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Color name
RGB 159.1 147 106

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 159.1 147 106 it is the complementary color RGB 95.9 108 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 159.1 147 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 159.1 147 106 shade: RGB 164.1 147 101, RGB 181.1 165 120, RGB 198.1 183 139, RGB 215.1 201 158 and RGB 232.1 219 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 159.1 147 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 159.1 147 106 shade: RGB 159.1 147 106, RGB 142.1 129 87, RGB 125.1 111 68, RGB 108.1 93 49 and RGB 91.1 75 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 159.1 147 106 shade: RGB 160 147 106, RGB 160 133 106, RGB 160 118 106 and RGB 160 106 106

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 159.1 147 106 shade: RGB 160 147 106, RGB 157 160 106, RGB 143 160 106, RGB 128 160 106 and RGB 114 160 106

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 159.1 147 106 shade matches the following richer shades: RGB 160 147 106, RGB 179 158 86, RGB 199 169 66, RGB 219 180 46 and RGB 239 190 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 159.1 147 106 shade: RGB 160 147 106, RGB 140 136 125, RGB 120 126 145, RGB 100 115 165 and RGB 80 104 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 159.1 147 106 shade: RGB 160 118 106, RGB 160 133 106, RGB 160 147 106, RGB 158 160 106 and RGB 143 160 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 159.1 147 106 shade: RGB 111 102 71, RGB 137 125 87, RGB 160 147 106, RGB 176 165 131 and RGB 192 184 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 159.1 147 106 shade: RGB 159.1 147 106, RGB 107 160 106 and RGB 125 106 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 159.1 147 106 shade: RGB 159.1 147 106, RGB 106 160 147 and RGB 147 106 160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 159.1 147 106 shade: RGB 159.1 147 106, RGB 107 160 106, RGB 106 118 160 and RGB 158 106 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 159.1 147 106 shade: RGB 159.1 147 106, RGB 106 160 120, RGB 106 118 160 and RGB 160 106 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 33 / 38

HEX #9F936A

RGB 159.1 147 106

HSL 46.33, 0.22%, 0.52%

LAB 61.04, -1.94, 23.37

 

Complementary color

CMYK 36 / 28 / 0 / 42

HEX #5F6C95

RGB 95.9 108 149

HSL 226.33, 0.22%, 0.48%

LAB 46.15, 5.89, -23.83

 

CMYK 0 / 10 / 38 / 36

HEX #A49365

RGB 164.1 147 101

HSL 43.74, 0.26%, 0.52%

LAB 61.4, -0.49, 26.69

 

CMYK 0 / 9 / 34 / 29

HEX #B5A578

RGB 181.1 165 120

HSL 44.19, 0.29%, 0.59%

LAB 68.1, -0.97, 25.49

 

CMYK 0 / 8 / 30 / 22

HEX #C6B78B

RGB 198.1 183 139

HSL 44.67, 0.34%, 0.66%

LAB 74.67, -1.37, 24.36

 

CMYK 0 / 7 / 27 / 16

HEX #D7C99E

RGB 215.1 201 158

HSL 45.18, 0.42%, 0.73%

LAB 81.13, -1.72, 23.31

 

CMYK 0 / 6 / 24 / 9

HEX #E8DBB1

RGB 232.1 219 177

HSL 45.74, 0.55%, 0.8%

LAB 87.49, -2.02, 22.31

 

CMYK 0 / 8 / 33 / 38

HEX #9F936A

RGB 159.1 147 106

HSL 46.33, 0.22%, 0.52%

LAB 61.04, -1.94, 23.37

 

CMYK 0 / 9 / 39 / 44

HEX #8E8157

RGB 142.1 129 87

HSL 45.74, 0.24%, 0.45%

LAB 54.18, -1.48, 24.59

 

CMYK 0 / 11 / 46 / 51

HEX #7D6F44

RGB 125.1 111 68

HSL 45.18, 0.3%, 0.38%

LAB 47.18, -0.91, 25.91

 

CMYK 0 / 14 / 55 / 58

HEX #6C5D31

RGB 108.1 93 49

HSL 44.67, 0.38%, 0.31%

LAB 39.99, -0.17, 27.31

 

CMYK 0 / 18 / 67 / 64

HEX #5B4B1E

RGB 91.1 75 30

HSL 44.19, 0.5%, 0.24%

LAB 32.6, 0.83, 28.71

 

