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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 78 66 it is the complementary color RGB 100 177 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 78 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 78 66 shade: RGB 160 78 61, RGB 177 96 80, RGB 194 114 99, RGB 211 132 118 and RGB 228 150 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 78 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 78 66 shade: RGB 155 78 66, RGB 138 60 47, RGB 121 42 28, RGB 104 24 9 and RGB 87 6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 78 66 shade: RGB 153 77 65 and RGB 153 65 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 78 66 shade: RGB 153 77 65, RGB 153 101 65, RGB 153 124 65, RGB 153 148 65 and RGB 134 153 65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 78 66 shade matches the following richer shades: RGB 153 77 65, RGB 171 64 48, RGB 188 51 30 and RGB 206 38 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 78 66 shade: RGB 153 77 65, RGB 135 90 83, RGB 118 103 101, RGB 100 116 119 and RGB 82 129 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 78 66 shade: RGB 153 65 100, RGB 153 65 77, RGB 153 77 65, RGB 153 100 65 and RGB 153 124 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 78 66 shade: RGB 95 48 41, RGB 124 63 53, RGB 153 77 65, RGB 180 93 80 and RGB 192 120 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 78 66 shade: RGB 155 78 66, RGB 124 153 65 and RGB 65 89 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 78 66 shade: RGB 155 78 66, RGB 65 153 77 and RGB 77 65 153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 78 66 shade: RGB 155 78 66, RGB 124 153 65, RGB 65 141 153 and RGB 95 65 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 78 66 shade: RGB 155 78 66, RGB 97 153 65, RGB 65 141 153 and RGB 121 65 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 57 / 39

HEX #9B4E42

RGB 155 78 66

HSL 8.09, 0.4%, 0.43%

LAB 42.48, 30.9, 21.79

 

Complementary color

CMYK 47 / 6 / 0 / 26

HEX #64B1BD

RGB 100 177 189

HSL 188.09, 0.4%, 0.57%

LAB 67.89, -20.56, -13.52

 

CMYK 0 / 51 / 62 / 37

HEX #A04E3D

RGB 160 78 61

HSL 10.3, 0.45%, 0.43%

LAB 43.15, 32.51, 25.78

 

CMYK 0 / 46 / 55 / 31

HEX #B16050

RGB 177 96 80

HSL 9.9, 0.38%, 0.5%

LAB 49.85, 31.15, 23.7

 

CMYK 0 / 41 / 49 / 24

HEX #C27263

RGB 194 114 99

HSL 9.47, 0.44%, 0.57%

LAB 56.49, 29.92, 21.91

 

CMYK 0 / 37 / 44 / 17

HEX #D38476

RGB 211 132 118

HSL 9.03, 0.51%, 0.65%

LAB 63.06, 28.81, 20.34

 

CMYK 0 / 34 / 40 / 11

HEX #E49689

RGB 228 150 137

HSL 8.57, 0.63%, 0.72%

LAB 69.55, 27.8, 18.95

 

CMYK 0 / 50 / 57 / 39

HEX #9B4E42

RGB 155 78 66

HSL 8.09, 0.4%, 0.43%

LAB 42.48, 30.9, 21.79

 

CMYK 0 / 57 / 66 / 46

HEX #8A3C2F

RGB 138 60 47

HSL 8.57, 0.49%, 0.36%

LAB 35.67, 32.28, 24.13

 

CMYK 0 / 65 / 77 / 53

HEX #792A1C

RGB 121 42 28

HSL 9.03, 0.62%, 0.29%

LAB 28.91, 33.65, 26.98

 

CMYK 0 / 77 / 91 / 59

HEX #681809

RGB 104 24 9

HSL 9.47, 0.84%, 0.22%

LAB 22.36, 34.68, 29.46

 

CMYK 0 / 93 / 100 / 66

HEX #570600

RGB 87 6 0

HSL 4.14, 1%, 0.17%

LAB 16.29, 34.68, 25.14

 

