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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 92 16 it is the complementary color RGB 100 163 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 92 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 92 16 shade: RGB 160 92 11, RGB 177 110 30, RGB 194 128 49, RGB 211 146 68 and RGB 228 164 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 92 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 92 16 shade: RGB 155 92 16, RGB 138 74 0, RGB 121 56 0, RGB 104 38 0 and RGB 87 20 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 92 16 shade: RGB 157 93 16, RGB 157 55 16, RGB 157 18 16 and RGB 157 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 92 16 shade: RGB 157 93 16, RGB 157 131 16, RGB 145 157 16, RGB 107 157 16 and RGB 69 157 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 92 16 shade matches the following richer shades: RGB 157 93 16 and RGB 171 95 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 92 16 shade: RGB 157 93 16, RGB 143 92 31, RGB 129 91 45, RGB 115 89 59 and RGB 101 88 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 92 16 shade: RGB 157 16 16, RGB 157 54 16, RGB 157 91 16, RGB 157 129 16 and RGB 148 157 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 92 16 shade: RGB 82 49 9, RGB 120 71 13, RGB 157 93 16, RGB 194 115 20 and RGB 231 138 25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 92 16 shade: RGB 155 92 16, RGB 54 157 16 and RGB 35 16 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 92 16 shade: RGB 155 92 16, RGB 16 157 91 and RGB 91 16 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 92 16 shade: RGB 155 92 16, RGB 54 157 16, RGB 16 82 157 and RGB 119 16 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 92 16 shade: RGB 155 92 16, RGB 16 157 21, RGB 16 82 157 and RGB 157 16 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 90 / 39

HEX #9B5C10

RGB 155 92 16

HSL 32.81, 0.81%, 0.34%

LAB 45.17, 20.47, 49.37

 

Complementary color

CMYK 58 / 32 / 0 / 6

HEX #64A3EF

RGB 100 163 239

HSL 212.81, 0.81%, 0.66%

LAB 65.85, 1.88, -44.21

 

CMYK 0 / 43 / 93 / 37

HEX #A05C0B

RGB 160 92 11

HSL 32.62, 0.87%, 0.34%

LAB 45.84, 22.6, 51.56

 

CMYK 0 / 38 / 83 / 31

HEX #B16E1E

RGB 177 110 30

HSL 32.65, 0.71%, 0.41%

LAB 52.5, 20.51, 51.95

 

CMYK 0 / 34 / 75 / 24

HEX #C28031

RGB 194 128 49

HSL 32.69, 0.6%, 0.48%

LAB 59.09, 18.71, 51.17

 

CMYK 0 / 31 / 68 / 17

HEX #D39244

RGB 211 146 68

HSL 32.73, 0.62%, 0.55%

LAB 65.61, 17.17, 49.94

 

CMYK 0 / 28 / 62 / 11

HEX #E4A457

RGB 228 164 87

HSL 32.77, 0.72%, 0.62%

LAB 72.05, 15.84, 48.56

 

CMYK 0 / 41 / 90 / 39

HEX #9B5C10

RGB 155 92 16

HSL 32.81, 0.81%, 0.34%

LAB 45.17, 20.47, 49.37

 

CMYK 0 / 46 / 100 / 46

HEX #8A4A00

RGB 138 74 0

HSL 32.17, 1%, 0.27%

LAB 38.38, 22.77, 47.96

 

CMYK 0 / 54 / 100 / 53

HEX #793800

RGB 121 56 0

HSL 27.77, 1%, 0.24%

LAB 31.56, 25.38, 42.4

 

CMYK 0 / 63 / 100 / 59

HEX #682600

RGB 104 38 0

HSL 21.92, 1%, 0.2%

LAB 24.73, 27.87, 35.51

 

CMYK 0 / 77 / 100 / 66

HEX #571400

RGB 87 20 0

HSL 13.79, 1%, 0.17%

LAB 18.04, 29.78, 27.28

 

