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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 169 172 it is the complementary color RGB 96 86 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 169 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 169 172 shade: RGB 164 169 167, RGB 181 187 186, RGB 198 205 205, RGB 215 223 224 and RGB 232 241 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 169 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 169 172 shade: RGB 159 169 172, RGB 142 151 153, RGB 125 133 134, RGB 108 115 115 and RGB 91 97 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 169 172 shade: RGB 159 169 171, RGB 159 165 171, RGB 159 162 171, RGB 160 159 171 and RGB 163 159 171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 169 172 shade: RGB 159 169 171, RGB 159 165 171, RGB 159 162 171 and RGB 159 159 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 169 172 shade matches the following richer shades: RGB 159 169 171, RGB 145 176 186, RGB 130 184 200, RGB 116 192 215 and RGB 101 200 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 169 172 shade: RGB 159 169 171, RGB 173 161 157, RGB 188 153 143, RGB 202 145 128 and RGB 217 138 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 169 172 shade: RGB 159 171 168, RGB 159 171 171, RGB 159 169 171, RGB 159 165 171 and RGB 159 162 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 169 172 shade: RGB 115 129 133, RGB 137 149 152, RGB 159 169 171, RGB 181 188 191 and RGB 203 208 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 169 172 shade: RGB 159 169 172, RGB 164 159 171 and RGB 171 169 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 169 172 shade: RGB 159 169 172, RGB 171 159 169 and RGB 169 171 159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 169 172 shade: RGB 159 169 172, RGB 164 159 171, RGB 171 162 159 and RGB 166 171 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 169 172 shade: RGB 159 169 172, RGB 168 159 171, RGB 171 162 159 and RGB 163 171 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 2 / 0 / 33

HEX #9FA9AC

RGB 159 169 172

HSL 193.85, 0.07%, 0.65%

LAB 68.55, -2.91, -2.77

 

Complementary color

CMYK 0 / 10 / 14 / 62

HEX #605653

RGB 96 86 83

HSL 13.85, 0.07%, 0.35%

LAB 37.42, 3.5, 3.22

 

CMYK 3 / 0 / 1 / 34

HEX #A4A9A7

RGB 164 169 167

HSL 156, 0.03%, 0.65%

LAB 68.79, -2.15, 0.4

 

CMYK 3 / 0 / 1 / 27

HEX #B5BBBA

RGB 181 187 186

HSL 170, 0.04%, 0.72%

LAB 75.4, -2.27, -0.23

 

CMYK 3 / 0 / 0 / 20

HEX #C6CDCD

RGB 198 205 205

HSL 180, 0.07%, 0.79%

LAB 81.88, -2.38, -0.84

 

CMYK 4 / 0 / 0 / 12

HEX #D7DFE0

RGB 215 223 224

HSL 186.67, 0.13%, 0.86%

LAB 88.26, -2.49, -1.43

 

CMYK 5 / 1 / 0 / 5

HEX #E8F1F3

RGB 232 241 243

HSL 190.91, 0.31%, 0.93%

LAB 94.54, -2.6, -2.01

 

CMYK 8 / 2 / 0 / 33

HEX #9FA9AC

RGB 159 169 172

HSL 193.85, 0.07%, 0.65%

LAB 68.55, -2.91, -2.77

 

CMYK 7 / 1 / 0 / 40

HEX #8E9799

RGB 142 151 153

HSL 190.91, 0.05%, 0.58%

LAB 61.81, -2.82, -2.17

 

CMYK 7 / 1 / 0 / 47

HEX #7D8586

RGB 125 133 134

HSL 186.67, 0.04%, 0.51%

LAB 54.92, -2.73, -1.56

 

CMYK 6 / 0 / 0 / 55

HEX #6C7373

RGB 108 115 115

HSL 180, 0.03%, 0.44%

LAB 47.86, -2.64, -0.92

 

CMYK 6 / 0 / 1 / 62

HEX #5B6160

RGB 91 97 96

HSL 170, 0.03%, 0.37%

LAB 40.6, -2.55, -0.24

 

CMYK 7 / 1 / 0 / 33

HEX #9FA9AB

RGB 159 169 171

HSL 190, 0.07%, 0.65%

LAB 68.52, -3.11, -2.25

 

