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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159 103 92 it is the complementary color RGB 96 152 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159 103 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159 103 92 shade: RGB 164 103 87, RGB 181 121 106, RGB 198 139 125, RGB 215 157 144 and RGB 232 175 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159 103 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159 103 92 shade: RGB 159 103 92, RGB 142 85 73, RGB 125 67 54, RGB 108 49 35 and RGB 91 31 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159 103 92 shade: RGB 158 102 91 and RGB 158 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159 103 92 shade: RGB 158 102 91, RGB 158 120 91, RGB 158 138 91, RGB 158 156 91 and RGB 142 158 91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159 103 92 shade matches the following richer shades: RGB 158 102 91, RGB 178 88 70, RGB 199 75 50, RGB 219 61 30 and RGB 239 47 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159 103 92 shade: RGB 158 102 91, RGB 138 115 111, RGB 118 129 131, RGB 98 143 151 and RGB 77 156 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159 103 92 shade: RGB 158 91 117, RGB 158 91 99, RGB 158 101 91, RGB 158 119 91 and RGB 158 137 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159 103 92 shade: RGB 106 68 61, RGB 132 85 76, RGB 158 102 91, RGB 175 125 116 and RGB 190 150 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159 103 92 shade: RGB 159 103 92, RGB 135 158 91 and RGB 91 108 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159 103 92 shade: RGB 159 103 92, RGB 91 158 101 and RGB 101 91 158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159 103 92 shade: RGB 159 103 92, RGB 135 158 91, RGB 91 148 158 and RGB 114 91 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159 103 92 shade: RGB 159 103 92, RGB 114 158 91, RGB 91 148 158 and RGB 135 91 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 42 / 38

HEX #9F675C

RGB 159 103 92

HSL 9.85, 0.27%, 0.49%

LAB 49.31, 21.16, 15.5

 

Complementary color

CMYK 41 / 7 / 0 / 36

HEX #6098A3

RGB 96 152 163

HSL 189.85, 0.27%, 0.51%

LAB 59.51, -15.44, -11.57

 

CMYK 0 / 37 / 47 / 36

HEX #A46757

RGB 164 103 87

HSL 12.47, 0.31%, 0.49%

LAB 49.84, 22.66, 19.27

 

CMYK 0 / 33 / 41 / 29

HEX #B5796A

RGB 181 121 106

HSL 12, 0.34%, 0.56%

LAB 56.62, 21.61, 17.79

 

CMYK 0 / 30 / 37 / 22

HEX #C68B7D

RGB 198 139 125

HSL 11.51, 0.39%, 0.63%

LAB 63.3, 20.69, 16.49

 

CMYK 0 / 27 / 33 / 16

HEX #D79D90

RGB 215 157 144

HSL 10.99, 0.47%, 0.7%

LAB 69.88, 19.87, 15.31

 

CMYK 0 / 25 / 30 / 9

HEX #E8AFA3

RGB 232 175 163

HSL 10.43, 0.6%, 0.77%

LAB 76.35, 19.15, 14.24

 

CMYK 0 / 35 / 42 / 38

HEX #9F675C

RGB 159 103 92

HSL 9.85, 0.27%, 0.49%

LAB 49.31, 21.16, 15.5

 

CMYK 0 / 40 / 49 / 44

HEX #8E5549

RGB 142 85 73

HSL 10.43, 0.32%, 0.42%

LAB 42.35, 22.28, 17.06

 

CMYK 0 / 46 / 57 / 51

HEX #7D4336

RGB 125 67 54

HSL 10.99, 0.4%, 0.35%

LAB 35.28, 23.57, 18.91

 

CMYK 0 / 55 / 68 / 58

HEX #6C3123

RGB 108 49 35

HSL 11.51, 0.51%, 0.28%

LAB 28.13, 25.06, 21.18

 

CMYK 0 / 66 / 82 / 64

HEX #5B1F10

RGB 91 31 16

HSL 12, 0.7%, 0.21%

LAB 20.99, 26.64, 23.91

 