CMYK 0 / 41 / 90 / 38

HEX #9D5D10

RGB 157 93 16

HSL 32.77, 0.82%, 0.34%

LAB 45.68, 20.8, 49.9

 

CMYK 0 / 65 / 90 / 38

HEX #9D3710

RGB 157 55 16

HSL 16.6, 0.82%, 0.34%

LAB 37.73, 40.77, 43.67

 

CMYK 0 / 89 / 90 / 38

HEX #9D1210

RGB 157 18 16

HSL 0.85, 0.82%, 0.34%

LAB 33.22, 53.26, 40.16

 

CMYK 0 / 90 / 90 / 38

HEX #9D1010

RGB 157 16 16

HSL 0, 0.82%, 0.34%

LAB 33.08, 53.64, 40.06

 

CMYK 0 / 41 / 90 / 38

HEX #9D5D10

RGB 157 93 16

HSL 32.77, 0.82%, 0.34%

LAB 45.68, 20.8, 49.9

 

CMYK 0 / 17 / 90 / 38

HEX #9D8310

RGB 157 131 16

HSL 48.94, 0.82%, 0.34%

LAB 55.52, -0.75, 57.67

 

CMYK 8 / 0 / 90 / 38

HEX #919D10

RGB 145 157 16

HSL 65.11, 0.82%, 0.34%

LAB 61.8, -20.08, 62.25

 

CMYK 32 / 0 / 90 / 38

HEX #6B9D10

RGB 107 157 16

HSL 81.28, 0.82%, 0.34%

LAB 59.23, -36, 59.08

 

CMYK 56 / 0 / 90 / 38

HEX #459D10

RGB 69 157 16

HSL 97.45, 0.82%, 0.34%

LAB 57.48, -48.91, 56.9

 

CMYK 0 / 41 / 90 / 38

HEX #9D5D10

RGB 157 93 16

HSL 32.77, 0.82%, 0.34%

LAB 45.68, 20.8, 49.9

 

CMYK 0 / 44 / 99 / 33

HEX #AB5F02

RGB 171 95 2

HSL 33.02, 0.98%, 0.34%

LAB 48.07, 25.63, 55.92

 

CMYK 0 / 41 / 90 / 38

HEX #9D5D10

RGB 157 93 16

HSL 32.77, 0.82%, 0.34%

LAB 45.68, 20.8, 49.9

 

CMYK 0 / 36 / 78 / 44

HEX #8F5C1F

RGB 143 92 31

HSL 32.68, 0.64%, 0.34%

LAB 43.64, 15.51, 41.71

 

CMYK 0 / 29 / 65 / 49

HEX #815B2D

RGB 129 91 45

HSL 32.86, 0.48%, 0.34%

LAB 41.75, 10.45, 32.18

 

CMYK 0 / 23 / 49 / 55

HEX #73593B

RGB 115 89 59

HSL 32.14, 0.32%, 0.34%

LAB 39.76, 6.48, 21.41

 

CMYK 0 / 13 / 28 / 60

HEX #655849

RGB 101 88 73

HSL 32.14, 0.16%, 0.34%

LAB 38.25, 2.68, 10.65

 

CMYK 0 / 90 / 90 / 38

HEX #9D1010

RGB 157 16 16

HSL 0, 0.82%, 0.34%

LAB 33.08, 53.64, 40.06

 

CMYK 0 / 66 / 90 / 38

HEX #9D3610

RGB 157 54 16

HSL 16.17, 0.82%, 0.34%

LAB 37.56, 41.23, 43.53

 

CMYK 0 / 42 / 90 / 38

HEX #9D5B10

RGB 157 91 16

HSL 31.91, 0.82%, 0.34%

LAB 45.2, 21.93, 49.52

 

CMYK 0 / 18 / 90 / 38

HEX #9D8110

RGB 157 129 16

HSL 48.09, 0.82%, 0.34%

LAB 54.98, 0.36, 57.24

 

