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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 74.2 109.6 it is the complementary color RGB 100 180.8 145.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 74.2 109.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 74.2 109.6 shade: RGB 160 74.2 104.6, RGB 177 92.2 123.6, RGB 194 110.2 142.6, RGB 211 128.2 161.6 and RGB 228 146.2 180.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 74.2 109.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 74.2 109.6 shade: RGB 155 74.2 109.6, RGB 138 56.2 90.6, RGB 121 38.2 71.6, RGB 104 20.2 52.6 and RGB 87 2.2 33.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 74.2 109.6 shade: RGB 155 75 110, RGB 155 75 88 and RGB 155 75 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 74.2 109.6 shade: RGB 155 75 110, RGB 155 75 131, RGB 155 75 153, RGB 135 75 155 and RGB 113 75 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 74.2 109.6 shade matches the following richer shades: RGB 155 75 110, RGB 173 56 107, RGB 192 37 105, RGB 211 19 103 and RGB 229 0 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 74.2 109.6 shade: RGB 155 75 110, RGB 136 93 112, RGB 118 112 114, RGB 99 130 117 and RGB 81 149 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 74.2 109.6 shade: RGB 155 75 154, RGB 155 75 132, RGB 155 75 111, RGB 155 75 89 and RGB 155 81 75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 74.2 109.6 shade: RGB 99 48 70, RGB 127 61 90, RGB 155 75 110, RGB 177 94 130 and RGB 191 121 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 74.2 109.6 shade: RGB 155 74.2 109.6, RGB 155 135 75 and RGB 75 143 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 74.2 109.6 shade: RGB 155 74.2 109.6, RGB 111 155 75 and RGB 75 111 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 74.2 109.6 shade: RGB 155 74.2 109.6, RGB 155 135 75, RGB 75 155 119 and RGB 75 95 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 74.2 109.6 shade: RGB 155 74.2 109.6, RGB 151 155 75, RGB 75 155 119 and RGB 79 75 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 29 / 39

HEX #9B4A6D

RGB 155 74.2 109.6

HSL 333.71, 0.35%, 0.45%

LAB 42.78, 37.83, -4.55

 

Complementary color

CMYK 45 / 0 / 20 / 29

HEX #64B491

RGB 100 180.8 145.4

HSL 153.71, 0.35%, 0.55%

LAB 67.82, -33.11, 10.43

 

CMYK 0 / 54 / 35 / 37

HEX #A04A68

RGB 160 74.2 104.6

HSL 338.74, 0.37%, 0.46%

LAB 43.37, 38.92, -0.51

 

CMYK 0 / 48 / 30 / 31

HEX #B15C7B

RGB 177 92.2 123.6

HSL 337.78, 0.35%, 0.53%

LAB 50.07, 38.05, -1.92

 

CMYK 0 / 43 / 26 / 24

HEX #C26E8E

RGB 194 110.2 142.6

HSL 336.8, 0.41%, 0.6%

LAB 56.72, 37.17, -3.09

 

CMYK 0 / 39 / 23 / 17

HEX #D380A1

RGB 211 128.2 161.6

HSL 335.8, 0.48%, 0.67%

LAB 63.29, 36.32, -4.1

 

CMYK 0 / 36 / 21 / 11

HEX #E492B4

RGB 228 146.2 180.6

HSL 334.77, 0.6%, 0.73%

LAB 69.78, 35.52, -5

 

CMYK 0 / 52 / 29 / 39

HEX #9B4A6D

RGB 155 74.2 109.6

HSL 333.71, 0.35%, 0.45%

LAB 42.78, 37.83, -4.55

 

CMYK 0 / 59 / 34 / 46

HEX #8A385A

RGB 138 56.2 90.6

HSL 334.77, 0.42%, 0.38%

LAB 35.98, 38.58, -3.01

 

CMYK 0 / 68 / 41 / 53

HEX #792647

RGB 121 38.2 71.6

HSL 335.8, 0.52%, 0.31%

LAB 29.23, 39.05, -0.96

 

CMYK 0 / 81 / 49 / 59

HEX #681434

RGB 104 20.2 52.6

HSL 336.8, 0.67%, 0.24%

LAB 22.67, 38.8, 1.96

 

