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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 145 1 it is the complementary color RGB 98 110 254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 145 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 157 145 1: RGB 162 145 0, RGB 179 163 15, RGB 196 181 34, RGB 213 199 53 and RGB 230 217 72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 145 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 157 145 1: RGB 157 145 1, RGB 140 127 0, RGB 123 109 0, RGB 106 91 0 and RGB 89 73 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 99 / 38

HEX #9D9101

RGB 157 145 1

HSL 55.38, 0.99%, 0.31%

LAB 59.36, -8.65, 63.15

 

Complementary color

CMYK 61 / 57 / 0 / 0

HEX #626EFE

RGB 98 110 254

HSL 235.38, 0.99%, 0.69%

LAB 52.84, 37.93, -73.28

 

CMYK 0 / 10 / 100 / 36

HEX #A29100

RGB 162 145 0

HSL 53.7, 1%, 0.32%

LAB 59.83, -6.37, 63.85

 

CMYK 0 / 9 / 92 / 30

HEX #B3A30F

RGB 179 163 15

HSL 54.15, 0.85%, 0.38%

LAB 66.38, -8.06, 67.26

 

CMYK 0 / 8 / 83 / 23

HEX #C4B522

RGB 196 181 34

HSL 54.44, 0.7%, 0.45%

LAB 72.83, -9.5, 69.05

 

CMYK 0 / 7 / 75 / 16

HEX #D5C735

RGB 213 199 53

HSL 54.75, 0.66%, 0.52%

LAB 79.19, -10.71, 69.64

 

CMYK 0 / 6 / 69 / 10

HEX #E6D948

RGB 230 217 72

HSL 55.06, 0.76%, 0.59%

LAB 85.46, -11.74, 69.49

 

CMYK 0 / 8 / 99 / 38

HEX #9D9101

RGB 157 145 1

HSL 55.38, 0.99%, 0.31%

LAB 59.36, -8.65, 63.15

RAL® 1027

CMYK 0 / 9 / 100 / 45

HEX #8C7F00

RGB 140 127 0

HSL 54.43, 1%, 0.27%

LAB 52.68, -6.76, 57.77

 

CMYK 0 / 11 / 100 / 52

HEX #7B6D00

RGB 123 109 0

HSL 53.17, 1%, 0.24%

LAB 45.84, -4.78, 52.1

 

CMYK 0 / 14 / 100 / 58

HEX #6A5B00

RGB 106 91 0

HSL 51.51, 1%, 0.21%

LAB 38.81, -2.69, 46.28

 

CMYK 0 / 18 / 100 / 65

HEX #594900

RGB 89 73 0

HSL 49.21, 1%, 0.17%

LAB 31.55, -0.47, 40.29

 

CMYK 0 / 8 / 99 / 38

HEX #9D9101

RGB 157 145 1

HSL 55.38, 0.99%, 0.31%

LAB 59.36, -8.65, 63.15

RAL® 1027

CMYK 8 / 0 / 100 / 38

HEX #909D00

RGB 144 157 0

HSL 64.97, 1%, 0.31%

LAB 61.69, -20.8, 64.51

 

CMYK 25 / 0 / 100 / 38

HEX #769D00

RGB 118 157 0

HSL 74.9, 1%, 0.31%

LAB 59.86, -31.93, 62.32

 

CMYK 41 / 0 / 100 / 38

HEX #5C9D00

RGB 92 157 0

HSL 84.84, 1%, 0.31%

LAB 58.4, -41.95, 60.57

 

CMYK 58 / 0 / 100 / 38

HEX #429D00

RGB 66 157 0

HSL 94.78, 1%, 0.31%

LAB 57.34, -50.16, 59.28

 

CMYK 0 / 8 / 99 / 38

HEX #9D9101

RGB 157 145 1

HSL 55.38, 0.99%, 0.31%

LAB 59.36, -8.65, 63.15

RAL® 1027

CMYK 0 / 8 / 100 / 18

HEX #D0C001

RGB 208 192 1

HSL 55.36, 0.99%, 0.41%

LAB 76.75, -10.45, 77.82

 

CMYK 0 / 0 / 100 / 98

HEX #040400

RGB 4 4 0

HSL 60, 1%, 0.01%

LAB 1.02, -0.56, 1.51

 

CMYK 0 / 7 / 100 / 78

HEX #373300

RGB 55 51 0

HSL 55.64, 1%, 0.11%

LAB 20.75, -4.73, 29.08

 

CMYK 0 / 8 / 99 / 58

HEX #6A6201

RGB 106 98 1

HSL 55.43, 0.98%, 0.21%

LAB 40.9, -6.74, 47.51

 

CMYK 0 / 8 / 99 / 38

HEX #9D9101

RGB 157 145 1

HSL 55.38, 0.99%, 0.31%

LAB 59.36, -8.65, 63.15

RAL® 1027

CMYK 100 / 0 / 88 / 38

HEX #009D13

RGB 0 157 19

HSL 127.26, 1%, 0.31%

LAB 56.25, -59.37, 54.72

 

CMYK 48 / 100 / 0 / 38

HEX #51009D

RGB 81 0 157

HSL 270.96, 1%, 0.31%

LAB 24.27, 58.3, -63.83

 

CMYK 0 / 8 / 99 / 38

HEX #9D9101

RGB 157 145 1

HSL 55.38, 0.99%, 0.31%

LAB 59.36, -8.65, 63.15

RAL® 1027

CMYK 100 / 0 / 8 / 38

HEX #009D90

RGB 0 157 144

HSL 175.03, 1%, 0.31%

LAB 58.16, -37.43, -3.04

 

CMYK 8 / 100 / 0 / 38

HEX #90009D

RGB 144 0 157

HSL 295.03, 1%, 0.31%

LAB 34.73, 66.26, -46.31

 

CMYK 0 / 8 / 99 / 38

HEX #9D9101

RGB 157 145 1

HSL 55.38, 0.99%, 0.31%

LAB 59.36, -8.65, 63.15

RAL® 1027

CMYK 100 / 0 / 88 / 38

HEX #009D13

RGB 0 157 19

HSL 127.26, 1%, 0.31%

LAB 56.25, -59.37, 54.72

 

CMYK 100 / 92 / 0 / 38

HEX #000D9D

RGB 0 13 157

HSL 235.03, 1%, 0.31%

LAB 18.89, 51.19, -72.94

 

CMYK 0 / 100 / 11 / 38

HEX #9D008B

RGB 157 0 139

HSL 306.88, 1%, 0.31%

LAB 36.05, 65.77, -33.04

 

CMYK 0 / 8 / 99 / 38

HEX #9D9101

RGB 157 145 1

HSL 55.38, 0.99%, 0.31%

LAB 59.36, -8.65, 63.15

RAL® 1027

CMYK 100 / 0 / 58 / 38

HEX #009D42

RGB 0 157 66

HSL 145.22, 1%, 0.31%

LAB 56.59, -55.02, 37.41

 

CMYK 100 / 92 / 0 / 38

HEX #000D9D

RGB 0 13 157

HSL 235.03, 1%, 0.31%

LAB 18.89, 51.19, -72.94

 

CMYK 0 / 100 / 41 / 38

HEX #9D005C

RGB 157 0 92

HSL 324.84, 1%, 0.31%

LAB 33.86, 60.22, -6.68

 

Description

Color code: RGB 157 145 1 | qconv.com Color code: RGB 157 145 1 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 145 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 145 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 99 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 99% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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