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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 53 205 it is the complementary color RGB 97 202 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 53 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 158 53 205 shade: RGB 163 53 200, RGB 180 71 219, RGB 197 89 238, RGB 214 107 255 and RGB 231 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 53 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 158 53 205 shade: RGB 158 53 205, RGB 141 35 186, RGB 124 17 167, RGB 107 0 148 and RGB 90 0 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 158 53 205 shade: RGB 159 55 205, RGB 199 55 205, RGB 205 55 171, RGB 205 55 130 and RGB 205 55 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 158 53 205 shade: RGB 159 55 205, RGB 118 55 205, RGB 78 55 205 and RGB 55 55 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 158 53 205 shade matches the following richer shades: RGB 159 55 205, RGB 166 35 225 and RGB 174 15 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 158 53 205 shade: RGB 159 55 205, RGB 151 75 185, RGB 143 96 165, RGB 136 116 144 and RGB 128 136 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 158 53 205 shade: RGB 78 55 205, RGB 118 55 205, RGB 158 55 205, RGB 198 55 205 and RGB 205 55 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 158 53 205 shade: RGB 109 36 142, RGB 134 44 175, RGB 159 55 205, RGB 175 88 213 and RGB 190 121 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 158 53 205 shade: RGB 158 53 205, RGB 205 55 73 and RGB 55 205 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 158 53 205 shade: RGB 158 53 205, RGB 205 158 55 and RGB 55 205 158

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 158 53 205 shade: RGB 158 53 205, RGB 205 55 73, RGB 103 205 55 and RGB 55 205 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 158 53 205 shade: RGB 158 53 205, RGB 205 83 55, RGB 103 205 55 and RGB 55 178 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 74 / 0 / 20

HEX #9E35CD

RGB 158 53 205

HSL 281.45, 0.6%, 0.51%

LAB 44.55, 65.21, -58.76

 

Complementary color

CMYK 52 / 0 / 75 / 21

HEX #61CA32

RGB 97 202 50

HSL 101.45, 0.6%, 0.49%

LAB 72.9, -56.03, 62.14

 

CMYK 19 / 74 / 0 / 22

HEX #A335C8

RGB 163 53 200

HSL 284.9, 0.58%, 0.5%

LAB 44.95, 65.18, -55.19

 

CMYK 18 / 68 / 0 / 14

HEX #B447DB

RGB 180 71 219

HSL 284.19, 0.67%, 0.57%

LAB 51.06, 65.38, -56.13

 

CMYK 17 / 63 / 0 / 7

HEX #C559EE

RGB 197 89 238

HSL 283.49, 0.81%, 0.64%

LAB 57.26, 65.16, -56.78

 

CMYK 16 / 58 / 0 / 0

HEX #D66BFF

RGB 214 107 255

HSL 283.38, 1%, 0.71%

LAB 63.37, 64.3, -56.32

 

CMYK 9 / 51 / 0 / 0

HEX #E77DFF

RGB 231 125 255

HSL 288.92, 1%, 0.75%

LAB 68.66, 60, -47.81

 

CMYK 23 / 74 / 0 / 20

HEX #9E35CD

RGB 158 53 205

HSL 281.45, 0.6%, 0.51%

LAB 44.55, 65.21, -58.76

 

CMYK 24 / 81 / 0 / 27

HEX #8D23BA

RGB 141 35 186

HSL 282.12, 0.68%, 0.43%

LAB 38.57, 64.39, -57.48

 

CMYK 26 / 90 / 0 / 35

HEX #7C11A7

RGB 124 17 167

HSL 282.8, 0.82%, 0.36%

LAB 32.87, 62.47, -55.55

 

CMYK 28 / 100 / 0 / 42

HEX #6B0094

RGB 107 0 148

HSL 283.38, 1%, 0.29%

LAB 27.47, 59.26, -52.88

 

CMYK 30 / 100 / 0 / 49

HEX #5A0081

RGB 90 0 129

HSL 281.86, 1%, 0.25%

LAB 22.86, 53.26, -48.67

 

