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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 8 180 it is the complementary color RGB 100 247 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 8 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 8 180 shade: RGB 160 8 175, RGB 177 26 194, RGB 194 44 213, RGB 211 62 232 and RGB 228 80 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 8 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 8 180 shade: RGB 155 8 180, RGB 138 0 161, RGB 121 0 142, RGB 104 0 123 and RGB 87 0 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 8 180 shade: RGB 155 8 180, RGB 180 8 158, RGB 180 8 112, RGB 180 8 66 and RGB 180 8 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 8 180 shade: RGB 155 8 180, RGB 108 8 180, RGB 62 8 180, RGB 16 8 180 and RGB 8 8 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 8 180 shade matches the following richer shades: RGB 155 8 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 8 180 shade: RGB 155 8 180, RGB 144 23 164, RGB 133 39 149, RGB 122 54 134 and RGB 111 69 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 8 180 shade: RGB 62 8 180, RGB 108 8 180, RGB 154 8 180, RGB 180 8 160 and RGB 180 8 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 8 180 shade: RGB 87 4 101, RGB 121 6 140, RGB 155 8 180, RGB 189 10 219 and RGB 212 26 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 8 180 shade: RGB 155 8 180, RGB 180 17 8 and RGB 8 180 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 8 180 shade: RGB 155 8 180, RGB 180 154 8 and RGB 8 180 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 8 180 shade: RGB 155 8 180, RGB 180 17 8, RGB 34 180 8 and RGB 8 171 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 8 180 shade: RGB 155 8 180, RGB 180 68 8, RGB 34 180 8 and RGB 8 120 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 96 / 0 / 29

HEX #9B08B4

RGB 155 8 180

HSL 291.28, 0.91%, 0.37%

LAB 38.62, 70.85, -53.75

 

Complementary color

CMYK 60 / 0 / 70 / 3

HEX #64F74B

RGB 100 247 75

HSL 111.28, 0.91%, 0.63%

LAB 86.87, -69.37, 67.55

 

CMYK 9 / 95 / 0 / 31

HEX #A008AF

RGB 160 8 175

HSL 294.61, 0.91%, 0.36%

LAB 39.14, 70.8, -49.88

 

CMYK 9 / 87 / 0 / 24

HEX #B11AC2

RGB 177 26 194

HSL 293.93, 0.76%, 0.43%

LAB 44.21, 74.13, -52.78

 

CMYK 9 / 79 / 0 / 16

HEX #C22CD5

RGB 194 44 213

HSL 293.25, 0.67%, 0.5%

LAB 49.59, 76.22, -54.96

 

CMYK 9 / 73 / 0 / 9

HEX #D33EE8

RGB 211 62 232

HSL 292.59, 0.79%, 0.58%

LAB 55.2, 77.41, -56.61

 

CMYK 9 / 68 / 0 / 2

HEX #E450FB

RGB 228 80 251

HSL 291.93, 0.96%, 0.65%

LAB 60.95, 77.96, -57.86

 

CMYK 14 / 96 / 0 / 29

HEX #9B08B4

RGB 155 8 180

HSL 291.28, 0.91%, 0.37%

LAB 38.62, 70.85, -53.75

 

CMYK 14 / 100 / 0 / 37

HEX #8A00A1

RGB 138 0 161

HSL 291.43, 1%, 0.32%

LAB 33.93, 66.01, -50.08

 

CMYK 15 / 100 / 0 / 44

HEX #79008E

RGB 121 0 142

HSL 291.13, 1%, 0.28%

LAB 29.46, 60.13, -45.83

 

CMYK 15 / 100 / 0 / 52

HEX #68007B

RGB 104 0 123

HSL 290.73, 1%, 0.24%

LAB 24.87, 54.11, -41.48

 

CMYK 16 / 100 / 0 / 59

HEX #570068

RGB 87 0 104

HSL 290.19, 1%, 0.2%

LAB 20.15, 47.92, -37.02

 