CMYK 0 / 97 / 61 / 66

HEX #570221

RGB 87 2.2 33.6

HSL 337.78, 0.95%, 0.17%

LAB 16.44, 37.46, 6.12

 

CMYK 0 / 52 / 29 / 39

HEX #9B4B6E

RGB 155 75 110

HSL 333.75, 0.35%, 0.45%

LAB 42.95, 37.46, -4.53

 

CMYK 0 / 52 / 43 / 39

HEX #9B4B58

RGB 155 75 88

HSL 350.25, 0.35%, 0.45%

LAB 42.32, 34.68, 8.12

 

CMYK 0 / 52 / 52 / 39

HEX #9B4B4B

RGB 155 75 75

HSL 0, 0.35%, 0.45%

LAB 42.01, 33.32, 15.7

 

CMYK 0 / 52 / 29 / 39

HEX #9B4B6E

RGB 155 75 110

HSL 333.75, 0.35%, 0.45%

LAB 42.95, 37.46, -4.53

 

CMYK 0 / 52 / 15 / 39

HEX #9B4B83

RGB 155 75 131

HSL 318, 0.35%, 0.45%

LAB 43.71, 40.66, -16.24

 

CMYK 0 / 52 / 1 / 39

HEX #9B4B99

RGB 155 75 153

HSL 301.5, 0.35%, 0.45%

LAB 44.66, 44.51, -28.04

 

CMYK 13 / 52 / 0 / 39

HEX #874B9B

RGB 135 75 155

HSL 285, 0.35%, 0.45%

LAB 42.08, 39.04, -33.48

 

CMYK 27 / 52 / 0 / 39

HEX #714B9B

RGB 113 75 155

HSL 268.5, 0.35%, 0.45%

LAB 39.43, 32.74, -37.84

 

CMYK 0 / 52 / 29 / 39

HEX #9B4B6E

RGB 155 75 110

HSL 333.75, 0.35%, 0.45%

LAB 42.95, 37.46, -4.53

 

CMYK 0 / 68 / 38 / 32

HEX #AD386B

RGB 173 56 107

HSL 333.85, 0.51%, 0.45%

LAB 42.42, 51.9, -3.15

 

CMYK 0 / 81 / 45 / 25

HEX #C02569

RGB 192 37 105

HSL 333.68, 0.68%, 0.45%

LAB 43.58, 63.33, 0.21

 

CMYK 0 / 91 / 51 / 17

HEX #D31367

RGB 211 19 103

HSL 333.75, 0.83%, 0.45%

LAB 46.03, 71.31, 5.47

 

CMYK 0 / 100 / 56 / 10

HEX #E50065

RGB 229 0 101

HSL 333.54, 1%, 0.45%

LAB 49, 77.03, 11.42

 

CMYK 0 / 52 / 29 / 39

HEX #9B4B6E

RGB 155 75 110

HSL 333.75, 0.35%, 0.45%

LAB 42.95, 37.46, -4.53

 

CMYK 0 / 32 / 18 / 47

HEX #885D70

RGB 136 93 112

HSL 333.49, 0.19%, 0.45%

LAB 44.56, 20.61, -3.65

 

CMYK 0 / 5 / 3 / 54

HEX #767072

RGB 118 112 114

HSL 340, 0.03%, 0.45%

LAB 47.82, 2.71, -0.28

 

CMYK 24 / 0 / 10 / 49

HEX #638275

RGB 99 130 117

HSL 154.84, 0.14%, 0.45%

LAB 51.73, -13.91, 3.44

 

CMYK 46 / 0 / 20 / 42

HEX #519577

RGB 81 149 119

HSL 153.53, 0.3%, 0.45%

LAB 56.66, -28.9, 9.22

 

CMYK 0 / 52 / 1 / 39

HEX #9B4B9A

RGB 155 75 154

HSL 300.75, 0.35%, 0.45%

LAB 44.71, 44.7, -28.56

 

CMYK 0 / 52 / 15 / 39

HEX #9B4B84

RGB 155 75 132

HSL 317.25, 0.35%, 0.45%

LAB 43.75, 40.83, -16.78

 

CMYK 0 / 52 / 28 / 39

HEX #9B4B6F

RGB 155 75 111

HSL 333, 0.35%, 0.45%

LAB 42.99, 37.6, -5.1

 

