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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 92 76 it is the complementary color RGB 100 163 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 92 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 92 76 shade: RGB 160 92 71, RGB 177 110 90, RGB 194 128 109, RGB 211 146 128 and RGB 228 164 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 92 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 92 76 shade: RGB 155 92 76, RGB 138 74 57, RGB 121 56 38, RGB 104 38 19 and RGB 87 20 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 92 76 shade: RGB 154 92 76 and RGB 154 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 92 76 shade: RGB 154 92 76, RGB 154 113 76, RGB 154 134 76, RGB 153 154 76 and RGB 132 154 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 92 76 shade matches the following richer shades: RGB 154 92 76, RGB 172 80 57, RGB 191 69 39, RGB 209 58 20 and RGB 228 47 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 92 76 shade: RGB 154 92 76, RGB 135 103 94, RGB 117 114 113, RGB 98 125 131 and RGB 79 136 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 92 76 shade: RGB 154 76 102, RGB 154 76 81, RGB 154 91 76, RGB 154 112 76 and RGB 154 133 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 92 76 shade: RGB 98 59 49, RGB 126 75 62, RGB 154 92 76, RGB 176 111 95 and RGB 190 136 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 92 76 shade: RGB 155 92 76, RGB 123 154 76 and RGB 76 91 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 92 76 shade: RGB 155 92 76, RGB 76 154 91 and RGB 91 76 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 92 76 shade: RGB 155 92 76, RGB 123 154 76, RGB 76 138 154 and RGB 107 76 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 92 76 shade: RGB 155 92 76, RGB 99 154 76, RGB 76 138 154 and RGB 130 76 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 51 / 39

HEX #9B5C4C

RGB 155 92 76

HSL 12.15, 0.34%, 0.45%

LAB 45.83, 24.03, 20.21

 

Complementary color

CMYK 44 / 9 / 0 / 30

HEX #64A3B3

RGB 100 163 179

HSL 192.15, 0.34%, 0.55%

LAB 63.47, -15.96, -14.62

 

CMYK 0 / 43 / 56 / 37

HEX #A05C47

RGB 160 92 71

HSL 14.16, 0.39%, 0.45%

LAB 46.42, 25.64, 24.06

 

CMYK 0 / 38 / 49 / 31

HEX #B16E5A

RGB 177 110 90

HSL 13.79, 0.36%, 0.52%

LAB 53.21, 24.39, 22.32

 

CMYK 0 / 34 / 44 / 24

HEX #C2806D

RGB 194 128 109

HSL 13.41, 0.41%, 0.59%

LAB 59.9, 23.3, 20.79

 

CMYK 0 / 31 / 39 / 17

HEX #D39280

RGB 211 146 128

HSL 13.01, 0.49%, 0.66%

LAB 66.49, 22.34, 19.43

 

CMYK 0 / 28 / 36 / 11

HEX #E4A493

RGB 228 164 147

HSL 12.59, 0.6%, 0.74%

LAB 72.99, 21.48, 18.21

 

CMYK 0 / 41 / 51 / 39

HEX #9B5C4C

RGB 155 92 76

HSL 12.15, 0.34%, 0.45%

LAB 45.83, 24.03, 20.21

 

CMYK 0 / 46 / 59 / 46

HEX #8A4A39

RGB 138 74 57

HSL 12.59, 0.42%, 0.38%

LAB 38.89, 25.35, 22.1

 

CMYK 0 / 54 / 69 / 53

HEX #793826

RGB 121 56 38

HSL 13.01, 0.52%, 0.31%

LAB 31.88, 26.86, 24.36

 

CMYK 0 / 63 / 82 / 59

HEX #682613

RGB 104 38 19

HSL 13.41, 0.69%, 0.24%

LAB 24.88, 28.47, 27.02

 

CMYK 0 / 77 / 100 / 66

HEX #571400

RGB 87 20 0

HSL 13.79, 1%, 0.17%

LAB 18.04, 29.78, 27.28

 

CMYK 0 / 40 / 51 / 40

HEX #9A5C4C

RGB 154 92 76

HSL 12.31, 0.34%, 0.45%

LAB 45.7, 23.61, 20.01

 

