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Color name
RGB 155 60 34

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 60 34 it is the complementary color RGB 100 195 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 60 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 60 34 shade: RGB 160 60 29, RGB 177 78 48, RGB 194 96 67, RGB 211 114 86 and RGB 228 132 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 60 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 60 34 shade: RGB 155 60 34, RGB 138 42 15, RGB 121 24 0, RGB 104 6 0 and RGB 87 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 60 34 shade: RGB 155 60 34 and RGB 155 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 60 34 shade: RGB 155 60 34, RGB 155 92 34, RGB 155 125 34, RGB 152 155 34 and RGB 119 155 34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 60 34 shade matches the following richer shades: RGB 155 60 34, RGB 170 51 19 and RGB 185 42 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 60 34 shade: RGB 155 60 34, RGB 139 69 49, RGB 124 77 64, RGB 109 86 80 and RGB 94 95 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 60 34 shade: RGB 155 34 74, RGB 155 34 42, RGB 155 58 34, RGB 155 90 34 and RGB 155 123 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 60 34 shade: RGB 87 34 19, RGB 121 47 27, RGB 155 60 34, RGB 189 73 41 and RGB 212 92 59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 60 34 shade: RGB 155 60 34, RGB 106 155 34 and RGB 34 58 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 60 34 shade: RGB 155 60 34, RGB 34 155 58 and RGB 58 34 155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 60 34 shade: RGB 155 60 34, RGB 106 155 34, RGB 34 131 155 and RGB 82 34 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 60 34 shade: RGB 155 60 34, RGB 70 155 34, RGB 34 131 155 and RGB 119 34 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 78 / 39

HEX #9B3C22

RGB 155 60 34

HSL 12.89, 0.64%, 0.37%

LAB 38.4, 38.22, 35.54

 

Complementary color

CMYK 55 / 12 / 0 / 13

HEX #64C3DD

RGB 100 195 221

HSL 192.89, 0.64%, 0.63%

LAB 74.16, -20.87, -21.55

 

CMYK 0 / 63 / 82 / 37

HEX #A03C1D

RGB 160 60 29

HSL 14.2, 0.69%, 0.37%

LAB 39.23, 39.92, 39.27

 

CMYK 0 / 56 / 73 / 31

HEX #B14E30

RGB 177 78 48

HSL 13.95, 0.57%, 0.44%

LAB 45.65, 38.41, 36.8

 

CMYK 0 / 51 / 65 / 24

HEX #C26043

RGB 194 96 67

HSL 13.7, 0.51%, 0.51%

LAB 52.11, 36.91, 34.47

 

CMYK 0 / 46 / 59 / 17

HEX #D37256

RGB 211 114 86

HSL 13.44, 0.59%, 0.58%

LAB 58.56, 35.5, 32.38

 

CMYK 0 / 42 / 54 / 11

HEX #E48469

RGB 228 132 105

HSL 13.17, 0.69%, 0.65%

LAB 64.98, 34.2, 30.51

 

CMYK 0 / 61 / 78 / 39

HEX #9B3C22

RGB 155 60 34

HSL 12.89, 0.64%, 0.37%

LAB 38.4, 38.22, 35.54

 

CMYK 0 / 70 / 89 / 46

HEX #8A2A0F

RGB 138 42 15

HSL 13.17, 0.8%, 0.3%

LAB 32.02, 39.57, 38.03

 

CMYK 0 / 80 / 100 / 53

HEX #791800

RGB 121 24 0

HSL 11.9, 1%, 0.24%

LAB 25.92, 40.37, 37.85

 

CMYK 0 / 94 / 100 / 59

HEX #680600

RGB 104 6 0

HSL 3.46, 1%, 0.2%

LAB 20.34, 39.94, 30.93

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 61 / 78 / 39

HEX #9B3C22

RGB 155 60 34

HSL 12.89, 0.64%, 0.37%

LAB 38.4, 38.22, 35.54

 

CMYK 0 / 78 / 78 / 39

HEX #9B2222

RGB 155 34 34

HSL 0, 0.64%, 0.37%

LAB 34.45, 48.94, 31.35

 

CMYK 0 / 61 / 78 / 39

HEX #9B3C22

RGB 155 60 34

HSL 12.89, 0.64%, 0.37%

LAB 38.4, 38.22, 35.54

 

CMYK 0 / 41 / 78 / 39

HEX #9B5C22

RGB 155 92 34

HSL 28.76, 0.64%, 0.37%

LAB 45.27, 21.06, 42.49

 

CMYK 0 / 19 / 78 / 39

HEX #9B7D22

RGB 155 125 34

HSL 45.12, 0.64%, 0.37%

LAB 53.76, 2.24, 50.63

 

CMYK 2 / 0 / 78 / 39

HEX #989B22

RGB 152 155 34

HSL 61.49, 0.64%, 0.37%

LAB 61.86, -15.4, 57.98

 

CMYK 23 / 0 / 78 / 39

HEX #779B22

RGB 119 155 34

HSL 77.85, 0.64%, 0.37%

LAB 59.42, -29.58, 54.85

 

CMYK 0 / 61 / 78 / 39

HEX #9B3C22

RGB 155 60 34

HSL 12.89, 0.64%, 0.37%

LAB 38.4, 38.22, 35.54

 

CMYK 0 / 70 / 89 / 33

HEX #AA3313

RGB 170 51 19

HSL 12.72, 0.8%, 0.37%

LAB 39.51, 47.2, 44.87

 

CMYK 0 / 77 / 98 / 27

HEX #B92A03

RGB 185 42 3

HSL 12.86, 0.97%, 0.37%

LAB 41.18, 55.1, 52.89

 