CMYK 0 / 35 / 42 / 38

HEX #9E665B

RGB 158 102 91

HSL 9.85, 0.27%, 0.49%

LAB 48.92, 21.2, 15.54

 

CMYK 0 / 42 / 42 / 38

HEX #9E5B5B

RGB 158 91 91

HSL 0, 0.27%, 0.49%

LAB 46.32, 27.43, 11.96

 

CMYK 0 / 35 / 42 / 38

HEX #9E665B

RGB 158 102 91

HSL 9.85, 0.27%, 0.49%

LAB 48.92, 21.2, 15.54

 

CMYK 0 / 24 / 42 / 38

HEX #9E785B

RGB 158 120 91

HSL 25.97, 0.27%, 0.49%

LAB 53.45, 10.9, 21.65

 

CMYK 0 / 13 / 42 / 38

HEX #9E8A5B

RGB 158 138 91

HSL 42.09, 0.27%, 0.49%

LAB 58.23, 0.74, 27.92

 

CMYK 0 / 1 / 42 / 38

HEX #9E9C5B

RGB 158 156 91

HSL 58.21, 0.27%, 0.49%

LAB 63.18, -9.08, 34.23

 

CMYK 10 / 0 / 42 / 38

HEX #8E9E5B

RGB 142 158 91

HSL 74.33, 0.27%, 0.49%

LAB 62.47, -16.74, 33.07

 

CMYK 0 / 35 / 42 / 38

HEX #9E665B

RGB 158 102 91

HSL 9.85, 0.27%, 0.49%

LAB 48.92, 21.2, 15.54

 

CMYK 0 / 51 / 61 / 30

HEX #B25846

RGB 178 88 70

HSL 10, 0.44%, 0.49%

LAB 48.12, 35.01, 27.33

 

CMYK 0 / 62 / 75 / 22

HEX #C74B32

RGB 199 75 50

HSL 10.07, 0.6%, 0.49%

LAB 48.77, 48.07, 40.18

 

CMYK 0 / 72 / 86 / 14

HEX #DB3D1E

RGB 219 61 30

HSL 9.84, 0.76%, 0.49%

LAB 50.09, 59.75, 52.5

 

CMYK 0 / 80 / 96 / 6

HEX #EF2F0A

RGB 239 47 10

HSL 9.69, 0.92%, 0.49%

LAB 52.29, 69.62, 62.51

 

CMYK 0 / 35 / 42 / 38

HEX #9E665B

RGB 158 102 91

HSL 9.85, 0.27%, 0.49%

LAB 48.92, 21.2, 15.54

 

CMYK 0 / 17 / 20 / 46

HEX #8A736F

RGB 138 115 111

HSL 8.89, 0.11%, 0.49%

LAB 50.47, 8.31, 5.56

 

CMYK 10 / 2 / 0 / 49

HEX #768183

RGB 118 129 131

HSL 189.23, 0.05%, 0.49%

LAB 53.16, -3.61, -2.47

 

CMYK 35 / 5 / 0 / 41

HEX #628F97

RGB 98 143 151

HSL 189.06, 0.21%, 0.49%

LAB 56.56, -13.18, -9.14

 

CMYK 55 / 9 / 0 / 33

HEX #4D9CAC

RGB 77 156 172

HSL 190.11, 0.38%, 0.49%

LAB 60.19, -19.58, -15.74

 

CMYK 0 / 42 / 26 / 38

HEX #9E5B75

RGB 158 91 117

HSL 336.72, 0.27%, 0.49%

LAB 47.02, 30.88, -2.74

 

CMYK 0 / 42 / 37 / 38

HEX #9E5B63

RGB 158 91 99

HSL 352.84, 0.27%, 0.49%

LAB 46.51, 28.4, 7.4

 

CMYK 0 / 36 / 42 / 38

HEX #9E655B

RGB 158 101 91

HSL 8.96, 0.27%, 0.49%

LAB 48.68, 21.77, 15.21

 

CMYK 0 / 25 / 42 / 38

HEX #9E775B

RGB 158 119 91

HSL 25.07, 0.27%, 0.49%

LAB 53.19, 11.47, 21.31

 

