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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 92 118 it is the complementary color RGB 100 163 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 92 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 92 118 shade: RGB 160 92 113, RGB 177 110 132, RGB 194 128 151, RGB 211 146 170 and RGB 228 164 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 92 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 92 118 shade: RGB 155 92 118, RGB 138 74 99, RGB 121 56 80, RGB 104 38 61 and RGB 87 20 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 92 118 shade: RGB 154 91 117, RGB 154 91 100 and RGB 154 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 92 118 shade: RGB 154 91 117, RGB 154 91 134, RGB 154 91 151, RGB 140 91 154 and RGB 123 91 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 92 118 shade matches the following richer shades: RGB 154 91 117, RGB 174 71 113, RGB 194 51 110, RGB 214 31 106 and RGB 233 11 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 92 118 shade: RGB 154 91 117, RGB 134 110 120, RGB 115 130 124, RGB 95 150 127 and RGB 75 170 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 92 118 shade: RGB 154 91 151, RGB 154 91 134, RGB 154 91 117, RGB 154 91 100 and RGB 154 98 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 92 118 shade: RGB 102 60 77, RGB 128 75 97, RGB 154 91 117, RGB 172 114 138 and RGB 187 140 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 92 118 shade: RGB 155 92 118, RGB 154 140 91 and RGB 91 143 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 92 118 shade: RGB 155 92 118, RGB 117 154 91 and RGB 91 117 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 92 118 shade: RGB 155 92 118, RGB 154 140 91, RGB 91 154 128 and RGB 91 104 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 92 118 shade: RGB 155 92 118, RGB 149 154 91, RGB 91 154 128 and RGB 96 91 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 24 / 39

HEX #9B5C76

RGB 155 92 118

HSL 335.24, 0.26%, 0.48%

LAB 46.88, 29.36, -3.59

 

Complementary color

CMYK 39 / 0 / 16 / 36

HEX #64A389

RGB 100 163 137

HSL 155.24, 0.26%, 0.52%

LAB 62.26, -26.35, 7.16

 

CMYK 0 / 43 / 29 / 37

HEX #A05C71

RGB 160 92 113

HSL 341.47, 0.27%, 0.49%

LAB 47.39, 30.49, 0.25

 

CMYK 0 / 38 / 25 / 31

HEX #B16E84

RGB 177 110 132

HSL 340.3, 0.3%, 0.56%

LAB 54.2, 29.59, -0.84

 

CMYK 0 / 34 / 22 / 24

HEX #C28097

RGB 194 128 151

HSL 339.09, 0.35%, 0.63%

LAB 60.91, 28.77, -1.78

 

CMYK 0 / 31 / 19 / 17

HEX #D392AA

RGB 211 146 170

HSL 337.85, 0.42%, 0.7%

LAB 67.51, 28, -2.63

 

CMYK 0 / 28 / 17 / 11

HEX #E4A4BD

RGB 228 164 189

HSL 336.56, 0.54%, 0.77%

LAB 74.01, 27.3, -3.41

 

CMYK 0 / 41 / 24 / 39

HEX #9B5C76

RGB 155 92 118

HSL 335.24, 0.26%, 0.48%

LAB 46.88, 29.36, -3.59

 

CMYK 0 / 46 / 28 / 46

HEX #8A4A63

RGB 138 74 99

HSL 336.56, 0.3%, 0.42%

LAB 39.92, 30.26, -2.49

 

CMYK 0 / 54 / 34 / 53

HEX #793850

RGB 121 56 80

HSL 337.85, 0.37%, 0.35%

LAB 32.86, 31.18, -1.12

 

CMYK 0 / 63 / 41 / 59

HEX #68263D

RGB 104 38 61

HSL 339.09, 0.46%, 0.28%

LAB 25.76, 31.99, 0.7

 

CMYK 0 / 77 / 52 / 66

HEX #57142A

RGB 87 20 42

HSL 340.3, 0.63%, 0.21%

LAB 18.77, 32.31, 3.35

 

CMYK 0 / 41 / 24 / 40

HEX #9A5B75

RGB 154 91 117

HSL 335.24, 0.26%, 0.48%

LAB 46.49, 29.4, -3.58

 