CMYK 0 / 8 / 34 / 37

HEX #A0936A

RGB 160 147 106

HSL 45.56, 0.22%, 0.52%

LAB 61.12, -1.57, 23.49

 

CMYK 0 / 17 / 34 / 37

HEX #A0856A

RGB 160 133 106

HSL 30, 0.22%, 0.52%

LAB 57.36, 6.23, 18.42

 

CMYK 0 / 26 / 34 / 37

HEX #A0766A

RGB 160 118 106

HSL 13.33, 0.22%, 0.52%

LAB 53.46, 14.76, 13.05

 

CMYK 0 / 34 / 34 / 37

HEX #A06A6A

RGB 160 106 106

HSL 0, 0.22%, 0.52%

LAB 50.48, 21.62, 8.87

 

CMYK 0 / 8 / 34 / 37

HEX #A0936A

RGB 160 147 106

HSL 45.56, 0.22%, 0.52%

LAB 61.12, -1.57, 23.49

 

CMYK 2 / 0 / 34 / 37

HEX #9DA06A

RGB 157 160 106

HSL 63.33, 0.22%, 0.52%

LAB 64.44, -9.83, 27.84

 

CMYK 11 / 0 / 34 / 37

HEX #8FA06A

RGB 143 160 106

HSL 78.89, 0.22%, 0.52%

LAB 63.36, -15.43, 26.22

 

CMYK 20 / 0 / 34 / 37

HEX #80A06A

RGB 128 160 106

HSL 95.56, 0.22%, 0.52%

LAB 62.31, -21.21, 24.64

 

CMYK 29 / 0 / 34 / 37

HEX #72A06A

RGB 114 160 106

HSL 111.11, 0.22%, 0.52%

LAB 61.45, -26.31, 23.33

 

CMYK 0 / 8 / 34 / 37

HEX #A0936A

RGB 160 147 106

HSL 45.56, 0.22%, 0.52%

LAB 61.12, -1.57, 23.49

 

CMYK 0 / 12 / 52 / 30

HEX #B39E56

RGB 179 158 86

HSL 46.45, 0.38%, 0.52%

LAB 65.52, -1.76, 40.11

 

CMYK 0 / 15 / 67 / 22

HEX #C7A942

RGB 199 169 66

HSL 46.47, 0.54%, 0.52%

LAB 70.11, -0.51, 55.3

 

CMYK 0 / 18 / 79 / 14

HEX #DBB42E

RGB 219 180 46

HSL 46.47, 0.71%, 0.52%

LAB 74.76, 1.43, 68.08

 

CMYK 0 / 21 / 89 / 6

HEX #EFBE1A

RGB 239 190 26

HSL 46.2, 0.87%, 0.52%

LAB 79.19, 4.33, 77.69

 

CMYK 0 / 8 / 34 / 37

HEX #A0936A

RGB 160 147 106

HSL 45.56, 0.22%, 0.52%

LAB 61.12, -1.57, 23.49

 

CMYK 0 / 3 / 11 / 45

HEX #8C887D

RGB 140 136 125

HSL 44, 0.06%, 0.52%

LAB 56.75, -0.54, 6.43

 

CMYK 17 / 13 / 0 / 43

HEX #787E91

RGB 120 126 145

HSL 225.6, 0.1%, 0.52%

LAB 52.9, 1.96, -11

 

CMYK 39 / 30 / 0 / 35

HEX #6473A5

RGB 100 115 165

HSL 226.15, 0.27%, 0.52%

LAB 49.11, 7.41, -28.61

 

CMYK 57 / 44 / 0 / 27

HEX #5068B9

RGB 80 104 185

HSL 226.29, 0.43%, 0.52%

LAB 45.78, 15.49, -45.61

 

CMYK 0 / 26 / 34 / 37

HEX #A0766A

RGB 160 118 106

HSL 13.33, 0.22%, 0.52%

LAB 53.46, 14.76, 13.05

 

CMYK 0 / 17 / 34 / 37

HEX #A0856A

RGB 160 133 106

HSL 30, 0.22%, 0.52%

LAB 57.36, 6.23, 18.42

 

CMYK 0 / 8 / 34 / 37

HEX #A0936A

RGB 160 147 106

HSL 45.56, 0.22%, 0.52%

LAB 61.12, -1.57, 23.49

 

