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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 193 131 it is the complementary color RGB 99 62 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 193 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 156 193 131: RGB 161 193 126, RGB 178 211 145, RGB 195 229 164, RGB 212 247 183 and RGB 229 255 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 193 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 156 193 131: RGB 156 193 131, RGB 139 175 112, RGB 122 157 93, RGB 105 139 74 and RGB 88 121 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 32 / 24

HEX #9CC183

RGB 156 193 131

HSL 95.81, 0.33%, 0.64%

LAB 74.09, -23.65, 27.29

 

Complementary color

CMYK 20 / 50 / 0 / 51

HEX #633E7C

RGB 99 62 124

HSL 275.81, 0.33%, 0.36%

LAB 33.03, 28.61, -29.1

 

CMYK 17 / 0 / 35 / 24

HEX #A1C17E

RGB 161 193 126

HSL 88.66, 0.35%, 0.63%

LAB 74.33, -22.53, 30.29

 

CMYK 16 / 0 / 31 / 17

HEX #B2D391

RGB 178 211 145

HSL 90, 0.43%, 0.7%

LAB 80.79, -22.48, 29.18

 

CMYK 15 / 0 / 28 / 10

HEX #C3E5A4

RGB 195 229 164

HSL 91.38, 0.56%, 0.77%

LAB 87.15, -22.43, 28.13

 

CMYK 14 / 0 / 26 / 3

HEX #D4F7B7

RGB 212 247 183

HSL 92.81, 0.8%, 0.84%

LAB 93.42, -22.37, 27.13

 

CMYK 10 / 0 / 21 / 0

HEX #E5FFCA

RGB 229 255 202

HSL 89.43, 1%, 0.9%

LAB 97, -17.49, 22.57

 

CMYK 19 / 0 / 32 / 24

HEX #9CC183

RGB 156 193 131

HSL 95.81, 0.33%, 0.64%

LAB 74.09, -23.65, 27.29

 

CMYK 21 / 0 / 36 / 31

HEX #8BAF70

RGB 139 175 112

HSL 94.29, 0.28%, 0.56%

LAB 67.52, -23.75, 28.42

 

CMYK 22 / 0 / 41 / 38

HEX #7A9D5D

RGB 122 157 93

HSL 92.81, 0.26%, 0.49%

LAB 60.82, -23.85, 29.62

 

CMYK 24 / 0 / 47 / 45

HEX #698B4A

RGB 105 139 74

HSL 91.38, 0.31%, 0.42%

LAB 53.99, -23.91, 30.86

 

CMYK 27 / 0 / 55 / 53

HEX #587937

RGB 88 121 55

HSL 90, 0.38%, 0.35%

LAB 47.01, -23.92, 32.11

 

CMYK 19 / 0 / 32 / 24

HEX #9CC183

RGB 156 193 131

HSL 95.81, 0.33%, 0.64%

LAB 74.09, -23.65, 27.29

 

CMYK 23 / 0 / 32 / 24

HEX #94C184

RGB 148 193 132

HSL 104.26, 0.33%, 0.64%

LAB 73.61, -26.35, 26.03

 

CMYK 29 / 0 / 32 / 24

HEX #89C184

RGB 137 193 132

HSL 115.08, 0.33%, 0.64%

LAB 72.97, -30.14, 25.06

 

CMYK 32 / 0 / 29 / 24

HEX #84C189

RGB 132 193 137

HSL 124.92, 0.33%, 0.64%

LAB 72.79, -30.95, 22.12

 

CMYK 32 / 0 / 23 / 24

HEX #84C194

RGB 132 193 148

HSL 135.74, 0.33%, 0.64%

LAB 73.01, -28.98, 16.53

 

CMYK 19 / 0 / 32 / 24

HEX #9CC183

RGB 156 193 131

HSL 95.81, 0.33%, 0.64%

LAB 74.09, -23.65, 27.29

 

CMYK 19 / 0 / 32 / 4

HEX #C5F4A6

RGB 197 244 166

HSL 96.15, 0.78%, 0.8%

LAB 91.38, -28.61, 32.81

 

CMYK 20 / 0 / 33 / 84

HEX #20281B

RGB 32 40 27

HSL 96.92, 0.19%, 0.13%

LAB 14.97, -6.65, 7.43

 

CMYK 19 / 0 / 32 / 64

HEX #4A5B3E

RGB 74 91 62

HSL 95.17, 0.19%, 0.3%

LAB 36.53, -12.58, 14.64

 

CMYK 19 / 0 / 32 / 44

HEX #738E60

RGB 115 142 96

HSL 95.22, 0.19%, 0.47%

LAB 55.92, -18.41, 21.47

 

CMYK 19 / 0 / 32 / 24

HEX #9CC183

RGB 156 193 131

HSL 95.81, 0.33%, 0.64%

LAB 74.09, -23.65, 27.29

 

CMYK 32 / 0 / 7 / 24

HEX #84C1B4

RGB 132 193 180

HSL 167.21, 0.33%, 0.64%

LAB 73.77, -22.42, 0.28

 

CMYK 0 / 32 / 6 / 24

HEX #C184B6

RGB 193 132 182

HSL 310.82, 0.33%, 0.64%

LAB 62.69, 31.37, -16.8

 

CMYK 19 / 0 / 32 / 24

HEX #9CC183

RGB 156 193 131

HSL 95.81, 0.33%, 0.64%

LAB 74.09, -23.65, 27.29

 

CMYK 32 / 18 / 0 / 24

HEX #849EC1

RGB 132 158 193

HSL 214.43, 0.33%, 0.64%

LAB 64.33, -0.72, -20.98

 

CMYK 0 / 32 / 18 / 24

HEX #C1849E

RGB 193 132 158

HSL 334.43, 0.33%, 0.64%

LAB 61.92, 27.29, -4.31

 

CMYK 19 / 0 / 32 / 24

HEX #9CC183

RGB 156 193 131

HSL 95.81, 0.33%, 0.64%

LAB 74.09, -23.65, 27.29

 

CMYK 32 / 0 / 7 / 24

HEX #84C1B4

RGB 132 193 180

HSL 167.21, 0.33%, 0.64%

LAB 73.77, -22.42, 0.28

 

CMYK 13 / 32 / 0 / 24

HEX #A884C1

RGB 168 132 193

HSL 275.41, 0.33%, 0.64%

LAB 60.5, 25.3, -26.61

 

CMYK 0 / 32 / 24 / 24

HEX #C18492

RGB 193 132 146

HSL 346.23, 0.33%, 0.64%

LAB 61.58, 25.45, 2.05

 

CMYK 19 / 0 / 32 / 24

HEX #9CC183

RGB 156 193 131

HSL 95.81, 0.33%, 0.64%

LAB 74.09, -23.65, 27.29

 

CMYK 32 / 3 / 0 / 24

HEX #84BCC1

RGB 132 188 193

HSL 184.92, 0.33%, 0.64%

LAB 72.71, -16.87, -8.36

 

CMYK 13 / 32 / 0 / 24

HEX #A884C1

RGB 168 132 193

HSL 275.41, 0.33%, 0.64%

LAB 60.5, 25.3, -26.61

 

CMYK 0 / 29 / 32 / 24

HEX #C18984

RGB 193 137 132

HSL 4.92, 0.33%, 0.64%

LAB 62.42, 20.72, 11.22

 

Description

Color code: RGB 156 193 131 | qconv.com Color code: RGB 156 193 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 193 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 193 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 32 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 32% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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