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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 158 45 230 it is the complementary color RGB 97 210 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 158 45 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 158 45 230: RGB 163 45 225, RGB 180 63 244, RGB 197 81 255, RGB 214 99 255 and RGB 231 117 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 158 45 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 158 45 230: RGB 158 45 230, RGB 141 27 211, RGB 124 9 192, RGB 107 0 173 and RGB 90 0 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 80 / 0 / 10

HEX #9E2DE6

RGB 158 45 230

HSL 276.65, 0.79%, 0.54%

LAB 45.44, 73.02, -71.62

 

Complementary color

CMYK 54 / 0 / 88 / 18

HEX #61D219

RGB 97 210 25

HSL 96.65, 0.79%, 0.46%

LAB 75.27, -60.1, 70.77

 

CMYK 28 / 80 / 0 / 12

HEX #A32DE1

RGB 163 45 225

HSL 279.33, 0.75%, 0.53%

LAB 45.77, 72.79, -68.21

 

CMYK 26 / 74 / 0 / 4

HEX #B43FF4

RGB 180 63 244

HSL 278.78, 0.89%, 0.6%

LAB 51.6, 73.47, -69.37

 

CMYK 23 / 68 / 0 / 0

HEX #C551FF

RGB 197 81 255

HSL 280, 1%, 0.66%

LAB 57.05, 71.97, -66.56

 

CMYK 16 / 61 / 0 / 0

HEX #D663FF

RGB 214 99 255

HSL 284.23, 1%, 0.69%

LAB 62.03, 67.94, -58.46

 

CMYK 9 / 54 / 0 / 0

HEX #E775FF

RGB 231 117 255

HSL 289.57, 1%, 0.73%

LAB 67.23, 63.82, -50.08

 

CMYK 31 / 80 / 0 / 10

HEX #9E2DE6

RGB 158 45 230

HSL 276.65, 0.79%, 0.54%

LAB 45.44, 73.02, -71.62

 

CMYK 33 / 87 / 0 / 17

HEX #8D1BD3

RGB 141 27 211

HSL 277.17, 0.77%, 0.47%

LAB 39.83, 71.53, -70.01

 

CMYK 35 / 95 / 0 / 25

HEX #7C09C0

RGB 124 9 192

HSL 277.7, 0.91%, 0.39%

LAB 34.57, 68.75, -67.64

 

CMYK 38 / 100 / 0 / 32

HEX #6B00AD

RGB 107 0 173

HSL 277.11, 1%, 0.34%

LAB 29.77, 64.27, -64.33

 

CMYK 42 / 100 / 0 / 40

HEX #5A009A

RGB 90 0 154

HSL 275.06, 1%, 0.3%

LAB 25.28, 58.5, -60.27

 

CMYK 31 / 80 / 0 / 10

HEX #9E2DE6

RGB 158 45 230

HSL 276.65, 0.79%, 0.54%

LAB 45.44, 73.02, -71.62

 

CMYK 19 / 80 / 0 / 10

HEX #BB2DE6

RGB 187 45 230

HSL 286.05, 0.79%, 0.54%

LAB 49.68, 77.69, -64.54

 

CMYK 5 / 80 / 0 / 10

HEX #DA2DE6

RGB 218 45 230

HSL 296.11, 0.79%, 0.54%

LAB 54.55, 83.09, -56.46

 

CMYK 0 / 80 / 8 / 10

HEX #E62DD3

RGB 230 45 211

HSL 306.16, 0.79%, 0.54%

LAB 55.48, 82.52, -44.07

 

CMYK 0 / 80 / 22 / 10

HEX #E62DB4

RGB 230 45 180

HSL 316.22, 0.79%, 0.54%

LAB 54.02, 78.44, -28.49

 

CMYK 31 / 80 / 0 / 10

HEX #9E2DE6

RGB 158 45 230

HSL 276.65, 0.79%, 0.54%

LAB 45.44, 73.02, -71.62

 

CMYK 31 / 81 / 0 / 90

HEX #12051A

RGB 18 5 26

HSL 277.14, 0.68%, 0.06%

LAB 2.82, 7.94, -9.6

 

CMYK 31 / 81 / 0 / 70

HEX #350F4D

RGB 53 15 77

HSL 276.77, 0.67%, 0.18%

LAB 13.44, 30.75, -30.04

 

CMYK 31 / 80 / 0 / 50

HEX #581980

RGB 88 25 128

HSL 276.7, 0.67%, 0.3%

LAB 24.73, 45.99, -45

 

CMYK 31 / 80 / 0 / 30

HEX #7B23B3

RGB 123 35 179

HSL 276.67, 0.67%, 0.42%

LAB 35.34, 59.92, -58.71

 

CMYK 31 / 80 / 0 / 10

HEX #9E2DE6

RGB 158 45 230

HSL 276.65, 0.79%, 0.54%

LAB 45.44, 73.02, -71.62

 

CMYK 0 / 80 / 64 / 10

HEX #E62D52

RGB 230 45 82

HSL 348, 0.79%, 0.54%

LAB 51.05, 69.71, 25.79

 

CMYK 80 / 0 / 64 / 10

HEX #2DE652

RGB 45 230 82

HSL 132, 0.79%, 0.54%

LAB 80.61, -72.59, 57.82

 

CMYK 31 / 80 / 0 / 10

HEX #9E2DE6

RGB 158 45 230

HSL 276.65, 0.79%, 0.54%

LAB 45.44, 73.02, -71.62

 

CMYK 0 / 32 / 80 / 10

HEX #E69C2D

RGB 230 156 45

HSL 36, 0.79%, 0.54%

LAB 70.03, 18.87, 64.61

 

CMYK 80 / 0 / 32 / 10

HEX #2DE69C

RGB 45 230 156

HSL 156, 0.79%, 0.54%

LAB 81.59, -60.99, 23.75

 

CMYK 31 / 80 / 0 / 10

HEX #9E2DE6

RGB 158 45 230

HSL 276.65, 0.79%, 0.54%

LAB 45.44, 73.02, -71.62

 

CMYK 0 / 80 / 64 / 10

HEX #E62D52

RGB 230 45 82

HSL 348, 0.79%, 0.54%

LAB 51.05, 69.71, 25.79

 

CMYK 48 / 0 / 80 / 10

HEX #77E62D

RGB 119 230 45

HSL 96, 0.79%, 0.54%

LAB 82.22, -60.34, 72.71

 

CMYK 80 / 0 / 16 / 10

HEX #2DE6C1

RGB 45 230 193

HSL 168, 0.79%, 0.54%

LAB 82.38, -52.49, 5.5

 

CMYK 31 / 80 / 0 / 10

HEX #9E2DE6

RGB 158 45 230

HSL 276.65, 0.79%, 0.54%

LAB 45.44, 73.02, -71.62

 

CMYK 0 / 73 / 80 / 10

HEX #E63F2D

RGB 230 63 45

HSL 5.84, 0.79%, 0.54%

LAB 52.47, 62.85, 48.33

 

CMYK 48 / 0 / 80 / 10

HEX #77E62D

RGB 119 230 45

HSL 96, 0.79%, 0.54%

LAB 82.22, -60.34, 72.71

 

CMYK 80 / 8 / 0 / 10

HEX #2DD3E6

RGB 45 211 230

HSL 186.16, 0.79%, 0.54%

LAB 77.79, -33.82, -21.01

 

Description

Color code: RGB 158 45 230 | qconv.com Color code: RGB 158 45 230 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 45 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 45 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 80 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 80% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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