CMYK 0 / 41 / 35 / 40

HEX #9A5B64

RGB 154 91 100

HSL 351.43, 0.26%, 0.48%

LAB 46, 26.97, 6

 

CMYK 0 / 41 / 41 / 40

HEX #9A5B5B

RGB 154 91 91

HSL 0, 0.26%, 0.48%

LAB 45.78, 25.83, 11.13

 

CMYK 0 / 41 / 24 / 40

HEX #9A5B75

RGB 154 91 117

HSL 335.24, 0.26%, 0.48%

LAB 46.49, 29.4, -3.58

 

CMYK 0 / 41 / 13 / 40

HEX #9A5B86

RGB 154 91 134

HSL 319.05, 0.26%, 0.48%

LAB 47.07, 32.18, -12.95

 

CMYK 0 / 41 / 2 / 40

HEX #9A5B97

RGB 154 91 151

HSL 302.86, 0.26%, 0.48%

LAB 47.73, 35.29, -22.09

 

CMYK 9 / 41 / 0 / 40

HEX #8C5B9A

RGB 140 91 154

HSL 286.67, 0.26%, 0.48%

LAB 46.16, 31.36, -26.44

 

CMYK 20 / 41 / 0 / 40

HEX #7B5B9A

RGB 123 91 154

HSL 270.48, 0.26%, 0.48%

LAB 44.27, 25.97, -29.53

 

CMYK 0 / 41 / 24 / 40

HEX #9A5B75

RGB 154 91 117

HSL 335.24, 0.26%, 0.48%

LAB 46.49, 29.4, -3.58

 

CMYK 0 / 59 / 35 / 32

HEX #AE4771

RGB 174 71 113

HSL 335.53, 0.42%, 0.48%

LAB 45.22, 46.3, -2.7

 

CMYK 0 / 74 / 43 / 24

HEX #C2336E

RGB 194 51 110

HSL 335.24, 0.58%, 0.48%

LAB 45.58, 60.15, 0.08

 

CMYK 0 / 86 / 50 / 16

HEX #D61F6A

RGB 214 31 106

HSL 335.41, 0.75%, 0.48%

LAB 47.39, 70.3, 5.63

 

CMYK 0 / 95 / 56 / 9

HEX #E90B67

RGB 233 11 103

HSL 335.14, 0.91%, 0.48%

LAB 50.15, 77.22, 11.9

 

CMYK 0 / 41 / 24 / 40

HEX #9A5B75

RGB 154 91 117

HSL 335.24, 0.26%, 0.48%

LAB 46.49, 29.4, -3.58

 

CMYK 0 / 18 / 10 / 47

HEX #866E78

RGB 134 110 120

HSL 335, 0.1%, 0.48%

LAB 48.98, 11.23, -1.98

 

CMYK 12 / 0 / 5 / 49

HEX #73827C

RGB 115 130 124

HSL 156, 0.06%, 0.48%

LAB 53.02, -6.74, 1.38

 

CMYK 37 / 0 / 15 / 41

HEX #5F967F

RGB 95 150 127

HSL 154.91, 0.22%, 0.48%

LAB 57.83, -23.54, 6.42

 

CMYK 56 / 0 / 23 / 33

HEX #4BAA83

RGB 75 170 131

HSL 155.37, 0.39%, 0.48%

LAB 63.25, -37.53, 11.76

 

CMYK 0 / 41 / 2 / 40

HEX #9A5B97

RGB 154 91 151

HSL 302.86, 0.26%, 0.48%

LAB 47.73, 35.29, -22.09

 

CMYK 0 / 41 / 13 / 40

HEX #9A5B86

RGB 154 91 134

HSL 319.05, 0.26%, 0.48%

LAB 47.07, 32.18, -12.95

 

CMYK 0 / 41 / 24 / 40

HEX #9A5B75

RGB 154 91 117

HSL 335.24, 0.26%, 0.48%

LAB 46.49, 29.4, -3.58

 

CMYK 0 / 41 / 35 / 40

HEX #9A5B64

RGB 154 91 100

HSL 351.43, 0.26%, 0.48%

LAB 46, 26.97, 6

 