CMYK 6 / 0 / 90 / 38

HEX #949D10

RGB 148 157 16

HSL 63.83, 0.82%, 0.34%

LAB 62.04, -18.76, 62.53

 

CMYK 0 / 40 / 89 / 68

HEX #523109

RGB 82 49 9

HSL 32.88, 0.8%, 0.18%

LAB 23.71, 11.43, 29.59

 

CMYK 0 / 41 / 89 / 53

HEX #78470D

RGB 120 71 13

HSL 32.52, 0.8%, 0.26%

LAB 35.06, 16.52, 40.13

 

CMYK 0 / 41 / 90 / 38

HEX #9D5D10

RGB 157 93 16

HSL 32.77, 0.82%, 0.34%

LAB 45.68, 20.8, 49.9

 

CMYK 0 / 41 / 90 / 24

HEX #C27314

RGB 194 115 20

HSL 32.76, 0.81%, 0.42%

LAB 55.87, 24.9, 58.84

 

CMYK 0 / 40 / 89 / 9

HEX #E78A19

RGB 231 138 25

HSL 32.91, 0.81%, 0.5%

LAB 65.93, 28.34, 67.35

 

CMYK 0 / 41 / 90 / 39

HEX #9B5C10

RGB 155 92 16

HSL 32.81, 0.81%, 0.34%

LAB 45.17, 20.47, 49.37

 

CMYK 66 / 0 / 90 / 38

HEX #369D10

RGB 54 157 16

HSL 103.83, 0.82%, 0.34%

LAB 57.01, -52.73, 56.31

 

CMYK 78 / 90 / 0 / 38

HEX #23109D

RGB 35 16 157

HSL 248.09, 0.82%, 0.34%

LAB 20.68, 51.11, -69.92

 

CMYK 0 / 41 / 90 / 39

HEX #9B5C10

RGB 155 92 16

HSL 32.81, 0.81%, 0.34%

LAB 45.17, 20.47, 49.37

 

CMYK 90 / 0 / 42 / 38

HEX #109D5B

RGB 16 157 91

HSL 151.91, 0.82%, 0.34%

LAB 57.06, -49.84, 25.08

 

CMYK 42 / 90 / 0 / 38

HEX #5B109D

RGB 91 16 157

HSL 271.91, 0.82%, 0.34%

LAB 26.82, 56, -59.58

 

CMYK 0 / 41 / 90 / 39

HEX #9B5C10

RGB 155 92 16

HSL 32.81, 0.81%, 0.34%

LAB 45.17, 20.47, 49.37

 

CMYK 66 / 0 / 90 / 38

HEX #369D10

RGB 54 157 16

HSL 103.83, 0.82%, 0.34%

LAB 57.01, -52.73, 56.31

 

CMYK 90 / 48 / 0 / 38

HEX #10529D

RGB 16 82 157

HSL 211.91, 0.82%, 0.34%

LAB 35.16, 10.02, -46.22

 

CMYK 24 / 90 / 0 / 38

HEX #77109D

RGB 119 16 157

HSL 283.83, 0.82%, 0.34%

LAB 31.18, 59.95, -52.27

 

CMYK 0 / 41 / 90 / 39

HEX #9B5C10

RGB 155 92 16

HSL 32.81, 0.81%, 0.34%

LAB 45.17, 20.47, 49.37

 

CMYK 90 / 0 / 87 / 38

HEX #109D15

RGB 16 157 21

HSL 122.13, 0.82%, 0.34%

LAB 56.37, -58.29, 54.4

 

CMYK 90 / 48 / 0 / 38

HEX #10529D

RGB 16 82 157

HSL 211.91, 0.82%, 0.34%

LAB 35.16, 10.02, -46.22

 

CMYK 0 / 90 / 3 / 38

HEX #9D1098

RGB 157 16 152

HSL 302.13, 0.82%, 0.34%

LAB 37.49, 65.62, -38.72

 

Description

Color code: RGB 155 92 16 | qconv.com Color code: RGB 155 92 16 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 92 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 92 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 90 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 90% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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