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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 92 209 it is the complementary color RGB 100 163 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 92 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 92 209 shade: RGB 160 92 204, RGB 177 110 223, RGB 194 128 242, RGB 211 146 255 and RGB 228 164 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 92 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 92 209 shade: RGB 155 92 209, RGB 138 74 190, RGB 121 56 171, RGB 104 38 152 and RGB 87 20 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 92 209 shade: RGB 155 92 209, RGB 187 92 209, RGB 209 92 200, RGB 209 92 168 and RGB 209 92 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 92 209 shade: RGB 155 92 209, RGB 123 92 209 and RGB 92 92 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 92 209 shade matches the following richer shades: RGB 155 92 209, RGB 156 75 226 and RGB 158 58 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 92 209 shade: RGB 155 92 209, RGB 154 109 192, RGB 152 126 175, RGB 151 143 158 and RGB 150 160 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 92 209 shade: RGB 92 92 209, RGB 123 92 209, RGB 154 92 209, RGB 186 92 209 and RGB 209 92 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 92 209 shade: RGB 114 48 170, RGB 135 60 200, RGB 155 92 209, RGB 175 124 218 and RGB 194 156 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 92 209 shade: RGB 155 92 209, RGB 209 92 123 and RGB 92 209 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 92 209 shade: RGB 155 92 209, RGB 209 154 92 and RGB 92 209 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 92 209 shade: RGB 155 92 209, RGB 209 92 123, RGB 147 209 92 and RGB 92 209 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 92 209 shade: RGB 155 92 209, RGB 209 96 92, RGB 147 209 92 and RGB 92 205 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 56 / 0 / 18

HEX #9B5CD1

RGB 155 92 209

HSL 272.31, 0.56%, 0.59%

LAB 50.95, 47.46, -50.79

 

Complementary color

CMYK 39 / 0 / 72 / 36

HEX #64A32E

RGB 100 163 46

HSL 92.31, 0.56%, 0.41%

LAB 60.87, -39.78, 51.63

 

CMYK 22 / 55 / 0 / 20

HEX #A05CCC

RGB 160 92 204

HSL 276.43, 0.52%, 0.58%

LAB 51.25, 47.59, -47.42

 

CMYK 21 / 51 / 0 / 13

HEX #B16EDF

RGB 177 110 223

HSL 275.58, 0.64%, 0.65%

LAB 57.87, 46.76, -47.56

 

CMYK 20 / 47 / 0 / 5

HEX #C280F2

RGB 194 128 242

HSL 274.74, 0.81%, 0.73%

LAB 64.42, 45.92, -47.65

 

CMYK 17 / 43 / 0 / 0

HEX #D392FF

RGB 211 146 255

HSL 275.78, 1%, 0.79%

LAB 70.61, 43.81, -44.9

 

CMYK 11 / 36 / 0 / 0

HEX #E4A4FF

RGB 228 164 255

HSL 282.2, 1%, 0.82%

LAB 76.23, 39.14, -36.01

 

CMYK 26 / 56 / 0 / 18

HEX #9B5CD1

RGB 155 92 209

HSL 272.31, 0.56%, 0.59%

LAB 50.95, 47.46, -50.79

 

CMYK 27 / 61 / 0 / 25

HEX #8A4ABE

RGB 138 74 190

HSL 273.1, 0.47%, 0.52%

LAB 44.26, 48.3, -50.66

 

CMYK 29 / 67 / 0 / 33

HEX #7938AB

RGB 121 56 171

HSL 273.91, 0.51%, 0.45%

LAB 37.54, 48.98, -50.38

 

CMYK 32 / 75 / 0 / 40

HEX #682698

RGB 104 38 152

HSL 274.74, 0.6%, 0.37%

LAB 30.87, 49.29, -49.83

 

CMYK 35 / 85 / 0 / 48

HEX #571485

RGB 87 20 133

HSL 275.58, 0.74%, 0.3%

LAB 24.39, 48.76, -48.72

 