CMYK 0 / 51 / 51 / 40

HEX #9A4C4C

RGB 154 76 76

HSL 0, 0.34%, 0.45%

LAB 42.09, 32.49, 15.17

 

CMYK 0 / 40 / 51 / 40

HEX #9A5C4C

RGB 154 92 76

HSL 12.31, 0.34%, 0.45%

LAB 45.7, 23.61, 20.01

 

CMYK 0 / 27 / 51 / 40

HEX #9A714C

RGB 154 113 76

HSL 28.46, 0.34%, 0.45%

LAB 50.92, 11.57, 26.8

 

CMYK 0 / 13 / 51 / 40

HEX #9A864C

RGB 154 134 76

HSL 44.62, 0.34%, 0.45%

LAB 56.53, -0.34, 33.82

 

CMYK 1 / 0 / 51 / 40

HEX #999A4C

RGB 153 154 76

HSL 60.77, 0.34%, 0.45%

LAB 62, -11.65, 40.4

 

CMYK 14 / 0 / 51 / 40

HEX #849A4C

RGB 132 154 76

HSL 76.92, 0.34%, 0.45%

LAB 60.37, -20.46, 38.06

 

CMYK 0 / 40 / 51 / 40

HEX #9A5C4C

RGB 154 92 76

HSL 12.31, 0.34%, 0.45%

LAB 45.7, 23.61, 20.01

 

CMYK 0 / 53 / 67 / 33

HEX #AC5039

RGB 172 80 57

HSL 12, 0.5%, 0.45%

LAB 45.36, 35.94, 31.24

 

CMYK 0 / 64 / 80 / 25

HEX #BF4527

RGB 191 69 39

HSL 11.84, 0.66%, 0.45%

LAB 46.28, 47.48, 42.94

 

CMYK 0 / 72 / 90 / 18

HEX #D13A14

RGB 209 58 20

HSL 12.06, 0.83%, 0.45%

LAB 47.79, 57.46, 53.91

 

CMYK 0 / 79 / 100 / 11

HEX #E42F01

RGB 228 47 1

HSL 12.16, 0.99%, 0.45%

LAB 50.13, 66.43, 62.47

 

CMYK 0 / 40 / 51 / 40

HEX #9A5C4C

RGB 154 92 76

HSL 12.31, 0.34%, 0.45%

LAB 45.7, 23.61, 20.01

 

CMYK 0 / 24 / 30 / 47

HEX #87675E

RGB 135 103 94

HSL 13.17, 0.18%, 0.45%

LAB 46.52, 11.45, 10.02

 

CMYK 0 / 3 / 3 / 54

HEX #757271

RGB 117 114 113

HSL 15, 0.02%, 0.45%

LAB 48.27, 0.95, 0.96

 

CMYK 25 / 5 / 0 / 49

HEX #627D83

RGB 98 125 131

HSL 190.91, 0.14%, 0.45%

LAB 50.57, -8.21, -6.46

 

CMYK 47 / 9 / 0 / 41

HEX #4F8896

RGB 79 136 150

HSL 191.83, 0.31%, 0.45%

LAB 53.46, -14.78, -13.31

 

CMYK 0 / 51 / 34 / 40

HEX #9A4C66

RGB 154 76 102

HSL 340, 0.34%, 0.45%

LAB 42.76, 35.49, 0.09

 

CMYK 0 / 51 / 47 / 40

HEX #9A4C51

RGB 154 76 81

HSL 356.15, 0.34%, 0.45%

LAB 42.2, 33, 12.26

 

CMYK 0 / 41 / 51 / 40

HEX #9A5B4C

RGB 154 91 76

HSL 11.54, 0.34%, 0.45%

LAB 45.46, 24.18, 19.69

 

CMYK 0 / 27 / 51 / 40

HEX #9A704C

RGB 154 112 76

HSL 27.69, 0.34%, 0.45%

LAB 50.66, 12.14, 26.47

 

CMYK 0 / 14 / 51 / 40

HEX #9A854C

RGB 154 133 76

HSL 43.85, 0.34%, 0.45%

LAB 56.25, 0.22, 33.48

 