CMYK 0 / 52 / 43 / 39

HEX #9B4B59

RGB 155 75 89

HSL 349.5, 0.35%, 0.45%

LAB 42.34, 34.79, 7.53

 

CMYK 0 / 48 / 52 / 39

HEX #9B514B

RGB 155 81 75

HSL 4.5, 0.35%, 0.45%

LAB 43.3, 30.07, 17.44

 

CMYK 0 / 52 / 29 / 61

HEX #633046

RGB 99 48 70

HSL 334.12, 0.35%, 0.29%

LAB 27.32, 25.88, -3.13

 

CMYK 0 / 52 / 29 / 50

HEX #7F3D5A

RGB 127 61 90

HSL 333.64, 0.35%, 0.37%

LAB 35.18, 32.08, -4.01

 

CMYK 0 / 52 / 29 / 39

HEX #9B4B6E

RGB 155 75 110

HSL 333.75, 0.35%, 0.45%

LAB 42.95, 37.46, -4.53

 

CMYK 0 / 47 / 27 / 31

HEX #B15E82

RGB 177 94 130

HSL 333.98, 0.35%, 0.53%

LAB 50.65, 37.99, -4.89

 

CMYK 0 / 37 / 20 / 25

HEX #BF7998

RGB 191 121 152

HSL 333.43, 0.35%, 0.61%

LAB 58.99, 31.67, -5.22

 

CMYK 0 / 52 / 29 / 39

HEX #9B4A6D

RGB 155 74.2 109.6

HSL 333.71, 0.35%, 0.45%

LAB 42.78, 37.83, -4.55

 

CMYK 0 / 13 / 52 / 39

HEX #9B874B

RGB 155 135 75

HSL 45, 0.35%, 0.45%

LAB 56.88, -0.55, 34.81

 

CMYK 52 / 8 / 0 / 39

HEX #4B8F9B

RGB 75 143 155

HSL 189, 0.35%, 0.45%

LAB 55.59, -18.08, -13

 

CMYK 0 / 52 / 29 / 39

HEX #9B4A6D

RGB 155 74.2 109.6

HSL 333.71, 0.35%, 0.45%

LAB 42.78, 37.83, -4.55

 

CMYK 28 / 0 / 52 / 39

HEX #6F9B4B

RGB 111 155 75

HSL 93, 0.35%, 0.45%

LAB 59.28, -29.35, 36.92

 

CMYK 52 / 28 / 0 / 39

HEX #4B6F9B

RGB 75 111 155

HSL 213, 0.35%, 0.45%

LAB 45.95, 0.16, -27.79

 

CMYK 0 / 52 / 29 / 39

HEX #9B4A6D

RGB 155 74.2 109.6

HSL 333.71, 0.35%, 0.45%

LAB 42.78, 37.83, -4.55

 

CMYK 0 / 13 / 52 / 39

HEX #9B874B

RGB 155 135 75

HSL 45, 0.35%, 0.45%

LAB 56.88, -0.55, 34.81

 

CMYK 52 / 0 / 23 / 39

HEX #4B9B77

RGB 75 155 119

HSL 153, 0.35%, 0.45%

LAB 58.29, -33.35, 11.49

 

CMYK 52 / 39 / 0 / 39

HEX #4B5F9B

RGB 75 95 155

HSL 225, 0.35%, 0.45%

LAB 41.29, 10.08, -35.1

 

CMYK 0 / 52 / 29 / 39

HEX #9B4A6D

RGB 155 74.2 109.6

HSL 333.71, 0.35%, 0.45%

LAB 42.78, 37.83, -4.55

 

CMYK 3 / 0 / 52 / 39

HEX #979B4B

RGB 151 155 75

HSL 63, 0.35%, 0.45%

LAB 62.11, -13.13, 40.98

 

CMYK 52 / 0 / 23 / 39

HEX #4B9B77

RGB 75 155 119

HSL 153, 0.35%, 0.45%

LAB 58.29, -33.35, 11.49

 

CMYK 49 / 52 / 0 / 39

HEX #4F4B9B

RGB 79 75 155

HSL 243, 0.35%, 0.45%

LAB 36.1, 23.84, -43.34

 

Description

Color code: RGB 155 74.2 109.6 | qconv.com Color code: RGB 155 74.2 109.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 74.2 green and 109.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 74.2 109.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 29 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 29% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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