CMYK 0 / 36 / 41 / 40

HEX #9A625B

RGB 154 98 91

HSL 6.67, 0.26%, 0.48%

LAB 47.44, 21.84, 13.44

 

CMYK 0 / 41 / 25 / 60

HEX #663C4D

RGB 102 60 77

HSL 335.71, 0.26%, 0.32%

LAB 30.86, 21.04, -2.44

 

CMYK 0 / 41 / 24 / 50

HEX #804B61

RGB 128 75 97

HSL 335.09, 0.26%, 0.4%

LAB 38.7, 25.6, -3.2

 

CMYK 0 / 41 / 24 / 40

HEX #9A5B75

RGB 154 91 117

HSL 335.24, 0.26%, 0.48%

LAB 46.49, 29.4, -3.58

 

CMYK 0 / 34 / 20 / 33

HEX #AC728A

RGB 172 114 138

HSL 335.17, 0.26%, 0.56%

LAB 54.7, 26.43, -3.69

 

CMYK 0 / 25 / 14 / 27

HEX #BB8CA0

RGB 187 140 160

HSL 334.47, 0.26%, 0.64%

LAB 63.23, 21, -3.59

 

CMYK 0 / 41 / 24 / 39

HEX #9B5C76

RGB 155 92 118

HSL 335.24, 0.26%, 0.48%

LAB 46.88, 29.36, -3.59

 

CMYK 0 / 9 / 41 / 40

HEX #9A8C5B

RGB 154 140 91

HSL 46.67, 0.26%, 0.48%

LAB 58.4, -2.07, 28.07

 

CMYK 41 / 7 / 0 / 40

HEX #5B8F9A

RGB 91 143 154

HSL 190.48, 0.26%, 0.48%

LAB 56.29, -14.35, -11.3

 

CMYK 0 / 41 / 24 / 39

HEX #9B5C76

RGB 155 92 118

HSL 335.24, 0.26%, 0.48%

LAB 46.88, 29.36, -3.59

 

CMYK 24 / 0 / 41 / 40

HEX #759A5B

RGB 117 154 91

HSL 95.24, 0.26%, 0.48%

LAB 59.57, -24.52, 29.01

 

CMYK 41 / 24 / 0 / 40

HEX #5B759A

RGB 91 117 154

HSL 215.24, 0.26%, 0.48%

LAB 48.61, 0.48, -23

 

CMYK 0 / 41 / 24 / 39

HEX #9B5C76

RGB 155 92 118

HSL 335.24, 0.26%, 0.48%

LAB 46.88, 29.36, -3.59

 

CMYK 0 / 9 / 41 / 40

HEX #9A8C5B

RGB 154 140 91

HSL 46.67, 0.26%, 0.48%

LAB 58.4, -2.07, 28.07

 

CMYK 41 / 0 / 17 / 40

HEX #5B9A80

RGB 91 154 128

HSL 155.24, 0.26%, 0.48%

LAB 58.88, -26.51, 7.33

 

CMYK 41 / 32 / 0 / 40

HEX #5B689A

RGB 91 104 154

HSL 227.62, 0.26%, 0.48%

LAB 44.88, 8.36, -28.78

 

CMYK 0 / 41 / 24 / 39

HEX #9B5C76

RGB 155 92 118

HSL 335.24, 0.26%, 0.48%

LAB 46.88, 29.36, -3.59

 

CMYK 3 / 0 / 41 / 40

HEX #959A5B

RGB 149 154 91

HSL 64.76, 0.26%, 0.48%

LAB 61.87, -11.77, 32.43

 

CMYK 41 / 0 / 17 / 40

HEX #5B9A80

RGB 91 154 128

HSL 155.24, 0.26%, 0.48%

LAB 58.88, -26.51, 7.33

 

CMYK 38 / 41 / 0 / 40

HEX #605B9A

RGB 96 91 154

HSL 244.76, 0.26%, 0.48%

LAB 41.69, 17.86, -33.76

 

Description

Color code: RGB 155 92 118 | qconv.com Color code: RGB 155 92 118 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 92 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 92 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 24 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 24% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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