CMYK 0 / 50 / 58 / 40

HEX #994D41

RGB 153 77 65

HSL 8.18, 0.4%, 0.43%

LAB 41.94, 30.55, 21.64

 

CMYK 0 / 58 / 58 / 40

HEX #994141

RGB 153 65 65

HSL 0, 0.4%, 0.43%

LAB 39.47, 36.87, 18.41

 

CMYK 0 / 50 / 58 / 40

HEX #994D41

RGB 153 77 65

HSL 8.18, 0.4%, 0.43%

LAB 41.94, 30.55, 21.64

 

CMYK 0 / 34 / 58 / 40

HEX #996541

RGB 153 101 65

HSL 24.55, 0.4%, 0.43%

LAB 47.57, 17.01, 28.77

 

CMYK 0 / 19 / 58 / 40

HEX #997C41

RGB 153 124 65

HSL 40.23, 0.4%, 0.43%

LAB 53.57, 3.84, 36.03

 

CMYK 0 / 3 / 58 / 40

HEX #999441

RGB 153 148 65

HSL 56.59, 0.4%, 0.43%

LAB 60.19, -9.41, 43.7

 

CMYK 12 / 0 / 58 / 40

HEX #869941

RGB 134 153 65

HSL 72.95, 0.4%, 0.43%

LAB 60.1, -20.19, 43.18

 

CMYK 0 / 50 / 58 / 40

HEX #994D41

RGB 153 77 65

HSL 8.18, 0.4%, 0.43%

LAB 41.94, 30.55, 21.64

 

CMYK 0 / 63 / 72 / 33

HEX #AB4030

RGB 171 64 48

HSL 7.8, 0.56%, 0.43%

LAB 42.06, 42.93, 32.49

 

CMYK 0 / 73 / 84 / 26

HEX #BC331E

RGB 188 51 30

HSL 7.97, 0.72%, 0.43%

LAB 42.99, 53.45, 44.12

 

CMYK 0 / 82 / 94 / 19

HEX #CE260C

RGB 206 38 12

HSL 8.04, 0.89%, 0.43%

LAB 44.99, 62.57, 54.47

 

CMYK 0 / 50 / 58 / 40

HEX #994D41

RGB 153 77 65

HSL 8.18, 0.4%, 0.43%

LAB 41.94, 30.55, 21.64

 

CMYK 0 / 33 / 39 / 47

HEX #875A53

RGB 135 90 83

HSL 8.08, 0.24%, 0.43%

LAB 42.9, 17.59, 11.59

 

CMYK 0 / 13 / 14 / 54

HEX #766765

RGB 118 103 101

HSL 7.06, 0.08%, 0.43%

LAB 44.93, 5.58, 3.31

 

CMYK 16 / 3 / 0 / 53

HEX #647477

RGB 100 116 119

HSL 189.47, 0.09%, 0.43%

LAB 47.66, -5.24, -3.66

 

CMYK 40 / 5 / 0 / 47

HEX #528188

RGB 82 129 136

HSL 187.78, 0.25%, 0.43%

LAB 51, -14.04, -8.84

 

CMYK 0 / 58 / 35 / 40

HEX #994164

RGB 153 65 100

HSL 336.14, 0.4%, 0.43%

LAB 40.37, 40.55, -2.19

 

CMYK 0 / 58 / 50 / 40

HEX #99414D

RGB 153 65 77

HSL 351.82, 0.4%, 0.43%

LAB 39.73, 37.96, 11.29

 

CMYK 0 / 50 / 58 / 40

HEX #994D41

RGB 153 77 65

HSL 8.18, 0.4%, 0.43%

LAB 41.94, 30.55, 21.64

 

CMYK 0 / 35 / 58 / 40

HEX #996441

RGB 153 100 65

HSL 23.86, 0.4%, 0.43%

LAB 47.32, 17.59, 28.46

 

CMYK 0 / 19 / 58 / 40

HEX #997C41

RGB 153 124 65

HSL 40.23, 0.4%, 0.43%

LAB 53.57, 3.84, 36.03

 