CMYK 22 / 73 / 0 / 20

HEX #9F37CD

RGB 159 55 205

HSL 281.6, 0.6%, 0.51%

LAB 44.96, 64.65, -58.09

 

CMYK 3 / 73 / 0 / 20

HEX #C737CD

RGB 199 55 205

HSL 297.6, 0.6%, 0.51%

LAB 51.02, 72.7, -48.05

 

CMYK 0 / 73 / 17 / 20

HEX #CD37AB

RGB 205 55 171

HSL 313.6, 0.6%, 0.51%

LAB 50.28, 68.89, -29.38

 

CMYK 0 / 73 / 37 / 20

HEX #CD3782

RGB 205 55 130

HSL 330, 0.6%, 0.51%

LAB 48.66, 63.86, -7.36

 

CMYK 0 / 73 / 56 / 20

HEX #CD375A

RGB 205 55 90

HSL 346, 0.6%, 0.51%

LAB 47.56, 60.26, 15.45

 

CMYK 22 / 73 / 0 / 20

HEX #9F37CD

RGB 159 55 205

HSL 281.6, 0.6%, 0.51%

LAB 44.96, 64.65, -58.09

 

CMYK 42 / 73 / 0 / 20

HEX #7637CD

RGB 118 55 205

HSL 265.2, 0.6%, 0.51%

LAB 39.57, 57.17, -67.09

 

CMYK 62 / 73 / 0 / 20

HEX #4E37CD

RGB 78 55 205

HSL 249.2, 0.6%, 0.51%

LAB 35.52, 51.27, -73.89

 

CMYK 73 / 73 / 0 / 20

HEX #3737CD

RGB 55 55 205

HSL 240, 0.6%, 0.51%

LAB 33.88, 48.8, -76.64

 

CMYK 22 / 73 / 0 / 20

HEX #9F37CD

RGB 159 55 205

HSL 281.6, 0.6%, 0.51%

LAB 44.96, 64.65, -58.09

 

CMYK 26 / 84 / 0 / 12

HEX #A623E1

RGB 166 35 225

HSL 281.37, 0.76%, 0.51%

LAB 45.28, 75.97, -68.99

 

CMYK 29 / 94 / 0 / 4

HEX #AE0FF5

RGB 174 15 245

HSL 281.48, 0.92%, 0.51%

LAB 46.89, 84.25, -77.63

 

CMYK 22 / 73 / 0 / 20

HEX #9F37CD

RGB 159 55 205

HSL 281.6, 0.6%, 0.51%

LAB 44.96, 64.65, -58.09

 

CMYK 18 / 59 / 0 / 27

HEX #974BB9

RGB 151 75 185

HSL 281.45, 0.44%, 0.51%

LAB 45.79, 49.85, -45.2

 

CMYK 13 / 42 / 0 / 35

HEX #8F60A5

RGB 143 96 165

HSL 280.87, 0.28%, 0.51%

LAB 48.16, 31.84, -29.8

 

CMYK 6 / 19 / 0 / 44

HEX #887490

RGB 136 116 144

HSL 282.86, 0.11%, 0.51%

LAB 51.54, 13.21, -12.33

 

CMYK 6 / 0 / 9 / 47

HEX #80887C

RGB 128 136 124

HSL 100, 0.05%, 0.51%

LAB 55.74, -5.3, 5.43

 

CMYK 62 / 73 / 0 / 20

HEX #4E37CD

RGB 78 55 205

HSL 249.2, 0.6%, 0.51%

LAB 35.52, 51.27, -73.89

 

CMYK 42 / 73 / 0 / 20

HEX #7637CD

RGB 118 55 205

HSL 265.2, 0.6%, 0.51%

LAB 39.57, 57.17, -67.09

 

CMYK 23 / 73 / 0 / 20

HEX #9E37CD

RGB 158 55 205

HSL 281.2, 0.6%, 0.51%

LAB 44.81, 64.46, -58.33

 

CMYK 3 / 73 / 0 / 20

HEX #C637CD

RGB 198 55 205

HSL 297.2, 0.6%, 0.51%

LAB 50.86, 72.49, -48.31

 