CMYK 26 / 56 / 0 / 18

HEX #9B5CD1

RGB 155 92 209

HSL 272.31, 0.56%, 0.59%

LAB 50.95, 47.46, -50.79

 

CMYK 11 / 56 / 0 / 18

HEX #BB5CD1

RGB 187 92 209

HSL 288.72, 0.56%, 0.59%

LAB 54.89, 55.63, -44.29

 

CMYK 0 / 56 / 4 / 18

HEX #D15CC8

RGB 209 92 200

HSL 304.62, 0.56%, 0.59%

LAB 57.44, 59.83, -34.94

 

CMYK 0 / 56 / 20 / 18

HEX #D15CA8

RGB 209 92 168

HSL 321.03, 0.56%, 0.59%

LAB 56.12, 54.82, -18.56

 

CMYK 0 / 56 / 34 / 18

HEX #D15C89

RGB 209 92 137

HSL 336.92, 0.56%, 0.59%

LAB 55.09, 50.72, -1.96

 

CMYK 26 / 56 / 0 / 18

HEX #9B5CD1

RGB 155 92 209

HSL 272.31, 0.56%, 0.59%

LAB 50.95, 47.46, -50.79

 

CMYK 41 / 56 / 0 / 18

HEX #7B5CD1

RGB 123 92 209

HSL 255.9, 0.56%, 0.59%

LAB 47.58, 39.77, -56.38

 

CMYK 56 / 56 / 0 / 18

HEX #5C5CD1

RGB 92 92 209

HSL 240, 0.56%, 0.59%

LAB 44.99, 33.27, -60.7

 

CMYK 26 / 56 / 0 / 18

HEX #9B5CD1

RGB 155 92 209

HSL 272.31, 0.56%, 0.59%

LAB 50.95, 47.46, -50.79

 

CMYK 31 / 67 / 0 / 11

HEX #9C4BE2

RGB 156 75 226

HSL 272.19, 0.72%, 0.59%

LAB 49, 60.1, -63.59

 

CMYK 35 / 76 / 0 / 5

HEX #9E3AF3

RGB 158 58 243

HSL 272.43, 0.89%, 0.59%

LAB 47.96, 71.37, -74.84

 

CMYK 26 / 56 / 0 / 18

HEX #9B5CD1

RGB 155 92 209

HSL 272.31, 0.56%, 0.59%

LAB 50.95, 47.46, -50.79

 

CMYK 20 / 43 / 0 / 25

HEX #9A6DC0

RGB 154 109 192

HSL 272.53, 0.4%, 0.59%

LAB 53.61, 33.85, -36.85

 

CMYK 13 / 28 / 0 / 31

HEX #987EAF

RGB 152 126 175

HSL 271.84, 0.23%, 0.59%

LAB 56.77, 19.59, -22.21

 

CMYK 4 / 9 / 0 / 38

HEX #978F9E

RGB 151 143 158

HSL 272, 0.07%, 0.59%

LAB 60.51, 5.88, -6.86

 

CMYK 6 / 0 / 12 / 37

HEX #96A08D

RGB 150 160 141

HSL 91.58, 0.09%, 0.59%

LAB 64.6, -7.16, 8.69

 

CMYK 56 / 56 / 0 / 18

HEX #5C5CD1

RGB 92 92 209

HSL 240, 0.56%, 0.59%

LAB 44.99, 33.27, -60.7

 

CMYK 41 / 56 / 0 / 18

HEX #7B5CD1

RGB 123 92 209

HSL 255.9, 0.56%, 0.59%

LAB 47.58, 39.77, -56.38

 

CMYK 26 / 56 / 0 / 18

HEX #9A5CD1

RGB 154 92 209

HSL 271.79, 0.56%, 0.59%

LAB 50.84, 47.21, -50.98

 

CMYK 11 / 56 / 0 / 18

HEX #BA5CD1

RGB 186 92 209

HSL 288.21, 0.56%, 0.59%

LAB 54.76, 55.38, -44.51

 

CMYK 0 / 56 / 4 / 18

HEX #D15CC9

RGB 209 92 201

HSL 304.1, 0.56%, 0.59%

LAB 57.49, 60, -35.44

 