CMYK 14 / 96 / 0 / 29

HEX #9B08B4

RGB 155 8 180

HSL 291.28, 0.91%, 0.37%

LAB 38.62, 70.85, -53.75

 

CMYK 0 / 96 / 12 / 29

HEX #B4089E

RGB 180 8 158

HSL 307.67, 0.91%, 0.37%

LAB 41.76, 71.74, -35.31

 

CMYK 0 / 96 / 38 / 29

HEX #B40870

RGB 180 8 112

HSL 323.72, 0.91%, 0.37%

LAB 39.66, 66.31, -10.25

 

CMYK 0 / 96 / 63 / 29

HEX #B40842

RGB 180 8 66

HSL 339.77, 0.91%, 0.37%

LAB 38.32, 62.71, 17.18

 

CMYK 0 / 96 / 89 / 29

HEX #B40813

RGB 180 8 19

HSL 356.16, 0.91%, 0.37%

LAB 37.71, 61, 44.35

 

CMYK 14 / 96 / 0 / 29

HEX #9B08B4

RGB 155 8 180

HSL 291.28, 0.91%, 0.37%

LAB 38.62, 70.85, -53.75

 

CMYK 40 / 96 / 0 / 29

HEX #6C08B4

RGB 108 8 180

HSL 274.88, 0.91%, 0.37%

LAB 31.01, 64.58, -66.47

 

CMYK 66 / 96 / 0 / 29

HEX #3E08B4

RGB 62 8 180

HSL 258.84, 0.91%, 0.37%

LAB 25.24, 60.72, -76.2

 

CMYK 91 / 96 / 0 / 29

HEX #1008B4

RGB 16 8 180

HSL 242.79, 0.91%, 0.37%

LAB 22.23, 59.16, -81.3

 

CMYK 96 / 96 / 0 / 29

HEX #0808B4

RGB 8 8 180

HSL 240, 0.91%, 0.37%

LAB 22.02, 59.06, -81.66

 

CMYK 14 / 96 / 0 / 29

HEX #9B08B4

RGB 155 8 180

HSL 291.28, 0.91%, 0.37%

LAB 38.62, 70.85, -53.75

 

CMYK 14 / 96 / 0 / 29

HEX #9B08B4

RGB 155 8 180

HSL 291.28, 0.91%, 0.37%

LAB 38.62, 70.85, -53.75

 

CMYK 12 / 86 / 0 / 36

HEX #9017A4

RGB 144 23 164

HSL 291.49, 0.75%, 0.37%

LAB 36.41, 63.91, -47.84

 

CMYK 11 / 74 / 0 / 42

HEX #852795

RGB 133 39 149

HSL 291.27, 0.59%, 0.37%

LAB 35.22, 54.29, -40.76

 

CMYK 9 / 60 / 0 / 47

HEX #7A3686

RGB 122 54 134

HSL 291, 0.43%, 0.37%

LAB 35, 42.01, -32

 

CMYK 7 / 42 / 0 / 53

HEX #6F4577

RGB 111 69 119

HSL 290.4, 0.27%, 0.37%

LAB 35.92, 27.12, -21.35

 

CMYK 66 / 96 / 0 / 29

HEX #3E08B4

RGB 62 8 180

HSL 258.84, 0.91%, 0.37%

LAB 25.24, 60.72, -76.2

 

CMYK 40 / 96 / 0 / 29

HEX #6C08B4

RGB 108 8 180

HSL 274.88, 0.91%, 0.37%

LAB 31.01, 64.58, -66.47

 

CMYK 14 / 96 / 0 / 29

HEX #9A08B4

RGB 154 8 180

HSL 290.93, 0.91%, 0.37%

LAB 38.44, 70.69, -54.03

 

CMYK 0 / 96 / 11 / 29

HEX #B408A0

RGB 180 8 160

HSL 306.98, 0.91%, 0.37%

LAB 41.87, 72.01, -36.34

 

