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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 158 154 it is the complementary color RGB 96 97 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 158 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 159 158 154: RGB 164 158 149, RGB 181 176 168, RGB 198 194 187, RGB 215 212 206 and RGB 232 230 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 158 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 159 158 154: RGB 159 158 154, RGB 142 140 135, RGB 125 122 116, RGB 108 104 97 and RGB 91 86 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 3 / 38

HEX #9F9E9A

RGB 159 158 154

HSL 48, 0.03%, 0.61%

LAB 65.09, -0.39, 2.21

 

Complementary color

CMYK 5 / 4 / 0 / 60

HEX #606165

RGB 96 97 101

HSL 228, 0.03%, 0.39%

LAB 41.18, 0.47, -2.41

 

CMYK 0 / 4 / 9 / 36

HEX #A49E95

RGB 164 158 149

HSL 36, 0.08%, 0.61%

LAB 65.37, 0.55, 5.47

 

CMYK 0 / 3 / 7 / 29

HEX #B5B0A8

RGB 181 176 168

HSL 36.92, 0.08%, 0.68%

LAB 72.03, 0.34, 4.71

 

CMYK 0 / 2 / 6 / 22

HEX #C6C2BB

RGB 198 194 187

HSL 38.18, 0.09%, 0.75%

LAB 78.56, 0.15, 4

 

CMYK 0 / 1 / 4 / 16

HEX #D7D4CE

RGB 215 212 206

HSL 40, 0.1%, 0.83%

LAB 84.99, -0.03, 3.32

 

CMYK 0 / 1 / 3 / 9

HEX #E8E6E1

RGB 232 230 225

HSL 42.86, 0.13%, 0.9%

LAB 91.32, -0.2, 2.66

 

CMYK 0 / 1 / 3 / 38

HEX #9F9E9A

RGB 159 158 154

HSL 48, 0.03%, 0.61%

LAB 65.09, -0.39, 2.21

 

CMYK 0 / 1 / 5 / 44

HEX #8E8C87

RGB 142 140 135

HSL 42.86, 0.03%, 0.54%

LAB 58.28, -0.21, 2.92

 

CMYK 0 / 2 / 7 / 51

HEX #7D7A74

RGB 125 122 116

HSL 40, 0.04%, 0.47%

LAB 51.31, -0.01, 3.68

 

CMYK 0 / 4 / 10 / 58

HEX #6C6861

RGB 108 104 97

HSL 38.18, 0.05%, 0.4%

LAB 44.16, 0.21, 4.49

 

CMYK 0 / 5 / 14 / 64

HEX #5B564E

RGB 91 86 78

HSL 36.92, 0.08%, 0.33%

LAB 36.8, 0.46, 5.38

 

CMYK 0 / 1 / 3 / 38

HEX #9F9E9A

RGB 159 158 154

HSL 48, 0.03%, 0.61%

LAB 65.09, -0.39, 2.21

 

CMYK 0 / 0 / 4 / 38

HEX #9E9E98

RGB 158 158 152

HSL 60, 0.03%, 0.61%

LAB 64.95, -1.12, 3.12

 

CMYK 1 / 0 / 4 / 38

HEX #9D9E98

RGB 157 158 152

HSL 70, 0.03%, 0.61%

LAB 64.87, -1.49, 3

 

CMYK 1 / 0 / 4 / 38

HEX #9C9E98

RGB 156 158 152

HSL 80, 0.03%, 0.61%

LAB 64.79, -1.85, 2.87

 

CMYK 2 / 0 / 4 / 38

HEX #9B9E98

RGB 155 158 152

HSL 90, 0.03%, 0.61%

LAB 64.72, -2.22, 2.75

 

CMYK 0 / 1 / 3 / 38

HEX #9F9E9A

RGB 159 158 154

HSL 48, 0.03%, 0.61%

LAB 65.09, -0.39, 2.21

 

CMYK 0 / 0 / 3 / 18

HEX #D2D1CB

RGB 210 209 203

HSL 51.43, 0.07%, 0.81%

LAB 83.76, -0.72, 3.08

SW® 9561

CMYK 0 / 0 / 0 / 98

HEX #060606

RGB 6 6 6

HSL 0, 0%, 0.02%

LAB 1.65, 0, -0

 

CMYK 0 / 0 / 4 / 78

HEX #393937

RGB 57 57 55

HSL 60, 0.02%, 0.22%

LAB 23.91, -0.45, 1.24

 

CMYK 0 / 1 / 3 / 58

HEX #6C6B69

RGB 108 107 105

HSL 40, 0.01%, 0.42%

LAB 45.25, -0.01, 1.25

 

CMYK 0 / 1 / 3 / 38

HEX #9F9E9A

RGB 159 158 154

HSL 48, 0.03%, 0.61%

LAB 65.09, -0.39, 2.21

 

CMYK 4 / 0 / 4 / 38

HEX #989E98

RGB 152 158 152

HSL 120, 0.03%, 0.61%

LAB 64.48, -3.31, 2.38

 

CMYK 3 / 4 / 0 / 38

HEX #9A989E

RGB 154 152 158

HSL 260, 0.03%, 0.61%

LAB 63.17, 1.89, -2.89

 

CMYK 0 / 1 / 3 / 38

HEX #9F9E9A

RGB 159 158 154

HSL 48, 0.03%, 0.61%

LAB 65.09, -0.39, 2.21

 

CMYK 4 / 0 / 1 / 38

HEX #989E9D

RGB 152 158 157

HSL 170, 0.03%, 0.61%

LAB 64.61, -2.34, -0.23

 

CMYK 1 / 4 / 0 / 38

HEX #9D989E

RGB 157 152 158

HSL 290, 0.03%, 0.61%

LAB 63.42, 2.97, -2.5

 

CMYK 0 / 1 / 3 / 38

HEX #9F9E9A

RGB 159 158 154

HSL 48, 0.03%, 0.61%

LAB 65.09, -0.39, 2.21

 

CMYK 4 / 0 / 4 / 38

HEX #989E98

RGB 152 158 152

HSL 120, 0.03%, 0.61%

LAB 64.48, -3.31, 2.38

 

CMYK 4 / 3 / 0 / 38

HEX #98999E

RGB 152 153 158

HSL 230, 0.03%, 0.61%

LAB 63.28, 0.62, -2.75

 

CMYK 0 / 4 / 0 / 38

HEX #9E989E

RGB 158 152 158

HSL 300, 0.03%, 0.61%

LAB 63.5, 3.33, -2.37

 

CMYK 0 / 1 / 3 / 38

HEX #9F9E9A

RGB 159 158 154

HSL 48, 0.03%, 0.61%

LAB 65.09, -0.39, 2.21

 

CMYK 4 / 0 / 3 / 38

HEX #989E9A

RGB 152 158 154

HSL 140, 0.03%, 0.61%

LAB 64.53, -2.92, 1.33

 

CMYK 4 / 3 / 0 / 38

HEX #98999E

RGB 152 153 158

HSL 230, 0.03%, 0.61%

LAB 63.28, 0.62, -2.75

 

CMYK 0 / 4 / 1 / 38

HEX #9E989C

RGB 158 152 156

HSL 320, 0.03%, 0.61%

LAB 63.45, 2.95, -1.32

 

Description

Color code: RGB 159 158 154 | qconv.com Color code: RGB 159 158 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 158 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 158 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 3 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 3% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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