

LAB 68.82, -19.81, 47.04

 

CMYK 24 / 0 / 55 / 31

HEX #86B04F

RGB 134 176 79

HSL 85.98, 0.38%, 0.5%

LAB 67.04, -30.19, 44.52

 

CMYK 39 / 0 / 55 / 31

HEX #6CB04F

RGB 108 176 79

HSL 102.06, 0.38%, 0.5%

LAB 65.6, -39.58, 42.46

 

CMYK 9 / 0 / 55 / 53

HEX #6C7735

RGB 108 119 53

HSL 70, 0.38%, 0.34%

LAB 47.8, -14.62, 34.44

 

CMYK 9 / 0 / 55 / 42

HEX #869342

RGB 134 147 66

HSL 69.63, 0.38%, 0.42%

LAB 58.35, -17.01, 40.69

 

CMYK 9 / 0 / 55 / 31

HEX #A0B04F

RGB 160 176 79

HSL 69.9, 0.38%, 0.5%

LAB 68.82, -19.81, 47.04

 

CMYK 7 / 0 / 43 / 26

HEX #AFBD6C

RGB 175 189 108

HSL 70.37, 0.38%, 0.58%

LAB 73.93, -17.4, 39.23

 

CMYK 5 / 0 / 33 / 21

HEX #BFCA88

RGB 191 202 136

HSL 70, 0.38%, 0.66%

LAB 79.1, -14.37, 31.76

 

CMYK 9 / 0 / 55 / 31

HEX #9FAF4F

RGB 159 175 79

HSL 70, 0.38%, 0.5%

LAB 68.46, -19.72, 46.6

 

CMYK 55 / 0 / 35 / 31

HEX #4FB073

RGB 79 176 115

HSL 142.27, 0.38%, 0.5%

LAB 64.92, -42.54, 22.84

 

CMYK 13 / 55 / 0 / 31

HEX #994FB0

RGB 153 79 176

HSL 285.77, 0.38%, 0.5%

LAB 46.31, 46.44, -39.09

 

CMYK 9 / 0 / 55 / 31

HEX #9FAF4F

RGB 159 175 79

HSL 70, 0.38%, 0.5%

LAB 68.46, -19.72, 46.6

 

CMYK 55 / 9 / 0 / 31

HEX #4FA0B0

RGB 79 160 176

HSL 189.9, 0.38%, 0.5%

LAB 61.6, -20.08, -15.85

 

CMYK 0 / 55 / 9 / 31

HEX #B04FA0

RGB 176 79 160

HSL 309.9, 0.38%, 0.5%

LAB 48.71, 49.94, -25.67

 

CMYK 9 / 0 / 55 / 31

HEX #9FAF4F

RGB 159 175 79

HSL 70, 0.38%, 0.5%

LAB 68.46, -19.72, 46.6

 

CMYK 55 / 0 / 35 / 31

HEX #4FB073

RGB 79 176 115

HSL 142.27, 0.38%, 0.5%

LAB 64.92, -42.54, 22.84

 

CMYK 46 / 55 / 0 / 31

HEX #5F4FB0

RGB 95 79 176

HSL 249.9, 0.38%, 0.5%

LAB 39.85, 31.57, -49.78

 

CMYK 0 / 55 / 20 / 31

HEX #B04F8C

RGB 176 79 140

HSL 322.27, 0.38%, 0.5%

LAB 47.9, 46.77, -15.01

 

CMYK 9 / 0 / 55 / 31

HEX #9FAF4F

RGB 159 175 79

HSL 70, 0.38%, 0.5%

LAB 68.46, -19.72, 46.6

 

CMYK 55 / 0 / 18 / 31

HEX #4FB090

RGB 79 176 144

HSL 160.21, 0.38%, 0.5%

LAB 65.54, -36.37, 7.84

 

CMYK 46 / 55 / 0 / 31

HEX #5F4FB0

RGB 95 79 176

HSL 249.9, 0.38%, 0.5%

LAB 39.85, 31.57, -49.78

 

CMYK 0 / 55 / 37 / 31

HEX #B04F6F

RGB 176 79 111

HSL 340.21, 0.38%, 0.5%

LAB 46.93, 42.86, 1.07

 

Description

Color code: RGB 159 175 79 | qconv.com Color code: RGB 159 175 79 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 175 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 175 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 55 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 55% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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