CMYK 0 / 96 / 37 / 29

HEX #B40872

RGB 180 8 114

HSL 323.02, 0.91%, 0.37%

LAB 39.73, 66.51, -11.4

 

CMYK 14 / 96 / 0 / 60

HEX #570465

RGB 87 4 101

HSL 291.34, 0.92%, 0.21%

LAB 20.25, 46.33, -34.87

 

CMYK 14 / 96 / 0 / 45

HEX #79068C

RGB 121 6 140

HSL 291.49, 0.92%, 0.29%

LAB 29.64, 58.81, -44.3

 

CMYK 14 / 96 / 0 / 29

HEX #9B08B4

RGB 155 8 180

HSL 291.28, 0.91%, 0.37%

LAB 38.62, 70.85, -53.75

 

CMYK 14 / 95 / 0 / 14

HEX #BD0ADB

RGB 189 10 219

HSL 291.39, 0.91%, 0.45%

LAB 47.17, 82.23, -62.33

 

CMYK 13 / 89 / 0 / 4

HEX #D41AF4

RGB 212 26 244

HSL 291.19, 0.91%, 0.53%

LAB 53.24, 87.9, -66.48

 

CMYK 14 / 96 / 0 / 29

HEX #9B08B4

RGB 155 8 180

HSL 291.28, 0.91%, 0.37%

LAB 38.62, 70.85, -53.75

 

CMYK 0 / 91 / 96 / 29

HEX #B41108

RGB 180 17 8

HSL 3.14, 0.91%, 0.37%

LAB 38.06, 59.68, 48.97

 

CMYK 96 / 0 / 53 / 29

HEX #08B455

RGB 8 180 85

HSL 146.86, 0.91%, 0.37%

LAB 64.44, -59.28, 37.56

 

CMYK 14 / 96 / 0 / 29

HEX #9B08B4

RGB 155 8 180

HSL 291.28, 0.91%, 0.37%

LAB 38.62, 70.85, -53.75

 

CMYK 0 / 14 / 96 / 29

HEX #B49A08

RGB 180 154 8

HSL 50.93, 0.91%, 0.37%

LAB 64.02, -2.91, 66.53

 

CMYK 96 / 0 / 14 / 29

HEX #08B49A

RGB 8 180 154

HSL 170.93, 0.91%, 0.37%

LAB 65.77, -44.28, 2.48

 

CMYK 14 / 96 / 0 / 29

HEX #9B08B4

RGB 155 8 180

HSL 291.28, 0.91%, 0.37%

LAB 38.62, 70.85, -53.75

 

CMYK 0 / 91 / 96 / 29

HEX #B41108

RGB 180 17 8

HSL 3.14, 0.91%, 0.37%

LAB 38.06, 59.68, 48.97

 

CMYK 81 / 0 / 96 / 29

HEX #22B408

RGB 34 180 8

HSL 110.93, 0.91%, 0.37%

LAB 64.16, -63.67, 63.38

 

CMYK 96 / 5 / 0 / 29

HEX #08ABB4

RGB 8 171 180

HSL 183.14, 0.91%, 0.37%

LAB 63.73, -32.54, -15

 

CMYK 14 / 96 / 0 / 29

HEX #9B08B4

RGB 155 8 180

HSL 291.28, 0.91%, 0.37%

LAB 38.62, 70.85, -53.75

 

CMYK 0 / 62 / 96 / 29

HEX #B44408

RGB 180 68 8

HSL 20.93, 0.91%, 0.37%

LAB 44.02, 43.23, 52.53

 

CMYK 81 / 0 / 96 / 29

HEX #22B408

RGB 34 180 8

HSL 110.93, 0.91%, 0.37%

LAB 64.16, -63.67, 63.38

 

CMYK 96 / 33 / 0 / 29

HEX #0878B4

RGB 8 120 180

HSL 200.93, 0.91%, 0.37%

LAB 47.98, -5.25, -39.35

 

Description

Color code: RGB 155 8 180 | qconv.com Color code: RGB 155 8 180 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 8 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 8 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 96 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 96% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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