CMYK 7 / 4 / 0 / 33

HEX #9FA5AB

RGB 159 165 171

HSL 210, 0.07%, 0.65%

LAB 67.44, -0.93, -3.84

 

CMYK 7 / 5 / 0 / 33

HEX #9FA2AB

RGB 159 162 171

HSL 225, 0.07%, 0.65%

LAB 66.64, 0.72, -5.03

 

CMYK 6 / 7 / 0 / 33

HEX #A09FAB

RGB 160 159 171

HSL 245, 0.07%, 0.65%

LAB 65.91, 2.72, -6.1

 

CMYK 5 / 7 / 0 / 33

HEX #A39FAB

RGB 163 159 171

HSL 260, 0.07%, 0.65%

LAB 66.15, 3.77, -5.71

 

CMYK 7 / 1 / 0 / 33

HEX #9FA9AB

RGB 159 169 171

HSL 190, 0.07%, 0.65%

LAB 68.52, -3.11, -2.25

 

CMYK 7 / 4 / 0 / 33

HEX #9FA5AB

RGB 159 165 171

HSL 210, 0.07%, 0.65%

LAB 67.44, -0.93, -3.84

 

CMYK 7 / 5 / 0 / 33

HEX #9FA2AB

RGB 159 162 171

HSL 225, 0.07%, 0.65%

LAB 66.64, 0.72, -5.03

 

CMYK 7 / 7 / 0 / 33

HEX #9F9FAB

RGB 159 159 171

HSL 240, 0.07%, 0.65%

LAB 65.83, 2.37, -6.22

 

CMYK 7 / 1 / 0 / 33

HEX #9FA9AB

RGB 159 169 171

HSL 190, 0.07%, 0.65%

LAB 68.52, -3.11, -2.25

 

CMYK 22 / 5 / 0 / 27

HEX #91B0BA

RGB 145 176 186

HSL 194.63, 0.23%, 0.65%

LAB 69.91, -8.3, -8.61

 

CMYK 35 / 8 / 0 / 22

HEX #82B8C8

RGB 130 184 200

HSL 193.71, 0.39%, 0.65%

LAB 71.69, -13.64, -13.73

 

CMYK 46 / 11 / 0 / 16

HEX #74C0D7

RGB 116 192 215

HSL 193.94, 0.55%, 0.65%

LAB 73.75, -17.49, -18.86

 

CMYK 56 / 13 / 0 / 10

HEX #65C8E5

RGB 101 200 229

HSL 193.59, 0.71%, 0.65%

LAB 75.9, -20.94, -23.22

 

CMYK 7 / 1 / 0 / 33

HEX #9FA9AB

RGB 159 169 171

HSL 190, 0.07%, 0.65%

LAB 68.52, -3.11, -2.25

 

CMYK 0 / 7 / 9 / 32

HEX #ADA19D

RGB 173 161 157

HSL 15, 0.09%, 0.65%

LAB 67.13, 3.65, 3.64

 

CMYK 0 / 19 / 24 / 26

HEX #BC998F

RGB 188 153 143

HSL 13.33, 0.25%, 0.65%

LAB 66.1, 11.48, 10.16

 

CMYK 0 / 28 / 37 / 21

HEX #CA9180

RGB 202 145 128

HSL 13.78, 0.41%, 0.65%

LAB 65.25, 19.34, 17.57

 

CMYK 0 / 36 / 47 / 15

HEX #D98A72

RGB 217 138 114

HSL 13.98, 0.58%, 0.65%

LAB 65.08, 27.53, 25.41

 

CMYK 7 / 0 / 2 / 33

HEX #9FABA8

RGB 159 171 168

HSL 165, 0.07%, 0.65%

LAB 68.99, -4.79, 0.09

 

CMYK 7 / 0 / 0 / 33

HEX #9FABAB

RGB 159 171 171

HSL 180, 0.07%, 0.65%

LAB 69.07, -4.2, -1.46

 

CMYK 7 / 1 / 0 / 33

HEX #9FA9AB

RGB 159 169 171

HSL 190, 0.07%, 0.65%

LAB 68.52, -3.11, -2.25

 