CMYK 0 / 61 / 78 / 39

HEX #9B3C22

RGB 155 60 34

HSL 12.89, 0.64%, 0.37%

LAB 38.4, 38.22, 35.54

 

CMYK 0 / 50 / 65 / 45

HEX #8B4531

RGB 139 69 49

HSL 13.33, 0.48%, 0.37%

LAB 37.78, 27.95, 25.55

 

CMYK 0 / 38 / 48 / 51

HEX #7C4D40

RGB 124 77 64

HSL 13, 0.32%, 0.37%

LAB 37.78, 18.28, 15.99

 

CMYK 0 / 21 / 27 / 57

HEX #6D5650

RGB 109 86 80

HSL 12.41, 0.15%, 0.37%

LAB 38.7, 8.49, 7.1

 

CMYK 1 / 0 / 0 / 63

HEX #5E5F5F

RGB 94 95 95

HSL 180, 0.01%, 0.37%

LAB 40.23, -0.39, -0.14

 

CMYK 0 / 78 / 52 / 39

HEX #9B224A

RGB 155 34 74

HSL 340.17, 0.64%, 0.37%

LAB 35.22, 51.38, 6.94

 

CMYK 0 / 78 / 73 / 39

HEX #9B222A

RGB 155 34 42

HSL 356.03, 0.64%, 0.37%

LAB 34.56, 49.29, 26.6

 

CMYK 0 / 63 / 78 / 39

HEX #9B3A22

RGB 155 58 34

HSL 11.9, 0.64%, 0.37%

LAB 38.04, 39.18, 35.16

 

CMYK 0 / 42 / 78 / 39

HEX #9B5A22

RGB 155 90 34

HSL 27.77, 0.64%, 0.37%

LAB 44.8, 22.19, 42.02

 

CMYK 0 / 21 / 78 / 39

HEX #9B7B22

RGB 155 123 34

HSL 44.13, 0.64%, 0.37%

LAB 53.22, 3.37, 50.13

 

CMYK 0 / 61 / 78 / 66

HEX #572213

RGB 87 34 19

HSL 13.24, 0.64%, 0.21%

LAB 20.89, 23.45, 21.82

 

CMYK 0 / 61 / 78 / 53

HEX #792F1B

RGB 121 47 27

HSL 12.77, 0.64%, 0.29%

LAB 29.85, 31.08, 28.59

 

CMYK 0 / 61 / 78 / 39

HEX #9B3C22

RGB 155 60 34

HSL 12.89, 0.64%, 0.37%

LAB 38.4, 38.22, 35.54

 

CMYK 0 / 61 / 78 / 26

HEX #BD4929

RGB 189 73 41

HSL 12.97, 0.64%, 0.45%

LAB 46.64, 45.03, 42.16

 

CMYK 0 / 57 / 72 / 17

HEX #D45C3B

RGB 212 92 59

HSL 12.94, 0.64%, 0.53%

LAB 53.99, 45.3, 41.7

 

CMYK 0 / 61 / 78 / 39

HEX #9B3C22

RGB 155 60 34

HSL 12.89, 0.64%, 0.37%

LAB 38.4, 38.22, 35.54

 

CMYK 32 / 0 / 78 / 39

HEX #6A9B22

RGB 106 155 34

HSL 84.3, 0.64%, 0.37%

LAB 58.62, -34.76, 53.82

 

CMYK 78 / 63 / 0 / 39

HEX #223A9B

RGB 34 58 155

HSL 228.1, 0.64%, 0.37%

LAB 28.73, 27.14, -55.42

 

CMYK 0 / 61 / 78 / 39

HEX #9B3C22

RGB 155 60 34

HSL 12.89, 0.64%, 0.37%

LAB 38.4, 38.22, 35.54

 

CMYK 78 / 0 / 63 / 39

HEX #229B3A

RGB 34 155 58

HSL 131.9, 0.64%, 0.37%

LAB 56.18, -52.54, 40.82

 

CMYK 63 / 78 / 0 / 39

HEX #3A229B

RGB 58 34 155

HSL 251.9, 0.64%, 0.37%

LAB 24.98, 44.58, -61.51

 

CMYK 0 / 61 / 78 / 39

HEX #9B3C22

RGB 155 60 34

HSL 12.89, 0.64%, 0.37%

LAB 38.4, 38.22, 35.54

 

CMYK 32 / 0 / 78 / 39

HEX #6A9B22

RGB 106 155 34

HSL 84.3, 0.64%, 0.37%

LAB 58.62, -34.76, 53.82

 

CMYK 78 / 15 / 0 / 39

HEX #22839B

RGB 34 131 155

HSL 191.9, 0.64%, 0.37%

LAB 50.62, -18.8, -20.69

 

CMYK 47 / 78 / 0 / 39

HEX #52229B

RGB 82 34 155

HSL 263.8, 0.64%, 0.37%

LAB 27.59, 47.92, -57.14

 

CMYK 0 / 61 / 78 / 39

HEX #9B3C22

RGB 155 60 34

HSL 12.89, 0.64%, 0.37%

LAB 38.4, 38.22, 35.54

 

CMYK 55 / 0 / 78 / 39

HEX #469B22

RGB 70 155 34

HSL 102.15, 0.64%, 0.37%

LAB 56.94, -47.01, 51.62

 

CMYK 78 / 15 / 0 / 39

HEX #22839B

RGB 34 131 155

HSL 191.9, 0.64%, 0.37%

LAB 50.62, -18.8, -20.69

 

CMYK 23 / 78 / 0 / 39

HEX #77229B

RGB 119 34 155

HSL 282.15, 0.64%, 0.37%

LAB 32.77, 54.44, -48.47

 

Description

Color code: RGB 155 60 34 | qconv.com Color code: RGB 155 60 34 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 60 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 60 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 78 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 78% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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