CMYK 0 / 13 / 42 / 38

HEX #9E895B

RGB 158 137 91

HSL 41.19, 0.27%, 0.49%

LAB 57.96, 1.3, 27.57

 

CMYK 0 / 36 / 42 / 58

HEX #6A443D

RGB 106 68 61

HSL 9.33, 0.27%, 0.33%

LAB 33, 15.46, 10.98

 

CMYK 0 / 36 / 42 / 48

HEX #84554C

RGB 132 85 76

HSL 9.64, 0.27%, 0.41%

LAB 41.1, 18.39, 13.31

 

CMYK 0 / 35 / 42 / 38

HEX #9E665B

RGB 158 102 91

HSL 9.85, 0.27%, 0.49%

LAB 48.92, 21.2, 15.54

 

CMYK 0 / 29 / 34 / 31

HEX #AF7D74

RGB 175 125 116

HSL 9.15, 0.27%, 0.57%

LAB 57.12, 18.19, 12.62

 

CMYK 0 / 21 / 25 / 25

HEX #BE968E

RGB 190 150 142

HSL 10, 0.27%, 0.65%

LAB 65.52, 13.76, 9.93

 

CMYK 0 / 35 / 42 / 38

HEX #9F675C

RGB 159 103 92

HSL 9.85, 0.27%, 0.49%

LAB 49.31, 21.16, 15.5

 

CMYK 15 / 0 / 42 / 38

HEX #879E5B

RGB 135 158 91

HSL 80.6, 0.27%, 0.49%

LAB 61.96, -19.55, 32.32

 

CMYK 42 / 32 / 0 / 38

HEX #5B6C9E

RGB 91 108 158

HSL 224.78, 0.27%, 0.49%

LAB 46.2, 7.09, -29.09

 

CMYK 0 / 35 / 42 / 38

HEX #9F675C

RGB 159 103 92

HSL 9.85, 0.27%, 0.49%

LAB 49.31, 21.16, 15.5

 

CMYK 42 / 0 / 36 / 38

HEX #5B9E65

RGB 91 158 101

HSL 128.96, 0.27%, 0.49%

LAB 59.54, -33.82, 23.3

 

CMYK 36 / 42 / 0 / 38

HEX #655B9E

RGB 101 91 158

HSL 248.96, 0.27%, 0.49%

LAB 42.33, 20.43, -35.11

 

CMYK 0 / 35 / 42 / 38

HEX #9F675C

RGB 159 103 92

HSL 9.85, 0.27%, 0.49%

LAB 49.31, 21.16, 15.5

 

CMYK 15 / 0 / 42 / 38

HEX #879E5B

RGB 135 158 91

HSL 80.6, 0.27%, 0.49%

LAB 61.96, -19.55, 32.32

 

CMYK 42 / 6 / 0 / 38

HEX #5B949E

RGB 91 148 158

HSL 188.96, 0.27%, 0.49%

LAB 57.92, -15.97, -11.15

 

CMYK 28 / 42 / 0 / 38

HEX #725B9E

RGB 114 91 158

HSL 260.6, 0.27%, 0.49%

LAB 43.55, 24.22, -33.11

 

CMYK 0 / 35 / 42 / 38

HEX #9F675C

RGB 159 103 92

HSL 9.85, 0.27%, 0.49%

LAB 49.31, 21.16, 15.5

 

CMYK 28 / 0 / 42 / 38

HEX #729E5B

RGB 114 158 91

HSL 99.4, 0.27%, 0.49%

LAB 60.59, -27.61, 30.29

 

CMYK 42 / 6 / 0 / 38

HEX #5B949E

RGB 91 148 158

HSL 188.96, 0.27%, 0.49%

LAB 57.92, -15.97, -11.15

 

CMYK 15 / 42 / 0 / 38

HEX #875B9E

RGB 135 91 158

HSL 279.4, 0.27%, 0.49%

LAB 45.77, 30.66, -29.46

 

Description

Color code: RGB 159 103 92 | qconv.com Color code: RGB 159 103 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 103 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 103 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 42 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 42% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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