CMYK 33 / 72 / 0 / 33

HEX #7230AA

RGB 114 48 170

HSL 272.46, 0.56%, 0.43%

LAB 35.19, 51.06, -53.64

 

CMYK 33 / 70 / 0 / 22

HEX #873CC8

RGB 135 60 200

HSL 272.14, 0.56%, 0.51%

LAB 42.08, 56.8, -60.01

 

CMYK 26 / 56 / 0 / 18

HEX #9B5CD1

RGB 155 92 209

HSL 272.31, 0.56%, 0.59%

LAB 50.95, 47.46, -50.79

 

CMYK 20 / 43 / 0 / 15

HEX #AF7CDA

RGB 175 124 218

HSL 272.55, 0.56%, 0.67%

LAB 60.42, 37.46, -40.75

 

CMYK 15 / 31 / 0 / 11

HEX #C29CE3

RGB 194 156 227

HSL 272.11, 0.56%, 0.75%

LAB 70.03, 27.36, -30.64

 

CMYK 26 / 56 / 0 / 18

HEX #9B5CD1

RGB 155 92 209

HSL 272.31, 0.56%, 0.59%

LAB 50.95, 47.46, -50.79

 

CMYK 0 / 56 / 41 / 18

HEX #D15C7B

RGB 209 92 123

HSL 344.1, 0.56%, 0.59%

LAB 54.7, 49.14, 5.73

 

CMYK 56 / 0 / 48 / 18

HEX #5CD16C

RGB 92 209 108

HSL 128.21, 0.56%, 0.59%

LAB 75.43, -53.94, 40.16

 

CMYK 26 / 56 / 0 / 18

HEX #9B5CD1

RGB 155 92 209

HSL 272.31, 0.56%, 0.59%

LAB 50.95, 47.46, -50.79

 

CMYK 0 / 26 / 56 / 18

HEX #D19A5C

RGB 209 154 92

HSL 31.79, 0.56%, 0.59%

LAB 67.61, 13.64, 40.27

 

CMYK 56 / 0 / 26 / 18

HEX #5CD19A

RGB 92 209 154

HSL 151.79, 0.56%, 0.59%

LAB 76.2, -45.82, 17.51

 

CMYK 26 / 56 / 0 / 18

HEX #9B5CD1

RGB 155 92 209

HSL 272.31, 0.56%, 0.59%

LAB 50.95, 47.46, -50.79

 

CMYK 0 / 56 / 41 / 18

HEX #D15C7B

RGB 209 92 123

HSL 344.1, 0.56%, 0.59%

LAB 54.7, 49.14, 5.73

 

CMYK 30 / 0 / 56 / 18

HEX #93D15C

RGB 147 209 92

HSL 91.79, 0.56%, 0.59%

LAB 77.62, -39.25, 50.98

 

CMYK 56 / 0 / 15 / 18

HEX #5CD1B2

RGB 92 209 178

HSL 164.1, 0.56%, 0.59%

LAB 76.73, -40.48, 5.46

 

CMYK 26 / 56 / 0 / 18

HEX #9B5CD1

RGB 155 92 209

HSL 272.31, 0.56%, 0.59%

LAB 50.95, 47.46, -50.79

 

CMYK 0 / 54 / 56 / 18

HEX #D1605C

RGB 209 96 92

HSL 2.05, 0.56%, 0.59%

LAB 54.76, 44.33, 24.02

 

CMYK 30 / 0 / 56 / 18

HEX #93D15C

RGB 147 209 92

HSL 91.79, 0.56%, 0.59%

LAB 77.62, -39.25, 50.98

 

CMYK 56 / 2 / 0 / 18

HEX #5CCDD1

RGB 92 205 209

HSL 182.05, 0.56%, 0.59%

LAB 76.4, -30.73, -11.72

 

Description

Color code: RGB 155 92 209 | qconv.com Color code: RGB 155 92 209 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 92 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 92 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 56 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 56% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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