CMYK 0 / 73 / 16 / 20

HEX #CD37AD

RGB 205 55 173

HSL 312.8, 0.6%, 0.51%

LAB 50.37, 69.16, -30.41

 

CMYK 23 / 75 / 0 / 44

HEX #6D248E

RGB 109 36 142

HSL 281.32, 0.6%, 0.35%

LAB 30.56, 48.89, -44.15

 

CMYK 23 / 75 / 0 / 31

HEX #862CAF

RGB 134 44 175

HSL 281.22, 0.6%, 0.43%

LAB 37.78, 57.8, -52.29

 

CMYK 22 / 73 / 0 / 20

HEX #9F37CD

RGB 159 55 205

HSL 281.6, 0.6%, 0.51%

LAB 44.96, 64.65, -58.09

 

CMYK 18 / 59 / 0 / 16

HEX #AF58D5

RGB 175 88 213

HSL 281.76, 0.6%, 0.59%

LAB 52.84, 55.34, -49.92

 

CMYK 14 / 45 / 0 / 13

HEX #BE79DE

RGB 190 121 222

HSL 280.99, 0.6%, 0.67%

LAB 61.56, 44.25, -41.08

 

CMYK 23 / 74 / 0 / 20

HEX #9E35CD

RGB 158 53 205

HSL 281.45, 0.6%, 0.51%

LAB 44.55, 65.21, -58.76

 

CMYK 0 / 73 / 64 / 20

HEX #CD3749

RGB 205 55 73

HSL 352.8, 0.6%, 0.51%

LAB 47.23, 59.16, 25.36

 

CMYK 73 / 0 / 52 / 20

HEX #37CD62

RGB 55 205 98

HSL 137.2, 0.6%, 0.51%

LAB 73.13, -61.21, 41.98

 

CMYK 23 / 74 / 0 / 20

HEX #9E35CD

RGB 158 53 205

HSL 281.45, 0.6%, 0.51%

LAB 44.55, 65.21, -58.76

 

CMYK 0 / 23 / 73 / 20

HEX #CD9E37

RGB 205 158 55

HSL 41.2, 0.6%, 0.51%

LAB 67.81, 7.41, 57.74

 

CMYK 73 / 0 / 23 / 20

HEX #37CD9E

RGB 55 205 158

HSL 161.2, 0.6%, 0.51%

LAB 74.15, -49.76, 12.38

 

CMYK 23 / 74 / 0 / 20

HEX #9E35CD

RGB 158 53 205

HSL 281.45, 0.6%, 0.51%

LAB 44.55, 65.21, -58.76

 

CMYK 0 / 73 / 64 / 20

HEX #CD3749

RGB 205 55 73

HSL 352.8, 0.6%, 0.51%

LAB 47.23, 59.16, 25.36

 

CMYK 50 / 0 / 73 / 20

HEX #67CD37

RGB 103 205 55

HSL 100.8, 0.6%, 0.51%

LAB 74.08, -55.11, 61.68

 

CMYK 73 / 0 / 8 / 20

HEX #37CDBC

RGB 55 205 188

HSL 173.2, 0.6%, 0.51%

LAB 74.89, -42.19, -2.72

 

CMYK 23 / 74 / 0 / 20

HEX #9E35CD

RGB 158 53 205

HSL 281.45, 0.6%, 0.51%

LAB 44.55, 65.21, -58.76

 

CMYK 0 / 60 / 73 / 20

HEX #CD5337

RGB 205 83 55

HSL 11.2, 0.6%, 0.51%

LAB 51.2, 46.8, 40.43

 

CMYK 50 / 0 / 73 / 20

HEX #67CD37

RGB 103 205 55

HSL 100.8, 0.6%, 0.51%

LAB 74.08, -55.11, 61.68

 

CMYK 73 / 13 / 0 / 20

HEX #37B2CD

RGB 55 178 205

HSL 190.8, 0.6%, 0.51%

LAB 67.32, -24.43, -23.36

 

Description

Color code: RGB 158 53 205 | qconv.com Color code: RGB 158 53 205 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 53 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 53 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 74 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 74% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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