CMYK 1 / 0 / 34 / 37

HEX #9EA06A

RGB 158 160 106

HSL 62.22, 0.22%, 0.52%

LAB 64.52, -9.43, 27.96

 

CMYK 11 / 0 / 34 / 37

HEX #8FA06A

RGB 143 160 106

HSL 78.89, 0.22%, 0.52%

LAB 63.36, -15.43, 26.22

 

CMYK 0 / 8 / 36 / 56

HEX #6F6647

RGB 111 102 71

HSL 46.5, 0.22%, 0.36%

LAB 43.27, -1.57, 18.84

 

CMYK 0 / 9 / 36 / 46

HEX #897D57

RGB 137 125 87

HSL 45.6, 0.22%, 0.44%

LAB 52.59, -1.41, 22.41

 

CMYK 0 / 8 / 34 / 37

HEX #A0936A

RGB 160 147 106

HSL 45.56, 0.22%, 0.52%

LAB 61.12, -1.57, 23.49

 

CMYK 0 / 6 / 26 / 31

HEX #B0A583

RGB 176 165 131

HSL 45.33, 0.22%, 0.6%

LAB 67.86, -1.52, 19.09

 

CMYK 0 / 4 / 19 / 25

HEX #C0B89C

RGB 192 184 156

HSL 46.67, 0.22%, 0.68%

LAB 74.75, -1.83, 15.25

 

CMYK 0 / 8 / 33 / 38

HEX #9F936A

RGB 159.1 147 106

HSL 46.33, 0.22%, 0.52%

LAB 61.04, -1.94, 23.37

 

CMYK 33 / 0 / 34 / 37

HEX #6BA06A

RGB 107 160 106

HSL 118.89, 0.22%, 0.52%

LAB 61.05, -28.72, 22.73

 

CMYK 22 / 34 / 0 / 37

HEX #7D6AA0

RGB 125 106 160

HSL 261.11, 0.22%, 0.52%

LAB 48.52, 19.08, -26.45

 

CMYK 0 / 8 / 33 / 38

HEX #9F936A

RGB 159.1 147 106

HSL 46.33, 0.22%, 0.52%

LAB 61.04, -1.94, 23.37

 

CMYK 34 / 0 / 8 / 37

HEX #6AA093

RGB 106 160 147

HSL 165.56, 0.22%, 0.52%

LAB 61.92, -20.81, 1.1

 

CMYK 8 / 34 / 0 / 37

HEX #936AA0

RGB 147 106 160

HSL 285.56, 0.22%, 0.52%

LAB 50.74, 26.27, -22.83

 

CMYK 0 / 8 / 33 / 38

HEX #9F936A

RGB 159.1 147 106

HSL 46.33, 0.22%, 0.52%

LAB 61.04, -1.94, 23.37

 

CMYK 33 / 0 / 34 / 37

HEX #6BA06A

RGB 107 160 106

HSL 118.89, 0.22%, 0.52%

LAB 61.05, -28.72, 22.73

 

CMYK 34 / 26 / 0 / 37

HEX #6A76A0

RGB 106 118 160

HSL 226.67, 0.22%, 0.52%

LAB 50.17, 5.95, -24.02

 

CMYK 1 / 34 / 0 / 37

HEX #9E6AA0

RGB 158 106 160

HSL 297.78, 0.22%, 0.52%

LAB 51.97, 29.94, -20.84

 

CMYK 0 / 8 / 33 / 38

HEX #9F936A

RGB 159.1 147 106

HSL 46.33, 0.22%, 0.52%

LAB 61.04, -1.94, 23.37

 

CMYK 34 / 0 / 25 / 37

HEX #6AA078

RGB 106 160 120

HSL 135.56, 0.22%, 0.52%

LAB 61.27, -26.53, 15.3

 

CMYK 34 / 26 / 0 / 37

HEX #6A76A0

RGB 106 118 160

HSL 226.67, 0.22%, 0.52%

LAB 50.17, 5.95, -24.02

 

CMYK 0 / 34 / 9 / 37

HEX #A06A91

RGB 160 106 145

HSL 316.67, 0.22%, 0.52%

LAB 51.64, 27.79, -12.52

 

Description

Color code: RGB 159.1 147 106 | qconv.com Color code: RGB 159.1 147 106 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159.1 red, 147 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159.1 147 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 33 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 33% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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