CMYK 0 / 40 / 50 / 62

HEX #623B31

RGB 98 59 49

HSL 12.24, 0.33%, 0.29%

LAB 29.28, 15.96, 13.42

 

CMYK 0 / 40 / 51 / 51

HEX #7E4B3E

RGB 126 75 62

HSL 12.19, 0.34%, 0.37%

LAB 37.51, 20.12, 16.92

 

CMYK 0 / 40 / 51 / 40

HEX #9A5C4C

RGB 154 92 76

HSL 12.31, 0.34%, 0.45%

LAB 45.7, 23.61, 20.01

 

CMYK 0 / 37 / 46 / 31

HEX #B06F5F

RGB 176 111 95

HSL 11.85, 0.34%, 0.53%

LAB 53.41, 23.94, 19.68

 

CMYK 0 / 28 / 36 / 25

HEX #BE887A

RGB 190 136 122

HSL 12.35, 0.34%, 0.61%

LAB 61.62, 18.8, 15.71

 

CMYK 0 / 41 / 51 / 39

HEX #9B5C4C

RGB 155 92 76

HSL 12.15, 0.34%, 0.45%

LAB 45.83, 24.03, 20.21

 

CMYK 20 / 0 / 51 / 40

HEX #7B9A4C

RGB 123 154 76

HSL 83.85, 0.34%, 0.45%

LAB 59.75, -24.09, 37.16

 

CMYK 51 / 41 / 0 / 40

HEX #4C5B9A

RGB 76 91 154

HSL 228.46, 0.34%, 0.45%

LAB 40.17, 12.54, -36.27

 

CMYK 0 / 41 / 51 / 39

HEX #9B5C4C

RGB 155 92 76

HSL 12.15, 0.34%, 0.45%

LAB 45.83, 24.03, 20.21

 

CMYK 51 / 0 / 41 / 40

HEX #4C9A5B

RGB 76 154 91

HSL 131.54, 0.34%, 0.45%

LAB 57.47, -38.17, 25.88

 

CMYK 41 / 51 / 0 / 40

HEX #5B4C9A

RGB 91 76 154

HSL 251.54, 0.34%, 0.45%

LAB 37.35, 25.89, -40.69

 

CMYK 0 / 41 / 51 / 39

HEX #9B5C4C

RGB 155 92 76

HSL 12.15, 0.34%, 0.45%

LAB 45.83, 24.03, 20.21

 

CMYK 20 / 0 / 51 / 40

HEX #7B9A4C

RGB 123 154 76

HSL 83.85, 0.34%, 0.45%

LAB 59.75, -24.09, 37.16

 

CMYK 51 / 10 / 0 / 40

HEX #4C8A9A

RGB 76 138 154

HSL 192.31, 0.34%, 0.45%

LAB 54.08, -15.45, -14.71

 

CMYK 31 / 51 / 0 / 40

HEX #6B4C9A

RGB 107 76 154

HSL 263.85, 0.34%, 0.45%

LAB 38.95, 30.21, -38.04

 

CMYK 0 / 41 / 51 / 39

HEX #9B5C4C

RGB 155 92 76

HSL 12.15, 0.34%, 0.45%

LAB 45.83, 24.03, 20.21

 

CMYK 36 / 0 / 51 / 40

HEX #639A4C

RGB 99 154 76

HSL 102.31, 0.34%, 0.45%

LAB 58.31, -33.13, 35.07

 

CMYK 51 / 10 / 0 / 40

HEX #4C8A9A

RGB 76 138 154

HSL 192.31, 0.34%, 0.45%

LAB 54.08, -15.45, -14.71

 

CMYK 16 / 51 / 0 / 40

HEX #824C9A

RGB 130 76 154

HSL 281.54, 0.34%, 0.45%

LAB 41.61, 36.81, -33.66

 

Description

Color code: RGB 155 92 76 | qconv.com Color code: RGB 155 92 76 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 92 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 92 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 51 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 51% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - StockFood – The Food...
Link: http://usa.stockfood.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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