CMYK 0 / 49 / 57 / 63

HEX #5F3029

RGB 95 48 41

HSL 7.78, 0.4%, 0.27%

LAB 25.88, 20.49, 14.03

 

CMYK 0 / 49 / 57 / 51

HEX #7C3F35

RGB 124 63 53

HSL 8.45, 0.4%, 0.35%

LAB 34.18, 25.36, 18.07

 

CMYK 0 / 50 / 58 / 40

HEX #994D41

RGB 153 77 65

HSL 8.18, 0.4%, 0.43%

LAB 41.94, 30.55, 21.64

 

CMYK 0 / 48 / 56 / 29

HEX #B45D50

RGB 180 93 80

HSL 7.8, 0.4%, 0.51%

LAB 49.63, 33.95, 23.49

 

CMYK 0 / 38 / 43 / 25

HEX #C0786D

RGB 192 120 109

HSL 7.95, 0.4%, 0.59%

LAB 57.79, 26.9, 17.89

 

CMYK 0 / 50 / 57 / 39

HEX #9B4E42

RGB 155 78 66

HSL 8.09, 0.4%, 0.43%

LAB 42.48, 30.9, 21.79

 

CMYK 19 / 0 / 58 / 40

HEX #7C9941

RGB 124 153 65

HSL 79.77, 0.4%, 0.43%

LAB 59.39, -24.33, 42.18

 

CMYK 58 / 42 / 0 / 40

HEX #415999

RGB 65 89 153

HSL 223.64, 0.4%, 0.43%

LAB 38.84, 10.92, -37.82

 

CMYK 0 / 50 / 57 / 39

HEX #9B4E42

RGB 155 78 66

HSL 8.09, 0.4%, 0.43%

LAB 42.48, 30.9, 21.79

 

CMYK 58 / 0 / 50 / 40

HEX #41994D

RGB 65 153 77

HSL 128.18, 0.4%, 0.43%

LAB 56.53, -42.96, 32.03

 

CMYK 50 / 58 / 0 / 40

HEX #4D4199

RGB 77 65 153

HSL 248.18, 0.4%, 0.43%

LAB 33.26, 29.1, -46.71

 

CMYK 0 / 50 / 57 / 39

HEX #9B4E42

RGB 155 78 66

HSL 8.09, 0.4%, 0.43%

LAB 42.48, 30.9, 21.79

 

CMYK 19 / 0 / 58 / 40

HEX #7C9941

RGB 124 153 65

HSL 79.77, 0.4%, 0.43%

LAB 59.39, -24.33, 42.18

 

CMYK 58 / 8 / 0 / 40

HEX #418D99

RGB 65 141 153

HSL 188.18, 0.4%, 0.43%

LAB 54.53, -19.79, -13.5

 

CMYK 38 / 58 / 0 / 40

HEX #5F4199

RGB 95 65 153

HSL 260.45, 0.4%, 0.43%

LAB 35.03, 33.36, -43.77

 

CMYK 0 / 50 / 57 / 39

HEX #9B4E42

RGB 155 78 66

HSL 8.09, 0.4%, 0.43%

LAB 42.48, 30.9, 21.79

 

CMYK 37 / 0 / 58 / 40

HEX #619941

RGB 97 153 65

HSL 98.18, 0.4%, 0.43%

LAB 57.76, -34.69, 39.88

 

CMYK 58 / 8 / 0 / 40

HEX #418D99

RGB 65 141 153

HSL 188.18, 0.4%, 0.43%

LAB 54.53, -19.79, -13.5

 

CMYK 21 / 58 / 0 / 40

HEX #794199

RGB 121 65 153

HSL 278.18, 0.4%, 0.43%

LAB 38.1, 40.12, -38.68

 

Description

Color code: RGB 155 78 66 | qconv.com Color code: RGB 155 78 66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 78 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 78 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 57 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 57% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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