CMYK 7 / 4 / 0 / 33

HEX #9FA5AB

RGB 159 165 171

HSL 210, 0.07%, 0.65%

LAB 67.44, -0.93, -3.84

 

CMYK 7 / 5 / 0 / 33

HEX #9FA2AB

RGB 159 162 171

HSL 225, 0.07%, 0.65%

LAB 66.64, 0.72, -5.03

 

CMYK 14 / 3 / 0 / 48

HEX #738185

RGB 115 129 133

HSL 193.33, 0.07%, 0.49%

LAB 52.99, -4.24, -3.91

 

CMYK 10 / 2 / 0 / 40

HEX #899598

RGB 137 149 152

HSL 192, 0.07%, 0.57%

LAB 60.85, -3.67, -3.06

 

CMYK 7 / 1 / 0 / 33

HEX #9FA9AB

RGB 159 169 171

HSL 190, 0.07%, 0.65%

LAB 68.52, -3.11, -2.25

 

CMYK 5 / 2 / 0 / 25

HEX #B5BCBF

RGB 181 188 191

HSL 198, 0.07%, 0.73%

LAB 75.79, -1.84, -2.36

 

CMYK 3 / 1 / 0 / 18

HEX #CBD0D2

RGB 203 208 210

HSL 197.14, 0.07%, 0.81%

LAB 83.16, -1.32, -1.59

 

CMYK 8 / 2 / 0 / 33

HEX #9FA9AC

RGB 159 169 172

HSL 193.85, 0.07%, 0.65%

LAB 68.55, -2.91, -2.77

 

CMYK 4 / 7 / 0 / 33

HEX #A49FAB

RGB 164 159 171

HSL 265, 0.07%, 0.65%

LAB 66.24, 4.12, -5.58

 

CMYK 0 / 1 / 7 / 33

HEX #ABA99F

RGB 171 169 159

HSL 50, 0.07%, 0.65%

LAB 69.14, -1.1, 5.4

 

CMYK 8 / 2 / 0 / 33

HEX #9FA9AC

RGB 159 169 172

HSL 193.85, 0.07%, 0.65%

LAB 68.55, -2.91, -2.77

 

CMYK 0 / 7 / 1 / 33

HEX #AB9FA9

RGB 171 159 169

HSL 310, 0.07%, 0.65%

LAB 66.76, 6.21, -3.62

 

CMYK 1 / 0 / 7 / 33

HEX #A9AB9F

RGB 169 171 159

HSL 70, 0.07%, 0.65%

LAB 69.52, -2.92, 5.92

 

CMYK 8 / 2 / 0 / 33

HEX #9FA9AC

RGB 159 169 172

HSL 193.85, 0.07%, 0.65%

LAB 68.55, -2.91, -2.77

 

CMYK 4 / 7 / 0 / 33

HEX #A49FAB

RGB 164 159 171

HSL 265, 0.07%, 0.65%

LAB 66.24, 4.12, -5.58

 

CMYK 0 / 5 / 7 / 33

HEX #ABA29F

RGB 171 162 159

HSL 15, 0.07%, 0.65%

LAB 67.28, 2.71, 2.71

 

CMYK 3 / 0 / 7 / 33

HEX #A6AB9F

RGB 166 171 159

HSL 85, 0.07%, 0.65%

LAB 69.28, -4.01, 5.56

 

CMYK 8 / 2 / 0 / 33

HEX #9FA9AC

RGB 159 169 172

HSL 193.85, 0.07%, 0.65%

LAB 68.55, -2.91, -2.77

 

CMYK 2 / 7 / 0 / 33

HEX #A89FAB

RGB 168 159 171

HSL 285, 0.07%, 0.65%

LAB 66.57, 5.53, -5.05

 

CMYK 0 / 5 / 7 / 33

HEX #ABA29F

RGB 171 162 159

HSL 15, 0.07%, 0.65%

LAB 67.28, 2.71, 2.71

 

CMYK 5 / 0 / 7 / 33

HEX #A3AB9F

RGB 163 171 159

HSL 100, 0.07%, 0.65%

LAB 69.05, -5.09, 5.19

 

Description

Color code: RGB 159 169 172 | qconv.com Color code: RGB 159 169 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 169 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 169 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 2 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 2% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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